Sandwedge

Sandwedge (pronounced sand-wej)

(1) As Operation Sandwedge, a proposed clandestine intelligence-gathering operation against the political enemies of US president Richard Nixon.

(2) As sand wedge, a specialized golf club, an iron with a heavy lower flange, the design of which is optimized for playing the ball out of a bunker (sand trap).

1971: The name was chosen for a “dirty tricks” covert operation as a borrowing from golf, the sand wedge a club used to play the ball from a difficult position.  The construct was sand + wedge.  Dating from pre-1000, sand was from the Middle English sand, from the Old English sand, from the Proto-West Germanic samd, from the Proto-Germanic samdaz, from the primitive Indo-European sámhdhos, from sem- (to pour).  Wedge was a pre 900 from the Middle English wegge (wedge), from the Old English wecg (a wedge), from the Proto-Germanic wagjaz (source also of the Old Norse veggr, the Middle Dutch wegge, the Dutch wig, the Old High German weggi (wedge) and the dialectal German Weck (a wedge-shaped bread roll) and related to the Old Saxon weggi.  It was cognate with the dialectal German weck derived from the Old High German wecki and Old Norse veggr (wall).  The Proto-Germanic wagjaz is of uncertain origin but may be related to the Latin vomer (plowshare).  Sandwedge is a noun; should the plural ever be needed, it would be sandwedges (ie phonetically a la the use in golf (sand wedges)).

In golf, when using a sand wedge (left), the player’s stance and the way in which the club addresses the ball differs from what’s done when using a conventional iron (right).  Noted golfer Paige Spiranac (b 1993) demonstrates the difference although there may be some variations depending on an individual's weight distribution. 

Richard Nixon.

Operation Sandwedge was a covert intelligence-gathering operation intended to be conducted against the enemies (a long list which later became public) of Richard Nixon (1913-1994; US president 1969-1974).  Beginning in 1971, the early planning was done by Nixon's Chief of Staff HR Haldeman (1926-1993), his assistant for domestic affairs, John Ehrlichman (1925-1999) and Jack Caulfield (1929–2012), then attached to Ehrlichman’s White House staff “handling special assignments”; also involved (though paid not by the White House but from external campaign funds) was Tony Ulasewicz (1918-1997), later a bit-player in the Watergate affair.  The core of Caulfield’s plan was to target the anti-Vietnam War movement and those figures in the Democratic Party Nixon had identified as the greatest threat to his re-election in 1972, including Ted Kennedy (1932–2009; US senator 1962-2009), Ed Muskie (1914–1996; US senator 1959-1980), William Proxmire (1915–2005; US Senator 1957-1989) and Birch Bayh (1928–2019; US senator 1963-1981).  Of interest too was a settling of scores with those who had prevented G Harrold Carswell (1919–1992) being confirmed by the Senate as Nixon's nominee for the US Supreme Court and the president's net was internecine too, some of the targeted figures in his own Republican Party.

G Gordon Liddy.

Operation Sandwedge was intended to be clandestine but it wasn’t subtle and included physical and electronic surveillance, the intelligence of particular interest that which could be used either to feed damaging leaks to the press or for purposes of blackmail including dubious financial transactions, mental health records and (preferably “unnatural”) sexual proclivities.  However, the operation never proceeded beyond the planning stages because Haldeman and Ehrlichman thought the methods of Caulfield (a former New York City Police Officer) unsophisticated so transferred the project to G Gordon Liddy (1930–2021), a lawyer, one-time FBI agent and later one of the great characters of the Watergate affair.  Attached to Liddy's operation was former CIA operative Howard Hunt (1918–2007) who, under his name and many noms de plume, was a most prolific author of fiction and non-fiction, his bibliography extending to over 70 titles.  Caulfield had chosen the name sandwedge because, as a dedicated golfer, he knew the sand wedge was the club of choice when one was in a difficult spot;  if well-played, it was what could transform a bad situation into something good.  At the time, code-names were among the many imaginative things to emerge from the bunker at 1600 Pennsylvania Avenue and the one chosen for the squad to investigate leaks of information to the press was dubbed “the plumbers”.  One member later told his elderly grandmother one of his duties in the White House was “investigating leaks” and proudly she told him: “Your grandfather was a plumber”.   

Paige Spiranac's definitive guide to the correct handling of one's sand wedge, one of a series of invaluable short clips called Paige Quickies.  They're an ideal guide for both experienced golfers wishing to hone their techniques and those taking up the sport.

The Watergate complex, Washington DC.

The Watergate affair was of course one of the best known (and among nihilistic political junkies the most celebrated) of the “dirty tricks” operations run out of (or at least connected with) the Nixon White House but it was far from unique.  Some strikingly immoral back-channel operations had been run even before the 1968 election but by 1971 the vista had expanded to include what would now be called fake news plants, the infiltration of the staff of political opponents, break-ins and burglary, among the most infamous of which was “the plumbers” (including Liddy) breaking into the office of the psychiatrist treating Daniel Ellsberg (b 1931), the former Department of Defense (now known also as the Department or War) military analyst who had leaked the “Pentagon Papers” (something which was a reasonable achievement in the days when decamping with thousands of pages of classified material demanded not a few minutes copying data to a USB stick but many hours between midnight and dawn using the photocopier).  The doctor's Ellsberg file revealed nothing of interest but the burglary gained a place in history, being recorded by Ehrlichman (who approved the operation) as "Hunt/Liddy Special Project No 1".  There would be more.

Paige Spiranac is active on Instagram and recently posted a “Life update” to her four million followers, advising “I have bangs now”.  Hopefully, she will keep us informed and there will be more to come.

Sandwedge had been envisaged as an intelligence gathering operation, the most novel aspect of which was that while the project documents presented an overview of something using conventional methods of surveillance and the compilation of publicly available material, privately, Caulfield admitted electronic surveillance would also (unlawfully) be used, something any expert presumably could have deduced from the impressive total of budget request.  Of greatest interest were financial records (relating particularly to tax matters), mental health conditions, undisclosed legal problems and sexual conduct, especially if illicit and preferably unlawful.  The idea greatly interested Haldeman and Ehrlichman but they had never been convinced by Caulfield’s “lack of background” by which they meant education, social skills (ie correct way to use knife & fork in polite company) and political experience.  Accordingly, Sandwedge and all intelligence matters were transferred to Liddy, the article of faith in the White House being anything run by a trained lawyer legally would be “bullet proof”, not a quality they associated with the schemes of ex-NYC police officers, a breed not always with a reputation for rectitude.

New York Times, Saturday 2 March 1974.

Liddy revelled in the role as the White House’s clandestine clearing house for “covert ops” and applied his own list of spy-like code names (Gemstone, Diamond, Ruby etc) to an range of activities expanded beyond Sandwedge including physical espionage, infiltration of protest groups, secret wire-taps, sabotage of opposition campaigns and, of course, “honey-pot traps” (the use of attractive young women as temptresses).  Even for Haldeman and Ehrlichman (behind their backs, known to White House staffers as “the Germans” or “the Prussians”) the implications of becoming essentially gangsters was too much but the shell of Liddy's structure was in 1972 approved and even that pared-down framework included a range of unlawful activities, including the one which would trigger the chain of events that culminated in Nixon’s resignation and see dozens of the conspirators (including Haldeman, Ehrlichman and Liddy) jailed: the break in and bugging of the Democratic Party offices in the Watergate complex.  As the affair unfolded, suspicion fell upon Caulfield until it was realised his role in Operation Sandwedge had ended before any dubious operations began and he’d never been part of Liddy’s more ambitious plans.  He was compelled to resign from government but was never prosecuted, maintaining to his dying day that if he’d been left to run Operation Sandwedge, there would have been no burglaries in the Watergate complex or anywhere else and thus none of the cascading scandals which at first paralysed and later doomed the second term of the Nixon administration.

On the golf course, Lindsay Lohan in bunker with sand wedge, rendered as a pen drawing by Vovsoft.

One attractive thing about the historic records of the US government is the relative openness and accessibility to the documents which can lay bare the operations of at least some of the machinery of government.  Things are of course not as open as they used to be but the US attitude to the classification of material is still preferable to that of institutions like the UK’s Cabinet Office or the CCP (Chinese Communist Party) both of which operate in an air of obsessive secrecy.  One treasure trove is the on-line archive of the Richard Nixon Presidential Library and Museum which includes a stash of transcripts of the White House tapes subpoenaed by the SSPF (Watergate Special Prosecution Force), including the famous (and politically fatal) “smoking gun tape”.  In some ways even more so than the audio tapes, the transcripts provide an insight into how politics actually is practiced and it’s useful to compare them with sanitized (and sometimes mendacious) memoirs or “official histories”.  On 21 March 1973, President Nixon met with John Dean (b 1938; White House Counsel to the President, 1970-1973) when “Operation Sandwedge” and its corrosive consequences were discussed:

DEAN:  I think, I think that, uh, there's no doubt about the seriousness of the problem we've got.  We have a cancer--within, close to the Presidency, that's growing.  It's growing daily.  It's compounding, it grows geometrically now because it compounds itself.  Uh, that'll be clear as I explain you know, some of the details, uh, of why it is, and it basically is because (1) we're being blackmailed; (2) uh, people are going to start perjuring themself very quickly that have not had to perjure themselves to protect other people and the like. And that is just--and there is no assurance…

DEAN: Jack [Caulfield] had worked for John [John Mitchell (1913–1988; US attorney-general 1969–1972)] and then was transferred to my office.  I said, "Jack, come up with a plan that, you know, is a normal infiltration, I mean, you know, buying information from secretaries and all that sort of thing."  He did, he put together a plan.  It was kicked around, and, uh, I went to Ehrlichman with it.  I went to Mitchell with it, and the consensus was that Caulfield wasn't the man to do this. Uh, in retrospect, that might have been a bad call, 'cause he is an incredibly cautious person and, and wouldn't have put the situation to where it is today.

PRESIDENT: Yeah.

DEAN: All right, after rejecting that, they said, "We still need something," so I was told to look around for somebody that could go over to 1701 and do this.  And that's when I came up with Gordon Liddy, who-- they needed a lawyer. Gordon had an intelligence background from his FBI service.  I was aware of the fact that he had done some extremely sensitive things for the White House while he'd been at the White House, and he had apparently done them well. Uh, going out into Ellsberg's doctor's office.

PRESIDENT: Oh, yeah.

PRESIDENT: January of '72?

DEAN: January of '72.  Like, "You come over to Mitchell's office and sit in on a meeting where Liddy is going to lay his plan out."  I said, "Well, I don't really know as I'm the man, but if you want me there I'll be happy to."  So, I came over and Liddy laid out a million dollar plan that was the most incredible thing I have ever laid my eyes on.  All in codes, and involved black bag operations, kidnapping, providing prostitutes, uh, to weaken the opposition, bugging, uh, mugging teams. It was just an incredible thing.

PRESIDENT: But, uh..

DEAN: And--

PRESIDENT: ...that was, that was not, uh...

DEAN: No.

PRESIDENT: ...discussed with..

DEAN: No.

PRESIDENT: ...other persons.

DEAN: No, not at all. And--

PRESIDENT: (Unintelligible)

DEAN: Uh, Mitchell, Mitchell just virtually sat there puffing [on his pipe] and laughing. I could tell 'cause after he--after Liddy left the office I said, "That's the most incredible thing I've ever seen.  "He said, "I agree."  And so then he was told to go back to the drawing boards and come up with something realistic. So there was a second meeting. Uh, they asked me to come over to that. I came into the tail end of the meeting. I wasn't there for the first part. I don't know how long the meeting lasted. Uh, at this point, they were discussing again bugging, kidnapping and the like. And at this point I said, right in front of everybody, very clearly, I said, "These are not the sort of things that are ever to be discussed in the office of the Attorney General of the United States"--where he still was--"and I am personally incensed." I was trying to get Mitchell off the hook, uh, 'cause—

PRESIDENT: I know

DEAN: He's a, he's a nice person, doesn't like to say no under--when people he's going to have to work with.

PRESIDENT: That's right.

DEAN: So, I let, I let it be known. I said, "You all pack that stuff up and get it the hell out of here 'cause we just, you just can't talk this way in this office and you shouldn't, you shouldn't, you should re-examine your whole thinking." Came back-

PRESIDENT: Who else was present? Be-, besides you-

DEAN: It was Magruder, Magruder [Jeb Magruder (1934–2014; deputy director of Committee for the Re-Election of the President (CRP) in the 1972 election (better known as CREEP))]

PRESIDENT: Magruder.

DEAN: Uh, Mitchell, Liddy and myself. I came back right after the meeting and told Bob, I said, "Bob, we've got a growing disaster on our hands if they're thinking this way.'  And I said, "The White House has got to stay out of this and I, frankly, am not going to be involved in it."  He said, "I agree John."  And, I thought, at that point the thing was turned off. That's the last I heard of it, when I thought it was turned off, because it was an absurd proposal.

PRESIDENT: Yeah.

DEAN: Liddy-I did have dealings with him afterwards. We never talked about it. Now that would be hard to believe for some people, but, uh, we never did. Just the fact of the matter.

PRESIDENT: Well, you were talking about other things.

DEAN: Other things. We had so many other things.

PRESIDENT: He had some legal problems at one time.

Psyche

Psyche (pronounced sahyk or sahy-kee)

(1) In the mythology of Ancient Greece and Classical Rome, the personification of the soul.  The beautiful nymph was originally a mortal princess who later married Eros (Cupid, the god of love), was deified and bore him a daughter Hedone (Voluptas).

(2) In the popular imagination, the human soul, spirit, or mind.

(3) In psychology & psychoanalysis, the mental or psychological structure of a person, especially as a motive force (as opposed to the pure physicality of the body).  The psyche is the centre of thought, feeling, and motivation, consciously & unconsciously directing the body's reactions to external influences (the social and physical environment).

(4) In philosophy (in neo-Platonism), the second emanation of the One, regarded as a universal consciousness and as the animating principle of the world.

(5) A variant of the noun, verb & adjective psych (mostly in colloquial use as a clipping of psych(ology)).

(6) In cosmology, a main belt asteroid.

(7) A female given name.

(8) A small white butterfly, Leptosia nina, family Pieridae, of Asia and Australasia; a taxonomic genus within the family Psychidae (bagworm moths).  The butterfly was the symbol of the waif Psykhē, thus the frequency with which depictions of a “departed soul, spirit, ghost” were rendered as winged creatures with some resemblance to butterfly.

(9) As “psyche knot”, a technique of knotting up a woman's hair, said to be imitative of the style used in Ancient Greece but because so many of these notions were based on depictions by Medieval and Renaissance artists, the historical efficacy is dubious (known also as the Grecian knot).

(10) As “psyche mirror”, a tall (originally free-standing, framed & mounted between two posts which allowed vertically to pivot) mirror.  Psyche mirrors are still used as decorative pieces although most full-length mirrors are now wall-mounted or function also a wardrobe doors.  The name was gained from the idea that because it reflected the whole body, it symbolized introspection.  The alternative name is “cheval glass”.

1650s: The seventeenth century adoption of “psyche” as an expression of the notion of “animating spirit, the human spirit or mind” reflected the understanding of the time of what was described as “the soul, mind, spirit; life, one's life, the invisible animating principle or entity which occupies and directs the physical body; understanding, the mind (as the seat of thought), faculty of reason”; something which inhabited and controlled the body yet was something separate.  It was used also of the “ghost, spirit of a dead person” although there were differences in interpretation between the religious and secular.  What has long been a puzzle is the extent of the influence of psȳ́chein (to blow, breathe; to cool, to make dry”.  The Ancient Greek ψυχή (psukhḗ) (“soul, spirit” and literally “breath”) was a derivative of psȳ́chein (thus the uses connected with “to live”), the construct being ψῡ́χω (psū́khō) (I blow) +‎ -η (-ē) but the problem is this seems ever to have enjoyed the meaning “breath”, even in the writings of Homer.  More than one etymologist has been recorded as being “tempted” by the long documented connection with the primitive Indo-European root bhes- (to blow, to breathe) which was the source of the Sanskrit bhas- (thought probably imitative).  However, all admit the existence of a link is scant and the theory is thus a conjecture.  Psyche is a noun & verb, psyched is a verb & adjective and psyching is a verb; the noun plural is psyches.

Psych (never psyche) was used as US student slang for the academic study of “psychology” (later extended to references in various senses) by 1895.  Psychology was from the French psychologie, from the Renaissance Latin psychologia, emulating the Greek construct ψυχή (psukhḗ) + -λογία (-logía) (study of), thus in English as psych(o)- +‎ -ology.  The suffix -ology was formed from -o- (as an interconsonantal vowel) +‎ -logy.  The origin in English of the -logy suffix lies with loanwords from the Ancient Greek, usually via Latin and French, where the suffix (-λογία) is an integral part of the word loaned (eg astrology from astrologia) since the sixteenth century.  French picked up -logie from the Latin -logia, from the Ancient Greek -λογία (-logía).  Within Greek, the suffix is an -ία (-ía) abstract from λόγος (lógos) (account, explanation, narrative), and that a verbal noun from λέγω (légō) (I say, speak, converse, tell a story).  In English the suffix became extraordinarily productive, used notably to form names of sciences or disciplines of study, analogous to the names traditionally borrowed from the Latin (eg astrology from astrologia; geology from geologia) and by the late eighteenth century, the practice (despite the disapproval of the pedants) extended to terms with no connection to Greek or Latin such as those building on French or German bases (eg insectology (1766) after the French insectologie; terminology (1801) after the German Terminologie).  Within a few decades of the intrusion of modern languages, combinations emerged using English terms (eg undergroundology (1820); hatology (1837)).  In this evolution, the development may be though similar to the latter-day proliferation of “-isms” (fascism; feminism etc).

Just as Eros (Cupid) was smitten, the word “psyche” seems to have seduced all whoc wrote on the subject of the soul (however understood).  There was much sense development in Platonic philosophy theological writing, especially that written under Jewish influence; in Biblical use the Greek word was used of (1) “the soul as the seat of feelings, desires, affections etc”, (2) “the soul regarded as a moral being designed for everlasting life” and (3) “the soul as an essence which differs from the body and is not dissolved by death.”  In English, the meaning “human soul” dates from the mid-seventeenth century while the modern sense in psychology of “mind” is said only to have some into use after 1910 which seems surprisingly late.  By 1914 the profession was using the verb “psych” to mean “to subject to psychoanalysis” (ie a shortened form of to “psychoanalyse” and the jargon entered general use, from 1934 used as the term “psych out” (to to outsmart) in baseball, (US) football and also in commerce.  In 1952 it was documented in the card game bridge as meaning “to make a bid meant to deceive an opponent” (bridge players thinking their game too complex for the poker player’s mere “bluff”.  By the early 1960s “psych out” had the general meaning “to unnerve” while to “psych (oneself) up” emerged a decade later, building on “psyched up” (stimulate (oneself), prepare mentally for a special effort) first appeared in newspapers in the US in 1968.

The psyche knot

The Hairdo Handbook: A Complete Guide to Hair Beauty (1964) by Dorothea Zack Hanle (1918-1999); the psyche knot was discussed in Chapter XVIII: Handling and Styling Long Hair.  It would be a different, more difficult, world without the "invisible hairpin".

Although Dorothea Zack Hanle was for some time editor of HairDo magazine, she’s remains best remembered for her food writing, her career including a long tenure as an editor at Bon Appetit, several cookbooks and being one of the founders of Les Dames d'Escoffier, an international women's organization that promotes fine dining and wine.  Ms Hanle had quite a journalistic range, he publications including The Surfer's Handbook (1968), Cooking With Flowers (1971), Cooking Wild Game (1974) and the co-authored children's cookbook, The Golden Ladle (1945).  Additionally, she published also on subjects as diverse as gardening, diet and exercise.

The psyche knot (known also as the Grecian knot) was said to be imitative of the style used in Ancient Greece but because so many of these notions were based on depictions by Medieval and Renaissance artists, the historical efficacy is dubious.  Psyche (alone or with Eros (Cupid), her sisters or others) was a popular subject and while in many paintings her hair is stacked high, it was also not unusual for her tresses to be shown flowing as the German illustrator and painter Friedrich Paul Thumann (1834-1908, Berlin) chose for Cupid and Psyche (1900, left).  In Psyche showing her Sisters her Gifts from Cupid, (circa 1753 (centre)) Jean-Honoré Fragonard, (1732–1806) even showed her “having her hair styled”, presumably with an eponymous knot.  In his Expressionist Cupid and Psyche (1907, right), Edvard Munch (1863-1944) decided she deserved a knot.  Now hung in the Munch Museum in Oslo, it’s of interest because it was painted early in the period when Munch had begun to paint human figures, something which would later make him famous, Cupid and Psyche one of 22 works in his collection called The Frieze of Life.  Ominously, the painting was loaned to Musée d'Orsay (Museum d’Orsay) in Paris where it was part of the Crime and Punishment exhibition, organized to emphasize to the population those crimes attracting a death sentence.

The technique used to tie the psyche know wasn’t new in the 1920s but it was then it became a thing.  At that time, the “bob” had become a popular style among bright young things and their many imitators, part of a trend which was both an aesthetic call and a marker of first-wave feminism, a reaction to previous fashions in which clothing had been constricting and voluminous.  Then, called the “garçonne” (a feminized version of the French garçon (boy)), it now remembered as the “flapper style”, distinguished by an angular, slender silhouette, the irony of the look (for all but the genetically lucky) that having abandoned corsets during World War I (1914-1918), most were compelled to seek the help of girdles, garments rather less comfortable than modern shapewear.  Short hairstyles (the bob or the shingle) were an essential part of the “boyish look”, albeit offset by the deliberately obvious application of rouge, eyeliner and lipstick which was famously red.  Some women however wanted “a bob each way” (as it were), liking the short-hair look but wanting to retain the flexibility to display a mane when circumstances demanded or an opportunity was presented.  The solution can be thought of as the “faux bob” and while there were a number of ways to achieve this (including the famous “side-pods”), the psyche know was the simplest to execute and, done properly, would survive an evening’s dancing without the dreaded, annoying “flyaway bits”

The psyche mirror

La Psyché (known in English as The Psyche Mirror, 1876, left), oil on canvas by the French artist Berthe Morisot (1841-1895), Thyssen-Bornemisza Museum, Madrid, Spain shows a woman before a classic “psyche mirror” (known originally as a “psyche glass” (looking-glass still the preferred form among a certain subset (the one in which at cards a jack is called a knave)).  Lindsay Lohan (right) illustrates this generation’s use of the psyche mirror for full-length selfies.  Ms Lohan was with child when this selfie was snapped in New York during 2022 (note the comfortable shoes).  The original psyche mirrors were tall, free-standing, framed & mounted between two posts which allowed them vertically to pivot), the advantage being it made it possible for the subject to view herself in a greater aspect range.  The free-standing designs are still sometimes used as decorative pieces but most full-length mirrors are now wall-mounted or function also a wardrobe doors.  The name was gained from the idea that because it reflected the whole body, it symbolized introspection.  The alternative name is “cheval glass”, from the French form chevel glace (mirror).  Chevel was from the French cheval (horse, supporting frame), from the Middle French cheval, from the Old French cheval, from the Late Latin caballus (horse), from the Classical Latin caballus (pack horse) of uncertain origin.  The term thus deconstructs as glass (mirror) mounted in a supporting frame.

Cupid, Psyche and the Nectar of the Gods

In Greek mythology, Psyche was the youngest and loveliest of a king’s three daughters.  So haunting was Psyche’s beauty that people travelled from afar to pay homage, neglecting the worship of Venus (Aphrodite), the goddess of love and beauty, instead venerating the nymph.  Venus became enraged at finding her altars deserted, men instead turning their devotions to the young virgin, watching as she passed, singing her praises and strewing her way with chaplets and flowers.

Indignant at the exaltation of a mortal, Venus began her righteous rant.  "Am I then to be eclipsed in my honors by a mere mortal girl?  In vain then did that royal shepherd, whose judgment was approved by Jove himself, give me the palm of beauty over my illustrious rivals, Pallas and Juno. But she shall not so quietly usurp my honors. I will give her cause to repent of so unlawful a beauty."  Venus summoned her winged son, the mischievous Cupid and telling him of Psyche, ordered her revenge.  "My dear son, punish that contumacious beauty; give your mother a revenge as sweet as her injuries are great; infuse into the bosom of that haughty girl a passion for some low, mean, unworthy being, so that she may reap a mortification as great as her present exultation and triumph."

Obediently, Cupid set to his task.  In the garden of Venus lay two fountains, one of sweet waters, the other of bitter.  Cupid filled two amber phials, one from each fountain and suspending them from the top of his quiver, hastened to the chamber of Psyche, finding her asleep.  He shed a few drops from the bitter fountain over her lips and although though the sight of her moved him almost to pity, touched her side with the point of his arrow.  At the touch she awoke and her eyes gazed upon the invisible Cupid which so enchanted him he became confused and pricked himself with his own arrow.  Helplessly in love, his only thought now was to repair the mischief he had done and he poured the balmy drops of joy over all her silken blonde ringlets.

Psyche, henceforth frowned upon by Venus, gained no benefit from her charms.  While all cast covetous eyes upon her and all spoke her praises, not prince, plebeian or peasant ever asked for her hand in marriage.  Her two sisters had become betrothed to princes but Psyche sat in solitude, feeling cursed by the beauty which had failed to awaken love.  The king and queen, thinking they had incurred the wrath of the gods turned for guidance to the oracle of Apollo who answered: “The virgin is destined for the bride of no mortal lover. Her future husband awaits her on the top of the mountain. He is a monster whom neither gods nor men can resist."

Her parents, distraught, abandoned themselves to grief but Psyche was fatalistic, saying "Why, my dear parents, do you now lament me? You should rather have grieved when the people showered upon me undeserved honors, and with one voice called me a Venus. I now perceive I am victim to that name.  I submit.  Lead me to that rock to which my unhappy fate has destined me."  Accordingly, amid the lamentations of all, she was taken to the peak of the mountain and there left alone.  When the tearful girl stood at the summit, the gentle Zephyr raised her from the earth and carried her on the breeze, bringing her to rest in a flowery dale where she laid down to sleep.  When she awoke, refreshed, she looked around and beheld nearby a grove of tall and stately trees.  Entering the forest, she discovered in its midst a fountain from which bubbled crystal-clear waters and nearby, a splendid palace, so magnificent she knew it the work not of mortal hands, but the retreat of some god.  Drawn by admiration and wonder, she ventured to enter the door.  Amazed at what she saw, she walked along a marble floor so polished it shimmered, golden pillars supported a vaulted roof, walls were enriched with carvings and paintings of fantastic beasts.  Everything upon which her eye fell delighted her.

Soon, although she saw no one, she heard a voice.  "Sovereign lady, all that you see is yours. We whose voices you hear are your servants and shall obey all your commands with utmost care.  Retire, should you please, to your chamber, recline upon your bed of down and when you see fit, repair to the bath.  Your supper awaits in the alcove”.  Psyche took her bath and seated herself in the alcove, whereupon a table appeared laden with extraordinary delicacies of food and nectarous wines.   While she ate, she heard the playing of lute and harp and the harmony of song.

That night she met he husband but he came only in the darkness, fleeing before the dawn, but his words and caresses were of love and inspired in her a like passion.  Often she would beg him to stay so she might behold him in the light but he refused, telling her never to attempt to see him, for no good would come of it and that he would rather have her love him as a man than adore him as a god.  This, Psyche accepted but the days grew long and lonely and she began to feel she was living in a gilded cage.  One night, when her husband came, she told him of her distress, her charms enough to coax from him his unwilling acquiescence that her sisters could visit.  Delighted, she summoned the obedient Zephyr who brought them to the mountain and in happiness, they embraced.

The splendor and celestial delights of Psyche’s palace astonished her sisters but also aroused their envy and they began to pepper her with questions about her husband and she told them he was a beautiful youth who spent his days hunting in the mountains.  Unconvinced, the soon drew from her that she had never seen him and they began to fill her mind with dark suspicions, recalling the Pythian oracle had declared her doomed to marry a direful and tremendous monster.  Psyche protested but they told her the folk living in the valley say the husband is a terrible and monstrous serpent, amusing himself while nourishing her with dainties that he may by and by devour her.  They told to one night to take with her a lamp and sharp blade so that when he slept she might light the lamp and see his true form.  If truly he is a monster they told her, "hesitate not and cut off its head".

Psyche tried to resist her sisters’ persuasions but knew she was curious and that night she took to bed a lamp and a long, sharp knife.  When he had fallen to sleep, silently she arose and lit her lamp, beholding but the most beautiful of the gods, his golden ringlets falling over his snowy neck, two dewy wings on his shoulders whiter than snow, with shining feathers like the tender blossoms of spring.  Entranced, as she moved her lamp better to see his face, a drop of hot oil fell on the shoulder of the god and startled, he opened his eyes and fixed them upon her.  They both were frozen for a few seconds, then suddenly and without a word, he spread his wings and flew out of the window.  Psyche, crying in despair, in vain endeavored to follow but fell from the window to the ground below.

Hearing her fall, Cupid for a moment paused in his flight and turned to her saying, "Oh faithless Psyche, is it thus you repay my love? After I disobeyed my mother's commands and made you my wife, will you think me a monster and would cut off my head?  Go, return to your sisters, who you trust more than me.  I punish you no more than to forever leave you for love cannot dwell with suspicion."  With those words, he flew off, leaving poor Psyche crying into the earth.  For hours she sobbed and then looked around, but her palace and gardens had vanished and she found herself in a field in the city where her sisters dwelt.  She repaired thither and told them her story at which, though pretending to grieve with her, the two evil sisters inwardly rejoiced for both thought as one: that Cupid might now choose one of them.  Both the next morning silently arose and snuck secretly to the mountain where each called upon Zephyr to bear them to his lord but leaping up, there was no Zephyr to carry them on the breeze and each fell down the precipice to their deaths.

The devastated Psyche meanwhile wandered.  Day and night, without food or rest, she searched for her husband and one evening saw in the distance a magnificent temple atop a lofty mountain and she felt her heart beat, wondering if perhaps there was Cupid.  She walked to the temple and there saw heaps of corn, some in loose ears and some in sheaves, mingled with ears of barley.  Scattered about, lay sickles and rakes, the instruments of harvest, without order, as if thrown carelessly from the weary reapers' hands in the sultry hours of the day.  This unseemly confusion disturbed the neat and tidy Psyche and she put herself to work, separating and sorting everything and putting all in its proper place, believing she ought to neglect none of the gods, but prove by her piety to prove she was worthy of their help.  The holy Ceres, whose temple it was, finding her so religiously employed, thus spoke to her, "Oh Psyche, truly your are worthy of our pity, though I cannot shield you from the frowns of Venus, I can teach you how best to allay her displeasure. Go, then, and voluntarily surrender yourself to your lady and sovereign, and try by modesty and submission to win her forgiveness, and perhaps her favor will restore you the husband you have lost."  Filled with both fear and hope, Psyche made her way to the temple of Venus.

Venus met her with anger.  "Most undutiful and faithless of servants," said she, "do you at last remember you have a mistress or have you come to see your sick husband, the one injured by the wound given him by his worthless wife?  You are so ill favored you can be worthy of your lover only by showing industry and diligence.  I shall put you to work".  She led Psyche to temple’s storehouse in which sat vast piles of wheat, barley, vetches, beans and lentils, the food for her birds.  “Separate these grains, put them all in sacks and have it done by night” she commanded, leaving her to the task.  Shocked, Psyche sat silent, moving not a finger.  While she despaired, Cupid ordered an ant, a native of the fields, to bring all ants from the anthill and they gathered on the piles.  Quickly and with the efficiency of their breed, they took grain by grain, making perfect parcels of each and when done, vanished from sight.  As twilight fell, Venus returned from a banquet of the gods and seeing the sacks neatly stacked, became enraged.  "This is no work of yours, wicked one, but his, whom to your own and his misfortune you have enticed."  So saying, she threw her a piece of black bread for her supper and stormed off.

Next morning Venus ordered Psyche to be called and said to her, "Behold yonder grove which stretches along the margin of the water.  There you will find sheep feeding without a shepherd, with golden-shining fleeces on their backs.  Go now, fetch me some of that precious wool gathered from every one of their fleeces."  Standing on the riverbank, wondering at the difficulty of her task, Psyche was about to cross but river god made the reeds speak, telling her "Oh maiden, tempt not the dangerous flood, nor venture among those rams for as long as the sun shines, they burn with a cruel rage to destroy mortals with their sharp horns or rude teeth.  But when the noontide sun has driven them to the shade, and the serene spirit of the flood has lulled them to rest, you may then cross in safety, and you will find the woolly gold sticking to the bushes and the trunks of the trees."  Psyche did as they said and returned with her arms full of the golden fleece but Venus was not pleased.  "Well I know it is by none of your own doings that you have succeeded I do not believe you are of use but I have another task for you.  Here, take this box and go your way to the infernal shades, and give this box to Proserpine and say, 'my mistress Venus desires you to send her a little of your beauty, for in tending her sick son she has lost some of her own'.  Be not too long on your errand, for I must paint myself with it to appear this evening at the circle of the gods."

Psyche now believed her own destruction was at hand and, with no wish to delay what was not to be avoided, dashed to the top of a high tower, preparing to cast herself headlong, thus to descend the shortest way to the shades below.  But then, a voice from the tower said to her, "Why, poor unlucky girl, do you design to put an end to your days in so dreadful a manner? And what cowardice makes you sink under this last danger when you have been so miraculously supported in all your former?"  Then the voice told her how by a certain cave she might reach the realms of Pluto, and how to avoid all the dangers of the road, to pass by Cerberus, the three-headed dog, and prevail on Charon, the ferryman, to take her across the black river and bring her back again. But the voice also cautioned, "When Proserpine has given you the box filled with her beauty, you must never once open or look into the box nor allow your curiosity to pry into the treasure of the beauty of the goddesses."

Encouraged, Psyche obeyed the advice and travelled safely to the kingdom of Pluto. Admitted to the palace of Proserpine, she delivered her message from Venus and soon, she was handed the box, shut and filled with the precious commodity. Then she returned the way she came, glad once more to be in the light of day.  But as she walked along the path, a longing desire overcame her, an urge to look into the box for, as she imagined, a touch of the divine beauty would make her more desired by Cupid so, delicately, she opened the box.  But in there was nothing of beauty but only an infernal and truly Stygian sleep which, being set free from its prison, took possession of her, and she fell in the road where she stood, plunged into a deep sleep, lying there without sense or motion.

But Cupid was now recovered and could no longer bear the absence of his beloved Psyche and slipping through a crack in the window, he flew to where Psyche lay.  He gathered up the sleep from her and closed it again in the box, waking her with the gentlest touch of one of his arrows. "Again," said he, "have you almost perished by the same curiosity.  But now perform exactly the task imposed on you by my mother, and I will take care of the rest."  Then Cupid, as swift as lightning, presented himself before Jupiter with his supplication.  Jupiter was impressed and so earnestly did he plead the cause of the lovers that he won the consent of Venus and on hearing this, sent Mercury to bring Psyche up to the heavenly assembly, and when she arrived, he handed her a goblet ambrosia saying, "Drink this, Psyche, and be immortal; nor shall Cupid ever break away from the knot in which he is tied, but these nuptials shall be perpetual."  Thus Psyche became at last united to Cupid, and in time, born to them was a daughter whose name was Pleasure.

Wedding Banquet of Cupid and Psyche (circa 1517) by Raphael (1483–1520).

The story of Cupid and the OCD Psyche is told by the Roman writer Apuleius (circa 124-circa 170) in three chapters in his rather risqué picaresque novel, The Metamorphoses of Apuleius (which Saint Augustine dubbed Asinus aureus (The Golden Ass (by which it’s today known)).  The Golden Ass is notable as the only full-length work of fiction in Classical Latin to have survived in its entirety and is a work with aspects which would be regarded as novel centuries later, including fantastical imagery, passages like fairy tales and elements which would now be called magic realism.  Like many modern fairy tales, there is a moral to the story and for Apuleius it was that it is love which makes to soul immortal and there was no need for subtlety, Cupid the son of the goddess of desire and Psyche's name originally meant soul.

With the re-discovery (and some re-invention) of much of antiquity during the Renaissance, the story gained much popularity and attracted the interest of artists and from Raphael’s (Raffaello Sanzio da Urbino, 1483–1520) studio came the best known evocation.  One of the scenes is the wedding feast, painted in the form of a hanging tapestry.  Psyche’s guest list was a roll-call of the gods, Ganymede, Apollo, Bacchus and Jupiter are all at the table, the Graces and the Hours in attendance.  The artists (for some the work was executed by professional painters under Raphael’s guidance) do have some fun, very much in the spirit of Apuleius for above the flying Mercury sits, artfully arranged, a suggestive conjunction of certain vegetables and fruits.

The Wedding Feast of Cupid and Psyche (1532) by Giulio Romano.

The romance of Cupid and Psyche drew other artists including the Italian Giulio Romano (Giulio Pippi, circa 1499-1546), a student of Raphael whose influence permeates.  While not highly regarded by critics and better remembered as an architect, Romano is of note because he was among the earliest of the artists whose work can be called Mannerist and certainly his wedding feast painting includes the mythological, a staged and theatrical setting, eroticism and an unusual sense of perspective; all characteristic of Mannerist art although he remained entirely naturalistic in the callipygian rendering of Psyche’s buttocks.

In Shakespeare's late drama The Winter's Tale there’s an allusion to Romano as “that rare Italian master” but despite the bard’s apparent admiration, historians of art treat him as little more than a footnote; the shadow Raphael cast was long.  Some critics seem determined to devalue his work, the Catholic Encyclopaedia (1913) noting it was “prolific and workmanlike, always competent…” but with “…no originality; as a painter, he is merely a temperament, a prodigious worker. His manual dexterity is unaccompanied by any greatness of conception or high moral principle.  His lively but superficial fancy, incapable of deep emotion, of religious feeling, or even of observation, attracted him to neutral subjects, to mythological paintings, and imaginary scenes from the world of fable. Therein under the cloak of humanism, he gave expression to a sensualism rather libertine than poetical, an epicureanism unredeemed by any elevated or noble quality.  It is this which wins for Giulio his distinctive place in art.  His conception of form was never quite original; it was always a clever and bookish compromise between Raphael and Michelangelo.  His sense of color grows ever louder and uglier, his ideas are void of finesse, whatever brilliancy they show is second-hand. His single distinctive characteristic is the doubtful ease with which he played with the commonplaces of pagandom.  In this respect at least, paintings like those of the Hall of Psyche (1532) are historical landmarks.  It is the first time that an appeal is made to the senses with all the brutal frankness of a modern work”. 

Damning with faint praise perhaps.  Grudgingly, the editors did concede that despite being “…distinguished by such characteristics and marked by such defects, Romano occupies nevertheless an important place in the history of art. More than any other, he aided in propagating the pseudo-classical, half-pagan style of art so fashionable during the seventeenth century. It’s mainly through his influence that after the year 1600 we find so few religious painters in Europe”.

One could hardly expect The Catholic Encyclopedia (sub-titled An International work of reference on the constitution, doctrine, discipline and history of the Catholic Church), to find much worthy in a mannerist (or perhaps anything modern).  Mannerism, novel in some ways as it was, was rarely original in form or content.  It was a reaction against the perceived perfection of the neo-classicism of the High Renaissance and artists from Romano on were drawn to Greek mythology, characters like Psyche and Echo able simply and unambiguously to represent the psychological problems muddied by Christian theology.

Holy

Holy (pronounced hoh-lee)

(1) Specially recognized as or declared sacred by religious use or authority; consecrated.

(2) Dedicated or devoted to the service of God, the church, or religion; godly, or virtuous; of, relating to, or associated with God or a deity; sacred.

(3) Saintly; godly; pious; devout; having a spiritually pure quality; endowed or invested with extreme purity or sublimity.

(4) Entitled to worship or veneration as or as if sacred.

(5) A place of worship; sacred place; sanctuary.

(6) Inspiring fear, awe, or grave distress (archaic).

Pre 900: From the Middle English holi & hali, from the Old English hālig, hāleġ & hǣlig, (holy, consecrated, sacred, venerated, godly, saintly, ecclesiastical, pacific, tame), a variant of the Old English hālig, hǣlig & hāleg, the construct being hāl (whole) + -eg (-y), from the Proto-West Germanic hailag, from Proto-Germanic hailaga & hailagaz (holy, bringing health).  It was cognate with the Old Saxon hēlag, the Gothic hailags the Dutch & German heilig, the Old Frisian helich and the Old Norse heilagr.  Ultimate root was the primitive Indo-European kóhzilus (healthy, whole).  It was adopted at conversion for the Latin sanctus although the Middle English form emerged as holi which remained a common spelling until the sixteenth century.  Holy is a nown & adjective. holiness (the spellings holinesse, holyness & holynesse all obsolete) is a noun and holier & holiest are adjectives; the noun plural is holies.  The noun holiosity is non-standard and is used in humor when referring to those for who religion has become an obsession and often one they think should be imposed on others.

Lindsay Lohan bringing holiness, Machete (2010).  The weapon is a Smith & Wesson .50 Magnum revolver with 8" barrel (S&W500: SKU 163501).

The primary (pre-Christian) meaning is not possible to determine; documentary evidence simply doesn’t exist but most think it probably meant something like “that must be preserved whole or intact, that cannot be transgressed or violated” and was connected with the Old English hal (health) and the Old High German heil (health, happiness, good luck (source of the German salutation Heil which became so well-known in the 1930s)).  Holy water was in Old English and holy has been used as an intensifying word from 1837 and used in expletives since the 1880s; a “holy terror” generally meaning “a difficult or frightening person” but which in Irish informal use means a man thought a habitual gambler, womanizer etc.  The adjectival forms are holier (comparative) & holiest (superlative) while the noun plural is holies but “the holy” functions as a plural when referring to persons or things (eh holy relics) invested with holiness.  When used in a religious context, it’s common to use an initial capital and probably obligatory when referencing the Christian God, or Christ.  The old alternative spellings holi, hali, holie & hooly are all obsolete.  Words that depending on context may be synonymous or merely related include divine, hallowed, humble, pure, revered, righteous, spiritual, sublime, believing, clean, devotional, faithful, good, innocent, moral, perfect, upright, angelic, blessed & chaste.

The Old Testament's Book of Leviticus is regarded by many as a long list of proscriptions, noted especially for the things declared an abomination to the Lord and within the text (Leviticus 17-26) that surprisingly succinct list is known as the “Holiness code” (often referred to in biblical scholarship as the “H texts”), "Holy" in this context understood as “set apart”.  The Holiness code exists explicitly as the set of fundamental rules which the ancient Israelites were required to follow believed they had to follow in order to be close to God and in that sense are the foundational basis for all the moral imperatives in scripture.  What makes them especially interesting historically is the suggestion by a number of scholars that additional laws, written in a style discordant with the rest of the Holiness Code yet in accord with the remainder of Leviticus, were interpolated into the code by a later priest or priests, notably some concerning matters of ritual and procedure hardly in keeping with high moral tone of the apparently original entries.  The contested passages include:

The prohibition against an anointed high priest uncovering his head or rending his clothes (21:10).

The prohibition against offerings by Aaronic priests who are blemished (21:21–22).

The order to keep the sabbath, passover, and feast of unleavened bread (23:1–10a).

The order to keep Yom Kippur, and Sukkot (23:23–44).

The order for continual bread and oil (24:1–9).

Case law concerning a blasphemer (24:10–15a and 24:23).

The order for a trumpet sounding on Yom Kippur (25:9b).

Rules concerning redeeming property (25:23 and 25:26–34).

Order to release Israelite slaves at the year of jubilee (25:40, 25:42, 25:44–46).

Rules concerning redeeming people (25:48–52, and 25:54).

The Holy Alliance

The Holy Alliance (styled in some contemporary documents as “The Grand Alliance”) was something not quite a treaty yet more than a modus vivendi (memorandum of agreement).  Executed soon after the conclusion of the Congress of Vienna (1814-1815), it linked three of the monarchist great states of Europe (Austria, Prussia, and Russia) and existed very much at the behest of Tsar Alexander I (1777–1825; Emperor of Russia from 1801-1825) who had observed the French Revolution (1789) and the convulsions which spread across the continent in its wake and, having little taste for the idea of the mob leading kings to their execution by the guillotine, sought an alliance which would hold in check the forces of secular liberalism.  It was a moment something like that noted by George VI (1895–1952; King of the United Kingdom 1936-1952) who, traveling through the Surrey countryside, pointed at Runnymede (where in 1215 the Magna Carta was forced on a reluctant King John (1166–1216; King of England 1199-1216), saying to his companion: "That's where the trouble started."  

The origin of the Holy Alliance, 1815.

The Tsar envisaged the UK being part of the Holy Alliance but Lord Castlereagh (1769–1822; UK foreign secretary 1812-1822) belonged to the long tradition of trying not become involved in European affairs unless necessary and called it “sublime mysticism and nonsense.”  The troubled Castlereagh committed suicide and in his papers there's no indication of the sense in which he used the word "sublime" but in late fourteenth century it was used as a verb meaning "alchemy".

So inconsequential did Castle think the treaty that he anyway recommended it be joined by the UK, a course of action the Cabinet declined to pursue and the supportive gesture of George IV (1762–1830; prince regent of the UK 1911-1820, king 1820-1830) adding his signature as King of Hanover had the most negligible political or military significance.  Despite London’s reserve, Austria, Prussia, Russia, & the UK did later in 1815 formalize the Quadruple Alliance which had for some time existed in effect to counter the military and revolutionary threat presented by the expansion of the First French Empire under Napoleon I (Napoleon Bonaparte, 1769–1821; First Consul of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815).  Although Napoleon’s defeat at Waterloo wrote finis to that venture, the four powers thought the Quadruple Alliance a means by which the framework created by the Congress of Vienna might best be maintained as a stabilizing device so the state of European affairs might indefinitely be maintained, it’s last resort being the military apparatus which could be deployed to ensure something like the French Revolution couldn’t again happen.  Events seemed to move in the direction of the Holy Alliance when, in 1818, the Bourbon monarchy was restored to France under Louis XVIII (1755–1824; king of France 1814-1824 (but for the unfortunate hundred days in 1815 when he fled the advance of Napoleon)) and the Quadruple Alliance became the Quintuple.  However, the British, even then among the most constitutional of monarchies, never had much enthusiasm for the alliance's more illiberal actions but the four continental powers did impose their will, the Austrians in Italy in 1821 and the French two years later in Spain.  Despite those encouraging successes however, although not fully appreciated at the time, both the arrangement and the Holy Alliance became effectively defunct with the death of Alexander in 1825, the events in France in 1830 the final nail in the coffin.

Nevertheless, the Holy Alliance remains an interesting cul-de-sac in European history and one noted for (by diplomatic standards) the brevity of its three articles: (1) That all members are brethren, beholden when necessary to assist one another to protect religion, peace, and justice, (2) That the members are Christian nations who owe the treasure of their existence to God, and recommend to their subjects to enjoy God’s gifts, and exercise his principles and (3) That members agree this alliance shall utilize the principles of God and Christianity to shape the destinies of mankind over which they have influence.  One suspects Metternich (Prince Klemens von Metternich, 1773–1859, Austrian foreign minister 1809-1848, chancellor 1821-1848) and others might have shared Castlereagh’s opinion of the spiritual flavor of the Tsar’s wording but it was recognized by even the most cynical of pragmatists as at least potentially useful and was eventually signed by all European rulers except (1) the Prince Regent of the UK because of the cabinet’s opposition, (2) the Ottoman sultan who could hardly countenance such a Christian document and (3), the Pope in Rome, the papal councilors and bishops approving not at all of something which, for the sake of unanimity, embraced schism, heresy, and orthodoxy alike.  To the Holy See, these were the papers of politicians and thus the work of the Devil.

Whatever it wasn’t, the Holy Alliance was a symbol of the old social order and liberals viewed it with disdain, revolutionaries with hatred.  Although effectively it was in 1825 buried in the tomb of the dead Tsar, its spirit endured until the revolutions of 1848 and in a sense it continued to influence the actions of statesmen until the Crimean War (1853-1856).  That crafter of alliances, Prince Otto von Bismarck (1815–1898; Chancellor of the German Empire, 1871-1890), attracted to something so over-arching yet meaning so little, sort of resurrected it after the unification of Germany in 1871 but the withered idea of a unifying Christendom proved by the 1880s not strong enough to prevail over Austrian and Russian self-interest in the squabbles in the Balkans as the edges of the Ottoman Empire began to fray.

Of unholy alliances

As a footnote, the Holy Alliance left a linguistic legacy: the phrase “unholy alliance”.  Unholy alliance is used to describe a coalition formed between improbable and usually antagonistic parties, such arrangements often ad hoc and the product of circumstance rather than choice.  There need not be any religious or anti-religious element for it to be applied and it’s a companion term to “strange bedfellows” or “uneasy bedfellows”. 

There have been many instances of use and it appeared in the platform of the Progressive Party, formed by Theodore Roosevelt (TR, 1858–1919; US president 1901-1909) to contest the 1912 US presidential election: “To destroy this invisible government, to dissolve the unholy alliance between corrupt business and corrupt politics is the first task of the statesmanship of the day.”  A classic statement of the rationale came from Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) in 1941 when, after Germany invaded the Soviet Union (a unilateral repudiation of an earlier unholy alliance (the Nazi-Soviet pact of 1939) which was one of history’s more cynical arrangements between adversaries, both parties knowing it was being pursued for mutual advantage as a prelude to an eventual conflict between them), the UK suddenly had gained a wartime ally albeit one with which relations had been hardly friendly and often strained since the revolutions of 1917.  In a radio broadcast that evening Churchill announced: “No one has been a more consistent opponent of communism for the last twenty-five years. I will unsay no word I have spoken about it. But all this fades away before the spectacle which is now unfolding. The past, with its crimes, its follies, its tragedies, flashes away.… The Russian danger is therefore our danger, and the danger of the United States, just as the cause of any Russian fighting for hearth and house is the cause of free men and free peoples in every quarter of the globe.”  When one of his colleagues noted the queerness of him being the one to announce such an alliance, he remarked: “If Hitler invaded hell I would make at least a favorable reference to the devil in the House of Commons.”

Portrait of Clare Sheridan (then Ms Frewen) (1907), oil on canvas by Emil Fuchs (1866-1929) (left) and a sepia print of the younger Leon Trotsky (circa 1908) (right).  

Churchill didn’t approve of communism, his attitude hardened by the new regime in Moscow having murdered the last Tsar and his family.  Very much a monarchist (his wife once described him as “the last man in Europe who believes in the divine right of kings”), Churchill thus took a dim view of the Bolsheviks and while serving as Secretary of State for War and Air (1919–1921) was involved in the allied intervention supporting anti-Communist White forces in the Russian Civil War (1917-1922), his mood not improved when he learned his favorite cousin, the sculptor Clare Sheridan (1885–1970), had enjoyed a brief affair with comrade Leon Trotsky (1879-1940; founder of the Fourth International).  Whether he ever called Trotsky “the hairiest Bolshevik baboon of all” remains uncertain but it’s at least plausible and he would later tell his cousin “we shall never speak of this unpleasantness again”.  Her memories of the tryst remained fonder, recalling the time her lover had whispered: “a woman like you should be the whole world to a man.”  At least one “Bolshevik baboon” could be poetic.

By 1941, however bad he thought were the communists in Moscow, the Nazis in Berlin were worse so an alliance with the Soviet Union, unholy though it would have felt, Churchill welcomed with barely a qualm.  He was also more perceptive in his assessment of Russian resistance to the invasion than most military & political figures in London, Washington DC or Berlin, the consensus in those circles being the Red Army would be defeated within a few months.  Given the bloody purges comrade Stalin (1878-1953; Soviet leader 1924-1953) had committed against his military leadership and the poor performance of the Russian army against the Finns in 1940, the grim expectations weren’t unreasonable but Churchill offered good odds to anyone willing to take his bet: “I will bet you a Monkey to a Mousetrap that the Russians are still fighting, and fighting victoriously, two years from now.”  That was slang from the turf, a “Monkey” being a £500 wager and a “Mousetrap” a gold sovereign with a nominal value of £1 (ie odds of 500-1).  Unholy the alliance may have been and there were tensions throughout between Moscow, Washington & London but the need to defeat Nazism meant it survived long enough to fulfil its purpose before the Cold War became the world’s new primary political dynamic.