Byzantine

Byzantine (pronounced biz-uhn-teen, biz-uhn-tahyn, bahy-zuhn-tyne or bih-zan-tin)

(1) Relating to Byzantium, the Byzantine Empire, or the Eastern Orthodox Church.

(2) Of or about a situation deemed excessively complicated and typically involving a great deal of seemingly pointless administrative detail (usually without initial capital).

(3) A citizen of Byzantium or the Byzantine Empire.

(4) Of or belonging to the style of architecture developed from the fifth century AD in the Byzantine Empire, characterized especially by a central dome resting on a cube formed by four round arches and their pendentives and by the extensive use of surface decoration, especially veined marble panels, low relief carving, and colored glass mosaics.

(5) Of the painting and decorative style developed in the Byzantine Empire, characterized by formality of design, frontal stylized presentation of figures, rich use of color, especially gold, and generally religious subject matter.

(6) Characterized by elaborate scheming and intrigue, especially for the gaining of political power or favour (usually without initial capital).

(7) In numismatics, a coin issued by the Byzantine Empire.

(8) A dark, metallic shade of violet.

1651 (in English use): From the Late Latin Bȳzantīnus (of Byzantium), the name derived ultimately from the ancient Greek city Byzantion on the Bosporus and the Sea of Marmara, said to have been named in 657 BC for it founder, Byzas of Megara.  Constantine I (circa 272–337; Roman emperor 306-337 (and the first to convert to Christianity) rebuilt the city and renamed it Constantinople.  The city fell to the Ottoman Turks in 1453 although the modern-day name Istanbul wasn’t (except in the Vatican and the Orthodox Church) universally adopted until the years after World War II (1939-1945).  Although in Greek legend the ancient city name Byzantion came from King Byzas, leader of the Megarian colonists, who is said to be its founder, the etymology remains uncertain although most historians of the period seem to agree it must be of Thraco-Illyrian origin and there’s no doubt Byzantium is a Latinization of the original.  Centuries later, in Western literature, the name Byzantium became the standard term with which to refer to the Eastern Roman Empire (the "Byzantine Empire” centred on the walled capital Constantinople.  For all the generations which lived while the empire stood, the term would have been mysterious and it gained currency only after 1555 when introduced by the German historian Hieronymus Wolf (1516-1580), a century after Constantinople had fallen and the empire had ceased to exist.  Until Wolf introduced the phrase, the word Byzantium was restricted to just the city, rather than the empire which, in the way of such things, had waxed and waned.  Byzantine is a noun & adjective; the noun plural is Byzantines.

Byzantium

A hand-painted rendition of Byzantine Constantinople after the style of medieval mapmakers.

Standing for centuries on blood-soaked soil on the Bosporus where Europe ends and Asia begins, Greek forces laid siege during the Peloponnesian war and Sparta took the city in 411 BC before it was reclaimed by the Athenian military in 408 BC.  Almost razed, by Roman forces in 196 AD, Byzantium was rebuilt by Septimius Severus (145-211; Roman emperor 193-211) and quickly regained its previous prosperity.  The location of Byzantium attracted Constantine I (circa 272–337; Roman emperor 306-337 (and the first to convert to Christianity)) who in 330 AD re-created it as an imperial residence inspired by Rome itself and after his death, it was called Constantinople (Κωνσταντινούπολις (Konstantinoupolis (literally "city of Constantine"))).  For a thousand years, it was the capital of the Eastern Roman Empire and a commercial, cultural & diplomatic centre and from its strategic position, Constantinople’s rulers controlled the major trade routes between Asia and Europe, as well as the passage from the Mediterranean to the Black Sea.  On 29 May 1453, in the first example of a major city falling to a siege by artillery, Constantinople fell to the Turks, becoming the capital of the Ottoman Empire.  The great walls which for centuries had defied invaders from land and sea, crumbled to modern cannon fire.  Even then, the Turks called the city Istanbul (from the Greek eis-tin-polin (to-the-city) although it was not officially renamed until 1930, almost a decade after the Empire was dissolved and it remains Turkey’s largest and most populous city, although Ankara is now the national capital.

Lindsay Lohan meeting Recep Tayyip Erdoğan (b 1954; prime-minister or president of the Republic of Türkiye since 2003), Istanbul (formerly Constantinople), January 2017.

The other senses of byzantine (as often used without the initial capital): (1) “characterized by a devious and usually surreptitious manner of operation, often for some nefarious purpose” and (2) “something intricate, complicated; inflexible, rigid, unyielding” are both of dubious historical validity.  According to the Oxford English Dictionary (OED), “byzantine” was first used in English in 1937 (of the impenetrable despotism of the Soviet Union which appeared to those in the Foreign Office schooled in the classics to be much the same as what they’d learned of the antics practiced in Constantinople) in the sense of “reminiscent of the manner, style, or spirit of Byzantine politics; intricate, complicated; inflexible, rigid, unyielding” but in French political scientists had earlier applied in the same figurative context, something which would surprise few familiar with the politicians of inter-war France, a generally rotten crew about whom it was remarked “they can’t keep a government for nine months, nor a secret for five minutes”.  Still, it was probably the English who lent the word its loaded meaning.  Edward Gibbon’s (1737–1794) magisterial The History of the Decline and Fall of the Roman Empire (six volumes: 1776-1788) was influential for generations in forming the construct of the period in the European imagination and he caricatured the history of the empire as endless chicanery, shadyness, back-channel deals, low skulduggery, back-stabbing, and naked grabs for power.  Until late in the twentieth century, phrases like “bewildering Oriental intrigue” flowed easily from the pens of English historians and hints of the attitude, cloaked in wokish words, appear even since they’ve switched to keyboards.  Much modern scholarship though has been more forgiving and there’s now an understanding that while like everywhere, low politics and dirty deeds were sometimes done, a remarkable civilization grew on the Bosporus.

Byzantium architectural styles.

The association with needless complexity and pointless administrative duplication was probably born of the same prejudices to which was added the view the empire was infused with strange religious rituals and stubbornness in the way it clung to superstition.  Historians have of late have refined this view, suggesting words like “intricate” or even “labyrinthine” might better capture the spirit of the place which was, by any standards and certainly those of medieval Europe, a complex and highly developed society.  The loaded meaning though seems here to stay, perhaps reinforced in the public imagination by the phonetic similarity between “byzantine” & “bizarre”.  Bizarre means “strangely unconventional; highly unusual and different from common experience, often in an extravagant, fantastic or conspicuous ways” and was from the French bizarre (odd, peculiar (and formerly “brave; headlong, angry”), either from the Basque bizar (a beard (on the notion that bearded Spanish soldiers made a strange impression on the French) or from Italian bizzarro (odd, queer, eccentric, weird (and, of a horse “frisky” in the sense of the English “bolter”)) of unknown origin but thought probably related to bizza (tantrum), which may be of Germanic origin.  In summary then, the Byzantines would have had their moments but were no more nasty and duplicitous that politicians everywhere and when describing convoluted things as byzantine it might be more accurate to instead call them labyrinthine or just bizarre.

Iconoclast

Iconoclast (pronounced ahy-kon-uh-klast)

(1) A person who attacks cherished beliefs, traditional institutions etc as being based on error or superstition.

(2) A breaker or destroyer of images, especially those set up for religious veneration.

(3) An adherent of the heretical movement within the Greek Orthodox Church from 725-842 AD, the ethos of which was the destruction of icons and religious images (late applied to the Puritans who pursued the same goal during the European Reformation).

1590–1600: From the Middle English, from the French iconoclaste from the Medieval Latin īconoclastēs from the Byzantine Greek εἰκονοκλάστης (eikonoklástēs) (literally image-breaker), the construct being eikono- (genitive eikonos) (icono-) + -klastēs (breaker), equivalent to klas-, variant stem of klân (to break) + -tēs (the agent noun suffix).  The early meaning referred to those who, in acts of theological obedience, literally physically broke or destroyed objects judged "idols"; the figurative meaning in reference to beliefs, cherished institutions etc emerged later, sources variously citing the first use between 1842-1858.  An older word for it was iconomachy (1580s), from the Greek eikonomakhia.  In geology, "clast" is technical term describing a fragment of rock broken from a larger rock or rock unit.  In a religious context, although not exact synonyms, the words often seen when discussing "iconoclast" include: "unbeliever", "revisionist", questioner", "dissenter", "heretic", "radical", "dissident", "non-believer", "critic", "rebel", "revolutionist", "cynic", "sceptic", "ruiner", "revisionist"  & "non-conformist".

In secular use, it’s different.  The targets of the self-appointed iconoclast Christopher Hitchens (1949-2011) included Dr Henry Kissinger (1923-2023; US national security advisor 1969-1975 & secretary of state 1973-1977), the Albanian-Indian Catholic nun Saint Saint Mother Teresa of Calcutta (Anjezë Gonxhe Bojaxhiu; 1910–1997; founder of the Missionaries of Charity (1950)) and God, his intellectual method being: “What can be asserted without evidence can also be dismissed without evidence.”, now a rule in philosophical debate in the tradition of Bertrand Russell’s (1872–1970) teapot and known as Hitchens’ Razor.  That was based on the model of Occam's razor, a reductionist technique in problem-solving (known also as lex parsimoniae (Latin for “law of parsimony”, the idea being explanations are best found by reducing problems to the smallest number of elements)), attributed to English Franciscan friar, scholastic philosopher and theologian William of Ockham (or Occam, circa 1287-1347).  One suffering iconophobia (an aversion to icons) is said to be iconophobic but this is a condition in metal health (one of many phobias not listed in the APA's (American Psychiatric Association) DSM (Diagnostic and Statistical Manual of Mental Disorders) not necessarily related to any theological or doctrinal object to icons although there's no reason why the conditions can't run in parallel.  Those whose objection to icons is based on religious teachings maintain a position of iconomachy (hostility to images as objects of worship) and may be classed as iconomachs.  Iconoclast, iconoclasm & iconoclasticism are nouns, iconoclastic is a noun & adjective and iconoclastically is an adverb; the noun plural is iconoclasts.

The Byzantine Iconoclastic Controversy

The Iconoclastic Controversy, an eighth & ninth century dispute over the use of religious images in the Byzantine Empire, was one of the many squabbles in Christendom (and other religions) triggered by arguments between those reading ancient texts literally and those treating them as allegory.  Thanks mostly to the efforts of medieval (and later) writers further to the west, much of what grew from the city of Byzantium was a reputation for rules of needless complexity, bureaucracy and seriously weird theology but more recent scholarship of the empire's history of over a millennium has been more positive and there’s now a recognition that in the history of Western civilization, something remarkable happened on the Bosphorus.  The place did though have its moments and the iconoclasts objected to icon veneration, essentially because of the Old Testament's prohibition of images in the Ten Commandments and the possibility of idolatry.

Byzantine icons.

4 Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.

5 Thou shalt not bow down thyself to them, nor serve them: for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me;

6 And shewing mercy unto thousands of them that love me, and keep my commandments. (Exodus 20:4 (King James Version of the Bible (KJV, 1611))

The defenders of the importance of imagery insisted on their symbolic nature and the dignity of created matter and nor was the controversy in Constantinople anything new.  From the Church’s earliest days, the making and veneration of portraits of Christ and the saints had been opposed by many but the use of icons nevertheless steadily gained in popularity, especially in the eastern provinces of the Roman Empire.  By the late sixth century, icons had become the object of an officially encouraged cult, sometimes implying a superstitious belief in their animation and the opposition to these practices became especially strong in Asia Minor (the modern-day Republic of Türkiye (Turkey)).  In 726, the Byzantine emperor Leo III (circa 685–741) took a public stand against the perceived worship of icons, and in 730 proscribed their use, trigging a persecution of icon venerators that was most severe in the reign of Leo’s successor (Constantine V (741–775)).  While the emperor’s scholars expressed the theological edict in elegant Byzantine script, on the ground, the smashing of icons and the attacks on the idolaters was done by angry mobs, assembled for the purpose by the social media of the day, events reprised in the sixteen and seventeenth centuries by Protestants in the Netherlands who vandalized former Roman Catholic churches in a second (and most enthusiastic) burst of iconoclasm.

Icon of the Empress Theodora, from a sixth century wall mosaic, Church of San Vitale, Ravenna, Italy.

Over the decades, in Byzantine fashion, power shifted between the factions.  In 787, the Empress Irene (circa 752–803) convoked the seventh ecumenical council at Nicaea at which Iconoclasm was condemned and the use of images was again permitted.  The Iconoclasts regained power in 814 after the accession of Leo V (circa 755-820) meaning icons returned to the banned list after a ruling at a council in 815, the prohibition lasting until the death of the Emperor Theophilus (Circa 800-842).  Within a year of his death, his widow, the Empress Theodora (circa 815–circa 870s), finally restored icon veneration, an event still celebrated in the Eastern Orthodox Church as the Feast of Orthodoxy although, in a piece of theological sophistry that would have impressed any pope, or those writing the tortured communiqués emerging from Lambeth Conferences, Theodora explained she was permitting only veneration (not worship) and in that state, the Eastern Orthodox view of icons has rested for more than a thousand years.

Icons on a MS-Windows 11 system running a Windows 10 GUI emulation.

Although, reflecting the state of electronics at the time, the early implementations were chunky and the color range was limited, screen icons first appeared in computer GUIs (graphical user interfaces) in 1973 on the experimental Xerox Alto computer developed at Xerox's PARC (Palo Alto Research Center, later re-branded as the Future Concepts division).  The Xerox Star (1981) is believed to be the first commercially available system (technically a workstation) with a GUI including many now familiar screen icons (folders, trash can etc) although it wasn't until 1975 Xerox began using "icon" to name the shapes.  As many analysts have pondered, such was Xerox's jump-start in what evolved into personal computing that had things been handled differently, it might have been Xerox rather than IBM, Microsoft and Apple which came to dominate the field; within the industry, it’s acknowledged both Apple and Microsoft drew on the pioneering work by Xerox when developing their own GUIs.  Apple’s Lisa (1983-1986) from the start used an icon-rich GUI and although a landmark technical achievement, it was too expensive ever to succeed in the consumer market and in corporate use it was only ever a niche device.

An iconic figure: Icon is now one of popular culture's more overused words, but, in fairness, there's been a bit of meaning-shift and re-purposing since the iconoclasts rampaged through Constantinople's churches, all those years ago.

It was the less ambitious Apple Macintosh (1984) that (at around a quarter the Lisa’s price) first popularized the GUI although in the 1980s, such was the influence of IBM (International Business Machines) that although the original IBM PC (1981) and its immediate successors were in many aspects less capable than the Macintosh, those modest machines achieved a much higher level of corporate penetration that Apple in the pre-mobile era managed.  Microsoft though could see the writing on the wall and as early as 1983, the first release of Windows (a GUI operating environment that ran “on top” of the PC & MS-DOS operating systems) included screen icons although, because of limitations in cost-competitive hardware, the implementation was partial with file-loading happening through text-lists while the icons appeared at the base on the screen only when running programs that had been minimized.  Not until Microsoft Windows 3.0 (1990) did the icons appear as central elements and mainstream corporate acceptance came with the release of Windows NT 4.0 (1996) and Windows 98 (1998), both with the object-oriented GUI still used by current versions of Windows.  In the early 1980s, command line junkies of course viewed icons as effete things needed only by “girly men unable to memorize arcane text strings” but, after a while, even those curmudgeons found themselves mousing their way around and clicking rather than typing; they didn’t long remain iconoclasts and many now would deny they ever were.

Interregnum

Interregnum (pronounced inn-ter-reg-numb)

(1) (a) An interval of time between the close of a sovereign's reign and the accession of his or her normal or legitimate successor.  (b) A period when normal government is suspended, especially between successive reigns or regimes.  (c)  Any period during which a state has no ruler or only a temporary executive

(2) The period in English history from the execution of Charles I in 1649 to the Restoration of Charles II in 1660.

(3) An interval in the Church of England dioceses between the periods of office of two bishops.

(4) In casual use, any pause or interruption in continuity.

1570-1580: From the Latin interregnum (an interval between two reigns (literally "between-reign), the construct being inter (between; amid) + rēgnum (kingship, dominion, reign, rule, realm (and related to regere (to rule, to direct, keep straight, guide), from the primitive Indo-European root reg- (move in a straight line), with derivatives meaning "to direct in a straight line", thus "to lead, rule"). To illustrate that linguistic pragmatism is nothing new, in the Roman republic, the word was preserved to refer to a vacancy in the consulate.  The word is now generally applied to just about any situation where an organization is between leaders and this seems an accepted modern use. The earlier English noun was interreign (1530s), from French interrègne (14c.).  Interregnum & interregent are nouns and interregnal is an adjective; the noun plural is interregnums or interregna.

The classic interregnum.  One existed between 1204 and 1261 in the Byzantine Empire.  Following the Sack of Constantinople during the Fourth Crusade, the Byzantine Empire was dissolved, to be replaced by several Crusader states and several Byzantine states.  It was re-established by Nicean general Alexios Strategopoulos who placed Michael VIII Palaiologos back on the throne of a united Byzantine Empire.

The retrospective interregnum.  The Interregnum of (1649–1660) was a republican period in the three kingdoms of England, Ireland and Scotland.  Government was carried out by the Commonwealth and the Protectorate of Oliver Cromwell after the execution of Charles I and before the restoration of Charles II; it became an interregnum only because of the restoration.  Were, for example, a Romanov again to be crowned as Tsar, the period between 1917 and the restoration would become the second Russian interregnum, the first being the brief but messy business of 1825, induced by a disputed succession following the death of the Emperor Alexander I on 1 December.  The squabble lasted less than a month but in those few weeks was conducted the bloody Decembrist revolt which ended when Grand Duke Konstantin Pavlovich renounced his claim to throne and Nicholas I declared himself Tsar.

The constitutional interregnum.  In the UK, under normal conditions, there is no interregnum; upon the death of one sovereign, the crown is automatically assumed by the next in the line of succession: the King is dead, long live the King.  The famous phrase signifies the continuity of sovereignty, attached to a personal form of power named auctoritas.  Auctoritas is from the Old French autorité & auctorité (authority, prestige, right, permission, dignity, gravity; the Scriptures) from the Latin auctoritatem (nominative auctoritas) (invention, advice, opinion, influence, command) from auctor (master, leader, author).  From the fourteenth century, it conveyed the sense of "legal validity" or “authoritative doctrine", as opposed to opposed to reason or experience and conferred a “right to rule or command, power to enforce obedience, power or right to command or act".  It’s a thing which underpins the legal theory of the mechanics of the seamless transition in the UK of one the sovereign to the next, coronations merely ceremonial and proclamations procedural.  Other countries are different.  When a King of Thailand dies, there isn’t a successor monarch until one is proclaimed, a regent being appointed to carry out the necessary constitutional (though not ceremonial) duties.  A number of monarchies adopt this approach including Belgium and the Holy See.  The papal interregnum is known technically as sede vacante (literally "when the seat is vacant") and ends upon the election of new pope by the College of Cardinals.

The interregnum by analogy.  The term has been applied to the period of time between the election of a new President of the United States and his (or her!) inauguration, during which the outgoing president remains in power, but as a lame duck in the sense that, except in extraordinary circumstances, there is attention only to procedural and ceremonial matters.  So, while the US can sometimes appear to be in a state with some similarities to an interregnum between the election in November and the inauguration in January, it’s  merely a casual term without a literal meaning.  The addition in 1967 of the twenty-fifth amendment (A25) to the US Constitution which dealt with the mechanics of the line of succession in the event of a presidential vacancy, disability or inability to fulfil the duties of the office, removed any doubt and established there is never a point at which the country is without someone functioning as head of state & commander-in-chief.

Many turned, probably for the first time, to A25 after watching 2024’s first presidential debate between sleazy old Donald and senile old Joe.  Among historians, comparisons were made between some revealing clips of Ronald Reagan (1911-2004; US president 1981-1989) late in his second term and reports of the appearance and evident mental state of Franklin Delano Roosevelt (FDR, 1882–1945, US president 1933-1945) during the Yalta conference (February 1945).  In 1994, Reagan’s diagnosis of Alzheimer's disease was revealed and within two months of Yalta, FDR would be dead.  Regarding the matter of presidential incapacity or inability, the relevant sections of A25 are:

Section 3: Presidential Declaration of Inability: If the President submits a written declaration to the President pro tempore of the Senate and the Speaker of the House of Representatives that he is unable to discharge the powers and duties of his office, the Vice President becomes Acting President until the President submits another declaration stating that he is able to resume his duties.

Section 4: Vice Presidential and Cabinet Declaration of Presidential Inability: If the Vice President and a majority of the principal officers of the executive departments (or another body as Congress may by law provide) submit a written declaration to the President pro tempore of the Senate and the Speaker of the House of Representatives that the President is unable to discharge the powers and duties of his office, the Vice President immediately assumes the powers and duties of the office as Acting President.

If the President then submits a declaration that no inability exists, he resumes the powers and duties of his office unless the Vice President and a majority of the principal officers (or another body as Congress may by law provide) submit a second declaration within four days that the President is unable to discharge the powers and duties of his office. In this case, Congress must decide the issue, convening within 48 hours if not in session. If two-thirds of both Houses vote that the President is unable to discharge the powers and duties of his office, the Vice President continues as Acting President; otherwise, the President resumes his powers and duties.

Quite what the mechanism would be for a vice president and the requisite number of the cabinet to issue such a certificate is not codified.  Every president in the last century-odd has been attended by a doctor with the title “Physician to the President” (both John Kennedy (JFK, 1917–1963; US president 1961-1963) and Bill Clinton (b 1946; US president 1993-2001), uniquely, appointed women) and presumably they would be asked for an opinion although, even though FDR’s decline was apparent to all, nobody seems to have suggested Vice Admiral Ross McIntire (1889–1959) would have been likely to find the threshold incapacity in a president he’d known since 1917 as served as physician since 1933.  Vice presidents and troubled cabinet members may need to seek a second opinion.

Fashions change: The dour Charles I (left), the puritanical Oliver Cromwell (centre) and the merry Charles II (right).

The famous interregnum in England, Scotland, and Ireland began with the execution of Charles I (1600-1649) and ended with the restoration to the thrones of the three realms of his son Charles II (1630-1685) in 1660.  Immediately after the execution, a body known as the English Council of State (later re-named the Protector's Privy Council) was created by the Rump Parliament.  Because of the implication of auctoritas, the king's beheading was delayed half a day so the members of parliament could pass legislation declaring themselves the sole representatives of the people and the House of Commons the repository of all power.  Making it a capital offence to proclaim a new king, the laws abolished both the monarchy and the House of Lords.  For most of the interregnum, the British Isles were ruled by Oliver Cromwell (1599–1658) an English general and statesman who combined the roles of head of state and head of government of the republican commonwealth.

When Queen Elizabeth II (1926-2022; Queen of England and other places variously 1952-2022) took her last breath, Charles (b 1948) in that moment became King Charles III; the unbroken line summed up in the phrase "The King is dead.  Long Live the King".  In the British constitution there is no interregnum and a coronation (which may happen weeks, months or even years after the succession) is, in secular legal terms, purely ceremonial although there have been those who argued it remains substantive in relation to the monarch's role as supreme governor of the established Church of England, a view now regarded by most with some scepticism.  As a spectacle however it's of some interest (as the worldwide television ratings confirmed) and given the history, there was this time some interest in the wording used in reference to the queen consort.  However, constitutional confirmed that had any legal loose ends been detected or created at or after the moment of the succession they would have been "tidied up" at a meeting of the Accession Council, comprised of a number of worthies who assemble upon the death of a monarch and issue a formal proclamation of accession, usually in the presence of the successor who swears oaths relating to both church (England & Scotland) and state.  What receives the seal of the council is the ultimate repository of monarchical authority (on which the laws and mechanisms of the state ultimately depend) and dynastic legitimacy, rather than the coronation ceremony.

Some fashions did survive the interregnum: Charles II in his coronation regalia (left) and Lindsay Lohan (right) demonstrate why tights will never go out of style.

Primitive

Primitive (pronounced prim-i-tiv)

(1) Being the first or earliest of the kind or in existence, especially in an early age of the world.

(2) Early in the history of the world or of humankind.

(3) Characteristic of early ages or of an early state of human development.

(4) In anthropology, of or relating to a preliterate or tribal people having cultural or physical similarities with their early ancestors: no longer in technical use; denoting or relating to a preliterate and nonindustrial social system.

(5) Unaffected or little affected by civilizing influences; uncivilized; a savage (some historians once distinguished between barbarians and savages on what was essentially a racist basis).

(6) Being in its earliest period; early; old-fashioned.

(7) In art, an artist of a preliterate culture; a naïve or un-schooled artist; an artist belonging to the early stage in the development of a style; a work of art by a primitive artist; an artist whose work does not conform to traditional, academic, or avant-garde standards of Western painting, such as a painter from an African or Oceanic civilization.

(8) In fine art, a painter of the pre-Renaissance era in European painting (usually as "Italian primitive"); the works of these artists or in their recognizable style.

(9) In mathematics, a geometric or algebraic form or expression from which another is derived or a function of which the derivative is a given function; a function the derivative of which is a given function; an anti-derivative.

(10) In linguistics, the form from which a given word or other linguistic form has been derived, by either morphological or historical processes, as take in undertake (the most recent common ancestor (although sometimes hypothetical)).

(11) In biology, of, relating to, or resembling an early stage in the evolutionary development of a particular group of organisms; another word for primordial.

(12) In geology, pertaining to magmas that have experienced only small degrees of fractional crystallization or crystal contamination; of, relating to, or denoting rocks formed in or before the Paleozoic era (obsolete).

(13) In Protestant theology, of, relating to, or associated with a minority group that breaks away from a sect, denomination, or Church in order to return to what is regarded as the original simplicity of the Gospels.

(14) In computer programming, a data type that is built into the programming language, as opposed to more complex structures; any of the simplest elements (instructions, statements) in a programming language.

(15) In digital imagery, artistic training and certain aspects of engineering and architecture, a set of basic geometric shapes which can be used individually or from which more complex shapes can be constructed.

(16) In grammar, original; primary; radical; not derived.

1350-1400: From the Middle English primitif (of an original cause; of a thing from which something is derived; not secondary (used as both noun and adjective and originally in the sense of "original ancestor")), from the Middle French primitif (very first, original) from the Latin prīmitīvus (first or earliest of its kind), from primitus (at first), from prīmus (first).  The alternative spelling primative is long obsolete.  Primitive is a noun & adjective and primitiveness & primitivism are nouns; the noun plural is primitives.

The meaning "of or belonging to the first age" was from the early fifteenth century and was applied especially in the Christian church in the sense of "adhering to the qualities of the early Church."  The secular version of this meaning "having the style of an early or ancient time" was a nostalgic expression, an allusion to the (supposed) simplicity of the "old days" emerged in the 1680s.  The use during the era of European colonial expansion to mean "an aboriginal person in a land visited by Europeans" is from 1779, thus the idea of a primitive being an "uncivilized person".  To the colonial powers it was quite an important point to make because, being "uncivilized" (1) there could of course not be a legal system and thus no conception of the "ownership" of land and (2) such lands the Europeans "discovered" could be declared Terra nullius (from the Latin meaning "nobody's land" (literally "land belonging to nobody").  In Western anthropology, the idea persisted and by the late nineteenth century it was applied to cultures which, through isolation, had continued to operate at a technologically simple level, and even by the mid-late twentieth century it was common for mainstream historians to distinguish between "civilizations" and mere "cultures".  Reflecting both the snobby disdain for the pre Renaissance Italian primitives and perhaps as an allusion to prehistoric cave art, critics in the early 1940s applied the label "primitive" to artists thought "untrained", water-colorists seemingly a particular target.

The Italian Primitives

Technically, the phrase “Italian primitives” refers to works of art created between late eleventh and early fourteenth century with a particular emphasis on the later years.  It wasn’t until the late eighteenth century that historians and collectors first showed notable interest in Italian primitives and it’s indicative of the attitudes of the time that the artists of the era were often classified as “Italian pre-Renaissance” or “proto-Renaissance” painters; as late as the 1970s, “Italian primitives” was something of a pejorative term, such was the reverence for the works of the later Italian Renaissance, especially the High Renaissance (1495–1520), and Mannerism (1520–1600).

Two works by Cimabue (Cenni di Pepo, circa 1240–1302): Castelfiorentino Madonna (circa 1283), tempera & gold on panel (left) and Santa Trinita Maestà (circa 1295), tempera on panel (right).  The early Italian primitive style contrasted with a work representing the later intrusions of technique and dimensional imagination.  It is however misleading to speak of "early" and "late" Italian primitives in the sense of a definable stylistic shift, works with the classic Byzantine lines and form still being painted (for a receptive market) even in the early Renaissance and there would of course be a revival of sorts in some of the schools of early twentieth century modernism.

The role the Italian primitives played in the transition from the Byzantine artistic tradition to the more naturalistic and humanistic style that would later characterize the Italian Renaissance was of course acknowledged but the works themselves were usually treated as something imitative or at least derivative of the earlier techniques despite there being an obvious move away from the strict stylization and abstract qualities of Byzantine art, elements of naturalism, spatial depth, and even an exaggerated emotional expression appearing.  The Renaissance was not one of those moments in art when there was an abrupt shift from one stylistic tradition to another and the Italian primitives were part of series of developments in art, architecture and culture that typify the forces which become epoch-making.  The emphasis on perspective, anatomical accuracy and depictions of the range of human emotion so associated with the Renaissance owes much to the Italian primitives, not only in technique but also what came to be regarded as acceptable subject matter for art and one might suspect the Renaissance masters, revolutionary though they were, perhaps regarded the earlier tradition with more reverence than the critics who were so seduced by the sumptuousness of Leonardo, Michelangelo, and Raphael.

Crucifix of Santa Maria Novella (circa 1280), tempera on wood by Giotto (Giotto di Bondone, circa 1267-1337).  Among the Italian primitives, the works of Giotto provide some of the finest illustrations of the emergence of elements which the Renaissance masters would refine and perfect.  His Crucifix of Santa Maria Novella is very much in the vein of earlier works by Giunta Pisano (circa 1180-circa 1260) and Cimabue and details how the Italian primitives didn't wholly abandon the hieratic solemnity of Byzantine iconography but weren't constrained by their formulaic traditions, returning to a realism which would have been familiar in antiquity.  The use of embryonic techniques of perspective and chiaroscuro created a depth and volume which would later become the dominant motif in European art.

Graphics Primitives in Digital Images

Lindsay Lohan constructed in graphic primitives by MeygaHardy on DeviantArt.

In digital imagery (vector graphics, CAD systems etc), graphic (sometimes called geometric) primitives are the simplest form of shape which can be rendered and scaled for display on a screen (although in advanced engineering, as mathematical expressions, there are pure geometric primitives which can’t be displayed although they can be manipulated) and are sometime thus described as “irreducible” or “atomic”.  The origin of all graphics primitives are the point (technically the representation of a point as a point exists in space as a dimensionless address) and the straight line (that which extends from one point and another).  These lives were the original vectors and the earliest computers could handle only lines and points, thing like triangles and squares being constructed from these.  Graphic primitives are now more extensive and from assembling these, more complex shapes can be built.  Among mathematicians, there are debates about just what can be said to constitute a pure primitive, some suggesting that if a shape can be reduced to two or more shapes, it doesn’t qualify but for most they’re just handy objects and the technical squabble passes unnoticed.  The principle of graphic primitives underpinned the techniques of the early cubist artists.

Primitif by Max Factor (1956).  The use of the French adjective Primitif lent the product a continental connection but it's the masculine form, the feminine being primitive.

Pagophagia

Pagophagia (pronounced pag-off-faghia)

(1) The excessive and constant eating of ice, often as part of extreme dieting.

(2) A craving to eat ice, sometimes associated with iron-deficiency anemia.

Pre 900: A compound word, the construct being págo(s) + -phagia.  Págos is from the Byzantine Greek, the perfective stem of ἔφαγον (éphagon) (I ate; I devoured), singular first-person aorist active indicative form (by suppletion) of ἐσθίω (esthíō) (I eat; I devour).  Phagia is from the Ancient Greek πάγος- (phag-) (stiff mass; frost; ice) from pēnunai, (to stick, stiffen), from the primitive Indo-European root pag.  It was used also in a derogatory, figurative sense to describe a cold, unfriendly person (in the sense of one metaphorically cold like ice).  The nouns pagophile & pagophily and the adjective pagophilic reference species which prefer (ie are adapted to) ice as a habitat.  Pagophagia is a noun and pagophagic is a noun & adjective; the noun plural is pagophagics.

Ice, diet and the DSM

Pagophagia (the excessive consumption of ice or iced drinks), is often regarded as a recent phenomenon and a novel manifestation of pica (a disorder characterized by craving and appetite for non-edible substances, such as ice, clay, chalk, dirt, or sand and named for the jay or magpie (pīca in Latin), based on the idea the birds will eat almost anything) but in texts from Classical Greece are warnings in the writings of both the physician Hippocrates (circa 460–circa 370 BC) and the polymath Aristotle (384–322 BC) concerning the dangers of the excessive intake of cold or iced water.  The cause of the death of Theophilus (Byzantine (Eastern Roman) Emperor 829-842) was officially dysentery but, based on the original texts of Byzantine historians and chroniclers of the era, modern researchers speculate the cause of death may have been related to Theophilus' pagophagia (snow eating), a long-time habit he indulged to relieve the symptoms of gastric inflammation.  In the medical literature, from the sixteenth century on, there are discussions and illustrative case histories about the detrimental effect of immoderate usage of cold water, ice and snow, frequently in the context of eating disorders, another range of conditions with a long history.

A noted feature of the fifth edition of the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM-5 (2013)), was the more systematic approach taken to eating disorders, variable definitional criteria being defined for the range of behaviours within that general rubric.  What may have appeared strange was including the ice-eaters within the psychological disorder Pica which is characterized by the manifestation of appetite for non-nutritive substances including sharp objects (acuphagia), purified starch (amylophagia), burnt matches (cautopyreiophagia), dust (coniophagia), feces (coprophagia), sick (emetophagia), raw potatoes (geomelophagia), soil, clay or chalk (geophagia), glass (hyalophagia), stones (lithophagia), metal (metallophagia), musus (mucophagia), ice (pagophagia), lead (plumbophagia), hair, wool, and other fibres (trichophagia), urine (urophagia), blood (hematophagia (sometimes called vampirism)) and wood or derivates such as paper & cardboard (xylophagia).  DSM-5 also codified the criteria for behaviour to be classified pica.  They must (1) last beyond one (1) month beyond an age in infancy when eating such objects is not unusual, (2) not be culturally sanctioned practice and (3), in quantity or consequence, be of sufficient severity to demand clinical intervention.  Interestingly, when the text revision of DSM-5 (DSM-5-TR, 2022) was released, the sentence “individuals with atypical anorexia nervosa may experience many of the physiological complications associated with anorexia nervosa” was added to the description of the atypical anorexia nervosa example to clarify that the presence of physiological consequences during presentation does not mean that the diagnosis is the (typical) anorexia.  However, it must be remembered the DSM is a tool for the clinician and, while it can be a useful source document for the lay-reader, there are other publications better suited to those self-diagnosing or informally assessing others.  An individual for whom the only symptom of pica is abnormally high and persistent ice consumption doesn’t of necessity need to be subject to the treatment regime imposed on more undiscriminating consumers.

One of the reasons pagophagia is one of the more-researched and better-documented examples of pica is its strong association with iron deficiency anemia (the word in modern use unrelated to ischemia (local disturbance in blood circulation) which well into the twentieth century was sometimes a synonym), something which manifests especially in women as one of the consequences of the menstrual cycle.  The research has established there’s a high prevalence of pagophagia in patients with iron deficiency which tends to disappear once treated although the mechanism isn’t fully understood.  One theory is chewing ice temporarily increases alertness in those with iron-deficiency–related fatigue, possibly by improving cerebral blood flow or nerve conduction.  Pagophagia is thus unusual among the picas in that it’s a “red-flag symptom” in hematology whereas the others tend to be of interest to nutritionists and the psychiatric community.  The correlation is not absolute because not all pagophagics suffer an iron deficiency; for some it’s the pleasure or the crunch, the oral stimulation or merely a habit but if the craving is strong or compulsive, the usual recommendation is the use of supplements (ferritin, serum iron, transferrin saturation, hemoglobin).

One cube at a time.

The pro-ana community does recommend the eating of ice, not merely as a food substitute but because the body needs to burn energy both to melt the ice and subsequently restore the body to its correcting operating temperature.  With frozen water, this effect is greatest in negative calorie terms but the discount effect applies even to iced confections.  If a frozen confection is listed as containing a calorie content of 100 (25 grams of carbohydrate @ 4 calories per gram), this does not include the energy the body expends to melt the ice and the net consumption is actually around 72 calories.

All things in moderation: Lindsay Lohan enjoying ice-cream and (an allegedly virgin) iced mojito, Monaco 2015.

Pro-ana does NOT however approve of frozen confections, the preferred one litre of frozen water containing zero calories yet demanding of the body a burn of around 160 calories to process, the energy equivalent of running one mile (1.6 km).  The practical upper limit per day appears to be between 3-5 litres (.67 / .8-1.1 / 1.3 (US / Imperial) gallons) depending on the individual and it’s speculated a daily intake much over eight litres may approach toxicity, essentially because the localized symptoms would be similar to hypothermia and some organs fail optimally to work when body temperature drops too much.  Paradoxically, pro-ana also notes, ice shouldn’t be eaten when one is too hot.  After running, the body actually exerts energy through the active effort of dissipating excess heat and if one were to ingest large amounts of ice as one was cooling off, some of the heat generated would be neutralized by the coolness of the ice, minimizing some of the energy burning benefits.  There’s also the need to avoid dental damage; pro-ana recommending it be allowed to melt in the mouth or consumed as shaved ice.

Squinch

Squinch (pronounced skwinch)

(1) In architecture, a small arch, corbeling, or the like, built across the interior angle between two walls, as in a square tower for supporting the side of a superimposed octagonal spire or generally to support any superstructure such as a spire or dome.  Also called a squinch arch.

(2) To contort (the features) or squint (now rare).

(3) To squeeze together or crouch down, as to fit into a smaller space (now rare).

1490–1500: A variant of the obsolete scunch, short for scuncheon, from the Middle English sconch(e)on from the middle Middle French escoinson (The reveal of an aperture (such as a door or window) from the frame to the inner face of the wall) & esconchon.  Escoinson is drawn from its original formation es- & ex- (both from the Latin ex (out of, from)) + coin (corner).  The meaning in the sense of a squinting of the eyes emerged during the 1830s, the origin uncertain but likely an imperfect echoic.

The Hagia Sofia

Built by Byzantine Emperor Justinian I between 532 and 537 AD, the Hagia Sophia ((from the Greek `Αγία Σοφία (Holy Wisdom), Sancta Sophia or Sancta Sapientia in Latin)) sits at what has often been the strategically important point on the Bosporus between the Black Sea and the Mediterranean, long thought the boundary between Europe and Asia.

The four minarets were added at different times after 1453.  Thought aesthetically successful, they add also to structural integrity.

The Hagia Sophia was originally a Greek Orthodox Christian patriarchal cathedral in Constantinople (modern day Istanbul, Turkey), consecrated briefly as a Catholic church in the thirteenth century.  Noted for its vast dome, it was an extraordinary achievement of engineering, architecture and mathematics, for centuries the biggest building on Earth, remaining the largest cathedral for nearly a thousand years until the dedication in 1520 of the basilica in Seville.  In 1453, when Constantinople fell to the Ottomans, it became a mosque, remaining one until 1935, when, as part of the modernity project that was the Turkish Republic created by Mustafa Kemal Atatürk (1881–1938; (President of the Republic of Turkey 1923-1938)), it was made a museum, later becoming one of the country’s most popular tourist attractions.

Hagia Sofia dome with four (corner) squinch arches with supporting pendentives.

The pendentive is the construction element which permits a dome to be placed over a square or rectangular space.  Pendentives are triangular segments of a sphere that spread at the top, tapering to points at the bottom, thereby enabling the continuous circular or elliptical base needed to support the dome.  The horizontal curve of the dome’s base is connected directly to the vertical curves of the four supporting arches on each corner. Where the curve of the pendentive and dome is continuous, the vaulting form is known as a pendentive dome. 

Pendentives receive the outward force from the dome’s weight, concentrating it at the four corners from where it's transferred down the columns to the foundations below.  Before there were, pendentives, domes needed either the supporting structure to be round (The Pantheon) or were supported by corbelling or the use of squinches allowing the dome to sit on top of four arches.  Both methods imposed limitations of width and height whereas pendatives, which directed forces away from the walls, made possible bigger structures.  Invented in Ancient Rome, Byzantine architects perfected the technique and they came to be seen too in Islamic, Renaissance and Baroque architecture.

From the late twentieth century, religious sentiment in the secular state became more combative and by the early 2000s, demands were being heard from both the Christian Orthodox and Sunni Islam for the Hagia Sofia to again be a place of worship.  Political sentiments hardened and, in July 2020, on the very same day a court annulled the 1934 law which enabled the site to become a museum, Turkish president Recep Tayyip Erdoğan (b 1954; prime minister of Turkey 2003-2014 & president since 2014) signed a presidential decree under which the museum reverted to being the Great Mosque of Ayasofya.  Mr Erdoğan had flagged his intentions and the move was no surprise, this the fourth Byzantine church converted from museum to mosque during his time in office.  Architectural repurposing is hardly unknown west of the Bosporus either, thousands of mosques in Spain and Greece having over the centuries been converted to Christian churches.

The court’s rationale for annulling the 1934 decree was interesting, the judges finding it unconstitutional, under not only the contemporary Turkish constitution but also Ottoman law.  The court held that Mehmed II (1432-1481, محمد ثانى‎ in Ottoman Turkish, romanized as Meḥmed-i sānī), who conquered Constantinople in 1453, gained the Hagia Sofia as his personal property and, by the creation of a waqf (In the Arabic وَقْف‎ (ˈwɑqf), also known as a hubous (حُبوس); an inalienable charitable endowment of property under the Hanafi (Sunni law)), had lawfully made the structure permanently a mosque and thus unable to be used for any other purpose.  Under the Hanafi, Mehmed’s waqf was held to be valid, as was his gaining personal ownership in 1453 by virtue of the war code of the time.