Defrock

Defrock (pronounced dee-frok)

(1) To remove a frock.

(2) To deprive a person in holy orders of ecclesiastical status.

(3) As informal slang (by extension), formally to remove the rights and authority of someone, eg a medical practitioner or lawyer.

1575-1585: From the fifteenth century French défroquer (unfrock), the construct being dé (partially inherited from the Old and Middle French des, inherited from the Classical Latin dis (apart), the ultimate root being the primitive Indo-European dwís, and partially borrowed from the Latin dē (from), in some cases + froc (from the Middle French frocq (cloth made of coarse wool), from the Old French froc (compare Late Latin hroccus (frock)) from the Frankish hrokk (robe, tunic), from the Proto-Germanic hrukkaz (robe, garment, cowl), a variant of rukkaz (upper garment, smock, shirt), from the primitive Indo-European rug (upper clothes, shirt) which was cognate with the Old High German hroch & roc (tunic, smock, jersey) (German rock), the Old Saxon rok (mantle, jacket), and the Old English rocc (over-garment, jacket).  Defrock has become so associated with the mechanism used to deal with sinful priests that (unless with irony) it shouldn't be used to mean "removing one's dress", the companion terms disfrock & unfrock both available although neither are exactly elegant.  Defrock & defrocked are verbs and defrocking is a noun & verb; the noun plural is defrockings (a word the Vatican had had to read much in recent years).

For literalists: Lindsay Lohan frocked-up (left) at the Venice Film Festival, September 2006 (left) and defrocked (right) for photo-shoot by photographer & director Indrani Pal-Chaudhuri (b 1983), October 2010. 

Laicization

Defrocking, sometimes called unfrocking (there’s nothing in the etymological record to suggest de-frock or un-frock has ever had currency) is the act of denying an ordained member of the clergy the right to practice ministry.  The procedure differs between Christian denominations (although, for technical reasons, is rare and often impossible in Anglicanism) and is most often applied to the Roman Catholic Church although, as a point of law, it does not overturn ordination.  Although the term defrock is widely used to describe the process whereby members of the Catholic Church clergy are dismissed from the clerical state, the term doesn’t exist in canon law and is never used by the Vatican, clerical expulsion instead known as laicization.  Unlike the more common suspension, which can be reversed upon repentance, laicization is a permanent and final measure although it’s not always imposed as a punishment (Latin: ad poenam) and may granted at the request of a priest (Latin: pro gratia).  Although criticized for not having done enough during his pontificate to ensure sinful priests were defrocked, regulations authorized by Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) in 2009 did simplify the process which, unchanged for centuries, could take more than a decade.

Guilty as sin:  Former Roman Catholic Cardinal Theodore McCarrick (b 1930).  Ordained in 1958, he was first appointed bishop in 1977 and created cardinal in 2001.  Accused of long-term sexual misconduct towards boys and seminarians, after being retired from the ministry in 2018 he was defrocked (laicized) in 2019.

The defrocking by the Holy See followed McCarrick’s trial before the Inquisition (then called The Congregation for the Doctrine of the Faith (CDF)) in which he was found guilty of "solicitation in the Sacrament of Confession, and sins against the Sixth Commandment with minors and with adults, with the aggravating factor of the abuse of power".  The Inquisition rejected an appeal against the judgement and sent the papers to the pope, who, as the Holy See’s chief magistrate, certified the verdict as res iudicata (no further appeal possible).   One curiosity of canon law is that ordination cannot be excised so McCarrick remains a priest but is barred from performing any priestly duties except in one exceptional case: he may administer the last rites to the dying if no other priest is available.  Criminal charges were laid but the defrocked priest began to suffer the "significant" and "rapidly worsening" cognitive decline which seems to afflict so many priests charged with sexual offences and after a state-appointed forensic psychologist reported "deficits of his memory and ability to retain information", in late 2023 a court ruled that McCarrick was mentally incompetent to stand trial.

Clutch

Clutch (pronounced kluhch)

(1) To seize with or as with the hands or claws; snatch.

(2) To grip or hold tightly or firmly.

(3) In slang, to spellbind; grip a person's emotions, attention, or interest; to become tense with fright or panic (both archaic and rare outside US).

(4) To operate the clutch in a vehicle.

(5) The hand, claw, etc when grasping.

(6) Power of disposal or control; mastery (usually in the plural).

(7) The act of clutching; a snatch or grasp; a tight grip or hold.

(8) A device for gripping something.

(9) In automotive and other machinery, a mechanism for readily engaging or disengaging a shaft with or from another shaft or rotating part (a specialized form of coupling); a control, usually a pedal, for operating this mechanism.

(10) In sports, an extremely important or crucial moment of a game (rare outside US).

(11) Any critical position or situation; emergency (rare outside US).

(12) A small purse that can be carried in the hand and usually has no handle or strap (also called clutch bag).

(13) In poultry production, a hatch of eggs; the number of eggs produced or incubated at one time; a brood of chickens.

(14) One of several collective nouns for books or dancers.

1175–1225: A variant of (the now Northern English dialectal) cletch, from the Middle English clucchen, clicchen, cluchen, clechen & cleken, a variant of clicchen, from the Old English clyccan (bring together, bend (the fingers), clench), akin to the Scots cleck (to hatch) from the Old Norse klekja (to hatch) and related to the Old Frisian kletsie (spear) & the Swedish klyka (clasp, fork).  It was cognate with the Irish glac (hand).  The origins of the English verb were Germanic, the source the Proto-Germanic klukjaną, from the Proto-Germanic klu- (to ball up, conglomerate, amass), from the primitive Indo-European glew- (to ball up; lump, mass).  It was cognate with the Swedish klyka (clamp, fork, branch). The noun is from Middle English cleche, cloche, & cloke (claw, talon, hand), related to the Scots cleuk, cluke & cluik (claw, talon), of uncertain origin, with the form probably assimilated to the verb.

The meaning "to grasp" is early fourteenth century; that of "to seize with the claws or clutches" from later that century.  The sense of "hold tightly and close" is from circa 1600, influenced by the Middle English cloke (a claw) whereas "a brood, the number of eggs incubated at any one time" (in reference to chickens) dates from 1721 and is a (southern England) dialectal variant of cletch (1690s), noun from the verb cleck which is from the 1400s Middle English clekken (to hatch, give birth to), most likely from a Scandinavian source such as the Old Norse klekja (to hatch), perhaps of imitative origin in the same way as cluck.  The original meaning (a grip, grasp, tight hold) dates from circa 1200, the form clutches (in the sense of “the hands" suggesting grasping rapacity or cruelty) not emerging until the 1520s.  A product of the industrial revolution, the mechanical clutch (movable mechanical coupling or locking and unlocking contrivance for transmitting motion) is from 1814 with the "seizing" sense extended to "a coupling device for bringing working parts together".  Originally applied to the static machines in mills, it was first used to describe the transmissions (as the coupling between crankshaft and gearbox) in 1899.  The now rare meaning "moment when heroics are required" is attested from the 1920s but never gained currency outside the US

The clutch purse

One’s eye is always drawn to a nice clutch purse.  Salma Hayek B 1966) with Alexander McQueen (1969-2010) skull clutch, Evening Standard Theatre Awards, London, November 2015.

The modern definition of a “clutch” is a handbag without handles but with a detachable (sometimes a chain) strap and (usually) rectangular in shape.  Most often an evening bag, they can be used during the day, the most defining characteristics being they’re slim and primarily hand-held.  Bags and purses predate pockets and the clutch bag seems to have been a very early solution to the problem of carrying small, high-value possessions.  Evidence survives in the historic record in paintings and tapestries but few examples remain extant because almost all were made from perishable materials, a seven-hundred year old relic on display at London’s Courtauld Gallery the oldest known to exist.

For her much anticipated appearances at the Cannes film Festival, Salma Hayek has over the years made the clutch purse her signature accessory.

Lindsay Lohan with Carmen Steffens evening clutch, annual amfAR fundraiser at the Cannes Film Festival, Hotel Eden Roc in Cap D’Antibes, May 2017.

In many parts of the world, clutch bags never went away but in the west, the increasing emancipation in the nineteenth century meant bags became larger and the clutch all but disappeared.   It was the resurgence of classical style dresses in the 1920s which led to its revival because it was an ideal accessory for the diaphanous flapper dresses of the era, a style which didn’t detract from the line of the body.  They’ve not since faded from popularity and are now an essential fashion accessory, performing also the socially invaluable function of giving the hands something to do. Because clutch purses so often tend to the rectangular in all aspects, they’re often styled using the motifs associated with the art deco era of the early-mid twentieth century and most designers seem to favor the elaborate, decorative styles of the earlier (pre 1929 Wall Street crash) art deco.  Given the small size of a clutch purse, this can be a challenge to implement but so can the more simplified plays of flattened and stylized geometric shapes or abstract patterns.

Cadillac, Ferrari and the clutch pedal

Although not all early Ferraris were so equipped and by 1976 the 400 GT was even offered with an automatic transmission (General Motors’ famously robust Turbo-Hydramatic 400), the open-gate shift was for decades a motif associated with the marque.  However, advances in hydraulics and electronics meant that by the early twenty-first century, the inefficiencies and technical disadvantages attached to automatic transmissions had been overcome to the point where no Ferrari with a manual transmission, however expertly driven, could match their performance.  Using automatic transmissions meant a clutch pedal was no longer necessary but it didn’t mean clutches were deleted; instead they were automated.  Scuderia Ferrari first used the technology in the Tipo 640 Formula One car in 1989 and any doubts about its speed or reliability were quickly allayed, the machine winning at its maiden appearance in the Brazilian Grand Prix.  Development continued and in 1997, the automated system, dubbed F1, was offered as an option in the F355, the first road car so equipped, the electro-hydraulic system operated by paddles behind the steering wheel linked to the F355's otherwise conventional 6-speed manual transmission.

It certainly started a trend and paddles quickly become almost a de rigueur piece of technology for high-performance cars, the occasional old style, three-pedal model released only to cater for the dwindling number of drivers who enjoyed the experience of the way things used to be done.  In Ferrari dealerships, the numbers dwindled fast and the last Ferrari with a manual transmission left the factory late in 2011, the replacement a dual-clutch transmission (also called twin-clutch or double-clutch) which used two separate clutches for odd and even gear sets.  The two separate transmissions had their respective clutches contained in one housing and worked as a single unit.  The model which enjoyed the distinction of providing a swansong for the old open gate was the California.  Upon release in 2008 it was estimated between 5-10% of buyers would opt for a clutch pedal but, between then and late 2011, a mere three were ordered (some sources say two or five but the factory insists it was three).

2012 Ferrari California (top) and 2012 Cadillac CTS-V sedan.

So the last decade at Maranello has been automatic (technically “automated manual transmission”) all the way and although a consequence of the quest for ultimate performance, it wasn’t anything dictatorial and had customer demand existed at a sustainable level, the factory would have continued to supply manual transmissions.  Amusingly, Cadillac had in 2004 begun offering a model with a manual transmission for the first time since the 1953 Series 75 (among the Cadillac crowd the Cimarron (1982-1988) is never spoken of except in the phrase "the unpleasantness of 1982" ) and by 2013, while one could buy a Cadillac with a clutch pedal, one could not buy such a Ferrari.  For most of the second half of the twentieth century, few would have thought that anything but improbable or unthinkable.

Pox

Pox (pronounced poks)

(1) In human & animal pathology, a disease characterized by multiple skin pustules, as smallpox, associated with the pockmarks left by the purulent skin eruptions.

(2) Historically, a reference to syphilis and sometimes to other venereal diseases (now called sexually transmitted diseases (STDs)) (archaic).

(3) In plant pathology, a disease of sweet potatoes, characterized by numerous pitlike lesions on the roots, caused by a fungus, Streptomyces ipomoea (also called soil rot and distinct from the condition root rot).

(4) In idiomatic use (usually as "a pox on (someone or something)"), an interjection to express distaste, rejection, aversion etc and thus a synonym of curse; the adjective poxy is a variation of the idea.

(5) As the acronym POx, variously Pulse Oximetry, Pressure Oxidation, Partial Oxidation, Point of Exit, Plain Old XML & Purgeable Organic Halogens.

(6) As the acronym POX (or PoX), proof of X.

Circa 1480s: A spelling variant of pocks, the plural of pock, from the plural of the Middle English pocke.  Pox in the sense of “a disease characterized by eruptive sores" emerged in the late fifteenth century, a spelling alteration of pocks & pockes (used since the late thirteenth century in this context), the plural forms of the Middle English pocke (pustule).  From the sixteenth century, it became the common word with which to refer to syphilis.  Pock (pustule raised on the surface of the body in an eruptive disease) was from the Middle English pok, from the Old English poc & pocc (pock; pustule; ulcer), from the Proto-Germanic pukkaz & pukkǭ (pock; swelling) and puh & puhh (to swell up; blow us), from the primitive Indo-European beu & bew- (to grow; swell).  It was cognate with the Middle Dutch pocke, the Dutch pok, the East Frisian pok, the dialectal German Pfoche, the Low German & German Pocke, the French pocque was also from Germanic sources.  The present participle is poxing and the past participle poxed; the noun plural is poxes.

As surnames, Pox & Pocks both long pre-dated the use in pathology and were of Germanic origin, recorded in Bavaria & Austria as a variant Of the Bavaria Böck) and the North German Beck (Baker).  Pox may in some cases have been an alternative spelling of these but is documented as a nickname for a “short man”, from the Low German Pōk (young child; Dwarf).  In some regions it may have been a Germanized form of both the Hungarian Pók and the Slovenian & Croatian Pok common in the Balkans.  In the US, Pox appears to have been an Americanized version of Pocks, most prevalent in the north-eastern states during the nineteenth century.  Coincidently, the Proto-Turkic bok means “dirt, dung” and was cognate with the Turkish bok & Chuvash пӑх (păh); in vulgar slang used predictably in the same sense as “shit” (solid excretory product evacuated from the bowel); the word persists in modern Azerbaijani.  The now idiomatic deprecatory adjective poxy entered English in the late nineteenth century as terms of distaste and disapprobation, having been in the medical literature sin 1853 in the sense of “infected with pox; pocked-marked”.  The noun pock-mark (pockmark later prevailed) dates from the 1670s and was used to describe “the scar or pit left by a pustule" after an infection, particularly after smallpox where the effects were most severe and it was noted as a verb & adjective after 1756.  The earlier word in this sense was the mid-fifteenth century pokbrokyn.  Pock-marked was used by astronomers to refer to the craters visible on the surface of the moon.

Cow-pox (also cowpox), was a disease of cattle, noted from the 1780s and the fluid of the vesicles made it transmissible to humans.  It played an important role in the history of inoculation because it was noted milkmaids (with much exposure to cowpox) enjoyed an almost complete immunity to smallpox.  Chicken-pox was first described circa 1730 and the name is thought either an allusion to the mildness of the condition (compared to syphilis (the pox) or smallpox) or it being most associated with children, or the resemblance of the lumps on the skin to chick-peas.  In medical Latin, the circa 1765 varicella (chicken-pox) was an irregular diminutive of variola, the adjectival form varicellous.  Smallpox, the acute, highly contagious disease and frequently (fatal in a quarter to a third of unvaccinated cases) deadly disease was first so named in the 1510s, as small pokkes, which distinguished the symptoms from the great pox (syphilis).

The famous exchange…

“You sir shall die either on the gallows or of the pox (ie from a STD)”.

“That sir, will depend on whether I embrace your principles or your mistress”.

.. has been attributed to many over the last two centuries odd so the ultimate source is uncertain but the first known record of what may anyway have been an apocryphal exchange appears to have been published in 1784 the London periodical The European Magazine.  Supposedly, protagonist and antagonist were the fourth Earl of Sandwich (1718-1792) and Samuel Foote (1720-1777) who met at a dinner held in his house by Sir Francis Blake Delaval. (1727–1771).

In the decades which followed, frequently the tale was re-told, sometimes with different participants (although Lord Sandwich was often named) and although occasionally embellished, what’s more interesting is that euphemisms and niceties were sometimes adopted; “the halter” replacing references to nooses and gallows and “p-x and “certain disease” substituting for pox.  Whether the changes reflected editorial taste or changes in what readers thought acceptable in print isn’t clear but by the early nineteenth century the anecdote was published with the punch-line but not the setup sentence.  That may however have been because, being well-known, by then a mere allusion was probably more funny still, a technique used to effect in the House of Commons as recently as 1968.  Whether or not the exchange ever happened or between who will never be known with certainty but the rejoinder is of such voltairesque quality it’s been attributed to more than half-a-dozen political notables.

Monkeypox

Little political energy could be summoned in the West to deal with climate change while it appeared to afflict only Africans, Arabs, Asians and animals (those inhabiting the places Mr Trump would have called “shithole countries”).  It took Europe & North America roasting, flooding and burning to focus minds.  Similarly, monkeypox (a zoonotic virus in the genus Orthopoxvirus) although for decades endemic in parts of Africa, attracted little interest in the West until outbreaks in 2022 and most people had probably never heard of it until a rapid spread of cases began to be reported in the UK, Europe and the US.  On 23 July 2022, the World Health Organization (WHO) declared the outbreak a Public Health Emergency of International Concern (PHEIC) with cases reported in 77 countries and territories, similar declaration in the past issued for Swine flu, polio, Ebola, Zika and Covid-19.

Monkeypox movement out of Africa 2022 tracked by the US Center for Disease Control (CDC).

Monkeypox gained its name in 1958 when scientists in Denmark isolated the virus in laboratory monkeys in 1958, when two outbreaks of the disease occurred in monkey colonies.  It’s since become clear that a number of rodents are much more efficient vectors of transmission and the virus is neither exclusive too nor most prevalent in monkey populations but, in the way of these things, the name stuck.  This is not a new phenomenon; the famous Spanish flu linked to the pandemic of 1918-1920 picked up the name only because cases there were reported in the press in 1918 whereas news of those already detected in the US, Europe and the UK were suppressed by wartime censorship which wasn’t applied in neutral Spain.  Another case is Rubella which came to be known as “German” measles, simply because it was scientists in that country which identified and first describe the cause and there are many more, most associated with countries not the source of the disease which bears the name.  It’s not known where and where a person first was infected but a human case of monkeypox was first documented in 1970 in the Democratic Republic of Congo (DRC) in 1970.  Since then, the DRC has always recorded the majority of infections although between then and 2022, it had spread to a number of African countries, cases beyond the continent rare until 2022.

Example of regional variations in reported transmission: Nigeria 2017-2022.

Other associations linked to the name monkeypox have also become controversial and the WHO announced it is to receive a new name, noting comments from scientists and public health officials that the current name is "discriminatory and stigmatizing" and it’s also inaccurate to name versions of the virus after parts of Africa.  Accordingly, the WHO has already renamed two clades (from the Ancient Greek κλάδος (kládos) (shoot, branch, family) of the virus to avoid the stigma associated with geographical names: The variant formerly known as “Congo Basin'' will now be referred to as “Clade I” and the “West Africa” variant will be known as “Clade II”.  The first suggestion of a new name is hMPXV, to denote the human version of the monkeypox virus and rather than anything geographic locations, letters and numbers should be used, based on order of discovery. In that system, the lineage behind the current international outbreak would be dubbed hMPXV-B1.  Some local authorities have acted preemptively, Chicago public health authorities for example using the bland “MPV”.  Whatever it ends up being called however, in the West, like COVID-19, monkeypox may be here to stay.

Take-off point of 2022 spread charted by the Lancet.

One aspect of the epidemiology of monkeypox in the West is that some 95% of those diagnosed are gay or bi-sexual men (“men who have sex with men” now the preferred and most accurate terminology).  Activists from the relative LGBTQQIAAOP faction are among those advocating a change of name although this is unlikely to remove the stigmatization based on the rate of transmission among men who have sex with men; presumably a stigmatization associated with hMPXV-B1 (or whatever) must be thought less offensive than one linked with monkeypox, probably because  an alpha-numeric string is a step removed from any link with animals and thus the slur of bestiality.  In the 1980s, that was one of the complaints once it was revealed HIV/AIDS was probably a mutated monkey virus from Africa and, even in the pre-internet era, unsubstantiated theories soon circulated that the entry of the virus into the human system was linked to men having sex with monkeys, a slur on both African men and the gay community who at the point constituted the bulk of infections, almost all as a result of sexual contact.  The consensus now is that HIV/AIDS entered human circulation (perhaps even as long ago as the nineteenth century) because of blood-blood mixing while monkeys were being butchered as part of the bush-meat trade.  The monkeypox vector may have been the same.

Naming virus species is the responsibility of the International Committee on the Taxonomy of Viruses (ICTV) (the expert group which brought us COVID-19) but the WHO has decided to ask for the public’s help, announcing an “…open consultation for a new disease name for monkeypox.  Anyone wishing to propose new names can do so”.  A portal will soon be provided.

Mermaid

Mermaid (pronounced mur-meyd)

(1) In folklore, a female marine creature, having the head, torso, and arms of a woman and the tail of a fish.  The less well-known masculine equivalent is a merman.

(2) Slang term for a highly skilled female swimmer.

Mid-1300s: From the Middle English mermayde (maid of the sea), the construct being mere + maid. From the Middle English mere, from the Old English mere (sea; inlet; lake), from the Proto-Germanic mari derived from the primitive Indo-European móri. It was cognate with the West Frisian mar, the Dutch & Low German meer and Norwegian mar (only used in combinations, such as marbakke).  It was related to the Latin mare, the Breton mor and the Russian мо́ре (móre).  Maid is from the Middle English mayde or maide, an abbreviation of maiden. Ultimate source is the Proto-Germanic magaþs (maid, virgin) and there were links to the Dutch meid & Magd.  The fourteenth century image of the "fabled marine or amphibian creature having the upper body in the form of a woman and the lower in the form of a fish, with human attributes" appeared most often in conjunction with the idea of a creature "usually working harm, with or without malignant intent, to mortals with whom she might be thrown into relation".

Along with meremenn, meremennen & meremenin, Old English had the equivalent merewif (water-witch (related is the modern “wife”)) and meremenn (mermaid, siren) which were cognate with the Middle Dutch meer-minne and the Old High German meri-min which, circa 1200, became the Middle English mere-min, shortened in the early thirteenth century to mere (siren), the later mermaid probably a re-expansion of this.  Interestingly, where similar forms existed in northern Europe, they were tail-less; the fishy form a medieval influence from classical sirens, mermaids said sometimes to lure sailors to destruction with song.

An artist's depiction of Lindsay Lohan as mermaid.

Mermaids became a popular sign displayed by taverns and inns (and not just those in ports or coastal towns) in the early fifteenth century and Mermaid pie, first sold in the 1660s, was a sucking pig baked whole in a crust and documented from 1825 was the mermaid's purse (the baked egg-case of a skate, ray, or shark), a dish (an aquatic take on the culinary tradition of haggis) thought of Scottish origin.  The merman (fabulous sea-creature, man above and fish below (literally "man of the sea)) dates from circa 1600; the gender-neutral merpeople from 1849 and merfolk (inhabitants of the sea with human bodies and fish-like tails) from 1846.  The recent male gender formations never caught the public imagination in quite the same way and seem pointless add-ons to the myth, al la Barbi's Ken.

Садко в Подводном царстве (romanized as Sadko v Podvodnom tsarstve) and commonly called Sadko although known also as Sadko in the Underwater Kingdom (1876), oil on canvas by Ilya Yefimovich Repin (1844–1930), Russian Museum, Saint Petersburg.  

Repin painted Sadko (an imposing 127 in × 90.6 inches (3.225 x 2.3m)) while living in France.  The artist was inspired by an epic-length Russian poem, depicting the merchant and musician Sadko who must choose for his wife one of the daughters of the Underwater King.  Biographers have noted the subject an uncharacteristic one for Repin and have suggested his choice of a tale from Russian folklore may have reflected the homesickness he felt after three years in self-imposed exile although it exhibits too the influences of the artistic and social milieu of Paris's Montmartre.  At the time, Repin was ambivalent about the state of Russian art and for some time, Sadko sat abandoned in his studio but the society painter Alexey Petrovich Bogolyubov (1824–1896) thought it so compellingly Russian he prevailed upon Tsesarevich Alexander Alexandrovich (1845-1894; the future Tsar Alexander III (1881-1894)) to commission it, prompting Repin to finish the work.

The bylina (an oral epic poem) which inspired the painting was from north-west Russia and recounts how Sadko had been brought to the realm of the Underwater King to perform a recital which went well, so well the king danced with such delight that he caused a devastating storm.  To show his appreciation, the king offered Sadko the choice of one of his mermaid daughters to take as his wife but following the advice of a saint, Sadko refuses three times three hundred daughters before accepting the last, named Chernavushka.  In the painting, Sadko appears at the right, watching the mermaids flow past his gaze, the unchosen at the front of the procession looking more disappointed than the fish John West rejects.  Chernavushka, last in the aquatic queue is shown glancing at her man.  At the time, the work received a mixed reaction.  All acknowledged the technical skill displayed in the execution but it appealed only to Russian traditionalists, those critics who moved in more liberal circles and were attracted more to realism than a mystical allegory of an undersea kingdom thought it sentimental "folk-art" and urged Repin to return to the naturalistic style with which he'd established his early reputation.

Nice work if you can get it: The Disneyland mermaids.

In summer, between 1959-1967, women dressed as mermaids were employed to splash around four hours a day, operating from a coral reef in the middle of the Submarine Lagoon at the Disneyland Resort in California.  The criteria to qualify for selection as a Disney mermaid included having long hair and being able to swim, the other qualifications not listed on the advertisements but presumably implied by the nature of the appointment.  Those lucky enough to succeed in the first stage of the recruitment process needed to prove their prowess in the hotel pool and, upon demonstrating adequate aquatic adeptness, were given a job which included their tails.  The weekly salary was US$65 which was above average for the time, their other perk being the right to swim in any of the park's many pools (without their tails).

For a few weeks, prior to the opening in June, the mermaids practiced in Submarine Lagoon, surrounded by construction activity, neither the lagoon or the Matterhorn yet complete and were warned to keep their distance from the submarine, since there was no barrier and the installation contained what were described, ominously, as "moving parts".  After opening, the mermaids would swim around the submarine, giving guests a memorable experience under and above the surface, performing tricks such as flips and turns with their tails.  Their costumes consisted of a starfish top and a remarkably life-like neoprene tail which could be seen shimmering in the water by those aboard the monorail which transported guests between the park and the Disneyland Hotel.

An integral and important part of the lagoon’s design was a centrally-located rock which was artificially heated, vital because the water was cold and on cooler days, the mermaids really needed the warmth.  The rock became the hangout spot for the mermaids to warm up in the sun and chat amongst themselves, itself something of a tourist attraction and one of the park’s more photographed scenes although the volume of the crowds gathered to enjoy the view did create congestion.  That was manageable but the programme had to be closed in 1967 after a number of mermaids were found to be suffering illness, caused by a combination of prolonged exposure to diesel submarine's exhaust fumes and the highly chlorinated water.  After an absence of many years, mermaids can again be seen in the lagoon but, unlike the flesh, blood and neoprene originals, today’s creatures are animatronic creations.

Bureau

Bureau (pronounced byoor-oh)

(1) A chest of drawers, sometime with a mirror atop.

(2) A division of a government department or an independent administrative unit.

(3) An office for collecting or distributing news or information, coordinating work, or performing specified services; agency; typically a travel or news bureau.

(4) A desk or writing desk with pigeonholes, drawers etc, against which the writing surface can be closed when not in use, the best known form of which is the roll-top (historically chiefly British but now widely used in the international antiques trade).

1710-1720 (some sources claim instances from the 1690s): A borrowing from the French bureau, the earlier meaning of which was "coarse cloth (as desk cover), baize", from the Old French burel (woolen cloth), and a diminutive of bure (related were the Middle French bure (coarse woolen cloth) and the French bourre (hair, fluff)) from the Late Latin burra (wool, fluff, shaggy cloth, coarse fabric).  It was akin to the Ancient Greek βερβέριον (berbérion) (shabby garment) and a doublet of burel and borrel, taken from the Old French.  The Latin burra remains of unknown origin.  Bureau desks were once common office furniture of offices, rather the cubicles of their day and the meaning expanded by 1720 to "office or place where business is transacted" and by 1796 to "division of a government."  The meaning "chest of drawers for clothes etc" dates from 1770, said to be American English but was most associated with British use.  Bureau is a noun and the modern view is bureaus & bureaux (both pronounced byoor-ohz) are both accepted noun plural forms but the former seems preferred by most.

Lindsay Lohan's page at the All American Speaker's Bureau.

Squabbles on the Wilhelmstrasse; the German Foreign Ministry and the Ribbentrop Bureau

Most historical analysis of the Third Reich has understandably focused on the evil and the damage done but for structuralists, the nature of the bureaucratic state and those with is an interesting study.  Although assuming office in 1933, the Nazis didn’t immediately become the totalitarian regime familiar in later years because there were too many other power centres over which their control was either incomplete or non-existent.  For that reason, the party, while attempting to take control of the machinery of the state, within a numbers of sphere of activity, also sometimes maintained one or more party institutions in a competition for influence, something which reflected the Hitlerian world-view.  Sometimes these organizations would run in parallel, sometime in opposition.

Although the Nazi hierarchy was beset by internecine hatreds and jealousies, one of the few things on which most agreed was the stupidity, incompetence and unsuitability for his role of Joachim von Ribbentrop (1893–1946), foreign minister between 1938 and the end of the war.  Propaganda Minister Dr Joseph Goebbels (1897-1945), ever ready with a memorable phrase, noted in his diary that Ribbentrop “...bought his name, married his money and swindled his way into office.”  Historians don't dispute Ribbentrop's ineptitude but some are prepared to concede the blame should be shared and he should be thought "not competent" rather than "incompetent", a distinction which the more generous might be prepared to make of plenty of failed politicians.  In other words, a champagne salesman should no more have been appointed foreign minister that a sybaritic, bemedaled fighter ace should have been put in charge of the "four-year plan" (a sprawling apparatus which aimed to make Germany self-sufficient in essential raw materials (autarky), reduce unemployment through a public works programme, increase military production and reform the agricultural sector).  Hitler however, was an admirer (Ribbentrop's sycophancy a particular attraction) and in 1934 permitted him to create a party organization called the Büro Ribbentrop (later the Dienststelle Ribbentrop (Dienststelle best translated as office or department)) which, bizarrely, operated as a kind of alternative foreign ministry.

Illustration by Noel Sickles (1910–1982) in Life magazine, 28 October 1946, depicting the moments before von Ribbentrop was hanged, Palace of Justice, 16 October 1946.  The temporary gallows was erected in the prison gymnasium.

The Büro Ribbentrop also operated as a dirty-tricks outfit with some effort devoted to undermining the authority of the Foreign Ministry which, in a nice touch, operated from offices on Berlin’s Wilhelmstrasse, just over the road from the Buro.  The Buro and its back-channel communications served as Hitler’s personal tool for the implementation of his foreign policy (which can be summed up as "lies, lies and damned lies"), the traditional institutions and diplomatic protocols often side-lined although, Ribbentrop himself had to fend of intrusions from yet more party units with interests in international affairs.  Ribbentrop however prevailed and was appointed foreign minister in 1938, serving in the position until the end of hostilities; convicted of planning & waging aggressive war, war crimes and crimes against humanity, he was hanged in 1946.

Victorian (circa 1870) English cylinder roll-top writing bureau: mahogany with burr walnut fitted interior and a trio of leather skivers.

Perpetual

Perpetual (pronounced per-pech-oo-uhl)

(1) Continuing or enduring forever; lasting indefinitely; continuing or continued without intermission or interruption; ceaseless.

(2) In horticulture, blooming almost continuously throughout the season or the year; a perennial plant.

(3) As "perpetual motion machine", a hypothetical device which, which, once set in motion, will continue forever unless stopped by some external force.  Dating from the 1590s, however "constructed", it would violate either or both the first or second laws of thermodynamics and is thus a physical impossibility and now thought of as an engineer's version of alchemy.

1300–1350: From the late Middle English perpetual & perpetuall (everlasting, unceasing, existing indefinitely, continuing forever in future time), from the twelfth century Old French perpetual (without end; uninterrupted), from the Latin perpetuālis (universal ("permanent" in the Medieval Latin)), from perpetuus (continuous, universal), from perpetis, genitive of the Old Latin perpes (lasting; continual).  The construct of perpetu(us) was per (through), from the primitive Indo-European root per (forward (hence "through")) + pet (to fly, to rush), the root of petere (to seek; reach for; go towards; aim at) + -uus (the deverbal adjectival suffix (deverbal nouns are nouns derived from verbs or verb phrases, but that behave grammatically purely as nouns, not as verbs)).  The English forms were a direct borrowing from the Old French perpetual and the spellings perpetuall and perpetual co-existed in Middle English.  The synonyms include ceaseless, constant, perennial, unceasing, continuous, eternal, persistent, never-ending, incessant, unending, permanent, enduring, infinite, interminable, endless, recurring, continued, abiding, everlasting, immortal and uninterrupted.  The spelling perpetuall is obsolete.  Perpetual is a noun & adjective, perpetuality, perpetualness & perpetuity are nouns, perpetuate is a verb & adjective and perpetually is an adverb; the noun plural is perpetuals.

In the matter of Mary

Wall painting (unknown artist), circa 1870, in Saint Laurentius Church in Voorschoten, the Netherlands, painted to commemorate Pastor aeternus.  It depicts Saint Thomas Aquinas (1225-1274) holding his book Summa Theologica (1265-1274), Jesus Christ (with the Vatican in the background which was a nice touch) and Pope Pius IX (1792–1878; pope 1846-1878).

The Roman Catholic Church’s dogma of papal infallibility holds that a pope’s rulings on matters of faith and doctrine are infallibility correct and cannot be questioned.  When making such statements, a pope is said to be speaking ex cathedra (literally “from the chair”).  Although ex cathedra pronouncements had been issued since medieval times, as a point of canon law, the doctrine was codified first at the First Ecumenical Council of the Vatican (Vatican I; 1869–1870) in the document Pastor aeternus (shepherd forever).  Since Vatican I, the only ex cathedra decree has been Munificentissimus Deus (The most bountiful God), issued by Pius XII (1876–1958; pope 1939-1958) in 1950, in which was declared the dogma of the Assumption; that the Virgin Mary "having completed the course of her earthly life, was assumed body and soul into heavenly glory".  Pius XII never made explicit whether the assumption preceded or followed earthly death, a point no pope has since discussed although it does seem of some theological significance.

Prior to the solemn definition of 1870, there had been decrees issued ex cathedra.  In Ineffabilis Deus (Ineffable God (1854)), Pius IX defined the dogma of the Immaculate Conception of the Blessed Virgin Mary, an important point because of the theological necessity of Christ being born free of sin, a notion built upon by later theologians as the perpetual virginity of Mary.  It asserts that Mary "always a virgin, before, during and after the birth of Jesus Christ", explaining the biblical references to brothers of Jesus either as children of Joseph from a previous marriage, cousins of Jesus, or just folk closely associated with the Holy Family.

In general use, "perpetual" is used typically in the sense of something constant and unchanging although it's used often as a deliberate exaggeration; a term of emphasis.