Pullman

Pullman (pronounced pool-muhn or pull-minn)

(1) A range of railroad sleeping cars produced by the Pullman Palace Car Company which operated in the US between 1867 and 1968.

(2) A generic term for up-market coaches and train carriages.

(3) A term used by certain automobile manufacturers to describe lengthened versions of their limousines; most associated with Humber in the UK and Daimler-Benz in Germany.

(4) A type of long, square bread developed to be baked in the small kitchens of rail cars.

(5) As Pullman case, a type of large suitcase.

(6) In architecture, a long, narrow room, a visual allusion to the interior of a railway carriage.

1867: From the name of Chicago-based US engineer and industrialist George Mortimer Pullman (1831–1897).  It was first applied to the luxury railway coaches the Pullman Palace Car Company introduced in 1867, first in Chicago, later used across the US.  The name became widely used in a number of countries, used to describe up-market coaches and train carriages.

Interiors of Pullman Train Carriages

Bristol Type 26 Pullman

The Bristol Pullman first flew in 1918, designated originally as the Type 24 Braemar Triplane, a four-engined heavy bomber.  Tests soon revealed performance deficiencies and, as the Type 25 Braemar II, a second prototype took to the air in 1919, now with four, more powerful straight-12 Liberty engines and though it proved satisfactory the end of hostilities meant the Air Ministry no longer required a long-range bomber so Bristol reconfigured the third prototype as the Type 26 Pullman, a fourteen-passenger transport.  The use of the Pullman name was an allusion to the luxury of trains although, weight of greater significance in airframes, the fittings were notably less extravagant.  Although exhibited to acclaim at the 1920 Olympia Air Show in 1920, the projected price was too high for the embryonic civilian airlines of the era and the Pullman never entered production, the sole prototype dismantled in 1921 but in a sense, it really was the first “modern” airliner.  The wildly ambitious Type 40 Pullman, an enlarged forty-passenger version, never advanced beyond the drawing board.  Whether the Type 25 it would have been an effective heavy bomber has been debated.  The top speed was claimed to be 122 mph (196 km/h) which was competitive with the fighters of the time and the service ceiling was said to 15,000 feet (4575 m), a height which even some of the early heavy bombers of World War II struggled to match but whether these numbers would have be matched when fully loaded, under combat conditions, isn’t known.

Mercedes-Benz 600 Pullman & Pullman Landaulet

A symbol of the post-war Wirtschaftswunder (economic miracle) in West Germany (Federal Republic of Germany (FRG), 1949-1990), Daimler-Benz first showed the Mercedes-Benz 600 (W100) in September 1963 at the Frankfurt Motor Show although deliveries didn’t begin until the following year.  Known as the Grosser (grand or greatest) Mercedes in the tradition of the 770K (W07; 1930-1938 & W150; 1938-1943)), it was what had by the 1960s become an automotive rarity, a genuinely new car with no carry-over components from previous vehicles and was a technological tour de force even eschewing (relatively) noisy electric motors for accessories like windows and sun roofs, instead controlling them via a swift and silent hydraulic system which extended even to automating the closing of doors and trunk (boot).  Powered by a 6.3 litre (386 cubic inch) single overhead camshaft (SOHC) V8, which powered it to a top speed of 128 mph (205 km/h) (124 (200) for the heavier Pullman), it rode on air suspension which, in addition to the expectedly cushion-like ride, permitted the 600 a competence in handling and roadholding exceeding many of the sports car of the era, some of which couldn’t match its straight-line speed.  Remarkably, this was achieved with the use of swing axles at the rear although years of refinement of the anti-squat, anti-dive geometry and a compensating device above the differential tamed the worst of the tendencies inherent in what was, even in the early sixties seen as an inherently flawed design.

600 SWB (left), 600 Pullman 4 door (centre) & 600 Pullman Landaulet with the "short" roof (right).  Although the factory would build the landaulets to the requested configuration, most of the 6 door cars used the "long" fabric roof which began above the front seats while on the 4 door cars, the metal roof extended mid-way into the rear-passenger compartment.  Although the long-roof cars are sometimes referred to as the "presidential", this was never an official designation.

With economies expanding on both sides of the Atlantic, Daimler-Benz had great expectations for the 600, predicting sales would soon exceed a thousand a year but, after an encouraging 345 were built in 1965 (the first full-year of production), demand waned and even that high-water mark was never again approached.  The increasingly onerous regulations being imposed in the United States meant that by 1972, the 600 had to be withdrawn from what had always been the most important market.  After that, although dictators in Africa and Asia remained fond of the things, there simply weren’t enough of them to sustain the line and the company concentrated on the UK, European and Middle Eastern markets and there were some encouraging signs until in something of an own goal, in 1972 Mercedes-Benz released the W116, the first model to be known as the “S Class” and, although in a different market segment to the grosser, it was so advanced and obviously modern that instantly it made the anyway rather baroque 600 look antiquated.  The final nail in the coffin was the first oil shock in 1973 and from then until the end of the line in 1981, production dwindled to a handful a year, availability maintained only because of the thing’s importance in the brand’s image and the lingering aura of having upon its release been lauded generally as “the best car in the world”, perhaps the last time about that there would be a consensus.

600 Pullman Landaulets: 4 doors with the short roof (left & centre) and 6 door with the long roof (right).  The factory built the Pullmans to order and there were many variations (one Pullman even built as a "family car" without the glass partition which normally separated the chauffeur from the passengers), most of the 4 door cars were fitted with "vis-a-vis" seating whereas the 6 door models usually had occasional "jump seats" which folded into the central partition.

The standard 600 was built on a wheelbase of 3200 mm (126”) while the Pullmans (and all but one of the landaulets) used a lengthened platform, extending this to 3900 mm (153 ½“).  Often (correctly but somewhat misleadingly) referred to as the SWB (short wheelbase), the standard car was 5540 mm (218 “) in length while the elongated Pullmans (LWB or long wheelbase) stretch this to 6240 mm (245¾”) and the weight varied, depending on configuration between 3000-3300 kg (6600-7275 lb).  Over the eighteen-odd years it was on the books, Mercedes built 2677 600s (including 45 “special protection” versions, a coupé and one SWB landaulet), the breakdown being:

6 door 600 Pullman Landaulet (left), 4 dr 600 Pullman Landaulet used by the FRG (Federal Republic of Germany; the old West Germany) for Queen Elizabeth II's 1965 state visit (centre) and 4 door 600 Pullman.

Few cars have ever so encapsulated an association with wealth and power which is why Pullmans continue to be sought be film directors looking for a prop which at a glance delivers the desired verisimilitude.  Additionally, being long and low-slung, unlike the traditional, upright Rolls-Royce Phantom limousines, the Pullmans always managed to convey something slightly sinister, thus the appearance in films of a certain kind although the use in The Exorcist probably was about money.  If the look alone isn’t enough, the ownership list included: King Khalid Bin Abdulaziz Al Saud of Saudi Arabia, Park Chung-hee, Josip Broz Tito, Nicolae Ceaușescu, Pol Pot, Enver Hoxha, Francois (Papa Doc) Duvalier, Jean-Bédel Bokassa, Emperor Hirohito, FW de Klerk, Leonid Brezhnev, Idi Amin, Fidel Castro, Robert Mugabe, Jomo Kenyatta, Daniel arap Moi, Ferdinand Marcos (who owned four, including a Landaulet and a “special protection”, Kim Il-sung (the Great Leader passing his two landaulets (along with the rest of the DPRK (North Korea) to Kim Jong-il (the Dear Leader) and Kim Jong-un (the Supreme Leader), Saddam Hussein, the last Shah of Iran who had several, Chairman Mao Zedong, Chen Yi, Deng Xiaoping (wife of Zhou Enlai), Deng Yingchao, Norodom Sihanouk, Léopold Sédar, Nicolae Ceauşescu, Idi Amin Dada, Enver Hoxha, Papa Doc Duvalier, Josip Broz Tito & Mobutu Sese Seko.

SCV 1, the 600 Pullman used as the papal car by the Holy See, 1965-1986.

The 600 Pullman landaulet presented to Pope Paul VI (1897–1978; pope 1963-1978) and used by the Holy See between 1965-1986 was the latest in a line of papal Mercedes-Benz which had included a 1930 Nürburg 460 (W08) and a 1960 300d Cabriolet D (W189), both fitted with the throne-like, single rear seat, the same configuration used in “popemobiles” to this day.  It was one of the 45 “special build” 600s, using the long wheelbase platform but with the rear doors 256 millimeters longer and directly adjoining the front doors.  The roof of the Pullman landaulet was raised by 70 millimeters to provide adequate headroom, something necessitated by the floor being level in the rear, the transmission tunnel concealed underneath.  The car since 1986 has been on display in the Mercedes-Benz Museum in Untertürkheim, complete with the registration SCV 1 (Stato della Città del Vaticano 1 (Vatican City State No 1), the number one identifying the pope’s official car at any given time, much as the US Air Force call-sign Air Force 1 moves with the president).

Lindsay Lohan with 600 Pullman during the filming of Liz & Dick (2012).

A most unfortunate conjunction of imagery: Adolf Hitler on Berlin's newly opened East-West Axis in his 770K Grosser Cabriolet F open tourer (W150; 1939-1943) in a parade marking his fiftieth birthday, opposite the Technical High School, 20 April 1939 (left) and David Bowie in his 600 Pullman Landaulet, Victoria Station, London, 2 May 1976 (right).

The pop star David Bowie (1947-2016) understood he was an influential figure in music but on more than one occasion explained to interviewers: “I am not an original thinker”.  Trawling pop-culture for inspiration nevertheless served him well but he later came to regret dabbling with history slightly less recent.  Not impressed with the state of British society and its economy in the troubled mid-1970s, he was quoted variously as suggesting the country would benefit for “an ultra right-wing government” or “a fascist leader”.  Although he would later claim he was captivated more by the fashions than the policies of the Third Reich, the most celebrated event of this period came in 1976 in what remains known as the "Victoria Station incident".  Bowie staged a media event, arriving standing in an open 600 Pullman Landaulet, recalling for many the way in which Hitler so often appeared in his 770K.  Unfortunately, a photographer captured a shot in what the singer later claimed was “mid wave” and it certainly resembled as Nazi salute.  He later attributed all that happened during this stage of his career to too many hard drugs which had caused his interest in the aesthetics of inter-war Berlin to turn into an obsession with politics of the period.  All was however quickly forgiven and his audience awaited the next album which is an interesting contrast to the cancel culture created by the shark-feeding dynamic of the social media era.  Now, were a pop star to tell interviewers: “Britain could benefit from a fascist leader” and “I believe very strongly in fascism … Adolf Hitler was one of the first rock stars”, their future career prospects might be "nasty, solitary, brutish and short".

Cellar

Cellar (pronounced sel-er)

(1) A room or set of rooms, for the storage of food, fuel etc, wholly or partly underground and usually beneath a building.

(2) As “wine cellar”, an underground room in wine is stored (now often built above ground but still referred to as “wine cellar”); as “cellar”, a stock of bottled wines.

(3) As “cellar dweller(s)”, in the slang of competitive sport, a reference to teams in the lowliest reaches of the points ladder.

(4) As a verb, to store something (usually wine) in a cellar.

(5) As “salt cellar”, (1) a historical term for a small dish used for holding salt to be dispensed by a spoon & (2) an alternative (if historically misleading) term for what tends in modern use (initially especially in North America but later more generally) to be called a “salt shaker”.

1175–1225: From the Middle English celer and the Old French celier (“salt box” which survives in Modern French as cellier) from the Anglo-French & Latin cellārium (pantry; storeroom (literally group of cells”)), the construct being cell(a) + -ārium, the later re-spelling adopted to reflect the Latin form.  The fifteenth century English saler is from the Old French salier (salière in Modern French), from the Latin salarius (relating to salt) from the Latin sal (salt).  The Latin salarium was a noun use of the adjective meaning "pertaining to salt," again derived from the Latin sal (salt) from the primitive Indo-European sal- (salt).  The sense "room under a house or other building, mostly underground and used for storage" gradually emerged in late Middle and early Modern English, cellar-door attested by 1640s.  The somewhat clumsy noun cellarer (the person, usually in a monastery, responsible for providing food and drink) appears to have gone extinct by the late eighteenth century.

Of cellars, jugs, pots, mills & all that

Lindsay Lohan with milk jug, preparing a Pilk.  A Pilk is a mix of Pepsi Cola and milk, one of a class of beverages created by the Pepsi Corporation called Dirty Sodas which includes the Naughty & Ice, the Chocolate Extreme, the Cherry on Top, the Snow Fl(oat) and the Nutty Cracker.  All are intended to be served with cookies (biscuits).

In English, to describe the containers in which small quantities of stuff (as opposed to bulk-storage such as a bin) was stored, a variety of terms evolved.  Ground pepper is stored in a pepper pot which is shaken; whole or cracked peppercorns being stored in a pepper mill (often now called a pepper grinder) which is ground.  Ground salt is stored in a salt cellar and should be dispensed with a spoon whereas if shaken from a container it's best called a salt shaker; salt crystals are stored in a salt mill (often now called a salt grinder) which is ground.  Sometimes, the pepper pot and salt cellar are kept in a receptacle called a condiment caddy.  Ink, if used by directly dipping in a nib or quill end, is kept in an inkwell; if bought from a shop, it is sold in an ink pot, the latter more recent and, with the decline of writing with ink, now more prevalent.  Gravy is served in a gravy boat.  A ramekin is a small bowl used for preparing and serving individual portions of a variety of dishes, including crème brûlée, soup, molten cakes, moin moin, cheese or egg dishes, poi, macaroni and cheese, lasagna, potted shrimps, ice cream, soufflé, baked cocottes, crumbles, chakra póngal, or scallops, or used to serve side garnishes and condiments alongside an entrée.  Biscuits are kept in a biscuit barrel.  Tea is kept in a tea caddy, milk is served from a milk jug and sugar is taken from a sugar bowl with tongs if in lumps and if in crystals, is taken with a spoon or sprinkled from a caster or, more rarely, a sifter. Liquid condiments such as olive oil and balsamic vinegar are served from a cruet.  Soups and stews are served in a tureen and dispensed with a ladle.

The word ladle is the subject of one of the more curious definitional disputes in English.  A ladle is thought by most reasonable folk to be a specialized spoon but there are pedants of gastronomy who insist that while ladles have a spoon-shaped bowl, the angle of the handle (which can be so acute as to be perpendicular to the bowl) means they are so different to every other spoon that they can be used only for ladling, not spooning.  The etymological evidence offered is that the Middle English ladel is from the Old English hlædel, derived from the Proto-Germanic hlaþaną (to load), derived from several primitive Indo-European sources which meant “to put”, “lay out”, to spread” and, the Old English hlædel (a glossing of the Latin antlia (pump for drawing water)) is from hladan (to load; to draw up water).  It’s less a technical point than a social class signifier known probably only to etymologist and the more snobby maîtres d'hôtel.

Saliera (salt cellar) circa 1542 by Benvenuto Cellini, Kunsthistorisches Museum, Wien.

In addition to the works he completed, Italian sculptor and goldsmith Benvenuto Cellini (1500-1571) is remembered for his vividly written autobiography, a few of the more extravagant tales suggesting some unreliability of memory but the four murders to which he confesses are undisputed and well-documented.  Convinced of his own greatness, which he did not seek to conceal from his readers, his virtues and vices he seems to suggest were the essential qualities of his genius and for an abundance of one he should be forgiven the excesses of the other.  Friends in high places seemed to agree.  Thanks repeatedly to the interventions of well-placed men of influence, including many cardinals and more than one pope, he was able either to escape punishment or secure pardons and early release from the imprisonment imposed for many of his crimes which, as well as the murders, included sodomy of both young men and women, one of whom in Paris filed a complaint accusing him of using her "after the Italian fashion".

A mannerist masterpiece, the memorable Saliera (salt cellar) is some 10" (250 mm) high and 13" (330 mm) wide, sculpted by hand from rolled gold, resting on a base of ebony into which are installed ivory bearings to permit it to be rolled between guests, around the table.  It represents the gods of the earth and sea, their legs intertwined and thought to suggest “those lengthier branches of the sea which run up into the continents”.  A small boat in which to store the salt floats next to the sea god while a temple for peppercorns sits next to the earth goddess, the figures on the base noting the winds and times of day.  When Cellini presented the piece he made no mention of the names of the figures and only later would they be identified as Neptune and Tellus.

Align

Align (pronounced a-line)

(1) To arrange in a straight line; adjust according to a line.

(2) To bring into a line or alignment.

(3) To bring into cooperation or agreement with a particular group, party, cause etc; to identify with or match the behavior, thoughts etc of another person.

(4) In radio transceiving, to adjust two or more components of an electronic circuit to improve the response over a frequency band, as to align the tuned circuits of a radio receiver for proper tracking throughout its frequency range, or a television receiver for appropriate wide-band responses.

(5) To join with others in a cause.

(6) In computing, to store data in a way consistent with the memory architecture ie by beginning each item at an offset equal to some multiple of the word size.

(7) In bioinformatics, to organize a linear arrangement of DNA, RNA or protein sequences which have regions of similarity.

Circa 1690: From the Middle English alynen & alinen (copulate (of wolves & dogs)), from the Middle French aligner, from Old French alignier (set, lay in line (sources of the Modern French aligner)).  The construct à (to) + lignier (to line) was from the Latin lineare (reduce to a straight line) from linea (line).  The French spelling with the -g- is un-etymological, and aline, the early alternative spelling in English is long obsolete and was never revived as US English.

The transitive or reflexive sense of "to fall into line" is attested from 1853 with the use in international relations first noted in 1923 in the sense of (return to previously aligned positions) in reference to European international relations and use spiked after 1933 in the League of Nations in discussions about the disputes which would from then only worsen.  The noun alignment (arrangement in a line) dates from 1790 and misaligned (faulty or incorrect arrangement in line) was originally used in engineering, documented from 1903 although, curiously, realign (align again or anew), a back-formation of realignment was in common use in railway construction by the mid 1800s.  References to the Non-Aligned Movement (formalized in 1961), appeared in documents in 1960 although the concept of geopolitical non-alignment was much discussed after 1934 in debates in the noble but doomed League of Nations (1920-1946 (although a moribund relic after 1940)).

The Non-Aligned Movement

The Non-Aligned Movement (NAM) is a group of states with some one-hundred and twenty members.  It began during the cold war as a loose organization of countries, not formally aligned either with Washington or Moscow, the centres of the two major power blocs.  The NAM was formed in Belgrade in 1961, the project of Jawaharlal Nehru (1889–1964; Prime-minister of India 1947-1964), Sukarno (1901–1970; president of Indonesia 1945-1967), Gamal Abdel Nasser (1918–1970; president of Egypt 1954-1970) and comrade Josip Broz Tito (1892–1980; prime-minister or president of Yugoslavia 1944-1980).  The cross-cutting cleavages of the cold war meant the NAM was never wholly synonymous with the third world but those nations provided the bulk of the organization’s membership.  Nor was the NAM politically monolithic, the organization doing little to reduce tensions between members Iran & Iraq or India & Pakistan (NATO notably more successful in suppressing things between squabbling members), its most noted fracture over the Soviet Union’s invasion of Afghanistan in 1979; while some Soviet allies supported the invasion, others (particularly Islamic states) condemned it.

The NAM: members in dark blue, those enjoying observer status in light blue.

Quite what role the NAM has fulfilled since the end of the Cold War is not clear.  Its ongoing survival may be nothing more than bureaucratic inertia or the tendency for political structures to live on beyond the existence of the purpose for which they were created, a phenomenon noted in academic literature in both political science and organisational studies.  So, sixty years on, it still exists, even conducting virtual summits during the COVID-19 pandemic although it’s been many years since anything said in its forums attracted much attention.  Of late however, as the building blocks of the New Cold War have taken shape, there’s been much speculation about the future composition of the NAM as a bi-polar arrangement consisting of (1) the West and (2) the BRICS seems to be coalescing.  The origin of the BRICS (Brazil, Russia, India, China (South Africa added later)) was in an economist’s paper (2001) discussing the high-growth economies which showed the greatest potential and the organisation has recently added Argentina, Egypt, Ethiopia, Iran, Saudi Arabia and the United Arab Emirates.  The claims by the BRICS secretariat that what is envisaged is a “multi-polar world” are interesting in as much as they’re being made rather than for their credibility but there are many not unhappy at prospect of a bi-polar planet being formalized and the form in which this emerges will be dependent on how certain nations in the NAM decide to re-align.  While there’s still a degree of medium-term predictability about Russia, China and other usual suspects, players like India and Brazil (which can be open to temptation and civilizing influences) and may emerge as a political dynamic, either as horse-traders or fence-sitters.

The overlay: the first, second & third worlds

First World Blue: Essentially the anti-communist bloc of the cold war.  Since the collapse of the Soviet Union in 1991, the definition has shifted to include any country with stable (ie non-violent) political systems, some degree of democracy, a legal system which at least pretends to adhere to the rule of law, a market-based economy and a high standard of living.  Best thought of as the rich world, these are the countries in which it’s (usually) safe to drink the tap water.

Second World Red: The Second World referred to the nominally communist or socialist states mostly under the influence of the Soviet Union.  Soviet control varied from actual satellite states to those merely in degrees of sympathy with Moscow.  Relationships were often fractious, the most celebrated tiff being the Sino-Soviet split.

Third World Green: Originally, the term was a political construct to define countries that remained non-aligned with either NATO or the Communist Bloc but, even among scholars of political economy, there never emerged a consensus about just which countries constituted the third world.  The most used, but least defined of the three worlds, it’s essentially now a less politically correct way of referring to what economists now call the developing world.

The multi-polar school in Mean Girls (2004) lacked a NAM

The discipline of behavioralism is not as fashionable as once it was but its tools and methods remain in use in fields as diverse (or similar according to some) as political science, marketing, crowd control and zoology, much of the work exploring group dynamics, both internally and the interactions between factions.  Although it wasn’t intended to be taken too seriously, one structuralist did make the point that the sheer number of cliques (20-odd) in the Mean Girls high school meant it was unlikely a “non-aligned” grouping would emerge because the extent of the multi-polarity was such that the concept made no sense; even in the dynamic system of ever-shifting alliances between small numbers of cliques, in a sense all simultaneously were non-aligned with the majority of others.

Macro

Macro (pronounced mak-roh)

(1) Anything large in scale, scope, or capability.

(2) In the colloquial language of economics, of or relating to macroeconomics.

(3) In computing, an instruction that represents a sequence of instructions in abbreviated form (also rarely called macroinstruction) or a statement, typically for an assembler, that invokes a macro definition to generate a sequence of instructions or other outputs.

(4) In photography, producing larger than life images, often a type of close-up photography or as image macro, a picture with text superimposed.

(5) As the acronym MACRO, the Museum of Contemporary Art of Rome (Museo d'Arte Contemporanea di Roma).

1933: A word-forming element from the Ancient Greek μακρός (macros), a combining form of makrós (long), cognate with the Latin macer (lean; meagre) and from the primitive Indo-European root mak (long, thin); now a general purpose prefix meaning large.  The English borrowing from French appears to date from 1933 with the upsurge in writings on economics during the great depression.  It subsequently became a combining form meaning large, long, great, excessive et al, used in the formation of compound words, contrasting with those prefixed with micro-.  In computing, it covers a wide vista but describes mostly relatively short sets of instructions used within programs, often as a time-saving device for the handling of repetitive tasks, one of the few senses in which macro (although originally a clipping in 1959  of macroinstruction) has become a stand-alone word rather than a contraction.  Other examples of use vis-a-vis include macrophotography (photography of objects at or larger than actual size without the use of a magnifying lens (1863)), macrospore (in botany, "a spore of large size compared with others (1859)), macroeconomics (pertaining to the economy as a whole (1938), macrobiotic (a type of diet (1961)), macroscopic (visible to the naked eye (1841)), macropaedia (the part of an encyclopaedia Britannica where entries appear as full essays (1974)), macrophage (in pathology "type of large white blood cell with the power to devour foreign debris in the body or other cells or organisms" (1890)).

Dieting and the macro fad

In the faddish world of dieting, the macrobiotic (macro- +‎ -biotic (from the Ancient Greek βιωτικός (biōtikós) (of life), from βίος (bios) (life)) diet is based on the precepts of Zen Buddhism.  It’s said to seek to balance what are described as the yin & yang elements of food and even the cookware used in its preparation.  The regime, first popularised by George Ohsawa san (1893-1966) in the 1930s, suggests ten food plans which, if followed, will achieve what is said to be the ideal yin:yang ratio of 5:1.  Controversial, there’s no acceptance the diet has any of the anti-cancer properties its proponents often claim beyond that expected if one follows the generally recommended balanced diets which differ little from the macrobiotic.  It was Ohsawa san's 1961 book Zen Macrobiotic which introduced the word to a wider audience although he acknowledged the system had been practiced in Germany in the late eighteenth century.

A later fad, macronutrients, is distinct from macrobiotics and describes another form of a balanced diet, the three classes of macronutrients being the familiar proteins, fats, and carbohydrates.  The macro diet puts a premium on whole rather than processed foods and requires calorie counting because of the need to track intake and maintain the metrics within a certain range.  Where the macro diet differs is that the metrics vary between individuals rather than requiring conformity to the unchanging yin:yang ratio .  Depending on factors such as body type, life-style, age and health, a nutritionist will construct a target macro ratio (eg 40% carbohydrates, 40% protein and 20% fat) although that may change depending upon outcomes achieved.

The pro ana community seems to view the macrobiotic diet with uninterest rather than scepticism, noting it’s optimised around a concept of balance rather than weight-loss and, while perhaps useful in some aspects, is just another fad diet and that’s fine because, if followed, all diets probably work but for pro ana purposes there are better, faster, more extreme ways.

Macrophotography (also known as photomacrography, macrography or macro-photography) is a specialised niche in imagery, usually in the form of close-up photographs of small subjects, typically living organisms like insects, the object being to create an image greater than life size.  The word is used also by processing technicians to refer to the creation of physically large photographs regardless of the size of the subject or the relation between subject size and finished photograph.

When macro photography depended on a camera with a macro lens committing images to film stock, it was a genuinely specialised skill.  Now, advances in the sensor technology used in small, general purpose digital cameras mean anyone can produce raw images very close to those attainable using a DSLR (digital single-lens reflex) or SLR (single-lens reflex) with a true macro lens and editing software exists to enhance the images.  The emergence of very high definition (8K+) OLED (organic light-emitting diode) televisions in sizes larger than human beings has introduced a new subset to macrophotography for home use.  The 8K devices are currently available in sizes up to 150" (3.8m) and the technology exists to join together edgeless screens to create one vast panel, the size limited only by the software support.

Macrophotography of Lindsay Lohan's eyes, Venice Film Festival, 2006.

Cad, Bounder & Rotter

Cad (pronounced kad)

(1) A local town boy or youth, as contrasted with a university or public school student.

(2) A man who behaves in a dishonorable or irresponsible way, especially towards women (now rare but not yet archaic). 

(3) A servant at a university or public school.

(4) In architecture and engineering, as CAD, the acronym for Computer Aided (or Assisted) Design.

(5) In medicine, as CAD, the acronym for Coronary Artery Disease.

(6) In computing, an abbreviation for the Ctrl+Alt+Del keyboard combination.

(7) In currency trading (ForEx), as CAD$, the code of the Canadian dollar

(8) In EU financial regulation as CAD1 & CAD2, the acronyms for Capital Adequacy Directives.

(9) A person who stood at the door of an omnibus to open and shut it, and to receive fares; bus conductor (UK archaic).

1730: A shortening of cadet, used originally of servants, later (1831) of town boys by students at Oxford and English public schools (though curiously, at Cambridge alone it meant "snob"), then "townsman" generally.  Between 1780-1790, it came to be adopted as a shortening of “caddie” (used to describe “a person who runs errands and does odd jobs”, a use thought of Scottish origin from the boys who carried clubs for golfers).  The Scots picked up caddie from the French cadet, from the dialectal capdet (chief, captain), from the Latin capitellum, diminutive of caput (head).  Cad seems, in the mid nineteen century (documented 1838-1868) also to have meant a "person lacking in finer feelings" but this use faded, replaced by other words as cad came to be applied mostly to upper class men behaving badly.  The related forms are caddish, caddishly & caddishness.

A CAD rendering (right) of Herbie, published on the GrabCAD Community site.  CAD (Computer Aided (or Assisted) Design) systems used to be the (very expensive preserve of architects and engineers, the most sophisticated systems usually maintained by corporations.  Now, thanks in part to open source software, professional quality CAD systems are available to hobbyists, used obten in conjunctions with 3D printers.

Bounder (pronounced boun-der)

(1) A person who is thought to have attempted, to have bounded to a higher social strata, often based on newly acquired wealth; social climber.

(2) A person, beast or thing that bounds.

(3) A dishonourable, morally reprehensible man (archaic, replaced by cad).

(4) That which limits; a boundary (technical use only).

1535–1545: Originally an English slang term applied to a “person of objectionable social behaviour”, it came by the late nineteenth century (attested 1882) to describe a “would-be stylish person”, a sense later extended to bounding (uninvited as it were) from a lower to higher social class to another), the implication being such social mobility is possible but depended on the bounder being accepted by the higher class.

The construct is bound + -er.  Bound is from the Middle English bound & bund (preterite) and bounden, bunden, ibunden & ȝebunden (past participle) from the Old English bund-& bunden (ġebunden) respectively.  The –er suffix is from the Middle English –er & -ere, from the Old English -ere, from the Proto-Germanic -ārijaz, thought likely a borrowing from the Latin ārius.  Use was reinforced by the synonymous but unrelated Old French –or & -eor (the Anglo-Norman variant was -our) from the Latin -(ā)tor, from the primitive Indo-European -tōr.

Rotter (pronounced rot-ah)

A person thoroughly bad, worthless, objectionable, unpleasant, or despicable.

1889: The construct is rot(t) + er.  Rot is from the Middle English rotten & roten from the Old English rotian (to rot, become corrupted, ulcerate, putrefy), from the Proto-Germanic rutāną (to rot).  The –er suffix is from the Middle English –er & -ere, from the Old English -ere, from the Proto-Germanic -ārijaz, thought likely a borrowing from the Latin ārius.  Use was reinforced by the synonymous but unrelated Old French –or & -eor (the Anglo-Norman variant was -our) from the Latin -(ā)tor, from the primitive Indo-European -tōr.  Since use was first documented in the late nineteenth century, meaning has never shifted from "person deemed objectionable on moral grounds".

In the hierarchy of linguistic moral disapprobation, rotter is handy because it condemns someone as unambiguously bad.  There are synonyms such as scamp, rascal or rogue which can be applied humorously or affectionately (though usually with a sympatric adjective) but a rotter is just bad.  This probably applies too to disparagements like blackguard, creep, villain & scoundrel but they do rely on some specific conduct to justify the appellation whereas a rotter can be thought a rotter for no particular reason; they’re just a rotter.

Cad, bounder or rotter?

Lindsay Lohan with notorious rotter Harvey Weinstein (b 1952).

Former US film producer, co-founder in 1979 of film & television production & distribution company Miramax and convicted sex offender Harvey Weinstein is probably regarded by most as having ticked all the cad, bounder & rotter boxes.  Opinions may vary on whether one label should be lent more emphasis than another but it doubtful many would think none are applicable.  

The word cad evolved in the British class system and once was a general cultural put-down, based on it being an earlier descriptor of the servant-class and thus carrying the implication of a lack of finer tastes or manners but other words proved more attractive for this and, by early in the twentieth century, cad had come to refer to a man who behaves in a dishonorable or irresponsible way, especially toward women.  The British class system’s put-downs however are in themselves nuanced, class-based things and the point about cad was it applied only to the well-bred, chaps aware of the gentlemanly codes, but who failed to live up to them.

Barnaby Joyce with his (now estranged) wife and four daughters.

There were thus no cads in the working class or the middle classes because, knowing no better, they couldn’t be blamed; they knew not what they did.  Those from the lower classes (and especially the aspirational middle-class) certainly could be bounders and anyone could be a rotter but to be a cad, one had to come from the upper strata.  The shift in meaning from earlier times was noted by Anthony West in his biography (Aspects of Life (1984)) of his father, HG Wells (1866–1946), a man of modest origins.  In the nineteenth century of Wells’ youth, a cad was “…a jumped-up member of the lower classes who was guilty of behaving as if he didn't know that his lowly origin made him unfit for having sexual relationships with well-bred women.”  Now, Wells would be called a bounder but not a cad.

The Honorable Barnaby Joyce (b 1967; variously thrice Deputy Prime-Minister of Australia (between local difficulties), 2016-2022), House of Representatives, Canberra ACT, Australia, 2018.  Definitely a cad but not a bounder and opinions will be divided on whether or not he's a rotter.  Some will be forever convinced while the more thoughtful might concede he was one of those chaps who "could be a bit of a rotter"

Spectrum condition: The redness in the face of the honourable Barnaby Joyce (b 1967; thrice (between local difficulties) deputy prime minister of Australia 2016-2022) is used by his colleagues to gauge where his state of mind lies in the adjectival progression of the plethoric (left), the more plethoric (comparative; centre) and the most plethoric (superlative; right).In mid 2024 Mr Joyce announced he'd given up alcohol, the abstinence inspired by an earlier "incident" in which he was filmed lying drunk on the footpath (sidewalk) next to a Canberra planter box, conducting a mumbled, expletive-laden conversation with his wife.  He said he'd since lost 15 kg (33 lb) and given up smoking (it not known if politicians lie about such claims).  Interestingly, political scientists seem generally to expect the well-publicized event (one of a number featuring Mr Joyce) would probably result in him increasing his margin at the next election (sprawled drunk in a city street making him "authentic" and "relatable").  When interviewed, the once "notorious drunkard" said: "Maybe at some stage I’ll have a beer again, but at the moment, nah".

Cheque

Cheque (pronounced chek)

(1) A bill, debenture, coupon, IOU, receipt, warrant, order or bond (all now rare).

(2) A bill of exchange drawn on a bank by the holder of a current account; payable into a bank account, if crossed, or on demand, if uncrossed.

(3) In agricultural jargon (Australian and NZ), the total sum of money received for contract work or a crop; a slang term for wages.

1828: From the Middle English chek & chekke, borrowed from the Old French eschek, eschec & eschac, from the Medieval Latin scaccus, a borrowing from the Arabic شَاه‎ (šāh), from the Persian شاه‎ (šâh) (king) from the primitive-Indo-Iranian kšáyati (he rules, he has power over), ultimately from the primitive Indo-European tek- (to gain power over, gain control over).  The first cheque book was issued in England in 1872, the first checking account in the US offered in 1897.  The meaning as a negotiable instrument for the transfer of money comes from check in the sense of a means of verification (ie a check against forgery or fraud) and was influenced by exchequer, from Old French eschequier.  Chèque is the French spelling, chequé the Spanish.

Crooked Hillary Clinton summing up her campaign strategy.

Check is the original spelling, cheque coming into use in 1828 when James William Gilbart (1794-1863) published his Practical Treatise on Banking.  The spellings check, checque, and cheque were used interchangeably between the seventeenth and twentieth centuries but cheque became the standard form for the financial instrument in the Commonwealth and Ireland, while check is used only for other meanings, thus distinguishing the two definitions in writing.  The Americans, preferring the spelling check for all purposes lost this; one of the rare examples where the American spelling of English words incurs a disadvantage.

Lindsay Lohan with novelty check (cheque), part of a protest on Billy Eichner’s “Billy on the Street” piece about about a television show being cancelled, New York, 2014.  The piece didn't result in the show returning for another season but did succeed in the demolition of a Volvo so there's that.