Flair & Flare

Flair (pronounced flair)

(1) A natural or innate talent, aptitude, or ability, a bent or knack for something; instinctive discernment or perceptiveness.

(2) Smartness of style, manner, etc; stylishness or elegance.

(3) In hunting, scent; olfaction, the sense of smell (now rare).

(4) In Scots, a word for floor.

1350–1400: From the Middle English flayre, from the Old English flōr, from the Old French flaire (scent; odour (literally “sense of smell”) which endures in Modern French as flarier), a noun derivative of flairier (to reek; to give off a smell), ultimately from unattested Vulgar Latin flāgrāre, a dissimilated variant of the Classical Latin frāgrāre (to smell sweet), source also of fragrant in Modern English).  The related Latin form was flāgrō, a dissimilated variation of the verb frāgrō (emit a sweet smell).  The present participle is flairing, the past participle flaired).  In modern use, the original sense (scent, sense of smell etc) is rare and restricted to niches such as hunting and historical fiction.  The sense of "special aptitude" is an invention of American English, dating from 1925, probably from hunting and the notion of a hound's innate and extraordinary ability to track scent.  The popular uses now refer to (1) matters of style or (2) a particular talent or aptitude:

“He has a flair for the business”.

That was Winston Churchill's (1875-1965; UK prime-minister 1940-1945 & 1951-1955) grudging assessment in 1944 of Field Marshal Sir Alan Brooke (later Lord Alanbrooke; 1883-1963, Chief of the Imperial General Staff (CIGS) 1941-1946) as a general.  It was about as close to praise as the CIGS received from his chief; the prime-minister liking his soldiers dashing and daring rather than cautious and conscientious.  The most common synonyms now (depending on context) include chic, dash, élan, grace, verve, oomph, ability, aptitude, elegance, genius, gift, glamour, knack, mastery, taste, bent, faculty, feeling, head, panache & pizzazz.

Flare (pronounced flair)

(1) To burn with an unsteady, swaying flame, as a torch or candle in the wind; the flame of this type.

(2) To blaze with a sudden burst of flame (often followed by up); the flame of this type.

(3) To start up or burst out in sudden, fierce intensity or activity (often followed by up).

(4) To become suddenly enraged; express sudden, fierce anger or passion (usually followed by up or out).

(5) To shine or glow.

(6) To spread gradually outward, as the end of a trumpet, the bottom of a wide skirt, or the sides of a ship.

(7) To display conspicuously or ostentatiously to display.

(8) To signal by flares of fire or light.

(9) To cause (something) to spread gradually outward in form.

(10) In metallurgy, to heat a high-zinc brass to such a high temperature that the zinc vapors begin to burn; to increase the temperature of (a molten metal or alloy) until a gaseous constituent of the melt burns with a characteristic flame or (of a molten metal or alloy) to show such a flame.

(11) In hydrocarbon extraction, to discharge and burn (excess gas) at a well or refinery.

(12) A bright blaze of fire or light used as a signal, a means of illumination or guidance etc; the device or substance used to produce such a blaze of fire or light.

(13) In fashion, a gradual spread outward in form; as in a skirt or trousers (known also as bell-bottoms).

(14) In engineering, an outward extension, usually as a curvature.

(15) In automotive design, an extension at the wheel arch of the fender (mudguard) to ensure tyres don’t extend beyond the bodywork.

(16) Something that spreads out.

(17) In optics, light, often unwanted or extraneous, reaching the image plane of an optical instrument, as a camera, resulting from reflections, scattering by lenses, and the like.

(18) In photography, a fogged appearance given to an image by reflection within a camera lens or within the camera itself.

(19) In astronomy (commonly as solar flare), a sudden and brief brightening of the solar atmosphere in the vicinity of a sunspot that results from an explosive release of particles and radiation.

(20) In US football (NFL), a short pass thrown to a back who is running toward a sideline and is not beyond the line of scrimmage.

(21) In television, a dark area on a CRT picture tube caused by variations in light intensity (mostly archaic).

(22) In aviation, the final transition phase of an aircraft landing, from the steady descent path to touchdown; to operate an aircraft to transition from downward flight to level flight just before landing.

(23) In pathology, an area of redness on the skin surrounding the primary site of infection or irritation.

(24) In engineering, as flare tube fitting, a flare nut being used to secure the flared tubing’s tapered end to the also tapered fitting, producing a pressure-resistant, leak-tight seal.

(25) In baseball (also as blooper or Texas leaguer), a low-fly ball that is hit in the region between the infielders and the outfielders.

(26) An inflammation such as of tendons (tendonitis) or joints (osteoarthritis).

(27) In pyrotechnics (also as Bengal light or fusee) a colored flare used as a warning on a railroad.  In US use, a parachute flare or Very light.

1540-1550: Of uncertain origin, the verb not appearing in English until the mid-sixteenth century, most etymologists thinking it probably related to the Latin flagrō (I burn) and may be from a Scandinavian source or the Dutch vlederen.  The Norwegian flara (to blaze; to flaunt in gaudy attire) has a similar meaning, but the English word predates it so it’s presumed derivative.  There may be some relationship with the Middle High German vlederen (to flutter (and represented in modern German by flattern)) but the evidence is scant.  In English, the original meaning was “spread out” (as applied to hair (and later structures such as the sides of ships)) leading to a comparison with the Old English flǣre (either of the spreading sides at the end of the nose).  The meaning "shine out with a sudden light" dates from the 1630s while the notion of "spreading out in display" emerged in the 1640s and is the source of the modern association with things which "spread gradually outward".

The noun flare (a giving off of a bright, unsteady light) dates from 1814 and was derived from the verb; from this followed (by 1883) the sense of "signal fire" (1883). Astronomical use dates from 1937.  The general meaning "a gradual widening or spreading" is emerged circa 1910, the best known modern example probably the “flares” (flared trousers), first noted in 1964, actually an adaptation of earlier forms of design but a fashion trend which is associated with the hippie era and lasting until the mid 1970s.  Flares then became suddenly unfashionable but revivals since have been frequent and they now enjoy a standardized niche in the industry.

In idiomatic use, the flare-up (a sudden burst) applied by 1827 to an argument and by 1858 to light, derived from the verbal phrase and contemporary publications noted the vogue flare-up enjoyed as a street expression in 1830s London.  The 1660s noun flatus (wind in the bowels) was a direct borrowing from the Latin flatus (a blowing, breathing, snorting; a breaking wind), past participle of flare (to blow, puff) from the primitive Indo-European root bhle- (to blow).  From this came the 1590s adjective flatulent (affected by digestive gas), from the sixteenth century French flatulent, from the Modern Latin flatulentus, from Latin flatus.

Flare is a verb (used without object) & noun, flared is a verb & adjective and flaring is a verb (the noun derived from the verb).  The present participle is flaring, the past participle flared and the noun plural is flares.  Synonyms, depending on context, include flame, erupt, explode, flash, blaze, blaze, boil over, break out, burn, explode, flare up, flash, flicker, glow, seethe, widen, burst, dart, dazzle, flutter, fume, glare, rant, shimmer & broaden.

Worn with flair: Lindsay Lohan (left) in peach flared trousers, Los Angeles, 2012 and (right) out shopping in flared jeans, Milan, 2015.

1975 Porsche 911S (left) with standard body and 1979 Porsche 930 3.3 (right; often called the 911 Turbo) with flared wheel arches, a body style which came generally to be called the “wide-body”.

1963 AC Shelby Cobra 289 (left, retrospectively dubbed the "slab-side") and 1967 AC Shelby Cobra 427 S/C (right) with flared wheel arches.  Aspects of the bulge-bodied 427 had actually already been seen on competition versions of the 289 and it has for decades been the most popular style of body (regardless of the engine installed) used by producers of replicas, there now being in excess of 50,000 of these, dwarfing the production of the thousand-odd originals.

For many years, most cars have used slightly flared wheel arches but more exaggerated extensions are often added to high-performance models to enable wider wheels and tyres to be fitted.  If the high-performance version is to be a regular-production model, the usual practice is the integrate the flares into the fender.

1975 Holden Torana SL/R 5000 L34 (left) and 2020 Dodge Challenger SRT (right).  Limited production models however often have flares added which are obviously “tacked-on”.  That can be part of their attraction, giving the things the appearance of something obviously intended for competition, emphasizing too their “limited production” status.  The 1975 Torana L34 (and the 1977 A9X) was an extreme example, leaving exposed the bolts attaching the flares to the fenders.

Peter Brock (1945-2006) in his self-built Austin A30 Holden sports sedan (left), Hume Weir, circa 1969 and Harry Lefoe's Hillman Imp (right) at the same circuit in 1971.  Both were typical of the racing cars built by amateurs in the 1960s to compete in events with very loose regulations.  The prevailing theory seems to have been to find the smallest possible car and add to it the largest engine which fell conveniently to hand.  Brock used a 179 cubic inch (2.9 litre) Holden six in the little car which had begun life with a 803 cm³ (49 cubic inch) four yet even that wasn’t the most extreme of the time.  The Hillman Imp's light-weight and diminutive dimensions held great appeal for Australian earth-moving contractor Harry Lefoe (1936-2000) who had a spare 302 cubic inch (4.9 litre) Ford (Windsor) V8 sitting in his workshop.  By then, the Imp was a Chrysler product but because the published guidelines of the Australian Sports Sedan Association (ASSA) restricted engines to those from cars built by the manufacturer of the body-shell, the small-block Ford V8 could be put in an Imp because it had been used in the earlier Sunbeam Tiger.  So the big lump of an iron V8 replaced the Imp's 875 cm3 (53 cubic inch) aluminium four and such was the difference in size that Lefoe insisted his Imp had become "mid-engined" although it seems not to have imparted the handling characteristics associated with the configuration, the stubby hybrid infamous for its tendency to travel sideways.  It was never especially successful but it was loud, fast, spectacular and always a crowd favourite.  Also typical was the simple “flaring” of the wheel arches, easily crafted with sheet metal and often integrated with aerodynamic “improvements” created with by guesswork rather than wind-tunnels or computer emulations.  The technique was known as the “square flare”.

1974 Ford Cologne Capri.  Factories with bigger budgets sometimes use both wind-tunnels and computer emulation to optimize the shape of flares, often using them to direct airflow to radiators or brakes as well as permit the fitment of wider tyres.

1987 Mercedes-Benz 300E (left) and 1991 Mercedes-Benz 500E; note the modest flared wheel arches on the 500E which added about two inches to the width of the car, something which proved surprisingly significant.

In 1991, Mercedes-Benz finally gave the W124 (1984-1995 (body-styles other than the four-door sedan would remain in production until 1997 and 46 500Es were actually built in 1990)) an engine with the power to exploit the fine underpinnings.  The 500E (later E500 when the naming system was updated) was a response to demand from those who hankered after something like the old 300SEL 6.3 (W109 1968-1972) as well as a long-overdue model to compete with BMW’s M5 but, with development of the new S-Class (W140 1991-1998) over-budget and behind schedule, the production work on the 500E project was out-sourced to Porsche.  Porsche’s engineers did a good job mating the 5.0 litre (303 cubic inch) V8 to the chassis, a task which included some modifications to the suspension and a flaring of the wheel arches to accommodate the wider track.  So subtle were the flares that they’re almost imperceptible to the casual viewer and without a standard W124 with which to compare, probably few notice.  That’s not surprising given the 500E was a modest 56 mm (2.2 inches) wider than the more prosaic models (1,796 mm (70.7 in) vs 1,740 mm (68.5 in)).

However, those two-odd inches of additional width created by the wheel arch flares proved an unanticipated obstacle to volume production, the prototype found to be too wide to proceed at several points on the W124 production line.  As a glitch (in communication and systems management rather than engineering), it recalled an incident which afflicted the somewhat more ambitious Hubble Space Telescope (HST) which, upon deployment, was found to have one incorrectly ground mirror which blurred the view.  In software and hardware, NASA found a solution, a part of which was effected during a celebrated (and anyway scheduled) servicing mission.  On Earth, things were simpler for Mercedes-Benz which contracted with Porsche to handle part of the production process, the cars shuttled by truck between the two factories, located a few miles apart in Stuttgart.  That was inconvenient for Mercedes-Benz but fortuitous for Porsche, which, hard-hit by the recession-induced downturn in the sports car market, needed something to make use of their now substantially idle facilities.  The well-publicized arrangement meant it took eighteen days to complete every 500E but it added to the allure of the car and even at a very high price, 10,479 were sold and they were in many ways the blueprint for the AMG range which followed.  Encouraged by the success, the factory released the 400E (1991-1995 and later renamed E420) which, with a 4.2 litre (256 cubic inch) V8, didn’t demand the fitment of the five litre car’s wider track and flared wheel arches.  Being thus able to use the standard W124 production line, it was built at a much lower cost and 22,802 were sold.

Built by Ferrari: 1973 Dino 246GTS with "chairs & flares" options.

The rhyming colloquialism “chairs and flares” (C&F to the Ferrari cognoscenti and these days the early Dinos are an accepted part of the family) is a reference to a pair of (separately available) options available on later production Dino 246s.  The options were (1) seats with inserts (sometimes in a contasting color) in the style used on the 365GTB/4 (Daytona) & (2) wider Campagnolo Elektron wheels (which the factory only ever referred to by size) which necessitated flared wheel-arches.  In the early 1970s the factory wasn’t too punctilious in the keeping of records so it’s not known how many cars were originally built equipped with the wider (7½ x 14” vs 6½ x 14”) wheels but some privately maintained registers exist and on the basis of these it’s believed production was probably between 200-250 cars from a total run of 3569 (2,295 GT coupés & 1,274 GTS spyders (targa)).  They appear to have been most commonly ordered on UK & US market cars (although the numbers for Europe are described as “dubious” and thought an under-estimate; there are also an unknown number in other countries), the breakdown of verified production being:

246GT: UK=22, Europe=5, US=5.
246GTS: UK=21, Europe=2, US=91.

The “chairs and flares” cars are those which have both the Elektron option and the Daytona-style seats but because they were available separately, some were built with only one of the two, hence the existence of other slang terms in the Dino world including “Daytona package”, “Sebring spyders” and, in the UK, the brutish “big arches”.  In 1974, the Dino's option list (in US$) comprised:

Power windows: $270.00
Metalic Paint: $270.00
Leather upholstery: &450.00
Daytona type central seat panels: $115.00
Air-conditioning: $770.00
14 x 7½ wheels & fender flares: $680.00
AM/FM/SW radio: $315.00
Electric antenna & speakers: $100.00

At a combined US$795.00, the C&F combination has proved a good investment, now adding significantly to the price of the anyway highly collectable Dino.  Although it's hard to estimate the added value because so many other factors influence calculation, all else being equal, the premium would seem to to be well over US$100,000.  Because it involves only wheels, upholstery and metal, the modifications are not technically difficult to emulate although the price of a modified vehicle will not match that of an original although unlike some of the more radical modifications to Ferraris (such as conversions to roadsters), creating a C&F out of a standard 246 seems not to lower its value.  These things are always relative; in 1974 the C&F option added 5.2% to the Dino GTS's list price and was just under a third the cost of a new small car such as the Chevrolet Vega. 

Gas flaring on off-shore oil-rig.

It’s surprising gas flaring isn’t more controversial than it is.  A practice which dates from the earliest days of oil extraction, it was originally merely a safety procedure, disposing of the surplus and unwanted gas unavoidably associated with oil production but has long been recognized as wasteful of a valuable natural resource which, if harvested, could be used to generate energy now produced by more polluting sources such as coal.  The volume of gas flared annually (ie burned off in the atmosphere) is sufficient to satisfy the energy needs of all sub-Saharan Africa.  Additionally, the flaring process, which annually burns some 144 billion m³ of gas, is estimated to contribute to the atmosphere about 2.8 kilograms of CO₂ equivalent emissions for each m³, resulting in over 400 million tons of CO₂ annually and, the methane emissions resulting from the inefficiency of the flare combustion contribute significantly to global warming.  This is especially acute in the medium term because methane is over 80 times more powerful than CO₂ as a greenhouse gas so on a 20-year timeframe, the multiplier effect means the annual CO₂ equivalent emissions are increased by nearly 100 million tons.  There are technical solutions to this which would remove the need for most flaring as well as providing a valuable energy source less polluting than coal or diesel but, for the oil industry, the economics are not compelling.  Nor, given the relationships between the fossil-fuel industry and politicians, does there seem to be any hint of political will to pursue the issue.

Plenipotentiary

Plenipotentiary (pronounced plen-uh-puh-ten-shee-er-ee or plen-uh-puh-ten-shuh-ree)

(1) A person, especially a diplomatic envoy, invested with full power or authority to transact business on behalf of another.

(2) Invested with full power or authority, as a diplomatic agent; conferring or bestowing full power, as a commission.

(3) Of power or authority, full; absolute

1635-1645: From the French plénipotentiaire, from the Medieval Latin plēnipotentiārius (invested with, having, or bestowing full power(s)) from the Late Latin plēnipotēns, a construct from plēnus (full) +‎ potēns (mighty, powerful) + -ārius (the Latin suffix forming personal nouns corresponding to adjectives).  The primitive Indo-European root was pele-(to fill).  The noun plural is plenipotentiaries.

After the Congress

Historically, a plenipotentiary was a diplomat (or other envoy appointed for some purpose) authorized fully to represent a government and empowered to enter into binding agreements within the terms of reference of their appointment.  Sometime in the twentieth century (it varied with the geography), technological advances rendered diplomatic plenipotentiaries mostly redundant and, outside of the formal language of diplomacy, use as a noun is now rare, and when used, generally refers to any individual with "full powers" in some sense.  The adjectival sense describes something which confers "full powers", such as an edict or assignment.

Anton Alexander von Werner (1843–1915), Congress of Berlin (1881), oil on canvas painting of plenipotentiaries, final meeting at the Reich Chancellery, 13 July 1878.

Prior to the mid-nineteenth century, any form of communication between a diplomat and their government could take literally months and, even in a relatively small and well-connected space like Europe, an exchange of messages could take days.  Ambassadors and other diplomats were thus often granted full (plenipotentiary) powers to represent their government in negotiations with their host nation.  It was the Congress of Vienna (1814–1815), which codified most aspects of the diplomatic relationships between countries and from that point, the ambassador evolved to become the usual title for chiefs of mission (there are exceptions such as within the Commonwealth where the old British Empire title of High Commissioner is retained and the Holy See which appoints papal nuncios).  Generally though, the protocols of the Congress of Vienna continue to be used and ambassadors are still designated and accredited as extraordinary and plenipotentiary, even though technically typically now neither.

Unusually for a word adopted by English, foreign translators rate it difficult to translate.  That’s interesting because essentially the same word exists in a number of Romance languages (the Portuguese plenipotenciário; the French plénipotentiaire; the Romanian plenipotențiar; the Spanish plenipotenciario & the Italian plenipotenziario) with exactly the same meaning.  The Albanian plotfuqishëm sounds similar although it has native roots but other languages have their own equivalents (the German Bevollmächtigt(er), the Dutch gevolmachtigd(e), the Danish fuldmægtig, the Swedish fullmäktig, the Norwegian fullmektig (all Germanic derivatives which are literal parallels).  In the Balkans, there was the Serbian punomoćan (пуномоћан in Cyrillic), the Russian полномочный (полный (full) + мочь (to be in power, to be able)), the Czech zplnomocněný (plno (full) + moc (power)), the Slovak splnomocnený (plno (full) + moc (power)) & the Slovenian pooblaščeni (adjective) & pooblaščênec (noun).  Elsewhere, there was the Polish pełnomocnik (pełno (of full) + moc (power)), the Bulgarian пълномощен (pǎlnomošten), the Finnish täysivaltainen, the Greek πληρεξούσιος (plirexoúsios), the Turkish tam yetkili & the Tatar wäqälätle.

Phytosuccivorous

Phytosuccivorous (pronounced fahy-toh-suhk-siv-er-uhs)

The general descriptor of creatures which feed on sap, such as certain sucking insects.

1860s: The construct was phyto- + succi- + -vorous.  Phyto- (pertaining to or derived from plants) was from the Ancient Greek φυτόν (phutón) (plant) and a doublet of -phyte.  Succi- was a combining for of the Latin succus (plural succi) (juice), source also of the Modern English succulent.  In pre-modern medicine, succus & succi were terms for the expressed juice of a plant, extracted for medicinal purposes.  The construct of –vorous was the Latin –vor(us) + -ous.  Vorous was from vorō (I devour, greedily I eat) +‎ -us (the suffix used to form adjectives) and the suffix –vorous was used to form adjectives with the sense of “habitually eating, feeding on”.  The –ous suffix was from the Middle English -ous, from the Old French –ous & -eux, from the Latin -ōsus (full, full of); a doublet of -ose in an unstressed position.  It was used to form adjectives from nouns, to denote possession or presence of a quality in any degree, commonly in abundance.  In chemistry, it has a specific technical application, used in the nomenclature to name chemical compounds in which a specified chemical element has a lower oxidation number than in the equivalent compound whose name ends in the suffix -ic.  For example sulphuric acid (H₂SO₄) has more oxygen atoms per molecule than sulphurous acid (H₂SO₃).  The related forms, used in entomology and the biological sciences include phytosuccivorous, phytosuccivore & phytosuccivory.

Originally described in entomological taxonomy the H. coagulata (later called Homalodisca vitripennis), is a leafhopper from the insect family Cicadellidae.  The surprisingly destructive little bug was later and more mnemonically named the glassy-winged sharpshooter, a not entirely accurate but graphically illustrative description.  Being phytosuccivorous means the insect lives by sucking sap from the plants which make its environment hospitable.  That’s unremarkable but the glassy-winged sharpshooter is one of a number of sap-suckers noted for a still curious aspect of their behavior: They “make it rain” by flinging droplets of pee while feeding on plant juices.  Although the reason the creatures have evolved to do this remains speculative, close observation has allowed biologists to understand the tiny, catapult-like mechanism the sharpshooters use to propel their waste at what turned out to be extraordinary rates of acceleration.

It’d long been known that trees infested with sharpshooters exude a steady pitter-patter of pee and many nature-loving bush-walkers may have probably enjoyed the experience, thinking it a natural climatic phenomenon.  Use of high-speed video capture allowed scientists to observe the process and analysis revealed how the insects release the waste.  Of interest also was that sharpshooters frequently simultaneously “feed & fling”, droplets collecting on a tiny barb called a stylus at the insect’s rear end which, when the droplet reaches a certain weight, induces the stylus to act like spring, the drop flying off the structure as if hurled from a catapult.

In an intriguing example of the complexity of nature often observed at the miniature level, two tiny hairs at the end of the stylus which, by flicking the water at the point of ejection, greatly increase the flinging power (because of the scale, an aspect of design not able to be added to any of the catapults made by humans since antiquity).  As a result, the stylus launches liquid waste with a maximum acceleration 20 times that of Earth’s gravity.  Impressive though that sounds, such findings are not unusual in the physics of very small creatures and it remains uncertain why the pee is flung so far, the current thinking being the sharpshooters try to send it as far as possible lest the sugar-rich fluid attracts predators.  Nor, despite the name, is there any suggestion the sharpshooters are aiming at anywhere or anything in particular, their interest apparently distance rather than direction.  The researchers hope their findings will improve engineering in the field of microfluidics, in which tiny amounts of fluids are manipulated to diagnose disease, sequence DNA, and study cells one at a time.  Already, engineers are experimenting with a design which emulates the sharpshooter's rear end by attaching false eyelashes to an electric motor.

Small though they are, where colonies cluster, the sharpshooters can do serious damage.  The phytosuccivorous pests daily slurp-down and fling-out hundreds of times their body weight and can transmit bacteria that cause diseases in plants and poison the spiders which play a vital role in maintaining insect numbers.  Their technique of feeding and voracious appetite for so many different hosts means the glassy-winged sharpshooters are an effective vector for a number of bacteria which colonizes the creature by forming a biofilm on its mouth-parts.  The infected insect then transmits the disease to additional plants while feeding and even if not susceptible, the newly infected plant becomes a reservoir, holding the bacterium for other sap-suckers to pick up and carry to other plants.  There have been a number of successful attempts at pest management including the use of insecticides, parasitoids (especially wasps) and the impact of naturally occurring pathogens like viruses, bacteria, and fungi, one recently discovered pathogen actually a virus conveniently specific to sharpshooters.  Evidence suggests the most successful approach is the release of broad-spectrum leafhopper parasitoids which reduce the survival rate of the eggs.

Hypaethral

Hypaethral (pronounced hi-pee-thruhl, hahy-pee-thruhl)

In classical architecture, wholly or partly open to the sky.

Circa 15 BC: From the Classical Latin hypaethrus from the Ancient Greek ὕπαιθρος (húpaithros or hýpaithros) (open to the sky), from ὑπό (hupó), combining form of ὑπό (hupó) (under) + αἰθήρ (aithḗr) (air, ether).  The construct was hyp- (under) + aîthros (clear sky; see ether) + -al (from the Latin adjective suffix -ālis). 

The Roman architect Vitruvius, in his treatise De architectura (circa 15 BC) for the emperor Caesar Augustus (63 BC–AD 14 (also known as Octavian); first Roman emperor, 27-AD 14), used the Latin hypaethrus to describe temples in which the cella (the part of the temple housing an image of the deity) was wholly or partially uncovered.  In the late eighteenth century, English classicists adopted the re-modelled form hypaethral in their works about ancient architecture and another adjective they would employ was cleithral, designating temples with roofed central spaces; cleithral comes from the Ancient Greek kleithra (lattice).

The more modern American spelling is hypethral which probably is preferable but, unlike many US spellings which have made inroads elsewhere in the English speaking world, hypaethral remains the standard form; this is doubtless because it’s a technical word used by tiny subsets of historians, classists and architects.  Both spellings remain technically correct but use within any document needs to be consistent.

Hypaethral Temple at Paestum, Wilkins William, from The Antiquities of Magna Graecia, London, Longman, Hurst, Orme and Rees, MDCCCVII (1807).

Lolita

Lolita (pronounced loh-lee-tuh)

(1) A female given name, a form of Charlotte or Dolores.

(2) A 1955 novel by Vladimir Nabokov.

(3) Referencing the eponymous character in the novel, a nymphet (or a representation of one in pornography) or a sexually precocious young girl (usually critically).

Lolita is a female given name of Spanish origin. It is the diminutive form of Lola, a hypocorism of Dolores (Lolita thus a double diminutive) which, depending on the source translates in Spanish as "suffering" or “sorrows”, the latter tending to be preferred because of the link with Maria de los Dolores.  Without any etymological evidence, some other (presumably fanciful) suggestions of meaning have included "a princess who loves pastel colors", "flower of love", "vivacious and beautiful" & "with a man's spirit".

As a given name, Dolores originated from La Virgen María de los Dolore (Virgin Mary of the Sorrows (dolores translating in Spanish as sorrows), one of the many titles given to the Blessed Mother in Spanish Roman Catholic tradition.  In the context of the Roman Catholic Church, Mary’s sorrows refer to seven events which occurred during her lifetime: (1) The Circumcision of Jesus, (2) the Flight from Jerusalem when Mary and Joseph take the baby Jesus to Egypt to protect him from King Herod of Judea’s orders to kill him, (3) the Finding in the Temple when Mary and Joseph lose the child Jesus only to find him later dwelling in the Temple among the elders, (4) Mary’s meeting with Jesus on the way to Calvary, (5) Jesus’ death on the cross, (6) Mary receiving the body of Jesus in her arms after he is taken down from the cross and (7) the placing of Jesus in the tomb.  The most observant Catholics observe a daily ritual in which they recite Our Father and seven Hail Marys in homage to the seven sorrows.  In the Spanish tradition, there are several given names derived from the many epithets given to the Blessed Mother, other examples including Concepción (referring to Mary’s immaculate conception); Corazón (referring to Mary’s immaculate heart); Luz (Our Lady of the “Light”); Mercedes (Our Lady of “Mercy”); Milagros (Our Lady of “Miracles”); Pilar (Our Lady of the “Pillars”); Rosario (Our Lady of the “Rosary”); and Soledad (Our Lady of “Solitude”).  From the late nineteenth century Dolores became popular among American Catholics and Nabokov’s novel seems briefly to have induced a spike in popularity which the later film adaptation (which reached a wider popular audience) may have quelled.  In the US, popularity peaked in 1963 and it’s never really recovered from the prurient associations explored by Nabokov.  Despite the reservations of parents in the English-speaking world, Lolita the name remains popular among Spanish speakers and in Europe.  In Latvia, Lolita’s name day is 30 May.

Sue Lyon in “Lolita Glasses” in Lolita (1962).  The most emblematic of the type are the sunglasses with the heart-shaped lens but the label is applied to many thick-rimmed styles, especially those with the sleek, “cats eye” shape.

Lindsay Lohan in Lolita glasses.

The 1955 novel by Vladimir Nabokov (1899-1977) was controversial even before being published in French, English language houses, sensing trouble, having initially declined the manuscript and nor has there ever been any consensus about the literary merit.  Coincidently or not, there had been a Imperial-era German short-story about a girl called Lolita.  Published in 1916 by Heinz von Lichberg (the pen-name of Heinz von Eschwege (1890-1951)), it was not dissimilar in its themes and there are a number of reasons it may have been Nabokov was influenced although, given the structural differences, plagiarism is too strong a word.  Whatever the qualities of the text, it remains interesting as a canvas onto which can be mapped the changing attitudes to child abuse (and its artistic depiction).  Tellingly, when Stanley Kubrick (1928-1999) in 1962 adapted the novel for the screen, many aspects of the original were toned down and twelve-year old Lolita was re-imagined as fourteen, a change necessitated by the rules in some markets and it may have been hoped that if that was acceptable for Shakespeare’s Juliet, it was good enough for Kubrick’s Lolita.  Even as a morality tale, it was ambiguous; although the transgressive male protagonists all die in various unpleasant ways, so too do Lolita and her mother, the nominal female victims.

Sue Lyon, photographed by Bert Stern in 1960 for a pre-release publicity set.

What came to be called “Lolita glasses” (which are to this day marketed under that label) are the thick-rimmed items worn in the 1962 by Sue Lyon (1946-2019), aged between 14-15 at the time of filming.  The most famous of the glasses, with the heart-shaped lens, were chosen by photographer Bert Stern (1929-2013) who Kubrick in 1960 commissioned to produce some still images to be used in pre-release publicity.  Stern was already well known for his photographs of Elizabeth Taylor and Richard Burton, and would later create a famous set of images of Marilyn Monroe (1926–1962), the style of which he controversially reprised in 2008 with Lindsay Lohan (b 1986) as the subject.

Popularity of the name Lolita in the US, 1900-2017.  Impressionistically, as might be expected, a film will influence popular culture more than literary fiction, regardless of content.

Skank

Skank (pronounced skangk)

(1) In the slang of certain classes, rhythmically to dance in a loose-limbed manner.

(2) In the pejorative slang of certain classes, a woman thought unattractive and disreputable, especially one with an air of tawdry promiscuity.

(3) Any substance that is particularly foul, unhygienic or unpleasant (obsolete).

(4) A slovenly style of dress, possibly imitative of dishevelled heroin addicts (obsolete).

(5) To steal from; to swindle (obsolete).

1965: Origin uncertain though much speculation.  The sense of an "unattractive woman" and usually one of loose virtue first noted in 1965, thought most probably descended from the 1920s skag in this sense, possibly by means of an imperfect echoic.  The verbal meaning "dance to reggae music" is from 1976 and almost certainly not the same word.  Etymologists suggest it’s most likely a compound construct of some kind, either a blend of skeevy (unattractive) + rank (dirty, smelly) or, more improbably, scold +‎ brank (Middle English meaning frolicsome and often lascivious conduct).  All agree that despite the similarities, the Danish skank (cognate with English shank) used as a noun in Swedish since 1635, is unrelated, a noun is based on the older, now obsolete adjectives skank and skink (limping, lame on one leg).  Skank is a noun & verb, skanker is a noun, skanked & skanking are verbs, skanky, skankier & skankiest are adjectives; the noun plural is skanks.  Despite the existence of the noun skanker and the frequent use of the form as a slur against women, there’s no evidence of skankee) and despite what seems an obvious need, there's no acceptance of the adjective skankish as a standard word.  For one pondering on a group of skanks, should one feel the need to rate them, the comparative is skankier and the superlative skankiest.  

One of Mark’s many moments

Mark Latham.

Australian politician Mark Latham (b 1961; leader of the Australian Federal Labor Party and Her Majesty's loyal opposition 2003-2005), once described Murdoch press legal commentator, The Australian’s Janet Albrechtsen (b 1966; by Barry Goldwater out of Ayn Rand) as a “shanky ho”.  Later he claimed he didn’t, at the time, know what it meant, blaming a woman for putting him up to it.  In his youth, it must have been a remarkably sheltered life; apparently the only soul to grow up in Sydney’s western suburbs without learning what ‘skanky ho’ means.  He should have got out more.

According to Latham, a woman who was an advisor to fellow Labor parliamentarian Carmen Lawrence (b 1948; Premier of Western Australia 1990-1993) challenged him to describe Albrechtsen as “a skanky-ho who must die.”  Ms Albrechtsen excites much hatred among women of the left; they think she's feminism’s equivalent of a class traitor.

Ms Janet Albrechtesen

Although claiming he had no idea what ‘skanky ho’ meant, he anyway took the bait, later admitting not being able to say no to a challenge was “…my problem.”   So, first chance he got, he went into parliament and “…described dirty Janet as a skanky ho who will die in a ditch to defend the Liberal Party” which wasn’t quite what was suggested but close enough to be in the spirit of the bet.  Perhaps fortunately, the speech into which the line was interpolated was in the debate about a financial sector legislation amendment bill so the handful of people listening (or pretending to) probably had no more idea than him what ‘skanky ho’ meant.

Actually, ‘skanky ho’ appears in the Hansard, the record of proceedings, only because, in a mistake Latham described as “…hopeless…” he said “shanky ho” and felt obliged to correct the record.  That made things worse because, as he admitted, it was “…maybe not a smart move, as it turns out this is the equivalent of calling someone a filthy piece of rugby hot-box.  Outrageous when you think about it…”  That wasn’t exactly a mea culpa but by Latham’s standards, it came close.  In probably Australia's most remarkable political transformation since former Labor prime-minister Billy Hughes (1862–1952; prime minister of Australia 1915-1923) washed up decades later as attorney-general in a conservative cabinet, Mr Latham now sits in the New South Wales (NSW) Legislative Council (the state's upper house), in 2019 winning a seat for Pauline Hanson's One Nation and gaining re-election in 2023.  One Nation is a difficult political party to describe in the usual language of political science but most seem to settle on "right-wing populist" although much of its (somewhat fluid) philosophy seems often remote from both traditional conservatism and neo-liberalism.  It's probably best understood as the brand and personal platform of Pauline Hanson (b 1954), its identity (and likely its future) as tied to her as the now defunct Kadima was to old Ariel Sharon (1928–2014; prime minister of Israel 2001-2006).

Grief

Grief (pronounced greef)

(1) Acute mental suffering or distress over affliction or loss; sharp sorrow; painful regret; deep or intense sorrow or distress, associated especially with the death of someone.

(2) A cause or occasion of keen distress or sorrow.

(3) In online use (especially in gaming and dating from the late 1990s), to behave in an un-sportsmanlike way or take pleasure in antagonizing other players (used as “to grief”, “griefing” or “be griefed” etc (and vaguely similar to the verb sense of troll)); to exploit a glitch or execute an online prank that diminishes or ruins a website or other online experience for other users.

(4) In idiomatic use, as “come to grief”, to suffer disappointment, misfortune, or other trouble; to fail:

(5) In idiomatic use as “good grief”, an exclamation of dismay, surprise or relief which can be used also to convey approval or disapproval, depending on context, verbal & non-verbal.

(6) In idiomatic use, as “giving me grief”, an expression of (usually mild) annoyance.

1175-1225: From the Middle English greef & gref (hardship, suffering, pain, bodily affliction), from the Anglo-French gref, from the verb grever (afflict, burden, oppress), from the Old French grief (grave, heavy, grievous, sad), from the Vulgar Latin grevis & gravare (make heavy; cause grief), from the Latin gravis (weighty, heavy, grievous, sad) (later influenced by its antonym levis) and ultimately from primitive Indo-European gréhus, gwere & gwerə- (heavy).  The general sense of “suffering or hardship” (Emotional pain, generally arising from misfortune, significant personal loss, bereavement, misconduct of oneself or others, etc.; sorrow; sadness) evolved between the early thirteenth and fourteenth centuries; a doublet of grave.  The alternative forms were greefe & griefe, both long obsolete.  The expression “good grief” appears to date only from 1912 but has been used in historical fiction which long pre-dates the twentieth century.

The circa 1300 adjective grievous was from the Anglo-French grevous, from the Old French grevos (heavy, large, weighty; hard, difficult, toilsome) and was formed directly from grief.  The term grievous bodily harm (the famous GBH) was first used in English criminal law in 1803.  The circa 1300 noun grievance (state of being aggrieved) was from the Old French grevance (harm, injury, misfortune; trouble, suffering, agony, sorrow) from grever (to harm, to burden, be harmful to) and was first used in reference to a cause of such a condition from the late fifteenth century.  The verb is now most commonly found in the gerund-participle griefing and the derived noun griefer; the past participle is griefed and the noun plural griefs.  The related terms include grievance, grieve & grievous and grief is sometimes used as a modifier (grief-striken, grief-tourism et al).  Words which often overlap with grief include agony, anguish, bereavement, despair, discomfort, gloom, heartache, heartbreak, melancholy, misery, moroseness, mourning, pain, regret, remorse, sadness, sorrow, trouble, unhappiness, woe & worry.

The DSM-5-TR, ICD codes and Prolonged Grief Disorder (PGD)

In March 2022, the American Psychiatric Association (APA) released a revision to the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5 (2013)).  DSM-5-TR (text revision) includes some updated text and new references, clarifications to diagnostic criteria and updates to the ICD-10-CM (International Classification of Diseases, Tenth Revision, Clinical Modification) codes which have changed since the DSM-5 was published in 2013.  A text revision to an edition of the DSM is released when a number of changes to the text that accompanies the description of disorders and their criteria are warranted by new evidence or the need for more clarity.  The text of the DSM-5 had since 2013 received some minor corrections but DSM-5-TR is a systematic text revision based on a review of the literature of the last decade (and some re-evaluation of some earlier material).  By contrast, a new edition of the DSM is released when there are thought to have been sufficient advances in the field to support the creation, substantive revisions, and elimination of multiple diagnostic criteria sets or disorders.  There has within the profession been some discussion of the implications of this and some have suggested there’s no indication of support for the need for a DSM-6, some speculation the APA might adopt the conventions of the software industry and work instead towards a version 5.1, the first number indicating a major release, the second the agglomeration of minor revisions, a format well suited to digital editions.

New ICD-10-CM codes have been added to flag and monitor suicidal behavior and non-suicidal self-injury and these can be used without the requirement of another diagnosis and in total there are over 50 coding updates for substance intoxication, withdrawal and other disorders.  The innovation in the use of the ICD-10-CM codes relation to suicidal behavior is interesting.  It’s long been understood suicidal behavior can be a useful tracking mechanism or flag for clinical attention and these codes are now available to all clinicians without the need for a mental disorder diagnosis.  The suicidal behavior codes can be applied to individuals who have engaged in potentially self-injurious behavior with at least some intent to die as a result of the act and the evidence of intent can be explicit or inferred from the behavior or circumstances.  Many suicide attempts don’t result self-injury and the changes reflect the analysis of the statistical data which indicated the previous focus on self-harm and injury meant the extent of the disorder was in many ways underestimated.  It should mean the always interesting phenomenon of “suicide attempts” undertaken in the in absence of suicidal intent becomes better understood or at least quantified.

The new diagnosis of Prolonged Grief Disorder (PGD) has been added to the trauma- and stressor-related disorders chapter.  Noted for centuries, much recent research and clinical experience has indicated there are those who experience a persistent inability to overcome their grief for the loss of a loved one for at least a year or more, with intense yearning or preoccupation with thoughts or memories of the deceased person almost every day since the death (and it’s noted that in children and adolescents, this preoccupation may focus on the circumstances of the death), symptoms severe enough to impair day-to-day functioning.  As part of the diagnosis, the duration and severity of the bereavement reaction must clearly exceed what is expected based on standards related to the individual’s social, cultural, or religious background. This does not imply people feeling grief periodically one year or more after the loss of a loved one have the disorder but those with intense and impairing grief after one year may be considered for the diagnosis.  Prior to the fifth edition, the DSM did not distinguish between “normal” and prolonged grief but PGD may be considered an evolution given the DSM-5 did include a category of persistent complex bereavement disorder (known also as traumatic grief (TG) & complicated grief (CG)) as a “condition for further study” and the first draft of a proposal was in 2018 submitted to the DSM Steering Committee and the Review Committee on Internalizing Disorders, a white paper circulated for discussion before being approved by the Board of Trustees.

The DSM editors clearly were sensitive to suggestions the creation of prolonged grief disorder might have the effect of pathologizing grief and there has long be the criticism that psychiatry increasingly has attempted to list as disorders much that has for centuries been considered part of the “normal” human condition.  To clarity things, the editors note the diagnosis is not a medicalization of grief and the diagnosis is intended only for those individuals who meet the criteria: something dramatically different from the grief normally experienced by anyone who loses a loved one; a grief intractable and disabling in a way that typical grieving is not.  Grief continues to be thought of as something healthy but not if ongoing.

One internally significant technical change is also noted: there are now no unique DSM codes.  The codes that appear in DSM-5-TR are the ICD codes that are equivalent to the DSM diagnoses given the version of the manual and only ICD-10-CM codes are used because this is the version of ICD that is in effect in the United States.  Although based on the World Health Organization’s (WHO) ICD-10 codes, ICD-10-CM codes in DSM-5 (and thus DSM-5-TR) have been modified from ICD-10 for clinical use by the US Centers for Disease Control (CDC) and Prevention’s National Center for Health Statistics (NCHS) and provide the only permissible diagnostic codes for mental disorders for clinical use in the United States. In the United States, the use of ICD-10-CM codes for disorders in DSM-5-TR has been mandated by the Health Care Financing Administration (HCFA) for purposes of reimbursement under the Medicare system. Although it sounds nerdy, it’s an important advance in standardization which should improve record keeping, data collection, retrieval, and compilation of statistical information.

One change which was expected was the update to the terminology to describe gender dysphoria based on updated and more culturally sensitive language.  (1) desired gender is now experienced gender, (2) cross-sex medical procedure is now gender-affirming medical procedure” and (4)  the companion terms natal male / natal female are now individual assigned male / female at birth.  Whether these changes prove to be final remains to be seen; the whole area is one of shifting linguistic sand but what’s in DSM-5-TR reflects current thinking and the entire text of the Gender Dysphoria chapter has also been updated based on a review of the literature.

Also expected was the restructuring (again) of the diagnostic criteria of Autism, reflecting the view that Autism seems to be over diagnosed, a problem inherent in spectrum conditions.  Less anticipated was the creation of Unspecified Mood Disorder (UMD) which, ominously, does sound like the criminal charge of “unspecified offences” used in the justice systems of places like the DPRK (North Korea) but which seems to have been coined to permit clinicians some flexibility so that patients presenting with irritability, agitation and sadness (and for whom some diagnosis is clearly appropriate), don’t have to be labeled as “bipolar unspecified” or “depressive disorder unspecified’, both stigmatizing conditions, the presence of which in a medical record may have implications which last a lifetime.  It’s thus a legitimate diagnosis (which really is important to patients) to be applied until a more specific disorder is found but does raise two interesting technical points: (1) can any emo not be diagnosed UMD and (2) should all emos be diagnosed UMD?