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Wednesday, November 6, 2024

Insipid & Sapid

Insipid (pronounced in-sip-id)

(1) Without distinctive, interesting, or stimulating qualities; vapid.

(2) Something or someone dull or uninteresting; lacking character or definition.

(3) Food or drink lacking sufficient taste to be pleasing; bland, unappetizingly flavorless.

1610–1620: From the sixteenth century French insipid (without taste or perceptible flavor), from the Late Latin insipidus (tasteless), the construct being in- (in the sense of negation) + -sipidus (savory; tasty), a form of sapidus (sapid) from sapere (have a taste (and used also to mean “be wise”)).  The figurative (ie not of food or drink) meaning (uninteresting, dull) emerged in English in the 1640s and it’s believed this was under the influence of Medieval Latin or the Romance languages, where it was a secondary sense.  The noun insipidity was in use by the early seventeenth century.  The choice of synonym can depend on whether what is being described is food & drink or something (or someone) else and the options include banal, bland, ho-hum, innocuous, trite, vapid, tasteless, bland, wearish, boring, vacuous, dull, bland, characterless & colourless.  In English, in some senses the use has been influenced by insipient (unwise, foolish, stupid; lacking wisdom).  Insipient was from the Middle English insipient & incipient, from the Old French insipient, ultimately from the Latin īnsipiēns.  For the fastidious, the comparative is “more insipient”, the superlative “most insipient”).  Insipid is an adjective, insipidity & insipidness are nouns and insipidly is an adverb.

Sapid (pronounced sap-id)

(1) Having taste or flavor (and used specifically to mean “savory”).

(2) Agreeable to the taste; palatable.

(3) Agreeable, as to the mind; to one's liking.

1625-1635: From the Latin sapidus (tasty), from sapere or sapiō (to taste).  The original meaning in English was “having the power of affecting the organs of taste (when used of food & drink or other substances)” while the figurative sense suggested something “gratifying to the mind or its tastes”.  The adjective sipid has the same meaning as sapid and was a mid-nineteenth century back-formation from insipid (on the model of “gruntled” from “disgruntled”) whereas sapid was a direct borrowing from Latin.  Both sapid & sipid can be used to mean “having a taste or flavor; savoury” but unlike insipid which remains in wide use (both in the original context of food & drink and figuratively), neither have ever attained much currency and it’s not unreasonable for both to be listed as obsolete.  Sapid is an adjective, sapidity & sapidness are nouns.

The infamously insipid Koryo Burger, the in-flight delicacy offered by Air Koryo, national carrier of Democratic People’s Republic of Korea (DPRK; North Korea).

In a sense, what words flourish (or at least endure) in English is because of the operation of something of a popularity contest.  While there are style guides, text books and grammar Nazis to tell us which words to use and in what manner, English has no body such as the French government’s Académie Française (council for matters pertaining to the French language) which publishes the a variety of documents which may be said collectively to define what is “official French”.  The Académie had an interesting political history, beginning as a private venture it received the imprimatur of both church & state when in 1635 it was granted a royal charter by Cardinal Richelieu (1585-1642; chief minister (chancellor or prime-minister) to the King of France 1624-1642) during the reign of Louis XIII (1601–1643; King of France 1610-1643) but was dissolved 1793 during the French Revolution (1789), partly because of the mob’s anti-royalist feelings but also because there was some resentment among the peasantry (an in the provinces generally) to the notion of a Parisian elite deciding whose dialect was “right” and whose was “wrong”.  That’s exactly the same dispute which now bubbles in US universities between (1) those who insist there is “correct” standard English while other forms are dialectal variations (ethnic, regional, class etc) and (2) those who argue for a cultural equivalency between all forms, most notably AAVE (African-American Vernacular English) and its many forks.  In 1795 the new regime in France created the Institut de France (Institute of France) as a kind of clearing house for all matters relating to what was “acceptable” French culture, absorbing some pre-existing scientific, literary and artistic bodies and it was to the institute that Napoleon Bonaparte (1769–1821; leader of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815) in 1803 restored the Académie Française as a division.

Portrait of Goethe, oil on paper by Italian artist Elia Bonetti (b 1983).

Spain’s Real Academia Española (Royal Academy of Spain) is a similar body but perhaps surprisingly (given all the stereotypes of the Prussians) there is in Germany no central authority defining the German language, several organizations and institutions working (cooperatively and not) together standardize and update things.  The most authoritative body for German orthography is the Rat für deutsche Rechtschreibung (Council for German Orthography), the membership of which includes representatives from other German-speaking countries (Austria, Switzerland et al) and its mandate extends to overseeing spelling and orthographic rules, something not without controversy, especially since the great spelling “reform” of 1996.  In the spirit of the post-1945 spirit of avoiding where possible the creation of all-powerful single institutions, it’s the Duden dictionary and Institut für Deutsche Sprache (Institute for the German Language) which exert great influence in in maintaining and documenting German vocabulary, grammar and usage, but both tend to be observational, recording changes in the language rather than seeking to enforce rules (ie they are descriptive rather than prescriptive).  German thus evolves through the combined influence of these institutions, public usage, and scholarly input, rather than through a single authoritative academy and internationally it’s probably the Goethe-Institut (Goethe Institute, named after the German author & philosopher Johann Wolfgang von Goethe (1749–1832)) which most promotes the study of German language & culture through its worldwide network of some 160 centres.

English is more democratic still, the survival of words and grammatical forms dependent on the users and even before the British Empire saw the tongue spread around the world the foreign influences were profound, the Latin, Greek, French & Germanic threads the most obvious and even to speak of the “Old English” is misleading to all but those in the field because to most, the “Old English” really isn’t recognizable as “English”.  Not only does modern English thus evolve but so do the other blends such as “Spanglish” (a hybrid of Spanish & English), Hinglish (Hindi & English) and its absurd to speak of “pure English”, even the way BBC announcers used to speak (in the so-called “RP” (received pronunciation) often including fragments picked up from the Raj and around the world.  While the Académie Française may try to keep French as pure as possible, English shamelessly is linguistically slutty.

Lindsay Lohan (with body-double) during filming of Irish Wish (Netflix, 2024) which the Daily Beast concluded wasn't exactly “insipid”.  The car is a Triumph TR4 (1961-1967), one of the early versions with a live rear axle, a detail probably of no significance in the plot-line.

In this democratic way, insipid has endured because it fills a niche that sapid & sipid never found, in both usage & meaning.  Vividly, insipid conveys the notion of something lacking flavor, excitement, or interest, whether literally (vapid food or drink) or figuratively (dull conversation or ideas).  This negative association has a broad and (regrettably) frequent application in everyday language, there so often being a need to decry things or people as uninteresting or failing to make an impact.  By contrast, although sapid & sipid both mean “food having flavour”, there’s less need because that’s expected and what’s usually sought is a way to say the quality is lacking and terms of emphasis came to be preferred: “flavoursome” “tasty” and such taking over although none were as precise as the practical & versatile “insipid” which proved the perfect one-word descriptor whether literally or figuratively.  Insipid is useful too because it’s nuanced in that it although used usually as negative, it’s also a “neutral word” in the sense of “bland”.  When the Daily Beast was searching for similes & metaphors in their review of Irish Wish (released in 2024 as the second edition of Lindsay Lohan’s three film Netflix deal), they opted also to “damn with faint praise” observing because the Netflix’s target audience “merely want to watch something that isn’t insipid and horribly made”, maybe the film (sort of) succeeded.  So insipid has survived because it fulfils needs while sapid & sipid are now little more than linguistic curiosities.

Insipid, sipid & sapid: The votes are in.

Because of the way Google harvests data for their ngrams, they’re not literally a tracking of the use of a word in society but can be usefully indicative of certain trends, (although one is never quite sure which trend(s)), especially over decades.  As a record of actual aggregate use, ngrams are not wholly reliable because: (1) the sub-set of texts Google uses is slanted towards the scientific & academic and (2) the technical limitations imposed by the use of OCR (optical character recognition) when handling older texts of sometime dubious legibility (a process AI should improve).  Where numbers bounce around, this may reflect either: (1) peaks and troughs in use for some reason or (2) some quirk in the data harvested.

Saturday, November 2, 2024

Brat

Brat (pronounced brat)

(1) A child, especially one is ill-mannered, unruly, annoying, spoiled or impolite etc (usually used either playfully or in contempt or irritation, often in the phrase “spoiled brat”.

(2) As “military brat”, “army brat” etc, a child with one or more parent serving in the military; most associated with those moving between military bases on a short-duration basis; the derived form is “diplomatic brat” (child living with parents serving in overseas missions).

(3) In the BDSM (bondage/discipline, dominance/submission, sadism/masochism) community, a submissive partner who is disobedient and unruly (ie a role reversal: to act in a bratty manner as the submissive, the comparative being “more bratty”, the superlative “most bratty”).

(4) In mining, a thin bed of coal mixed with pyrites or carbonate of lime.

(5) A rough makeshift cloak or ragged garment (a now rare dialectal form).

(6) An apron fashioned from a coarse cloth, used to protect the clothing (a bib) (a now obsolete Scots dialect word).

(7) A turbot or flatfish.

(8) The young of an animal (obsolete).

(9) A clipping of bratwurst, from the German Bratwurst (a type of sausage) noted since 1904, from the Middle High German brātwurst, from the Old High German, the construct being Brāt (lean meat, finely shredded calf or swine meat) + wurst (sausage).

(10) As a 2024 neologism (technically a re-purposing), the qualities associated with a confident and assertive woman (along the lines of the earlier “bolshie woman” or “tough broad” but with a more overtly feminist flavor).

1500–1520: Thought to be a transferred use (as slang for “a beggar's child”) of the early Middle English brat (cloak of coarse cloth, rag), from the Old English bratt (cloak) of Celtic origin and related to the Old Irish brat (mantle, cloak; cloth used to cover the body).  The origin of the early Modern English slag use meaning “beggar's child” is uncertain.  It may have been an allusion, either to the contemporary use meaning “young of an animal” or to the shabby clothing such a child would have worn", the alternative theory being some link with the Scots bratchet (bitch, hound).  The early sense development (of children) may have included the fork of the notion of “an unplanned or unwanted baby” (as opposed to a “bastard” (in the technical rather than behavioral sense)) had by a married couple.  The “Hollywood Brat Pack” was a term from the mid-1980s referring to a grouping of certain actors and modeled on the 1950s “Rat Pack”.  The slang form “brattery” (a nursery for children) sounds TicTokish but actually dates from 1788 while the generalized idea of “spoiled and juvenile” became common in the 1930s.  The unrelated use of bratty (plural bratties) is from Raj-era Indian English where it describes a cake of dried cow dung, used for fuel.  Brat is a noun, verb & adjective, brattishness & brattiness are nouns, bratting & bratted are verbs, brattish & bratty are adjectives and brattily is an adverb; the noun plural is brats.

LBJ, the "Chicken Tax" and the Subaru BRAT

Subaru Brat, advertising in motion (US).

The Subaru BRAT was (depending on linguistic practice) (1) a coupé utility, (2) a compact pick-up or (3) a small four wheel drive (4WD) ute (utility).  The name was an acronym (Bi-drive Recreational All-terrain Transporter), the novel idea of “bi-drive” (4WD) being the notion of both axles being driven, something dictated by the need to form the acronym.  Bi-Drive Recreational All-Terrain Transporter” certainly was more imaginative (if opportunistic) than other uses of BRAT as an acronym which have included: ”Behaviour Research And Therapy” (an academic journal), “Bananas, Rice, Applesauce and Toast” (historically a diet recommended for those with certain stomach disorders), “Brush Rapid Attack Truck” (a fire-fighting vehicle), “Basenji Rescue and Transport” (a dog rescue organization), “Behavioral Risk Assessment Tool” (used in HIV/AIDS monitoring), Beautiful, Rich and Talented (self-explanatory), the “Bureau de Recherche en Aménagement du Territoire” (the Belgium Office of Research in Land Management (in the French)), “Beyond Line-Of-Sight Reporting and Tracking” (a US Army protocol for managing targets not in visual range) and “Battle-Management Requirements Analysis Tool” (a widely used military check-list, later interpolated into a BMS (Battle Management System).

Ronald Reagan on his Santa Barbara ranch with Subaru BRAT.  Like many owners who used their BRATs as pick-up trucks, President Reagan had the jump seats removed.

Built on the platform of the Leone (1971-1994) and known in some markets also as the MV Pickup, Brumby & Shifter, the BRAT was variously available between 1978-1994 and was never sold in the JDM (Japanese domestic market) although many have been “reverse imported” from Australia and the US and the things now have a cult following in Tokyo.  The most famous BRAT owner was probably Ronald Reagan (1911-2004; US president 1981-1989) who kept a 1978 model on his Californian ranch until 1988, presenting something of a challenge for his Secret Service detail, many of whom didn’t know how to drive a stick-shift (manual transmission).  That though would have been less frightening than the experience of many taken for a drive by Lyndon Johnson (LBJ, 1908–1973; US president 1963-1969) in the Amphicar 770 (1961-1965) he kept at his Texas ranch.  LBJ suddenly would turn off the path, driving straight into the waters of the dam, having neglected to tell his passengers of the 770’s amphibious capabilities.

Of physics.  Those familiar Sir Isaac Newton's (1642–1727) First Law of Motion (known also as the Law of Inertia"An object at rest will remain at rest, and an object in motion will continue in motion with the same speed and in the same direction unless acted upon by an unbalanced external force") can ponder the possibilities.

The Subaru BRAT is remembered also as a “Chicken Tax car”.  Tax regimes have a long history of influencing or dictating automotive design, the Japanese system of displacement-based taxation responsible for the entire market segment of “Kei cars” (a clipping of kei-jidōsha (軽自動車) (light automobile), the best known of which have been produced with 360, 600 & 660 cm3 (22, 37 & 40 cubic inch) engines in an astonishing range of configurations ranging from micro city cars to roadsters and 4WD dump trucks.  In Europe too, the post-war fiscal threshold resulted in a wealth of manufacturers (Mercedes-Benz, Jaguar, BMW, Ford, Maserati, Opel et al) offering several generations of 2.8 litre (171 cubic inch) sixes while the that imposed by the Italian government saw special runs of certain 2.0 litre (122 cubic inch) fours, sixes & even V8s.  The US government’s “Chicken Tax” (a part of the “Chicken War”) was different in that it was a 25% tariff imposed in 1963 by the Johnson administration on potato starch, dextrin, brandy and light trucks; it was a response to the impost of a similar tariffs by France and the FRG (Federal Republic of Germany, the old West Germany) on chicken meat imported from the US.

Subaru BRAT in use.

The post-war development in the US of large scale, intensive chicken farming had both vastly expanded production of the meat and radically reduced the unit cost of production which was good but because supply quickly exceeded the demand capacity of the domestic market, the surplus was exported, having the effect in Europe of transforming chicken from a high-priced delicacy to a staple consumer protein; by 1961, imported US chicken had taken some 50% of the European market.  This was at a time when international trade operated under the General Agreement on Tariffs and Trade (the GATT (1947)) and there was nothing like the codified dispute resolution mechanism which exists in the rules of the successor World Trade Organization (the WTO (1995)) and the farming lobbies in Germany, France and the Netherlands accused the US producers of “dumping” (ie selling at below the cost of production) with the French government objecting that the female hormones US farmers used to stimulate growth were a risk to public health, not only to those who ate the flesh but to all because nature of the substances was such that a residue enter the water supply.  The use of the female hormones in agriculture does remains a matter of concern, some researchers linking it to phenomena noted in the last six decades including the startling reduction in the human male's sperm count, the shrinking in size of the penises of alligators living in close proximity to urban human habitation and early-onset puberty in girls.

Subaru BRAT Advertising (US).

Eventually, the tariffs on potato starch, dextrin and brandy were lifted but the protection for the US truck producers remained, triggering a range of inventive “work-arounds” concocted between various engineering and legal offices, most of which involved turning two-seater trucks & vans into vehicles which technically could quality as four-seaters, a configuration which lasted sometimes only until the things reached a warehouse where the fittings could be removed, something which would cost the Ford Motor Company (one of the corporations the tax had been imposed to protect) over US$1 billion in penalties, their tactics in importing the Transit Connect light truck from Turkey (now the Republic of Türkiye) just too blatant.  In New Zealand, in the mid 1970s, the government found the “work-arounds” working the other way.  There, changes had been implemented to make the purchase of two seater light vans more attractive for businesses so almost instantly, up sprang a cottage industry of assembling four-door station wagons with no rear seat which, upon sale, returned to the workshop to have a seat fitted.  Modern capitalism has always been imaginative.

Subaru "Passing Lamp" on Leone 1600 GL station wagon (optional on BRATs, 1980-1982).

In Fuji Heavy Industries’ (then Subaru’s parent corporation) Ebisu boardroom, the challenge of what probably was described as the “Chicken Tax Incident” was met by adding to the BRAT two (the frame welded to the cargo bed) plastic, rear-facing jump seats, thereby qualifying the vehicle as a “passenger car” subject in the US only to a 2.5 and not a 25% import tax.  Such a “feature” probably seems strange in the regulatory environment of the 2020s but there was a time when there was more freedom in the air.  Subaru’s US operation decided the BRAT’s “outdoor bucket seats” made it an “open tourer” and slanted the advertising thus, the model enjoying much success although the additional seating wasn’t available for its final season in the US, the BRAT withdrawn after 1987.  Another nifty feature available on the BRAT between 1980-1982 was the “Passing Lamp” (renamed “Center Lamp” in 1982 although owners liked “Third Eye” or “Cyclops”), designed to suit those who had adopted the recommended European practice of flashing the headlights (on high beam) for a second prior to overtaking.  The BRAT was not all that powerful so passing opportunities were perhaps not frequent but the “passing lamp” was there to be used if ever an even slower car was encountered.  The retractable lamp was of course a complicated solution to a simple problem given most folk so inclined just flash the headlights but it was the sort of fitting with great appeal to men who admire intricacy for its own sake.

Brat: Charli XCX's Summer 2024 album

Charli XCX, BRIT Awards, O2 Arena,  London, February 2016; the "BRITs" are the British Phonographic Industry's annual popular music awards.

“Brat” has been chosen by the Collins English Dictionary as its 2024 Word of the Year (WotY), an acknowledgement of the popular acclaim which greeted the word’s re-purposing by English singer-songwriter Charli XCX (the stage-name of Charlotte Emma Aitchison (b 1992)) who used it as the title for her summer 2024 album.  The star herself revealed her stage name is pronounced chahr-lee ex-cee-ex; it has no connection with Roman numerals and XCX is anyway not a standard Roman number.  XC is “90” (C minus X (100-10)) and CX is “110” (C plus X (100 +10)) but XCX presumably could be used as a code for “100” should the need arise, on the model of something like the “May 35th” reference Chinese Internet users used to use in an attempt to circumvent the CCP's (Chinese Communist Party) "Great Firewall of China" when speaking of the “Tiananmen Square Incident” of 4 June 1989.  In 2015, Ms XCX revealed “XCX” was an element of her MSN screen name (CharliXCX92) when young (it stood for “kiss Charli kiss”) and she used it on some of the early promotion material for her music.

Charli XCX with Brat album (vinyl pressing edition) packaging in "brat green".

According to Collins, the word “resonated with people globally”.  The dictionary had of course long had an entry for the word something in the vein of: “someone, especially a child, who behaves badly or annoys you”, but now it has added “characterized by a confident, independent, and hedonistic attitude”.  In popular culture, the use spiked in the wake of the album's released but it may be “brat” in this sense endures if the appeal is maintained, otherwise it will become unfashionable and fade from use, becoming a “stranded word”, trapped in the time of its historic origin.  So, either it enters the vernacular or by 2025 it will be regarded as “so 2024”.  The lexicographers at Collins seem optimistic about its future, saying in the WotY press release that “brat summer has established itself as an aesthetic and a way of life”.

Lindsay Lohan in Jil Sander (b 1943) "brat green" gown, Disney Legends Awards ceremony, Anaheim, Los Angeles, October 2024.  For anyone wanting to describe a yellowish-green color with a word which has the virtues of (1) being hard to pronounce, (2) harder to spell and (3) likely to baffle most of one’s interlocutors, there’s “smaragdine” (pronounced smuh-rag-din), from the Latin smaragdinus, from smaragdus (emerald), from the Ancient Greek σμάραγδινος (smáragdinos), from σμάραγδος (smáragdos).

The “kryptonite green” used for Brat’s album’s packaging seems also to have encouraged the use in fashion of various hues of “lurid green” (the particular shade used by Ms XCX already dubbed “brat green” although some which have appeared on the catwalks seem more of a chartreuse) and an online “brat generator” allowed users replicate the cover with their own choice of words.  The singer was quite helpful in fleshing out the parameters of the aesthetic, emphasizing it didn’t revolve around a goth-like “uniform” and nor was it gender-specific or socially restricted.  In an interview with the BBC, Ms XCX explained the brat thing was a spectrum condition extending from “luxury” to “trashy” and was a thing of attitude rather than accessories: “A pack of cigs, a Bic lighter, and a strappy white top with no bra.  That’s kind of all you need.”  Although gender-neutral, popular use does seem to put the re-purposed “brat” in the tradition of the earlier “bolshie woman” or “tough broad” but with a more overtly feminist flavor, best understood as “the qualities associated with a confident and assertive woman”.  In its semantic change, “brat” has joined some other historically negative words & phrases (“bitch”, “bogan”, the infamous “N-word” et al) which have been “reclaimed” by those at whom the slur was once aimed, a tactic which not only creates or reinforces group identity but also weaponizes what used to be an insult so it can be used to return fire.

Sunday, October 29, 2023

Mugwump

Mugwump (pronounced muhg-wuhmp)

(1) A member or supporter of the Republican Party who declined to support the party's nominee James Blaine (1830–1893) during the 1884 US presidential election, (claiming he was corrupt) lending their support to the Democratic Party's candidate Grover Cleveland (1837–1908).

(2) A person who is unable to make up their mind on an issue, especially in politics (mostly US & Australia).

(3) Someone who remains neutral on a controversial issue; a person who purports to stay aloof from party politics (mostly US & Australia).  In a derogatory sense it’s used to suggest someone is a “fence sitter” or maintains an aloof and often self-important demeanor.

(4) One who switches from supporting one political party to another, especially for personal benefit (also used in this sense in Australia).

(5) Used informally (usually humorously), a (male) leader; an important (male) person (sometimes as “big mugwump”).

(6) A foolish person (a now rare Australian slang term which emerged apparently because it was conflated with “mug”).

1832: An Americanism and an artificial, nineteenth century revival of the Massachusett (English spelling) mugquomp & mummugquomp (war leader), a syncopated form of muggumquomp (war leader), the construct being the (unattested) Proto-Algonquian memekw- (assumed to mean “swift”) + -a·pe·w (man).  The alternative etymology was the Algonquian (Natick) mogki (great) + a·pe·w (thus something like “great chief).  It was folk etymology which re-interpreted the word, the re-purposed meaning referring to a person who sat on the fence, deconstructed as “their mug (face) on one side and wump (rump) on the other”.  This graphical description produced a slew of political cartoons in this vein during the 1884 US presidential election.  The original Americanism emerged in 1832 in the New England region and was a jocular word for “a great man, boss; very important person”.  By 1840 it was in satirical use as “one who thinks himself important” but faded from used before being revived for the 1884 presidential contest, originally as a term of abuse but the independents embraced it and from that it picked up the specific sense “one who holds themselves aloof from party politics."  Mugwump is a noun & verb, mugwumpery & mugwumpism are nouns, mugwumpian, mugwumping & mugwumped are verbs and mugwumpian, mugwumpesque & mugwumpish are adjectives; the noun plural is mugwumps.

Originally, the Mugwumps were those Republican Party members (or supporters) who claimed to be appalled by the corruption they said was associated with James Blaine (1830–1893), declining to support his candidacy in the 1884 US presidential election.  Unlike some of the dissident movements in US politics (the Tea Party, the Know Nothings, the Progressives et al) the Mugwumps never formed any sort of organizational structure or even self-identified as a faction.  They gained the name because they “switched sides”, supporting the Democratic Party’s Grover Cleveland (1837-1908) although in their public statements, some Mugwumps would say they were “still Republicans”, hence the association with “fence-sitting”, the term adapted for the purpose because they were sitting with “their mug (face) on one side and wump (rump) on the other”, a theme cartoonists and caricaturists took to with gusto.

Those who rat on political parties, shifting their allegiance to another risk a lifetime of suffering the enmity of their former colleagues, politics attracting haters like few other professions although Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) who ratted twice reckoned the trick was to do it with style.  Fence sitters seem to attract less opprobrium but there’s often a sense of exasperation; at least with the rats one knows where one stands.  Sir John Simon (1873–1954; First Viscount Simon, cabinet minister on several occasions 1913-1945, Lord Chancellor 1940-1945) picked up the nickname “slippery Sam” for a reason (actually many) and David Lloyd George (1863–1945; UK prime-minister 1916-1922) said of him: ”He has sat on the fence so long the iron has entered into his soul.  That probably wasn’t quite what Boris Johnson (b 1964; UK prime-minister 2019-2022) had in mind when, as Foreign Secretary, he dismissed Jeremy Corbyn (b 1949; leader of the UK Labour Party 2015-2020) as a “mutton-headed old mugwump”, although with Mr Johnson, one can never quite be sure.

MAGAwump's high priest, Mitt Romney, mugwumping (David Horsey in the Seattle Times, September 18 2023).  Note the carpetbag.

The Mugwumps have been compared with the “Anyone but Trump” movement which was an attempt by what used to be called “mainstream Republicans” to block Donald Trump’s (b 1946; US president 2017-2021) path to the party’s nomination (and from there the White House).  The movement formed but failed though it’s not far-fetched to imagine if might have gained for traction if it had used a catchy name like MAGAwumps and interestingly, in the “Guilded Age” era of the Mugwumps, their critique of the state their nation sounds little dissimilar to those heard over the last three decades.  Charles Eliot Norton (1827–1908; Harvard professor of art) in 1895 contemplated things and confessed “the greatest apprehension… about a miserable end for this century”, the United States afflicted by the “worst spirit in our democracy, … a barbaric spirit of arrogance an unreasonable self assertion.  I fear that American is beginning a long course of errors and wrong and is likely to become more and more a power for disturbance and barbarism.  Other agreed, the anyway gloomy historian Henry Adams (1838–1918) at the same time reviewing the closing century concluded it was “rotten and bankrupt”, sunk in “vulgarity commonness, imbecility and moral atrophy”.  It all sounds so modern.

One noted for her mugwumpery is Lindsay Lohan.  In 2008 she made clear her support for Barack Obama (b 1961; US president 2009-2017) yet by 2012 was tweeting she was inclined to vote for Mitt Romney (b 1947; governor of Massachusetts 2003-2007, junior US senator (Republican-Utah) since 2019) on the basis that “employment is really important right now”.  That feeling apparently didn’t last and she reaffirmed her support for Obama, latching onto #ProudOfObama although she did once refer to him as the country's “first colored president”, a black mark against anyone who hasn’t updated their list of politically correct descriptors.  Later, her mugwumpian tendencies continued.  In 2017 she tweeted of Donald Trump: “THIS IS our president. Stop #bullying him & start trusting him” later praising the entire Trump family, calling them “kind people” although during the 2016 election she had endorsed crooked Hillary Clinton (b 1947; US secretary of state 2009-2013), tweeting “I couldn’t understand you more”.  However, like Mr Johnson, while one can always read what Lindsay Lohan has written, what she means can be elusive.  It’s thought she endorsed crooked Hillary but “I couldn’t understand you more” is certainly cryptic.

Thursday, October 12, 2023

Guinea

Guinea (pronounced guin-ee)

(1) In geography, a coastal region in western Africa, extending from the Gambia River to the Gabon estuary.

(2) As Republic of Guinea (since 1958), an independent state in western Africa, on the Atlantic coast, formerly French Guinea, a part of the French colonial empire.

(3) In geography, as the Gulf of Guinea, a part of the Atlantic Ocean that projects into the western coast of Africa and extends from Côte d'Ivoire (the Ivory Coast) to The Gabonese Republic (the Gabon).

(4) A gold coin of Great Britain issued from 1663 to 1816, with a nominal value of 20 shillings until 1717 when, until the adoption of decimal currency in 1971, it was standardised at a value of twenty-one shillings.

(5) In horse racing, a person who does miscellaneous work in or around a horse stable (initial lower case).

(6) In historic admiralty use, as guinea-men, a trading ship of the seventeenth century used in the Atlantic trade.

1663: The coin was in use between 1663-1816, the name derived from it being the colony of Guinea which provided most of the gold used in its production.  Descendants include the Irish gine, the Scottish Gaelic gini, the Spanish guinea and the Welsh gini.  It’s also the basis for the Arabic word for the Egyptian pound الجنيه el-Genēh / el-Geni, calculated as 100 qirsh (one pound) and, circa 1900, worth approximately 21 shillings.  The guinea was, predictably, part of the British class system.  It was thought more gentlemanly than the pound so the artist would pay for his paint and canvas in pounds but charge for his portraits in guineas.  One quirk of the valuation was that a third of a guinea equaled exactly seven shillings, thirds and things in sevens highly unusual in currencies until the planet’s only $7 banknote was issued by the Central Bank of Fiji to commemorate the gold medal the rugby sevens team won at the 2016 Olympic Games in Rio de Janeiro.  There was no currency symbol for the guinea, 1 guinea written either a “1g” or “1gn”.

The name of the colony Guinea (since 1958 the Republic of Guinea) came from the Portuguese word Guiné, a fifteenth century formation created to describe the geographical area inhabited by the Guineus, a generic term for the black African peoples south of the Senegal River (and thus distinguished from the "tawny" Zenaga Berbers to the north whom the Portuguese called Azenegues or Moors).  Some sources also cite a connection to the (north African) Tuareg word aginaw (black people).  New Guinea was named in 1546 by the Spanish explorer Inigo Ortiz de Retes in reference to the natives' dark skin and tightly curled hair and the Guinea hen is a domestic fowl first imported from there in the 1570s.

Linguistically, the guinea pig must have seemed as strange to geographers and biologists as the Holy Roman Empire appeared to Voltaire (François-Marie Arouet; 1694–1778) for it does not come from Guinea and is unrelated to any pig.  A rodent native to South America, beginning in the 1660s, it was brought back to Britain aboard Guinea-men, ships that plied the triangle trade routes between England, Guinea, and South America.  That’s the standard view of the origin of the name but there are alternative etymologies, one suggesting a link to its resemblance to the young of the Guinea-hog "river pig" and another from possibly illiterate sailors confusing Guinea with the South American region of Guyana.  All agree however that it came to be dubbed a pig because of the similarity of its grunting sounds to its unrelated porcine namesake.  The use "one subjected to an experiment" dates from 1920, the adoption (al la lab rat) because they were a favorite animal for animal experimentation in science and industry.

A one guinea coin (1663, Charles II (1630–1685; King of Scotland 1649-1651, King of Scotland, England and Ireland 1660-1685)).

The guinea was a coin of approximately one quarter ounce of gold, issued in Great Britain between 1663 and 1816.  It was the first English machine-struck gold coin and was originally worth one pound sterling (twenty shillings) but rises in the price of gold relative to silver caused the value of the guinea to increase and reach as much as thirty shillings and between 1717-1816, its value was officially fixed at twenty-one shillings and when the gold standard was adopted, guinea became a colloquial or specialised term although it continued as a measure of exchange.  In the great recoinage of 1816, the guinea was replaced as the major unit of currency by the pound and in coinage with a sovereign.

A one guinea promissory note issued 2 May 1796.

Even after the coin ceased to circulate, the name guinea was long used to indicate the amount of one pound and one shilling.  The guinea had an aristocratic overtone; professional fees and payment for land, horses, art, bespoke tailoring, furniture and other luxury items are still sometimes quoted in guineas even after decimalisation in 1971, the practice continued also in Australia and New Zealand even after they decimalized in 1966 & 1967 respectively although transactional use soon died in the antipodes.  In England and Wales, it’s still quoted in the pricing and sale of livestock at auction and racehorses, where the purchaser will pay in guineas but the seller will receive payment in an equal number of sterling. The difference (5p in each guinea (£1.05=105p)) is traditionally the auctioneer's commission (which thus is the usual 5% buyer's fee typically levied at auctions).  Many major horse races in Great Britain, Ireland, Canada, New Zealand and Australia bear names such as The Thousand Guineas although though the purse will be much higher and may even be in a a foreign currency.

It's apparently an urban myth that raffish Jaguars were advertised in pounds while prices for the similar but somehow more respectable Daimlers were listed in guineas.  Historical records do suggest there were dealers who advertised prices in guineas but it was rare and they seem to have done it for everything they sold.  The factory listed both only in £Stg.

Raffish 1963 Jaguar Mk 2 3.8.  (Stg£1561 including purchase tax).

The addition of the lively 220 bhp 3.8 litre XK engine to the Mark 2 on what was a dated chassis meant that on the road it could sometimes be a little too entertaining but in early 1960s saloon car racing it was dominant for years until rendered uncompetitive by the new generation of “total performance” fast Fords, the 427 Galaxie, the Lotus Cortina and later the Mustang.

Respectable 1963 Daimler V8 2.5.  (Stg£1568 including purchase tax).

One of the classic engines of the era, the jewel-like, 2½ litre hemi-head V8 lent an air of refinement and exclusivity to the small Jaguar.  Remarkably, the performance almost matched the Jaguar 3.4 and it’s remembered too for the quality of the exhaust note, a burble which for over sixty years, few have matched.

Connecticut Humane Society employee Rachel McCabe in 2012 introducing guinea pigs Britney Spears & Lindsay Lohan who were in need of a good home but couldn't be separated.

The point about them not being separated was serious, Switzerland even having passed a law that people are not permitted to own a single guinea pig (or parrot), the rationale being they're a social species and it's thought a form of animal abuse if they're not able regularly to interact with others of their species.  Curious and inquisitive by nature, guinea pigs are timid explorers who become very attached to both their partners & owners and Swiss law further provides that if one dies, the survivor must be provided with a new friend.  That can be as much a challenge as it is for humans to find a mate which is why Swiss animal lover Priska Küng runs a matchmaking service for guinea pigs who find themselves alone.  The service is said to be “in high demand”.

Friday, September 15, 2023

Plague

Plague (pronounced pleyg)

(1) An infectious, epidemic disease caused by a bacterium, Yersinia pestis (trans transmitted to man by the bite of the rat flea (Xenopsylla cheopis)) characterized by fever, chills, and prostration.

(2) In casual use, any epidemic disease that causes high mortality; pestilence.

(3) Any widespread affliction, calamity, or evil, especially one regarded as divine retribution.

(4) Any cause of trouble, annoyance, or vexation; torment; to pester.

(5) As in “… a plague upon…”, to curse another, wishing any evil upon them.  The variation “a plague upon both your houses” suggests an unwillingness to take sides, an implication one thinks both parties are in the wrong. 

1350-1400: From the Middle English plage, a borrowing from the Old French plage, from the Latin plāga (blow, wound, (and pestilence in Late Latin), from plangō or plangere (to strike), the ultimate root being the Ancient Greek plēgē (a stroke).  It was cognate with the Middle Dutch plāghe (from the Dutch plaag) & plāghen (from the Dutch plagen), the Middle Low German plāge, the Middle High German plāge & pflāge (from the German plage) & plāgen (from the German plagen), the Swedish plåga, the French plaie and the Occitan plaga.  Plague exists as verb and noun, plaguer being the other noun, plaguing & plagued the verbs.  Other derived forms exist but are rarely seen except in historic or technical writing: plagioclase, plagioclimax, plagiohedral, plagiotropic and plagiotropism, plaguesome & plaguy.  For the actual disease there’s no actual synonym but many words tend to be used interchangeably in any context: invasion, scourge, contagion, pandemic, epidemic, curse, infection, outbreak, influenza, infestation, blight, calamity, pest, cancer, bedevil, afflict, beleaguer, bother, haunt, torment.

The famous phrase "A plague of both your houses" is from William Shakespeare's  (1564–1616) Romeo and Juliet (1597) .  When Mercutio says a "plague o' both your houses", he is damning both the Montagues and Capulets, asking fate to visit upon the families some awful fate because he blames both for his imminent death.  In modern use, it's used to suggest an unwillingness to take sides, the implication being one thinks both parties are in the wrong:

Mercutio. Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!

Romeo and Juliet, Act III, Scene 1

Plagues and the Plague

Masked-up: Lindsay Lohan avoiding plague.

Plague is an infectious disease caused by the bacterium Yersinia pestis and exists in three strains: Bubonic plague, Septicemic plague & Pneumonic plague, the former two usually contracted by the handling of an infected animal or the bite of a flea, the last by contact between people via infectious droplets in the air.  Typically, several hundred cases are reported annually, mostly in India, the Congo, Madagascar & Peru and cases have been reported in the US but historically, outbreaks were large-scale events lasting months or years, the best known of which include the fourteenth century Black Death, estimated to have killed some fifty-million and the Great Plague of London which, in 1665-1666, caused the death of one in five of the city's population.  COVID-19 was thus a plague but not the plague.  A common noun, plague is written with an initial capital only at the beginning of a sentence, or (as in the Great Plague of London) when it has become a thing.  Notable epidemics have included:

The Black Death (1346-1353)

Death Toll: 75 – 200 million; Cause: Bubonic Plague

The Plague ravaged Europe, Africa, and Asia, with a death toll of 75-200 million, killing up to half the population of some European countries.  Thought to have originated in Asia, Plague was most likely spread by fleas living on the rats of merchant ships and in some countries, populations didn’t recover until the nineteenth century.  Now unknown in most parts of the world, outbreaks still happen in various places.

Plague of Justianian (541-542)

Death Toll: 25 million; Cause: Bubonic Plague

Thought to have killed perhaps half the population of Europe, the Plague of Justinian afflicted the Byzantine Empire and Mediterranean port cities.  The first verified and well-documented incident of the Bubonic Plague, it reduced the population of the Eastern Mediterranean by a quarter and devastated Constantinople, where, at the height of the pandemic, 5,000 a day were dying.

Antonine Plague (165 AD)

Death Toll: 5 million; Cause: Unknown

Also known as the Plague of Galen, the Antonine Plague affected Asia Minor (the modern Republic of Türkiye), Egypt, Greece, and Italy and is thought to have been either Smallpox or Measles, though the true cause is unknown. The disease was brought to Rome by soldiers returning from Mesopotamia.  The pandemic significantly weakened the Roman army.

London and the plagues of Plague

A London Bill of Mortality, 1665.

During the sixteenth & seventeenth centuries when "bubonic plague was abroad", the authorities compiled "Bills of Mortality" listing the causes of death recorded that week.  It's now believed the statistics are not wholly reliable (Plague numbers, like the global toll from Covid-19, believed greatly to have been understated) but the startling ratio of deaths attributed to Plague compared with other causes is indicative of the deadly nature of the epidemic.  In one week 3880 residents of London were reported as having succumbed to Plague, dwarfing the number recorded as dying by other causes including Old Age (54), Consumption (Tuberculous) (174), Small Pox (10), Fright (1), Grief (1), Spotted Fever and the Purples (190), Griping in the Guts (74), Lethargy (1), Rifing of the Lights (19) and Wind (1).  Like the Covid-19 statistics, there was likely some overlap in the numbers but the disparity remains striking.

After the Black Death, London's major plague epidemics occurred in 1563, 1593, 1625 and 1665 and although the last is best-known (associated as it was with the Great Fire of 1666), it's believed it was during the 1563 event the city suffered the greatest proportional mortality with between a quarter and a third of the populating dying; losses have been estimated to be as high as 18,000 and in some weeks the toll exceeded 1000.  From there, the disease spread around the nation the following year, the fleas which were the primary vector of transmission having hibernated through what was a comparatively mild winter.  Echoing the political and military effects of epidemics noted since Antiquity, it was at this time England was compelled to give up their last French possession, Le Havre, which was being held as a hostage for Calais.  Plague broke out in the occupying garrison and few troops escaped infection so the town had to be surrendered.

There were small, manageable outbreaks in 1603 & 1610-1611 but the epidemic of 1625 was severe and associated with a notable internal migration as those with the means to leave London did not, the reduction in the number of magistrates & doctors noted as inducing the predicable social consequences although as time passed, it was clear the disease was becoming less virulent and the mortality rate had fallen, something now attributed at least partially to the so-called "harvesting effect".  After 1666, the Plague didn't vanish and there were periodic outbreaks but the lessons had been well-learned and the efficiency of communications and the still embryonic public-health infrastructure operated well, even if little progress had been made in actual medical techniques.  The Hull (an East Yorkshire port city) Plague of 1699 was contained with little spread and when an outbreak of fever was reported in Marseilles in 1720, stricter quarantine measures  were imposed in English ports which successfully prevented any great spread.  Throughout the eighteenth & nineteenth centuries (as late as 1896-1897) there were occasional isolated cases and small outbreaks of plague in various parts of England but none ever remotely approached the scale of the 1665-1666 epidemic.

Werner Herzog's Nosferatu (1979) 

Werner Herzog's (b 1942) 1979 remake of Friedrich Wilhelm Murnau's (1888–1931) masterpiece of Weimar expressionism (Nosferatu (1922)) takes place mostly in a small German city afflicted suddenly by Plague, Herzog rendering something chilling and darkly austere, despite the stylistic flourishes.  The 1979 film delivered the definitive screen Dracula and was a piece to enjoy when living in the social isolation of the Covid era.

Scene from Werner Herzog's Nosferatu (1979)