Mini

Mini (pronounce min-ee)

(1) A skirt or dress with a hemline well above the knee, popular since the 1960s.

(2) A small car, build by Austin, Morris, associated companies and successor corporations between 1959-2000.  Later reprised by BMW in a retro-interpretation.

(3) As minicomputer, a generalized (historic) descriptor for a multi-node computer system smaller than a mainframe; the colloquial term mini was rendered meaningless by technological change (Briefly, personal computers (PC) were known as micros).

(4) A term for anything of a small, reduced, or miniature size.

Early 1900s: A shorted form of miniature, ultimately from the Latin minium (red lead; vermilion), a development influenced by the similarity to minimum and minus.  In English, miniature was borrowed from the late sixteenth century Italian miniatura (manuscript illumination), from miniare (rubricate; to illuminate), from the Latin miniō (to color red), from minium (red lead).  Although uncertain, the source of minium is thought to be Iberian; the vivid shade of vermilion was used to mark particular words in manuscripts.  Despite the almost universal consensus mini is a creation of twentieth-century, there is a suggested link in the 1890s connected with Yiddish and Hebrew.

As a prefix, mini- is a word-forming element meaning "miniature, minor", again abstracted from miniature, with the sense presumed to have been influenced by minimum.  The vogue for mini- as a prefix in English word creation dates from the early 1960s, the prime influences thought to be (1) the small British car, (2) the dresses & skirts with high-hemlines and (3) developments in the hardware of electronic components which permitted smaller versions of products to be created as low-cost consumer products although there had been earlier use, a minicam (a miniature camera) advertised as early as 1937.  The mini-skirt (skirt with a hem-line well above the knee) dates from 1965 and the first use of mini-series (television series of short duration and on a single theme) was labelled such in 1971 and since then, mini- has been prefixed to just about everything possible.  To Bridget Jones (from Bridget Jones's Diary (1996) a novel by Helen Fielding (b 1958)), a mini-break was a very short holiday; in previous use in lawn tennis it referred to a tiebreak, a point won against the server when ahead.

Jean Shrimpton and the mini-skirt

Jean Shrimpton, Flemington Racecourse, Melbourne, 1965.

The Victorian Racing Club (VRC) had in 1962 added Fashions on the Field to the Melbourne’s Spring Racing Carnival at Flemington and for three years, women showed up with the usual hats and accessories, including gloves and stockings, then de rigueur for ladies of the Melbourne establishment.  Then on the VRC’s Derby Day in 1965, English model Jean Shrimpton (b 1942) wore a white mini, its hem a daring four inches (100 mm) above the knee.  It caused stir.

The moment has since been described as the pivotal moment for the introduction of the mini to an international audience which is probably overstating things but for Melbourne it was certainly quite a moment.  Anthropologists have documented evidence of the mini in a variety of cultures over the last 4000 odd years so, except perhaps in Melbourne, circa 1965, it was nothing new but that didn’t stop the fashion industry having a squabble about who “invented” the mini.  French designer André Courrèges (1923-2016) explicitly claimed the honor, accusing his London rival to the claim, Mary Quant (b 1930) of merely “commercializing it”.  Courrèges had shown minis at shows in both 1964 and 1965 and his sketches date from 1961.  Quant’s designs are even earlier but given the anthropologists’ findings, it seems a sterile argument.

Minimalism: Lindsay Lohan and the possibilities of the mini.

The Mini

1962 Riley Elf.

The British Motor Corporation (BMC) first released their Mini in 1959, the Morris version called the Mini Minor (a link to the larger Minor, a model then in production) while the companion Austin was the Seven, a re-use of the name of a tiny car of the inter-war years.  The Mini name however caught on and the Seven was re-named Mini early in 1962 although the up-market (and, with modifications to the body, slightly more than merely badge-engineered) versions by Riley and Wolseley were never called Mini, instead adopting names either from or hinting at their more independent past: the Elf and Hornet respectively.  The Mini name was in 1969 separated from Austin and Morris, marketed as stand-alone marque until 1980 when the Austin name was again appended, an arrangement which lasted until 1988 when finally it reverted to Mini although some were badged as Rovers for export markets.  The Mini remained in production until 2000, long before then antiquated but still out-lasting the Metro, its intended successor.

1969 Austin Maxi 1500.

The allure of the Mini name obviously impressed BMC.  By 1969, BMC had, along with a few others, been absorbed into the Leyland conglomerate and the first release of the merged entity was in the same linguistic tradition: The Maxi.  A harbinger of what was to come, the Maxi encapsulated all that would go wrong within Leyland during the 1970s; a good idea, full of advanced features, poorly developed, badly built, unattractive and with an inadequate service network.  The design was so clever that to this day the space utilization has rarely been matched and had it been a Renault or a Citroën, the ungainly appearance and underpowered engine might have been forgiven because of the functionality but the poor quality control, lack of refinement and clunky aspects of some of the drivetrain meant success was only ever modest.  Like much of what Leyland did, the Maxi should have been a great success but even car thieves avoided the thing; for much of its life it was reported as the UK's least stolen vehicle.          

1979 Vanden Plas Mini (a possibly "outlaw" project by Leyland's outpost in South Africa).

Curiously, given the fondness of BMC (and subsequently Leyland) for badge-engineering, there was never an MG version of the Mini (although a couple of interpretations were privately built), the competition potential explored by a joint-venture with the Formula One constructors, Cooper, the name still used for some versions of the current BMW Mini.  Nor was there a luxury version finished by coachbuilders Vanden Plas which, with the addition of much timber veneer and leather to vehicles mundane, provided the parent corporations with highly profitable status-symbols with which to delight the middle-class.  There was however a separate development by Leyland's South African operation (Leykor), their Vanden Plas Mini sold briefly between 1978-1979 although the photographic evidence suggests it didn’t match the finish or appointment level of the English-built cars which may account for the short life-span and it's unclear whether the head office approved or even knew of this South African novelty prior to its few months of life.   In the home market, third-party suppliers of veneer and leather such as Radford found a market among those who appreciated the Mini's compact practicality but found its stark functionalism just too austere. 

The Twini

Mini Coopers (1275 S) through the cutting, Mount Panorama, Bathurst, Australia, 1966.

In that year's Gallaher 500, Mini Coopers finished first to ninth.  It was the last occasion on which anything with a naturally-aspirated four-cylinder engine would win the annual endurance classic, an event which has since be won on all but a handful of occasions by V8-powered cars (memorably a V12 Jaguar XJS triumphed in 1985 when Conrod Straight was still at it full length), a statistic distorted somewhat by the rule change in 1995 which stipulated only V8s were allowed to run.    

Although it seemed improbable when the Mini was released in 1959 as a small, utilitarian economy car, the performance potential proved extraordinary; in rallies and on race tracks it was a first-rate competitor for over a decade, remaining popular in many forms of competition to this day.  The joint venture with the Formula One constructor Cooper provided the basis for most of the success but by far the most intriguing possibility for more speed was the model which was never developed beyond the prototype stage: the twin-engined Twini.

Prototype twin-engined Moke while undergoing snow testing, 1962.

It wasn’t actually a novel approach.  BMC, inspired apparently by English racing driver Paul Emery (1916–1993) who in 1961 had built a twin-engined Mini, used the Mini’s underpinnings to create an all-purpose cross-country vehicle, the Moke, equipped with a second engine and coupled controls which, officially, was an “an engineering exercise” but had actually been built to interest the Ministry of Defence in the idea of a cheap, all-wheel drive utility vehicle, so light and compact it could be carried by small transport aircraft and serviced anywhere in the world.  The army did test the Moke and were impressed by its capabilities and the flexibility the design offered but ultimately rejected the concept because the lack of ground-clearance limited the terrain to which it could be deployed.  Based on the low-slung Mini, that was one thing which couldn’t easily be rectified.  Instead, using just a single engine in a front-wheel-drive (FWD) configuration, the Moke was re-purposed as a civilian model, staying in production between 1964-1989 and offered in various markets.  Such is the interest in the design that several companies have resumed production, including in electric form and it remains available today.

Cutaway drawing of Cooper’s Twini.

John Cooper (1923-2000), aware of previous twin-engined racing cars,  had tested the prototype military Moke and immediately understood the potential the layout offered for the Mini (ground clearance not a matter of concern on race tracks) and within six weeks the Cooper factory had constructed a prototype.  To provide the desired characteristics, the rear engine was larger and more powerful, the combination, in a car weighing less than 1600 lb (725 kg), delivering a power-to-weight ratio similar to a contemporary Ferrari Berlinetta and to complete the drive-train, two separate gearboxes with matched ratios were fitted.  Typically Cooper, it was a well thought-out design.  The lines for the brake and clutch hydraulics and those of the main electrical feed to the battery were run along the right-hand reinforcing member below the right-hand door while on the left side were the oil and water leads, the fuel supply line to both engines fed from a central tank.  The electrical harness was ducted through the roof section and there was a central throttle link, control of the rear carburetors being taken from the accelerator, via the front engine linkage, back through the centre of the car.  It sounded intricate but the distances were short and everything worked.

Twini replica.

John Cooper immediately began testing the Twini, evaluating its potential for competition and as was done with race cars in those happy days, that testing was on public roads where it proved to be fast, surprisingly easy to handle and well-balanced.  Unfortunately, de-bugging wasn't complete and during one night session, the rear engine seized which resulting in a rollover, Cooper seriously injured and the car destroyed.  Both BMC and Cooper abandoned the project because the standard Mini-Coopers were proving highly successful and to qualify for any sanctioned competition, at least one hundred Twinis would have to have been built and neither organization could devote the necessary resources for development or production, especially because no research had been done to work out whether a market existed for such a thing, were it sold at a price which guaranteed at least it would break even.

Twini built by Downton Engineering.  Driven by Sir John Whitmore (1937– 2017) &  Paul Frère (1917–2008) in the 1963 Targa Florio, it finished 27th and 5th in class.

The concept however did intrigue others interested in entering events which accepted one-offs with no homologation rules stipulating minimum production volumes.  Downton Engineering built one and contested the 1963 Targa Florio where it proved fast but fragile, plagued by an overheating rear-engine and the bugbear of previous twin-engined racing cars: excessive tire wear.  It finished 27^th (and last) but it did finish, unlike some of the more illustrious thoroughbreds which fell by the wayside.  Interestingly, the Downton engineers choose to use a pair of the 998 cm³ (61 cubic inch) versions of the BMC A-Series engine which was a regular production iteration and thus in the under-square (long stroke) configuration typical of almost all the A-Series.  The long stroke tradition in British engines was a hangover from the time when the road-taxation system was based on the cylinder bore, a method which had simplicity and ease of administration to commend it but little else, generations of British engines distinguished by their dreary, slow-revving characteristics.  The long stroke design did however provide good torque over a wide engine-speed range and on road-course like the Targa Florio, run over a mountainous Sicilian circuit, the ample torque spread would have appealed more to drivers than ultimate top-end power.  For that reason, although examples of the oversquare 1071 cm³ (65 cubic inch) versions were available, it was newly developed and a still uncertain quantity and never considered for installation.  The 1071 was used in the Mini Cooper S only during 1963-1964 (with a companion 970 cm³ (61 cubic inch) version created for use in events with a 1000 cm³ capacity limit) and the pair are a footnote in A-Series history as the only over-square versions released for sale

Twin-engined BMW Mini (Binni?).

In the era, it’s thought around six Twinis were built (and there have been a few since) but the concept proved irresistible and twin-engined versions of the "new" Mini (built since 2000 by BMW) have been made.  It was fitting that idea was replicated because what was striking in 2000 when BMW first displayed their Mini was that its lines were actually closer to some of the original conceptual sketches from the 1950s than was the BMC Mini on its debut.  BMW, like others, of course now routinely add electric motors to fossil-fuel powered cars so in that sense twin (indeed, sometimes multi-) engined cars are now common but to use more than one piston engine remains rare.  Except for the very specialized place which is the drag-strip, the only successful examples have been off-road or commercial vehicles and as John Cooper and a host of others came to understand, while the advantages were there to be had, there were easier, more practical ways in which they could be gained.  Unfortunately, so inherent were the drawbacks that the problems proved insoluble.

Dagger

Dagger (pronounced dag-er)

(1) A short, double-edged weapon with a pointed blade and a handle, used historically for personal protection in close combat (although some were weighted for throwing), but since the development of side-arms, increasing only for ceremonial purposes (many produced without sharpened edges).

(2) In typography a mark (†) used to indicate a cross reference, especially a footnote (also called obelisk).  The double dagger (‡) is also used.

(3) In sport and military strategy, a offence which thrusts deep into opposition territory on a short front.

(4) In glaciology, the long, conical ice-formations formed from drops of water (al la the stalactites in caves).

(5) In the slang of clinical medicine, anything that causes pain like a stabbing injury (typically, some sort of barb)

(6) In basketball & American football, a point scored near the end of the game (clutch time) to take or increase the scorer's team lead.

(7) In nautical architecture, as daggerboard, a retractable centre-board that slides out to act as a keel; a timber placed diagonally in a ship's frame.

(8) To stab with a dagger or similar bladed weapon (archaic).

(9) In typography, to mark with a dagger (obelisk).

1380s: From the Middle English daggere, daggare & dagard, probably an adaptation from the thirteenth century Old French dague (dagger), from the Old Provençal or Italian daga of obscure origin but related to the Occitan, Italian & Spanish daga, the Dutch dagge, the German Degen, the Middle Low German dagge (knife's point), the Old Norse daggarðr, the Danish daggert, the Faroese daggari, the Welsh dager & dagr, the Breton dac and the Albanian thikë (a knife, dagger) & thek (to stab, to pierce with a sharp object).  Etymologists have speculated on the source of dagger, some suggesting a Celtic origin.  Others prefer the unattested Vulgar Latin daca & dacian (knife) (the name from the Roman province), from the Classical Latin adjective dācus while an entry in an eighteenth century French dictionary held the French dague was from the German dagge & dagen (although not attested until much later).  More speculatively still is the notion of some link with the Old Armenian դակու (daku) (adze, axe), an alternative to which is some connection with the primitive Indo-European dāg-u-, suggesting something cognate with the Ancient Greek θήγω (thḗgō) (to sharpen, whet).  Dagger is a noun & verb, daggering is a noun & verb, daggerman & daggerpoint are nouns, daggerlike is an adjective and daggered is a verb; the noun plural is daggers.

Daggers drawn: Lindsay Lohan and Vanessa Lachey (née Minnillo, b 1980), staged shot, June, 2007.

The association of the dagger with knightly weaponry can be traced back to French writings in the twelfth century while the other Middle Latin forms included daga, dagga, dagha, dagger, daggerius, daggerium, dagarium, dagarius & diga (the words with the -r- being late fourteenth century adoptions of the English word.  The Oxford English Dictionary (OED) lists an English verb dag (to stab) from which dagger as a verb could be derived but the verb is attested only from the turn of the fifteenth century.  Long used as a weapon of personal protection, skilled sixteenth & seventeenth century swordsmen would use one in their other (usually left) hand to parry thrusts from the opponent's rapier.  It was a high-risk technique.  The use in texts as a reference mark (also called the obelisk) dates from 1706.  The wonderfully named “bollock dagger” was a dagger with a distinctively shaped shaft having two oval swellings at the guard resembling the male testes.  The polite term was “kidney dagger”.  An “ear dagger” was used in the late medieval period and gained the name from its distinctive, ear-shaped pommel.  In slang, to be “stabbed with a Bridport dagger” was to be executed by hanging, the origin of that being the district of Bridport in Dorset being a major producer of the hemp fibre used in the production of the ropes used by hangmen.  In idiomatic use, to “look daggers at” is to stare at someone angrily or threateningly, something one would do if “at daggers drawn” (in a state of open hostility) with them.

Lindsay Lohan in stiletto heels, February 2009.  Whether much would have changed in the fashion business if the style of heel had come to be known as "dagger" instead of "stiletto" is unlikely.

Other names for the short bladed weapon included stiletto & poniard.  Stiletto was from the Italian stiletto; doublet of stylet, the construct being stil(o) (dagger or needle (from the Latin stilus (stake, pens))) + -etto (-ette).  From the Latin stilus came also stelo, an inherited doublet.  Stilus was from the primitive Indo-European (s)teyg- (related to instīgō & instigare) and was cognate with the Ancient Greek στίζω (stízō) (to mark with a pointed instrument) and the Proto-Germanic stikaną (to stick, to stab).  Despite the similarity, there’s no relationship with the Ancient Greek στῦλος (stûlos) (a pillar).  The -etto suffix was from the Late Latin -ittum, accusative singular of –ittus and was an alternative suffix used to form melioratives, diminutives and hypocoristics.  The noun plural is either stilettos or stilettoes and stilettolike (appearing also as stiletto-like) is an adjective.  A technical adoption in law-enforcement and judicial reports were the verb-forms stilettoed & stilettoing, referring to a stabbing or killing with a stiletto-like blade.  It was a popular description used by police when documenting the stabbing by wives of husbands or boyfriends with scissors or kitchen knives; use faded in the early twentieth century.  The use of “stiletto heel” to describe the elegant, narrow high heel in women's shoes dates from as recently as 1953.  Poniard (a dagger or other short, stabbing weapon) dates from the 1580s and was from the early sixteenth century French poinard, from the Old French poignal (dagger (literally “anything grasped with the fist”)), from poing (fist), from the Latin pungus (a fist (a pugio being “a dagger”)), from a suffixed form of the primitive Indo-European root peuk- (to prick).  It’s thought it was probably altered in French by association with poindre (to stab).  It was used a verb from the turn of the seventeenth century in the sense of “to stab with or as if with a poniard”.

Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) in Luftwaffe Field Marshal’s uniform with baton and sword (1938, left) and in Luftwaffe General’s uniform with ceremonial dagger (right).  The baton would be replaced with an even more extravagant, jewel-encrusted creation when in 1940 he was appointed Reichsmarschall and it's now on display in the US Army's West Point Museum at Highland Falls, New York.  Convicted of war crimes and crimes against humanity, Göring was hanged in 1946. 

The dagger shown (right) is a standard 1935 issue for Luftwaffe officers.  Updated in 1937 and fashioned always with a 260 mm (10¼ inch) blade, the pommel and crossguard were aluminum, bearing the swastika (occasionally finished in anodized gold) on the pommel face with a Luftwaffe flighted eagle and swastika on the crossguard.  The grips were celluloid over a word base and in various production runs they were finished in colors ranging from pure white to a deep orange.  The scabbards were all in anodized grayish blue steel with a striped decoration on the body face with an oak leaf pattern on the face of the drag.  Worn suspended from straps bearing twin silver stripes on a dark grayish blue background with square buckles, it featured a short aluminum cord knot.  In an example of the expanding list of recipients entitled to wear a dagger, after 1940, authorization was extended to non-commissioned officers though without the portepee (the sword-knot which denoted an officer’s right to bear a sword).  The sword word by Göring (left) was a bespoke one-off manufactured by the Eickhorm company to mark his wedding on 10 April 1935.  The pommel was engraved with a facsimile of the Pour Le Merite (the “Blue Max”) Göring was awarded during his service as a pilot with the Jagdgeschwader 1 (better remembered as Manfred von Richthofen’s Flying Circus).

Germans have long adored uniforms and especially prized are the accessories, among the most distinctive of which are ceremonial daggers.  During the Third Reich, a period in which many institutions of state were increasingly re-ordered along military lines, the issuing of ceremonial daggers was at its most widespread and in addition to the expected recipients in the army, navy & air force, the SS, the SA, the Hitler Youth, the diplomatic service and the police, they were also part of the uniforms of organizations such as the fire department, the postal & telegraph service, the forest service, the labor service, the customs service the railway & waterways protective service and the miners association.  While it’s true that in Germany daggers had in the past been issued even to civilians, under the Nazis the scale and scope proliferated.

Masonic daggers.

Among their many mysterious rituals, the Freemasons also have their own lines of daggers which they claim are purely “ceremonial” but because all that they do is so shrouded in secrecy, the true nature of their purpose isn’t known.  It is however believed that the styles of daggers conferred reflect the grades and offices which evolved from the medieval craft guilds and presumably, the more exalted one’s place in the Masonic hierarchy, the more elaborate the dagger to which one is entitled.  Top of the pile in a Masonic Lodge is the Worshipful Master, other intriguing titles including Senior Warden, Junior Warden, Chaplain, Senior Deacon, Junior Deacon, Steward, Tyler, Mentor and Almoner.  Whether all get their own daggers or some share with others are among the many mysteries of Freemasonry.  Of the even more opaque Secret Society of the Les Clefs d’Or, nothing is known about whether their rituals include the use of daggers, ceremonial or otherwise.

Fabulous

Fabulous (pronounced fab-yuh-luhs)

(1) Exceptionally good or unusual, wonderful or superb; fashionable, glamorous (which pedants insist is informal but it’s long been the standard meaning).

(2) Almost impossible to believe; incredible.

(3) In slang or as a euphemism, gay or pertaining to gay people; camp, effeminate ("a fabulousity" suggested as a collective noun for gay men but it never caught on) .

(4) In slang, fashionable, glamorous.

(5) Of or about fables; stories wholly or substantially of the imaginary and known of through myth or legend; something in the record known to be unhistorical.

Circa 1550: From the Late Middle English fabulous & fabulose, from the Latin fābulōsus (celebrated in fable; rich in myth), the construct being fābul(a) (a story, a tale) + -ōsus (the adjectival suffix).  The –ōsus suffix (familiar in English as –ous) was from Classical Latin from -ōnt-to-s from -o-wont-to -s, the latter form a combination of two primitive Indo-European suffixes: -went & -wont.  Related to these were –entus and the Ancient Greek -εις (-eis) and all were used to form adjectives from nouns.  In Latin, -ōsus was added to a noun to form an adjective indicating an abundance of that noun.  As a literary genre (and some fables came from oral traditions) fables were stories told usually to make some moral point or illustrate the consequences of one’s actions and while they could sometimes involve fantastical creatures like winged stallions or unicorns, sometimes they involved fictional characters who were mere flesh & blood and even a multi-volume, epic-length novel like Don Quixote (1605-1615) by Miguel de Cervantes circa 1547–1616) can be thought a fable.  Fabulous is an adjective, fabulousness & fabulosity are nouns and fabulously is an adverb; the use is the plural is rare but both fabulousnesses & fabulosities exist.  There is some evidence of use in the gay community of fabulous as a (non-standard) noun, sometime in the form “uber-fabulous” although that construction is also used generally as an adjective of especial emphasis.

Looking fabulous: Lindsay Lohan Fabulous magazine, August 2010.

The original sense was “of or pertaining to fable” and dates from the 1550s.  The now familiar meaning shift began as early as the turn of the seventeenth centuries when the word was recorded to convey the sense of “incredible” which soon extended to “enormous, immense; amazing” and by the mid-twentieth century it was used almost exclusively to mean “marvelous; wonderful, superb”.  The clipping to create the slang “fab” was in used by at least 1957 and use spiked after 1963 when the alliterative “fab four” was used to describe the pop group, The Beatles.  When in 1965 revising Henry Fowler’s (1858–1933), A Dictionary of Modern English Usage (1926), Sir Ernest Gowers (1880–1966) maintained his predecessor’s disapproval of much that was a bit too modern, noting that correctly fabulous meant “…mythical, legendary, but was long ago extended to do duty as an adjective for something that is real but so astonishing that you might not think it was legendary if you did not know better.”, adding that it had “…become fabulously popular as a term of eulogy or allure.”  He seemed though to suspect it might be a “fad word”, noting it and its contracted forms “fab” & “fabs”, like “fantastic”, were perhaps the latest “…in that long list of words which boys and girls use for a time to express high commendation and then get tired of, such as, to go no farther back than the present century, topping, spiffing, ripping, wizard, super, posh, smashing.”  Decades on however, fabulous seems to have endured in its contemporary uses and even the portmanteau adjective fantabulous (the construct being fanta(stic) + (fa)bulous) has survived in its niche.  Fabulous probably gained a new lease of life when it was in the late 1960s picked up by the gay community which has used it even as a noun and it remains an essential element in the camp vocabulary.  Unless it’s between scholars, those wishing to convey the original meaning should probably use terms such as “fabled” or “mythological” rather than fabulous and even “legendary” can be ambiguous because it’s now often used to mean something like “famous” or “very well-known”.

Lindsay Lohan in an unusual cage cutout top, the lines assuming or relaxing from the orthogonal as the body moves (maybe an instance of "a shifting semiorthogonal"), The World's First Fabulous Fund Fair in aid of the Naked Heart Foundation, The Roundhouse, London, February 2015.  An opportunity was missed by not adding a sympathetic clutch purse.

George W Bush, Condoleezza Rice & Colin Powell.

The phrase “the fabulous invalid” refers to live theater & stage productions generally, the use derived from a 1938 stage play of that name by George S Kaufman (1889-1961) and Moss Hart (1904-1961) which traced the that follows the seesawing fortunes of a fictitious Broadway theater between 1900-1930.  In a touching irony, while the play was barely a modest success and not highly regarded by its authors, the title has endured as a synonym for the theatre.  George W Bush (George XLIII, b 1946; US president 2001-2009) who (admittedly unwittingly) contributed more than most to coining new words & novel grammatical structures, probably wasn’t deliberately alluding the original meaning of fabulous when he used it to describe the performance of his first foreign minister, Colin Powell (1937–2021; US secretary of state 2001-2005) but if considered thus it certainly reflected his view that the general’s favorable public image reflected more myth than reality and he’d prefer a secretary of state who both ticked a few boxes and was more attuned to his brutish world-view.  In Dr Condoleezza Rice (b 1954; US secretary of state 2005-2009) he certainly got that but in the run-up to the invasion of Iraq, whatever might have been his better judgment, the general did his job because, as Field Marshall Wilhelm Keitel (1882–1946; head of Oberkommando der Wehrmacht (OKW), the Nazi armed forces high command) put it at the Nuremberg Trial (1645-1946): “For a soldier, orders are orders.”  His flirtation with politics is a fable and story of Condoleezza Rice’s career in government even more so: a cautionary tale of what can happen when a nice young lady from a good family gets mixed up with an unsavory crowd (Bush, Cheney, Rumsfeld et al).

White House transcript of press conference assembled when the president met with Colin Powell and Richard Armitage (b 1945; US deputy secretary of state 2001-2005) at his ranch in Crawford, Texas, Wednesday, 6 August 2003:

THE PRESIDENT: First, it's been my real privilege and honor to welcome the Secretary of State back to Crawford. He and Dick Armitage came, and we spent yesterday evening and this morning talking about our country's desire to promote peace and freedom, our obligations as a prosperous and strong nation to help the less fortunate. And we had a good strategy session, and now we're about to go out and brand some cows -- well, not exactly. (Laughter)

QUESTION: Sir, you've seen the report that Secretary Powell and Secretary Armitage are going to leave at the end of this administration. Do you expect them to stay on if there is a second Bush administration? Would you like them to?

THE PRESIDENT: Well, first things first, we hope there is a second Bush administration. And I will work hard to convince the American people that their confidence in me is justified. And we'll deal with it at the right time.  Listen, this guy has done a fabulous job. Washington, particularly in August, is a dangerous period -- a dangerous time, because there's a lot of speculation. And all I can tell you is, the man flies to Crawford and we spend a good 24 hours talking about how we're going to work together to make the world a better place.

QUESTION: But, Mr. President, you said, we'll deal with it…

THE PRESIDENT: Yes, Elizabeth.

QUESTION: We'll deal with it at the right time. That isn't "yes".

THE PRESIDENT: Deal with what at the right time?

QUESTION: With whether Secretary Powell will serve in a second term. Is that, "yes" or "no"? I mean, are you going to offer him a spot in the second term?

SECRETARY POWELL: I don't have a term. I serve the President. (Laughter)

QUESTION: No, but the President…

THE PRESIDENT: Elizabeth, look, first things first, and that is, we've got a year-and-a-while during my first term to make the world a more peaceful place and we'll deal with it. Washington loves speculation. Clearly, you love speculation. You love it. You love to speculate about…

QUESTION: It wasn't my story. (Laughter.)

THE PRESIDENT: Let me finish, please; let me finish. You love to speculate about whether so-and-so is going to be a part of the administration or not. And I understand the game. But I have got to do my job, and I'm going to do it. And I'm going to do it with the Secretary of State. And the fact that he is here in Crawford, Texas, talking about issues of importance, should say loud and clear to the American people that he's completely engaged in doing what he needs to do, and that is, serve as a great Secretary of State.

QUESTION: Do you want to serve more than four years, Mr. Secretary?

SECRETARY POWELL: I serve at the pleasure of the President, and this is all August speculation with no basis in fact. There was no basis for this story to begin with, and we're doing our jobs together.

THE PRESIDENT: All right. We're going to get a burger. Thank you.

Deadman

Deadman (pronounced ded-man or ded-muhn)

(1) In architecture and civil engineering a heavy plate, log, wall, or block buried in the ground that acts as an anchor for a retaining wall, sheet pile etc, usually by a tie connecting the two.

(2) A crutch-like prop, used temporarily to support a pole or mast during the erection process.

(3) In nautical use, an object fixed on shore temporarily to hold a mooring line.

(4) In nautical use, a rope for hauling the boom of a derrick inboard after discharge of a load of cargo.

(5) In mountaineering a metal plate with a wire loop attached for thrusting into firm snow to serve as a belay point, a smaller version being known as a deadboy.

(6) In slang, a bottle of alcoholic drink that has been consumed (ie is empty).

(7) In the operation of potentially dangerous machinery, a control or switch on a powered machine or vehicle that disengages a blade or clutch, applies the brake, shuts off the engine etc, when the driver or operator ceases to press a pedal, squeeze a throttle, etc; known also as the deadman throttle or the deadman control.  The hyphenated form dead-man is often used, both as noun and adjective.  Deadman is a noun and the noun plural is deadmans which seems ugly and a resulting formation such as "seven deadmans" is surely clumsy but most authoritative reference sources insist only "deadmans" will do.  Deadmen or dead-men is tolerated (by some liberal types) on the same basis as computer "mice" although "mouses" doesn't jar in the way "deadmans" seems to.

Circa 1895: A compound word, the construct being dead + man.  Dead was from the Middle English ded & deed, from Old English dēad, from the Proto-West Germanic daud, from daudaz.  The Old English dēad (a dead person; the dead collectively, those who have died) was the noun use of the adjective dead, the adverb (in a dead or dull manner, as if dead," also "entirely") attested from the late fourteenth century, again derived from the adjective.  The Proto-Germanic daudaz was the source also of the Old Saxon dod, the Danish død, the Swedish död, the Old Frisian dad, the Middle Dutch doot, the Dutch dood, the Old High German tot, the German tot, the Old Norse dauðr & the Gothic dauþs.  It's speculated the ultimate root was the primitive Indo-European dheu (to die).

Man was from the Middle English man, from the Old English mann (human being, person, man), from the Proto-West Germanic mann, from the Proto-Germanic mann (human being, man).  Doublet of Manu.  The specific sense of "adult male of the human race" (distinguished from a woman or boy) was known in the Old English by circa 1000.   Old English used wer and wif to distinguish the sexes, but wer began to disappear late in the thirteenth century, replaced by mann and increasingly man.  Man also was in Old English as an indefinite pronoun (one, people, they) and used generically for "the human race, mankind" by circa 1200.  Although often thought a modern adoption, use as a word of familiar address, originally often implying impatience is attested as early as circa 1400, hence probably its use as an interjection of surprise or emphasis since Middle English.  It became especially popular from the early twentieth century.

Calameo Dual-purpose MIL-SIM-FX mechanical dead-man and detonator switch (part-number MIL-12G-DMS).

The source of the name is the idea that if something is likely to in some way be dangerous if uncontrolled, operation is possible only if some device is maintained in a state which is possible only by a person not dead or in some debilitated condition.  The classic example is the train driver; if the driver does not maintain the switch in the closed position, the train slows to a halt.  Some manufactures describe the whole assembly as a "deadman's brake" and the part which is subject to human pressure as "deadman's switch" (or deadman's handle".  The phrase "dead man's fingers" is unrelated and is used variously in zoology, botany and in cooking and "dead man's rope" is a kind of seaweed (a synonym of sea-laces).  The legend of the "dead man's hand" (various combinations of aces and eights in poker) is based on the cards in the hand held by the unfortunate "Wild Bill" Hickok (1837–1876) when shot dead at the poker table.  A "dead man's arm" was a traditional English pudding, steamed and served in the cut-off sleeve of a man's shirt.  The phrase "dead man walking" began as US prison slang to refer to those on death row awaiting execution and it's since been adopted to describe figures like politicians, coaches, CEOs and the like who are thought about to be sacked.  Reflecting progress in other areas, dictionaries now list both "dead woman walking" and "dead person walking" but there scant evidence of use.

May have come across the odd dead man: Lindsay Lohan in hoodie arriving at the Los Angeles County Morgue to perform court-ordered community service, October 2011.

Deadman and the maintenance of MAD

The concept of nuclear deterrence depends on the idea of mutually assured destruction (MAD): that there would be certain retaliation, even if a nuclear first-strike destroyed the usual command and control structures of an adversary, that would not guarantee there wouldn’t be a nuclear counter-strike.  All front-line nuclear-weapon states employ systems to ensure a residual capacity to retaliate, even after suffering a catastrophic first strike, the best known of which are the Russian Мертвая рука (Dead Hand) and the US AN/DRC-8 (Emergency Rocket Communications System), both of which are often referred to as doomsday devices.  Both exist to close the strategic nuclear strike control loop and were inventions of the high Cold War, the USSR’s system later taken over by the successor Russian state.  The metaphor of a deadman is accurate to the extent of the need to keep closed a loop, the difference being the consequences.

Test launch of ground-based Russian RS-24 Yars ICBM from the Plesetsk facility in northwestern Russia, 9 December 2020.

The most extreme scenario is one in which there is left not a living soul with access to the loop.  In this case, the system switches from one designed to instigate a launch of ballistic missiles to one where some act is required to prevent the attack and is thus dubbed fail-deadly, the reverse of the fail-safe systems designed to prevent inadvertent launches.  The doomsday systems use a variety of mechanical and electronic monitoring protocols designed to (1) detect that a strike has occurred, (2) determine the extent of damage and (3) attempts to maintain or restore the usual communication channels of the military chain of command.  If the systems determine worst-case circumstances exist, a retaliatory launch of intercontinental ballistic missiles (ICBMs) will be triggered.  Neither the Kremlin nor the Pentagon tend to comment on such things but, over the years, there have been (what are assumed to be managed) leaks that the systems are usually inactive and activated only during times of crisis but the veracity of this is unknown.

Royal Navy test launch of UGM-133 Trident II nuclear submarine-launched ballistic missile (SLBM) from Vanguard class submarine HMS Vigilant, 28 October 2012.

One obvious theoretical vulnerability in the USSR’s and US systems is that at points it is electronic and therefore reliant on hardware, software and an energy source.  The UK government has an entirely analogue system which uses only pen and paper.  Known as letters of last resort, each incoming prime minister writes, in their own hand, four identical letters which are placed in a sealed envelope, given to the captain of each of the navy’s ballistic missile submarines who keeps it in his on-board safe.  The letters are only to be opened if an enemy (presumably nuclear) strike has damaged the chain of command to the extent it is no longer possible for the civilian government to instruct the military on what retaliatory action to take.  As soon as a prime-minister leaves office, the letters are, unopened, destroyed and replaced with ones from the new premier.  Those circumstances requiring a letter to be opened have never transpired and no prime-minister has ever commented publicly on what they wrote so the contents remain a genuine secret, known only to the writer and whomever they told.  So, although the only people who know the contents have never spoken, the consensus has long been the captains are likely to be given one of four options: 

(1) Retaliate.  Each of the four submarines is armed with up to sixteen 16 Trident II SLMBs (submarine-launched ballistic missiles), each missile equipped with up to twelve independently targeted warheads with a range of 7,000 miles (11,000 km).  There is always at least one at sea and the Admiralty never comments on its location although, in times of heightened political tension, additional boats may be activated.

(2) Not retaliate.

(3) The captains should use their judgment.  This, known as “the man on the ground” doctrine has a long tradition in the military although it was in some circumstances rendered redundant by advances in real-time communications.  In this case, it’s “the man under the water”.  An interesting question which touches on constitutional, international and military law, is the question of the point at which a state ceases to exist and the orders of a regime can be no longer said legally to be valid.

(4) Proceed to a place under an allied country's command or control.

Friedrich Wilhelm Nietzsche (1844-1900).

There is also a probably unexplored fifth option: a prime-minister could leave in the envelope a blank page.  This presumably would be substantively the same as option (3) but would denote a different political message to be mulled over in whatever remained of civilization.  No prime-minister has ever commented publicly on the thoughts which crossed their minds when writing these notes but perhaps some might have recalled Nietzche’s words in Beyond Good and Evil: Prelude to a Philosophy of the Future (1886): "He who fights with monsters might take care lest he thereby become a monster.  And if you gaze for long into an abyss, the abyss gazes also into you."  Although troubled when he wrote that, he wasn't yet quite mad.

Orthogonal

Orthogonal (pronounced awr-thog-uh-nl)

(1) Of, pertaining to or involving right angles; perpendicular

(2) In mathematics (sometimes as orthographic), pertaining to or involving right angles or perpendiculars.

(3) In mathematics, of a system of real functions defined so that the integral of the product of any two different functions is zero; of a system of complex functions defined so that the integral of the product of a function times the complex conjugate of any other function equals zero.

(4) In mathematics, of two vectors having an inner product equal to zero.

(5) In mathematics, of a linear transformation defined so that the length of a vector under the transformation equals the length of the original vector.

(6) In mathematics (and applied fields such as engineering or statistics), of a square matrix defined so that its product with its transpose results in the identity matrix.

(7) In crystallography, referable to a rectangular set of axes.

(8) Figuratively, something having no bearing on the matter at hand; independent of or irrelevant to another thing or each other.

(9) In art, (1) the descriptor of the lines of perspective which can be mapped onto an image pointing to the vanishing point & (2) in the literature of art criticism a technical term which refers to work consisting exclusively of horizontal or vertical line and thus angles which, if they exist, are right angles.

1565–1575: From (the now obsolete) orthogonium (right triangle), from the French orthogonal, from either the Late Latin orthogōnium & orthogōnālis, from the Latin orthogōnius (right-angled).or directly from the Greek orthogṓnion (neuter) (right-angled), the construct being ortho- + -gōn(ion) + -al.  Ortho- (straight, correct; proper), was from the Ancient Greek ὀρθός (orthós), from the Proto-Hellenic ortwós, from the primitive Indo-European hr̥dwós, from herd- (upright) and was cognate with the Latin arduus and the Sanskrit ऊर्ध्व (ūrdhvá).  The –gon element was from the Ancient Greek γωνία (gōnía) (corner, angle), from the primitive Indo-European ǵónu (knee).  The -al suffix was from the Middle English -al, from the Latin adjectival suffix -ālis, or the French, Middle French and Old French –el & -al.  It was use to denote the sense "of or pertaining to", an adjectival suffix appended (most often to nouns) originally most frequently to words of Latin origin, but since used variously and also was used to form nouns, especially of verbal action.  The alternative form in English remains -ual (-all being obsolete).  Orthogonal is a noun & adjective, orthogonality & orthogonalization are nouns and orthogonally & orthonormal are adverbs; the noun plural is orthogonals.

As adjectives, orthogonal & orthographic are synonymously and the choice is dictated by preference, habit or the rhythm of the text although, to avoid confusion, they probably shouldn’t both be used in the same document.  The Ancient Greek ὀρθογώνιον (orthogṓnion) and the Classical Latin orthogonium originally denoted a rectangle and it was in this sense the words were used by the early mathematicians although the use was later extended to mean a right triangle.  By the twelfth century (especially among engineers and architects) the post-Classical Latin orthogonalis came to mean a right angle or something related to a right angle.  In the modern era, in science and mathematics, derived forms have been coined as required (biorthogonal, psuedo-orthogonal et al) and there’s also the mysterious semiorthogonal which would seem oxymoronic given orthogonal is a description of a mathematically defined absolute.  In figurative use, orthogonal is used to suggest something is unrelated or irrelevant to whatever is being discussed but because it’s so rarely used outside of mathematics, engineering, architecture or art criticism, it’s probably a term to avoid though it may be worth a point or two in Philosophy 101.

Lindsay Lohan in an unusual cage cutout top, the lines assuming or relaxing from the orthogonal as the body moves (maybe an instance of "a shifting semiorthogonal"), The World's First Fabulous Fund Fair in aid of the Naked Heart Foundation, The Roundhouse, London, February 2015.  An opportunity was missed by not adding a sympathetic clutch purse.

Richard Nixon, the Franklins & the Orthogonians

When Richard Nixon (1913-1994; US president 1969-1974) attended Whittier College in California (1930-1934), it was still formally affiliated with the Religious Society of Friends (the Quakers), a link it would maintain until the post-war years.  However, in many ways it was little different to wholly secular institutions in the US (except that one hour a day in chapel was mandatory), including the fraternities and sororities, the still almost exclusively single-sex, student-run societies which were established on many a basis and have evolved variously although a number of the male-only ones often attract attention related to their epic levels of alcohol consumption.  As was the case with many colleges until recent decades, many of those which Richard Nixon found when he arrived had been formed as literary societies and while there were four sororities (for women), there was but one fraternity.

That was the Franklin Society which in 1921 had been the first fraternity founded at Whittier College, beginning as a literary society that based itself on the "virtues" espoused by US founding father and polymath (and confessed Freemason) Benjamin Franklin (1706-1790).  Nixon, then unpolished and obviously a shop-keeper’s son, thought them snobby and elitist, an opinion either form or reinforced when the Franklins rebuffed attempts to join and readily he accepted the suggestion be assume the presidency of the fraternity formed by other students resentful at being rejected by the Franklins.  This was the Orthogonians, the name (based on the now standard translation “right angles”) meaning “the straight shooters”, their motto an earthy “beans, brains, brawn and bowels”.  The Orthogonians did not enjoy the black tie lifestyle of the Franklins and weren’t invited to the best parties but several of Nixon’s biographers have traced from his fraternity experience many of the characteristics which would remain identifiable throughout this political career.  He learned that in life there are few stars but many supporting players and the man who can align himself with their interests you can gain their loyalty, something of real practical value in systems where everyone has one vote; it was the origin of his idea that elections and contests of ideas can be won by being appealing to the “silent majority”, something which would emerge as a political strategy during his presidency.  It taught him also that being hated was no obstacle to political success as long as one was hated by the right people, something he proved by beating the Franklin’s nominee for the position of student body president.  To this day, the Frankin’s website still boasts: “Among those who have been denied membership to this exclusive society is former president Richard Nixon.”  The Orthogoian Society still exists.

The master and the apprentice: Donald Trump and Richard Nixon, Houston, Texas, 1989.  It’s said the subject of Iran was raised in their discussions.

Some biographers have made much of the Franklin-Orthogonian contrast in the making of Nixon the younger.  In Nixonland (2008), Rick Perlstein’s (b 1969) thesis was that between 1965-1972, Nixon crafted a national conflict by exploiting the the mutual fear and hatred between the country’s elite Franklins and the “ordinary people, the Orthogonians.  Some criticized the approach but Nixonland was a vivid approach to the era in which the divisions in the US became more exposed than they had been for a century and which was a prelude to the cross-cutting cleavages which have for decades characterized the country’s politics.  Nixon didn’t invent the politics of resentment but he expressed them in a language more easily understood by even the unsophisticated and more offensive than ever to those he labeled “the elites”.  In their own ways, to their radically different constituencies, Bernie Sanders (b 1941; senior US senator (Independent, Vermont) since 2007) and Donald Trump (b 1946; US president 2017-2021) are both inheritors of the Nixon legacy, two Franklins telling the Orthogonians they’re here to help.