Thursday, June 3, 2021

Enigma

Enigma (pronounced uh-nig-muh)

(1) A puzzling or inexplicable occurrence or situation; mysterious.

(2) A person of puzzling or contradictory character.

(3) A saying, question, picture, etc., containing a hidden meaning; riddle.

(4) A German-built enciphering machine developed for commercial use in the early 1920s and later adapted and appropriated by German and other Axis powers for military use through World War II (initial capital letter).

(5) In music, an orchestral work in fourteen parts, Variations on an Original Theme, Opus 36 (popularly known as the Enigma Variations) by Edward Elgar.

1530–1540: From the Late aenigmaticus, from aenigmat-, stem of aenigma (riddle), from the Ancient Greek verbal noun αἴνιγμα (aínigma) (dark saying; speaking in riddles), the construct being ainik- (stem of ainíssesthai (to speak in riddles), derivative of aînos (fable) + -ma, the noun suffix of result.  The sense of a "statement which conceals a hidden meaning or known thing under obscure words or forms" emerged in the 1530s although enigmate had been in use since the mid 1400s, under the influence of the Latin aenigma (riddle), the ultimate root of all being the ainos (tale, story; saying, proverb), a poetic and Ionic word, of unknown origin.  The modern sense of "anything inexplicable to an observer" is from circa 1600, the meaning also absorbing the earlier (1570s) enigmatical & enigmatically.  The derived forms are the adjectives enigmatic & enigmatical, adjective and the adverb enigmatically; enigmatic the most frequently used.  In modern English, the plural is almost always enigmas although some writing in technical publications continue to use enigmata although the once common alternative spelling ænigma is now so rare as to be probably archaic.  An enigma is something or someone puzzling, mysterious or inexplicable although use with the older meaning (a riddle) is still seen, indeed in some contexts the words are used interchangeably.  In idiomatic use in Spain, the character of an enigmatic soul is illustrated by by suggesting he’s the sort of fellow who “were one to meet him on a staircase, one wouldn’t be sure if he was going up or coming down”.  Enigma is a noun, enigmatic is an adjective and enigmatically is an adverb; the noun plural is enigmas.

Elgar’s Enigma Variations

English composer Sir Edward Elgar (1857-1934) wrote Variations on an Original Theme, Opus 36 during 1898-1899.  An orchestral work in fourteen parts, it’s referred almost always as the Enigma Variations, the enigma being the linkage to a certain piece of music is the theme.  Elgar famously wrote a dedication for the work "to my friends pictured within", each of the variations a sketch in musical form of some friend or acquaintance, including himself.  An enigma it remained, Elgar always secretive about the mysterious theme and the work has always defied the attempts of musicologists and other composers to deconstruct things to the point where a thematic agreement ensued although there have been theories and suggestions.

Lindsay Lohan in Enigma Magazine.

Mozart’s ‘Prague’ Symphony was one, the idea attractive because the slow movement fluctuates between G minor and G major, as does Enigma’s theme.  There were those who thought it might reference Auld Lang Syne as a veiled reference to a farewell to the nineteenth century, the variations completed in 1899.  The list went on, Twinkle, Twinkle Little Star; God Save The Queen; Martin Luther’s hymn tune Ein Feste Burg; Home, Sweet Home; Rule Britannia; the theme of the slow movement of Beethoven’s ‘Pathétique’ Sonata; various passages of scripture, Pop Goes The Weasel; a Shakespeare sonnet and, most recently added, Pergolesi’s Stabat Mater.  To add more mystery, the title "Enigma" didn’t appear on Elgar’s original score, added only after the papers had been delivered to the publisher and despite enquiries, the nature of the enigma he declined to discuss, saying only it was a "dark saying" which “must be left un-guessed”.  His reticence didn’t discourage further questions but his answers, if not cryptic, added little and the conclusion remained the theme was a counterpoint on some well-known melody which is never heard.

A fine recording is by the London Symphony Orchestra under Adrian Boult (1889-1983), (1970; Warner Classics 764 0152).

For over a century, just which tune has drawn the interest of musicians,  mathematicians & madmen for Elgar died without revealing the truth.  It’s been suggested artificial intelligence might be used to find the answer but there’s also the suspicion Elgar preferred the enigma to remain one and even if someone during his lifetime had cracked the code, he may have be disinclined to kill the mystique attached to the piece.  He had good reason to be fond of the fourteen variations.  It was the work which cemented his reputation internationally as a first rate composer and even today, some of the popularity probably lies in the impenetrability of the riddle.

Wednesday, June 2, 2021

Yalta

Yalta (pronounced yawl-tuh or yahl-tuh (Russian))

(1) A seaport in the Crimea, South Ukraine, on the Black Sea (In 2014, Moscow annexed Crimea).

(2) The second (code-name Argonaut) of the three wartime conferences between the heads of government of the UK, USA and USSR.

(3) A variant of chess played by three on a six-sided board.

From the Crimean Tatar Yalta (Я́лта (Russian & Ukrainian)), the name of the resort city on the south coast of the Crimean Peninsula, surrounded by the Black Sea.  Origin of the name is undocumented but most etymologists think it’s likely derived from the Ancient Greek yalos (safe shore), the (plausible) legend being it was named by Greek sailors looking for safe harbour in a storm.  Although inhabited since antiquity, it was called Jalita as late as the twelfth century, later becoming part of a network of Genoese trading colonies when it was known as Etalita or Galita.  The Crimea was annexed by the Russian Empire in 1783, sparking the Russo-Turkish War, 1787-1792. Prior to the annexation of the Crimea, the Crimean Greeks were moved to Mariupol in 1778; one of the villages they established nearby is also called Yalta.  Apparently unrelated are the Jewish family names Yalta & Yaltah, both said to be of Aramaic origin meaning hind or gazelle (ayala).

Yalta Chess

Yalta Conference, 1945.

Yalta chess is a three player variant of chess, inspired by the Yalta Conference (4-11 February 1945), the second of the three (Tehran; Yalta; Potsdam) summit meetings of the heads of government of the UK, US, and USSR.  The Yalta agenda included the military operations against Germany, the war in the far-east and plans for Europe's post-war reorganization.  The outcomes of the conference, which essentially defined the borders of the cold war, were controversial even at the time, critics regarding it as a demonstration of the cynical world-view of the power-realists and their system of spheres of influence.  In the seventy-five years since, a more sympathetic understanding of what was agreed, given the circumstances of the time, has emerged.

Yalta chess reflects the dynamics of the tripartite conference; three sides, allied for immediate military purposes but with very different histories, ideologies and political objectives, working sometimes in unison and forming ad-hoc table-alliances which might shift as the topics of discussion changed.  The whole proceedings of the conference are an illustration of a practical aspect of realpolitik mentioned by Lord Palmerston (1784–1865; UK Prime Minister, 1855–1858, 1859–1865) in the House of Commons on 1 March 1848: "We have no eternal allies, and we have no perpetual enemies.  Our interests are eternal and perpetual, and those interests it is our duty to follow."  

One of many chess variants (including a variety of three-player forms, circular boards and a four-player form which was once claimed to be the original chess), Yalta chess shouldn’t be confused with three-dimensional chess, a two-player game played over three orthodox boards.  In Yalta Chess, the moves are the same as orthodox chess, except:

(1) The pawns, bishops and queens have a choice of path when they are passing the centre (the pawns just if they are capturing).

(2) The queen must be put to the left of the king.

(3) The knights always move to a square of another color.

(4) All disagreements about the rules are resolved by a majority vote of the players.  It’s not possible to abstain; at the start of the match it must be agreed between the players whether a non-vote is treated as yes or no.

(5) If a player puts the player to the right in check, the player to the left may try to help him.

(6) If a player checkmates another, he may use the checkmated player’s pieces as his own (after removing the king) but a second move is not granted.

(7) If all three players are simultaneously in check, the player forcing the first check is granted checkmate.



Tuesday, June 1, 2021

Carburetor

Carburetor (pronounced kahr-buh-rey-ter or kahr-byuh-yey-tor)

(1) A device for mixing vaporized fuel with air to produce a combustible or explosive mixture for use in the cylinder(s) or chambers of an internal-combustion engine.

(2) In the slang of drug users, a water pipe or bong; a device for mixing air with burning cannabis or cocaine (rare since the 1970s and then usually in the form “carb” or “carby”).

1866: From the verb carburate, from the Italian carburate (to mix (air) with hydrocarbons”), an inflection of carburare & the feminine plural of carburato.  As a transitive verb carburet was used mean “to react with carbon”.  Strangely, the exact origin of the word is uncertain but it was likely a portmanteau of carbon (in the sensor of a clipping of hydrocarbon) + burette (a device for dispensing accurately measured quantities of liquid).  The construct was carb (a combined form of carbon) + -uret (an archaic suffix from Modern Latin) (uretum to parallel French words using ure).  The earlier compound carburet (compound of carbon and another substance; now displaced by carbide) was from 1795 and it was used as a verb (to combine with carbon) after 1802.  The use with reference to the fuel systems used in the internal combustion engines of vehicles dates from 1896.  Carburator, carbureter and carburetter were the now obsolete earlier forms and the standard spelling in the UK, Australia & New Zealand is carburettor.  Carb & carby (carbs & carbies the plural) are the the universally used informal terms (gasifer was rare) and although most sources note the shortened forms weren’t recorded until 1942 it’s assumed by most they’d long been in oral use.  Outside of a few (declining) circles, “carb” is probably now more generally recognized as the clipping of carbohydrate.  Carburetor & carburetion are nouns; the noun plural is carburetors.

One carburetor: 1931 Supercharged Duesenberg SJ with 1 x updraft Stromberg (left; the exhaust manifold the rare 8-into-1 monel "sewer-pipe") (left), 1966 Ford GT40 (Mark II, 427) with 1 x downdraft Holly (centre; the exhaust headers were referred to as the "bundle of snakes") and 1960 Austin Seven (later re-named Mini 850) with 1 x sidedraft SU.

Except for some niches in aviation, small engines (lawnmowers, garden equipment etc) and for machines where originality is required (historic competition and restorations), carburetors are now obsolete and have been replaced by fuel-injection.  There is the odd soul who misses the challenge of tinkering with a carburetor, especially those with the rare skill to hand-tune multiple systems like the six downdraft Webers found on some pre-modern Ferraris, but modern fuel injection systems are more precise, more reliable and unaffected by the G-forces which could lead to fuel starvation.  Fuel injection also made possible the tuning of induction systems to produce lower emissions and reduced fuel consumption, the latter something which also extended engine life because all the excess petrol which used to end up contaminating the lubrication system stayed instead in the fuel tank.

Two carburetors: 1970 Triumph Stag with 2 x sidedraft Strombergs (left), 1960 Chrysler 300F with 2 x Carter downdrafts on Sonoramic cross-ram (long) manifold (centre) and 1969 Ford Boss 429 with 2 x Holly downdrafts on hi-riser manifold.

Until the 1920s, all but a handful of specialized devices were simple, gravity-fed units and that was because the engines they supplied were a far cry from the high-speed, high compression things which would follow.  In the 1920s, influenced by improvements in military aviation pioneered during World War I (1914-1918), the first recognizably “modern” carburetors began to appear, the conjunction of adjustable jet metering and vacuum controls replacing the primitive air valves and pressurized fuel supply mechanisms allowed engineers to use a more efficient “downdraft” design, replacing the “updraft” principle necessitated by the use of the gravity-feed.  Between them, the “downdraft” and “sidedraft” (a favorite of European manufacturers) would constitute the bulk of carburetor production.  The next major advance was the “duplexing” of the carburetor’s internals, doubling the number of barrels (known now variously as chokes, throats or venturi).  Although such designs could (and sometimes were) implemented to double the capacity (analogous with the dual-core CPUs (central processing units) introduced in 2005), the greatest benefit was that they worked in conjunction with what was known as the “180o intake manifold”, essentially a bifurcation of the internals which allowed each barrel to operate independently through the segregated passages, making the delivery more efficient to the most distant cylinders, something of real significance with straight-eight engines.  Few relatively simple advances have delivered such immediate and dramatic increases in performance: When the system was in 1934 applied to the them relatively new Ford V8 (the “Flathead”), power increased by over 25%.

Three carburetors: 1967 Jaguar E-Type (XKE) 4.2 with 3 x sidedraft SUs (left), 1967 Ferrari 275 GTB/C with 3 x downdraft Webers (centre) and 1965 Pontiac GTO with 3 x downdraft Rochesters.

Advances however meant the demand for more fuel continued and the first solution was the most obvious: new manifolds which could accommodate two or even three carburetors depending on the configuration of the engine.  Sometimes, the multiple devices would function always in unison and sometimes a secondary unit would cut-in only on demand as engine speed rose and more fuel was needed, an idea manufacturers would perfect during the 1960s.  World War II (1939-1945) of course saw enormous advances in just about every aspect of the design of internal combustion engines (ICE) and carburetors too were improved but in a sense, the concept had plateaued and it was fuel-injection to which most attention was directed, that being something which offered real advantages in flight given it was unaffected by G-forces, atmospheric pressure or acrobatics, working as well in inverted as level flight, something no carburetor could match.

Four carburetors: 1973 Jaguar XJ12 (S1) with 4 x sidedraft Zenith-Strombergs (left; the Jaguar V12 was unusual in that the carburetors sat outside the Vee), 1976 Aston Martin V8 with 4 x downdraft Webers (centre; Aston Martin-Lagonda originally fitted the V8 with fuel injection but it proved troublesome) and 1965 Ford GT40 (X1 Roadster 1, 289) with 4 x downdraft Webers (right, again with the "bundle of snakes" exhaust headers).

After the war, like the chip manufacturers with their multi-core CPUs in the early 2000s, the carburetor makers developed four-barrel devices.  In Europe, the preference for multiple single or two barrel (though they tended to call them “chokes”) induction but in the US, by the early-1950s just beginning the power race which would rage for almost two decades, for the Americans the four-barrel was ideal for their increasingly large V8s although sometimes even the largest available wasn’t enough and the most powerful engines demanded with two four-barrels and three two-barrels.  It was in the 1950s too that fuel-injection reached road cars, appearing first in a marvelously intricate mechanical guise on the 1954 Mercedes-Benz 300 SL (W198) Gullwing.  Others understood the advantages and developed their own fuel-injection systems, both mechanical and electronic but while both worked well, the early electronics were too fragile to be used in such a harsh environment and these attempts were quickly abandoned and not revisited until the revolution in integrated circuits (IC) later in the century.  Mechanical fuel-injection, while it worked well, was expensive and never suitable for the mass-market and even Mercedes-Benz reserved it for their more expensive models, most of the range relying on one or two carburetors.  In the US, Chevrolet persisted with mechanical fuel injection but availability dwindled until only the Corvette offered the option and in 1965 when it was made available with big-block engines which offered more power at half the cost, demand collapsed and the system was discontinued, the big engines fed either by three two barrels or one very large four barrel.

Other four barrel devices

Reggie (Reggie Bannister (b 1945) with Regman Quad-Barrel Dwarfcutter in Phantasm (1979).

 Four (and more) barrel weapons have long been common in fixed or mobile structures (warships, gun batteries etc) but are rare in anything hand-held because of the increases imposed in size & weight as well as the heat generated.  In fiction (notably video games and horror films) they’re a popular prop and the four barrel shotgun in Don Coscarelli’s cult classic Phantasm (1979) was among the more memorable.  An ad-hoc creation born of the need for more firepower (very much in the vein of the “…going to need a bigger boat” philosophy in the Film Jaws (1975), a line apparently improvised during filming because it appears neither in Peter Benchley’s (1940-2006) 1974 novel nor the original screenplay), it was made by welding together two double barrel shotguns and named the “Regman Quad-Barrel Dwarfcutter”.  It was that sort of film and freaks attracted to the design (which does seem hard to resist) have created Nerf-guns in the style.  Although rare, hand-carried, multi-barrel firearms have a history dating back centuries and provided the intended application is appropriate, they can be both effective and convenient, a number of manufacturers offering three and four barrel shotguns, all of which presumably include a section in the owner’s manual covering “recoil management”.  Very much in the spirit of those who took advantage of the modular construct of the early (and anyway already sometimes lethal) two-stroke Kawasaki triples (H1, H2, S1, S2 & S3; 1969-1975) to build a 48-cylinder version, nine-barrel(!) shotguns have been made... just in case.

Custom four barrel Vierling longarm by Johann Fanzoj (1790) of Ferlach, Austria.

The four-barrelled longarm was configured with a side-by-side double rifle (calibre: 9,3/9,3x74R), paired with an over-and-under shotgun (gauge 12/12/76).  Built to a customer specification to shoot four (plus two) times in sequence with “hot” barrels, the Vierling used H&H-type sidelocks with automatic ejectors.  An impressive example of the gunsmith's art, this was not a Phantasmesque welding job but an intricate design which had to regulate the rifle barrels two-times-two so they would shoot together to the same point of impact, in sequence.  First, the 9,3 barrels discharge, then by pushing the barrel selector forward, the shooter continues with the 12-gauge barrels with automatic ejection of the shotgun cartridges facilitating quick reloading… just in case.

English “Duck’s foot” four-barrelled pistol with walnut slab-sided butt and silver-wire scroll inlay, said to date from the early nineteenth century.  Note the angle of the barrels and thus the wide field of fire.

Collectors also prize bizarre and ambitious designs such as the four-barreled “duck’s foot” pistol.  Historians have questioned whether these weapons really were manufactured in the Georgian or Regency eras and some suggest they were a product of entrepreneurial Victorians creating “relics” which played into prejudices about just how bad were what were then the “olden days”.  The legend is these were early crowd-control devices with which some worthy (squire, mill or mine owner etc) could deter the mob (revolting peasants, disgruntled factory workers, whatever) which would have been inclined to take a chance against someone armed only with a single-shot pistol.  There’s nothing in the historic record to suggest riots and strikes were ever “controlled” with such things but the Victorians of the late nineteenth century were well aware they were the first generations to benefit from a standing, regulated constabulary so the need for such things would have seemed at least plausible.  The legend is they were also carried by naval captains in case of mutiny and while the Admiralty apparently never issued them, it’s not impossible some officers bought their own… just in case.

Five carburetors:  Le Monstre's 331 cubic inch (5.4 litre) Cadillac V8 (left) with its unusual (and possibly unique) five-carburetor induction system; the layout (one in each corner, one in the centre) is a "quincunx", from the Latin quīncunx.  Le Monstre ahead of Petit Pataud, Le Mans, 1950 (right).  At the fall of the checkered flag, the positions were reversed.  

Le Monstre was a much-modified 1950 Cadillac which ran at that year's Le Mans 24 hour endurance classic. one half of a two car team the other being a close to stock 1950 Cadillac coupe.  The idea behind the five carburettors was that by the use of progressive throttle-linkages, when ultimate performance wasn’t required the car would run on a single (central) carburettor, the other four summoned on demand and in endurance racing, improved fuel economy can be more valuable than additional power.  That’s essentially how most four-barrel carburettors worked, two venturi usually providing the feed with all four opened only at full throttle and Detroit would later refine the model by applying “méthode Le Monstre” to the triple carburettor systems many used between 1957-1971.  As far as is known, the only time a manufacturer flirted with the idea of a five carburetor engine was Rover which in the early 1960s was experimenting with a 2.5 (153 cubic inch) litre in-line five cylinder which was an enlargement of their 2.0 litre (122 cubic inch) four.  Fuel-injection was the obvious solution but the systems then were prohibitively expensive (for the market segment Rover was targeting) so the prototypes ended up with two carburettors feeding three cylinders and one the other two, an arrangement as difficult to keep in tune as it sounds.  Rover’s purchase of the aluminium 3.5 litre (214 cubic inch) V8 abandoned by General Motors (GM) meant the project was terminated and whatever the cylinder count, mass-produced fuel injection later made any configuration possible.  Motor racing is an unpredictable business and, despite all the effort lavished on Le Monstre, in the 1950 Le Mans 24 hour, it was the less ambitious Petit Pataud which did better, finishing a creditable tenth, the much modified roadster coming eleventh having lost many laps while being dug from the sand after an unfortunate excursion from the track.  Still, the results proved the power and reliability of Cadillac’s V8 and Europe took note: over the next quarter century a whole ecosystem would emerge, crafting high-priced trans-Atlantic hybrids which combined elegant European coachwork with cheap, powerful, reliable US V8s, the lucrative fun lasting until the first oil crisis began in 1973.

Six carburetors: 1979 Honda CBX with six sidedraft Keihins (left), 1965 Lamborghini P400 Miura (prototype chassis) with 6 x downdraft Webers (centre) and 1970 Ferrari 365GTB/4 (Daytona) with 6 x downdraft Webers (right).

It was the development of these big four barrels which in the US reduced the place of the multiple systems to a niche reserved for some specialist machines and even the engineers admitted that for what most people did, most of the time, the multiple setups offered no advantage.  The research did however indicate they were still a selling point and because people were still prepared to pay, they stayed on the option list.  There were a handful of engines which actually needed the additional equipment to deliver maximum power but they were rare, racing derived units and constituted not even 1% of Detroit’s annual production.  Paradoxically, the main advantage of the multiple setups was economy, a six-barrel (ie 3 x two-barrel) engine running only on its central carburetor unless the throttle was pushed open.  As it was, the last of Detroit’s three-carb setups was sold in 1971, the configuration unable easily to be engineered to meet the increasingly onerous exhaust emission rules.

Eight carburetors: 1955 Moto Guzzi 500cm3 Ottocilindri V8 Grand Prix motorcycle with 8 x Dell'Ortos.  One carburetor per cylinder was long common practice in motorcycle design and the two 1959 Daimler V8s (2.5 & 4.6 litre, 1959-1969), were designed along the lines of a motorcycle power-plant, intended originally to be air-cooled and run 8 carburetors; the production versions were water-cooled and used 2 x sidedraft SUs.  The very thought of keeping eight carburetors synchronized would alarm most but clearly such intricacy doesn't scare the Italians because, in 1967, the Cooper-Maserati Formula One team, seeking that elusive quality of increased power and sustained reliability did ponder bolting a dozen Webers to what was their by then antiquated (pre-historic in F1 terms) 3.0 litre V12.  To the eternal regret of those who value mechanical complication for its own sake, that idea, like the notion of using three spark plugs per cylinder, never left the engineers' sketch pads and the more rational fuel injection was adopted.  

Lindsay Lohan admiring Herbie’s carburetor in Herbie: Fully Loaded (2005).

Before fuel-injection was late in the century used for some, most Volkswagen Type 1s (Beetles) were fitted with a single Solex carburettor although there were exceptions, some more expensive and higher performance (such things are relative) variants in Europe, Mexico and Brazil using twin Solexes.  Additionally, because it wasn’t difficult to swap in the twin carburettor units used in the Karmann Ghia (Types 14 & 34) and Type 3 cars, many were upgraded and over the years there were literally dozens of kits to create multi-carburetor induction systems using equipment from a variety of manufacturers including Solex, Weber, Dell'Orto and Kadron (Solex-Brosol).

Monday, May 31, 2021

Sherpa

Sherpa (pronounced sher-puh or shur-puh)

(1) A member of a people of Tibetan stock (thought ultimately of Mongolian origin) living on the southern slopes of the Nepalese Himalayas, noted as mountaineers and well-known for their frequent service as porters on mountain-climbing expeditions.

(2) The Southern Tibetan language of the Sherpa people.

(3) An official (chosen by or allocated to a government representative or delegate at a summit meeting or conference) who assists with preparation and related matters.

(5) A native inhabitant of a region, employed by visiting journalists, NGO (non-government organization) employees etc to assist  in resolving local administrative and other difficulties (also sometimes called "fixers").

(5) A synthetic fabric with a long, thick pile, in the style of faux fur, lambs wool or fleece and often used in cold climates to line coats or jackets.

1847: An adoption of colonial English, under the Raj, from the Tibetan Sherpa, literally "dweller in an eastern country".  Sherpa is a verb, noun & proper noun; the two noun plural forms are being Sherpas, (especially collectively) & Sherpa,  all forms capitalized or not depending on context.  When used in the context of summit meetings and such, sherpa is sometimes used as a verb but some insist this remains irregular.

Lunch at the G7 Summit hosted in 1982 by François Mitterrand (1916–1996; President of France 1981-1995) at the Palace of Versailles.

The origin of the use of sherpa in international diplomacy dates from the mid 1970s.  Not alone in his feelings, French president Valéry Giscard d'Estaing (1926–2020; President of France 1974-1981) was finding international meetings increasingly too formal and bureaucratic and decided what was needed was a smaller aggregation consisting essentially of those who mattered.  From this idea emerged the G5, seen originally as a kind of informal fireside chat among the leaders of France, Germany, Japan, the UK and the US, the membership mirroring that of the Group of Five (finance ministers) which had coalesced in the aftermath of the disruptions caused by the first oil shock in 1973-1974.  Italy was quickly added to the formation to create a group of six and, a couple of years later, Canada joined, this formation enduring to this day as the Group of Seven (G7).  Russia was added in 1997 (creating the G8) but expelled in 2014 when Moscow began it's military adventures in the Crimea.  In many of the early meetings at Versailles the heads of government were often accompanied by only a single advisor and they came to be called "sherpas", an allusion to the idea of mountain guides marking the way through strange surroundings.   

Lindsay Lohan in sherpa-lined jacket, Falling for Christmas (Netflix, 2022).

Counter-intuitively, the attraction of the gathering was that it was vested with no formal powers which, paradoxically appears to have made it work rather better as a decision-making apparatus.  Being informal and thus smaller, without the usual array of advisors and experts, it was also more nimble, the original vision being a single high-level official from each country preparing the summit by negotiating on behalf of the head of government.  This was the birth of the sherpa, the metaphor well-borrowed because just as Sherpas of the Himalayas use their familiarity with the technically difficult terrain of the mountains to assist the better-known climbers on their summit ascents, so their G7 counterparts carry the discussions to just short of the summit so their heads of government can plant the flags on the peak.  Historically, the sherpa was meant to be so low-profile as to be almost unknown by most in the general public except the real political junkies.

In recent years, there have been changes, the entourages have grown and the awareness of the sherpa process has risen, especially as the G7 focused increasingly on issues of international development, thus becoming a target for the professional lobbyists attached to the NGOs which feed of the processes.  Nevertheless, the sherpas continue to try to resolve as much contentious material ahead of time, reputedly even drafting the final communiqués well in advance of the meetings beginning.  Despite the changes, more than one Sherpa has noted the G7 in many ways still reflect the original ideal of an intimate conversation whereas the G20 meetings with the phalanxes of aides and representatives of many institutions is by comparison a huge structure of stage-management.

Tony Blair (b 1953; UK prime-minister 1997-2007) & Alastair Campbell (b 1957; variously spokesman, campaign director, press secretary and director of communications for Labour Party (1994-2005) & Tony Blair 

It’s an unusual role in that many more are qualified for the job than are suitable to fulfill it given it simultaneously demands both the skills and knowledge of a politician yet needs someone who prefers not to be in the spotlight.  Inevitably some sherpas do become well-known, sometimes by design and sometimes not.  Alastair Campbell often acted as sherpa for Tony Blair and he noted in his diary that the nature of the sherpa’s role was to “…get all of the shit, none of the glory, and you spend a lot of the time taking seriously people you despise.  You would not be human if that did not make you angry.”

Sunday, May 30, 2021

Blurb

Blurb (pronounced blurb)

(1) A brief promotional piece, almost always laudatory, used historically for books, latterly for about any product.

(2) To advertise or praise in the manner of a blurb.

1907: Coined by US graphic artist and humorist Gelett Burgess (1866–1951).  Blurbs are a specific type of advertisement, similar exercises in other contexts known also as “puff pieces”, “commendations” or “recommendations”.  Generally, they contain elements designed to tempt a buyer which may include a précis (something less than a detailed summary), a mention of the style and a recommendation.  The term was originally invoked to mock the excessive praise printed on book jackets and was often parodied in a derisively imitative manner and is still sometimes critically used thus but it’s also now a neutral descriptor and an accepted part of the publishing industry.  Blurb is a noun & verb, blurbing & blurbed are verbs, blurbist is a noun and blurbish is an adjective; the noun plural is blurbs.

The blurb has apparently existed for some two-thousand–odd years but the word became well-known only after a publishing trade association dinner in 1907, Gelett Burgess displaying a dust jacket printed with the words “YES, this is a “BLURB”!”, featuring the (fictitious) Miss Belinda Blurb who was said to have been photographed “...in the act of blurbing”, Burgess adding that to blurb was “… to make a sound like a publisher” and was “…a check drawn on fame, and it is seldom honoured”.  There are sources claiming the word was coined by US academic and literary critic Brander Matthews (1852–1929) in his essay American Character (1906) but Professor Matthews acknowledged the source genuinely was Burgess, writing in the New York Times (24 September 1922): Now and again, in these columns I have had the occasion to employ the word “blurb”, a colourful and illuminating neologism which we owe to the verbal inventiveness of Mr Gelett Burgess”.

Burgess had released Are You a Bromide? in 1906 and while sales were encouraging, he suggested to his publishers (BW Huebsch) that each of the attendees and the upcoming industry dinner should receive a copy with a “special edition” dust cover.  For this, Burgess used the picture of a young lady who had appeared in an advertisement for dental services, snapped in the act of shouting.  It was at the time common for publishers to use pictures of attractive young ladies for book covers, even if the image was entirely unrelated to the tome’s content, the object being to attract a male readership.  Burgess dubbed his purloined model “Miss Belinda Blurb” and claimed she had been photographed “in the act of blurbing”; mid-blurb as it were.

Are you a Bromide (Publisher's special edition, 1907).

The dust cover was headed with the words “YES, this is a “BLURB”! All the Other Publishers commit them. Why Shouldn’t We?” and knowing a blurb should not in moderation do what can be done in excess, went on to gush about the literary excellence of his book in rather the manner a used car salesman might extol the virtues of some clapped-out car in the corner of the yard.  His blurb concluded “This book is the Proud Purple Penultimate! The industry must have been inspired because the blurb has become entrenched, common in fiction and non-fiction alike and the use of the concept can be seen in film, television, social media and just about anywhere there’s a desire to temp a viewer.  Indeed, the whole idea of “clickbait” (something which tells enough to tantalize but not enough to satisfy without delving deeper) is a functional application of a blurb.  Depending on the source, the inspiration for the word came from either (1) the sound made by a book as it falls to the floor, (2) the sound of a bird chirping or (3) an amalgam of “burp” & “blather”.  The author left no clue.

In his book, Burgess innovated further, re-purposing the word "bromide".  In inorganic chemistry, a bromide is a binary compound of bromine and some other element or radical, the construct being brom- (an alternative form of bromo- (used preceding a vowel) which described a substance containing bromine (from the French brome, from the Ancient Greek βρῶμος (brômos) (stink)) + ide (the suffix used in chemistry to describe substances comprising two or more related compounds.  However, early in the twentieth century, Bromide was a trade name for a widely available medicine, taken as a sedative and in some cases prescribed to diminish “an excessive sexual appetite”.  It was the sedating aspect which Burgess picked up to describe someone tiresome and given to trite remarks, explaining “a bromide” was one “…who does his thinking by syndicate and goes with the crowd” and was thus boring and banal.  A bromine’s antonym was, he helpfully advised, a “sulphite”.  Unfortunately, while blurb flourished, bromide & sulphites as binary descriptors of the human condition have vanished from the vernacular.

Lindsay Lohan with body double during shooting for Irish Wish (Netflix, due for release in 2023).  The car is a Triumph TR4.

Nteflix's blurb for Irish Wish: Always a bridesmaid, never a bride — unless, of course, your best friend gets engaged to the love of your life, you make a spontaneous wish for true love, and then magically wake up as the bride-to-be.  That’s the supernatural, romantic pickle Lindsay Lohan (Mean Girls, The Parent Trap) finds herself in upcoming romantic comedy, Irish Wish.  Set in the rolling green moors of Ireland, the movie sees Lohan's Maddie learn her dreams for true love might not be what she imagined and that her soulmate may well be a different person than she originally expected. Apparently magic wishes are quite insightful.

Blurb Your Enthusiasm (2023, distributed by Simon & Schuster).

Louise Willder has for a quarter century been a copywriter for Penguin, in that time composing some 5000 blurbs, each a two-hundred-odd word piece which aims both to inform and tempt a purchase.  Her non-fiction debut Blurb Your Enthusiasm is not only a review of the classic blurbs (the good, the bad and the seriously demented) but also an analysis of the trends in the structure of blurbs and the subtle shifts in their emphasis although, over the centuries, the purpose seems not to have changed.  Ms Willder also documents the nuances of the blurb, the English tendency to understatement, the hyperbolic nature of Americans and the distaste the French evidently have of having to say anything which might disclose the blurb’s vulgar commercial purpose and she traces, over time, how changing attitudes and societal mores mean what’s written of a nineteenth century classic is very different now to when first it was published.  Inevitably too, there are the sexual politics of authorship and publishing and blurbs can reveal as much by the odd hint or what’s left unsaid than what actually appears on a dust cover.  Academics and reviewers have perhaps neglected the blurb because it has traditionally been dismissed as mere advertising but, unless the author’s name or the subject matter is enough of a draw, even more than a cover illustration or title, it’s the blurb which can close the sale and collectively, they’re doubtlessly more widely read than reviews.  Blurb Your Enthusiasm is highly recommended.

Saturday, May 29, 2021

Logo

Logo (pronounced loh-goh)

(1) A graphic representation (a visual symbol) of a institutional name or trademark (occasionally called a logotype).

(2) In computing (as Logo), a high-level programming language widely used to teach children the foundation of coding.

(3) In printing, a logotype.

(4) An ensign, a badge of office, rank, or power (now mostly archaic except in formal use in some branches of the military.

(5) In scientific documents, a single graphic which contains one or more separate elements.

(6) As “sonic logo”, a sound or short melody associated with a brand and used in its advertising; a specific use of a jingle (the audio equivalent of a visually expressed logo).

(7) As Logo TV (spoken usually as “Logo”), a cable channel owned by Paramount Media Networks and originally focused on certain segments within the LGBTQQIAAOP community but now less specific.

1937: A clipping of logotype or logogram.  Logo was from the Ancient Greek λόγος (lógos) (translated usually as “word” but used (sometimes loosely) also in the sense of “speech, oration, discourse, quote, story, study, ratio, calculation, reason”).  As the prefix logo-, it operated as a combining form appearing in loanwords from Greek relating to “words, speech” (which produced forms such as logography) and the formation of new compound words (such as logotype).  A logogram is a character or symbol (usually non-alphanumeric but this is a practice rather than a definitional rule) which represents a word or phrase.  When used in the context of a word-game or puzzle, it should be styled as a logogriph.  In typography, a logotype is a single type combining two or more letters (the synonym being ligature (from the Middle English ligature, from the Middle French ligature, from the Late Latin ligātura, from the Classical Latin ligātus, past participle of ligāre (to tie, bind))) while in symbolism (usually but not necessarily commercial) it’s a symbol or emblem used as a trademark or a means of identification of an institution or other entity (the clipped form logo is almost universal in this context (and technically a synonym).  Logo is a noun; the noun plural is logos.

Lohanic logo: Lindsay Lohan’s corporate logo.

The IBM Logo

Good: The IBM logo in approved positive & reversed color schemes.

Known internally as the “8-bar”, the design of the IBM logo dates from 1972 and remains in its original form.  Despite the visual perception, the stripes alternate in height (the ratio being 11/10 or 10/11), something done to ensure they appear to be the same and whether the solid or the unfilled space is rendered larger depends on whether a light or dark background is used.  The other adjustment which is not immediately obvious is the variation in the points used in the counter shapes; the positive a sharp, the reversed more blunt.  The difference is too subtle to be noticed at a glance and again, is a designer’s technique to ensure optical integrity is maintained on both light & dark backgrounds.

Bad: Ways the IBM logo should not be deployed.

It’s apparently not an apocryphal tale there was a time when the only acceptable dress for men working for IBM was a blue suit and a white shirt.  That was relaxed but the rules regarding the use of the logo remain as stringent as ever and the preferred “core colors” come exclusively from the blue and gray families, the cautionary note added that while dark or light background colors both work well with the core colors, there must always be a minimum of five “steps” (the graduation of shades) between foreground and background colors to ensure an appropriate contrast and legibility. Any background color from the IDL color palette with sufficient contrast may be used with a core color 8-bar logo. Here are a few examples of possible color combinations.  Unapproved color combinations are banned as is the use of more than one color or any progression of gradients in the stripes.  Alignment is also specifically defined.  The 8-bar logo has both horizontal and vertical relationships with other objects (brand logotypes et al) which appear in the same image and the IBM logo is based on the cap height of the logotype or can scale larger by a defined ratio and must not be placed in containers of any shape.

Although the company traces it lineage to 1888 (by virtue of M&A activity), it was in 1924 the Computing-Tabulating-Recording Company (CTR) changed its name to International Business Machines (IBM) and the first logo used the whole name, stylized in the shape of a globe.  The present logo is an evolution of two earlier (1947 & 1956) designs which used solid text although the aspect ratios were essentially the same.

The logo you have when you’re not having a logo: McLaren MP4/4 (top) and Jordan EJ13 (bottom).  Around the turn of the century when Western governments began to extend the bans of print and television advertising for cigarettes to sporting sponsorship, the Formula One constructors found a loophole, removing the text while keeping the color schemes.  Semiotically, it worked well because Marlboro’s white chevron on a red background was so distinctive the message was conveyed even without the name.  Jordan, which ran with Benson & Hedges livery, changed the text to Be on Edge (BE(ns)ON (& H)EDGE(s) which was a nice touch.  The regulators amended their rules so outfits like fossil fuel companies took over the role.  They’ll be the next to be cancelled.

All publicity is good publicity: The Westinghouse logo on the hood of Caryl Chessman (1921–1960), gas chamber at San Quentin Prison, California, 2 May 1960.  The hoods were used to prevent the accumulation of cyanide particles in the hair.