Ficelle

Ficelle (pronounced fis-elle or fis-elle-ah (French))

(1) A variant of baguette (a type of French bread), similar in composition and appearance except much thinner.

(2) String or twine (in French), used literally & figuratively.

(3) In literary theory, a confidant (a confidante if a female), whose role within the text is to elicit information, conveyed to the reader without narratorial intervention

1880s: From the French ficelle (string; twine), from the Old French ficel, & ficelle (small cord; thread), probably from the Vulgar Latin filicella, from fibrilla, a diminutive form of fibra (fiber; filament) from fīlum (thread).  The French phrase ficelles du metier (tricks of the trade) appears of the in the form apprendre les ficelles du metier which translates best as “to learn the ropes”.  The French verb ficeler translates as “to tie up, to truss”.  In French, as well as the literal meanings (of string and certain breads), ficelle also has figurative uses.  It can be used to refer to a subtle trick or stratagem but it’s most popular as an allusion to “string pulling”, suggesting “behind the scenes” manipulation or “back channel” deals.  In English, it evolved to enjoy two niches: (1) in literary theory and (2) in culinary and artisanal bakery use.  Ficelle is a noun & verb; the noun plural is ficelles.

In literary theory, a ficelle is the confidant character whose role within the text is to elicit information, conveyed to the reader without narratorial intervention.  The term was introduced by the author Henry James (1843–1916) who used the word in the sense it appeared in French théâtre de marionnettes (marionette theatre) to refer to the strings with which the puppeteer manipulated their puppets.  What James wanted was a word to inhabit the literary grey area between the confidant and the narrator, his idea being the character in a novel who is presented as the friend of another but whose purpose as a literary device was to be the “friend of the reader”, imparting vital information without the disruptive intervention of a narrator.

Cady Heron (Lindsay Lohan (b 1986)) & Karen Smith (Amanda Seyfried (b 1985)) in Mean Girls (2004),  Cady Heron was an unusual ficelle in that as the protagonist, she was also a confidante and narrator.

The society masseuse Mrs Heaney in the tragi-comedy of manners The Custom of the Country (1913) by US novelist & interior decorator Edith Wharton (1862–1937) was a ficelle.  Acting as a kind of mentor and even a surrogate mother to Ms Spragg, she uses her keen (but remote) observation of New York’s high society to live a kind of vicarious existence in those circles through the young protagonist, but Wharton’s literary purpose was to use her to flesh out the text with facts helpful to the reader’s understanding.  The classic ficelle however was James's own Maisie Farange in What Maisie Knew (1897) the naive but preternaturally wise child in whom the warring parents, step-parents and lovers casually confide, and through whose eyes the story is told.  There can be overlap in the literary roles of confidant, narrator and ficelle (Lindsay Lohan’s Cady Heron in Mean Girls (2004) has elements of all three) but according to literary theory (1) a ficelle usually is a confidant but must not be a narrator, (2) a confidant can be a narrator if not a ficelle.  In the literary tradition Cady Heron was an untypical protagonist in that most confidants have only a marginal role in the plot, their main function to listen to the intimate feelings and intentions of the protagonist; someone like Horatio in William Shakespeare’s (1564–1616) Hamlet (circa 1600) or the Sir Arthur Conan Doyle’s (1859–1930) Dr Watson who was the “sounding board” for Sherlock Holmes.

They heard, and were abash'd, and up they sprung (Book 1, line 331).  Illustration by French printmaker & illustrator Gustave Doré (1832–1883) from an 1866 edition of John Milton's (1608-1674) Paradise Lost (1667) edited by US journalist & historian Henry Walsh (1863–1927).

The narrator has a longer tradition and was one of the features of Greek theatre and both Plato (circa 427-348 BC) and Aristotle (384-322 BC) defined three types: (1) the speaker or poet (or any kind of writer) who uses his own voice, (2) one who assumes the voice of another person or persons, speaking in a voice not his own and (3) one who uses a mixture of his own voice and that of others.  In both drama and fiction there are countless examples of each technique but authors could combine the modes, all three appearing in John Milton’s Paradise Lost: Milton begins in his own voice in the first person to invoke the “Heavenly Muse” but later the impression is created that the Muse (ie the Holy Ghost or Holy Spirit) responds to Milton's formal invocation, thus beginning the main narrative.  When first Satan speaks, the third voice is introduced and it’s not until Book III Milton returns to his “own voice” although of course, as the author, all is Milton’s own.  TS Eliot (1888–1965) in his essay The Three Voices of Poetry (1954) interpreted the notion as it could be mapped onto modern verse: “The first voice is the voice of the poet talking to himself - or to nobody.  The second is the voice of the poet addressing an audience, whether large or small.  The third is the voice of the poet when he attempts to create a dramatic character speaking in verse when he is saying not what he would say in his own person, but only what he can say within the limits of one imaginary character addressing another imaginary character.”

La baguette et la ficelle. A ficelle (bottom) is more slender than a baguette (top) although in many parts of the English-speaking world the term "French stick" is used generically.  Some of what's sold as "French sticks" must appal French bakers.

Charles de Gaulle (1890-1970; President of France 1959-1969) in 1962 famously observed of his nation: “How can you govern a country which has two hundred and forty-six varieties of cheese?” and he’d probably be amused to learn that by 2024 some 1,600 distinct types had been identified.  There aren’t quite than many types of baguette but there are still a few including the “artisan baguette”, “moulded baguette”, “floured baguette”, “chocolate baguette”, “multicereal baguette”, “whole wheat baguette, “baguette a l’ancienne” (old-fashioned), “Viennoise baguette”, “Sourdough baguette”, “Baguette de Seigle”, “Baguette en épis” (corn baguette) and the “ficelle”.  The difference between the classic baguette of the popular imagination is essentially the size and shape.  A typical baguette is 610-710 mm (24-26 inches) in length with a slender, elongated shape, the crust crispy crust and the centre airy.  The ficelle is both narrower and shorter (usually around 300-400 mm (12-16 inches) long and renowned for its chewier texture and slightly thinner crust, characteristics which make it less versatile than a baguette but they are popular for making gourmet rolls or as an alternative to crackers when serving dips or spreads.  Something like the ficelle may genuinely have been the original form of the modern baguette but the name was adopted only late in the nineteenth century to distinguish them from the larger creations which had become popular; it was an allusion to a “piece of string”, the diminutive ficelle long and narrow by comparison with what had become the “standard” baguette.

Beware of imitations: The baguette de tradition française.

The origin of the baguette (as it's now understood) is truly a mystery and there are so many tales that it's recommended people choose to believe which ever most appeals to the.  In France, a true baguette (Baguette artisanale) is made from ingredients and with a method defined in law while the famous shape is a convention.  Typically, baguettes have a diameter between 50-75 mm (2-3 inches) and are some 610-710 mm (24-26 inches) in length although the 1 m (39 inch) baguette is not unusual, popular especially with the catering trade.  It’s a little misleading to suggest the baguette was invented because for centuries loaves in the shape existed in many places around the world and recipes for the mixing of dough were constantly subject to changes imposed by the success of harvests, economics, supply-chain disruptions and simple experimentation.  The baguette instead evolved and its popularity was a thing of natural selection; it survived because people preferred the taste, texture and convenience of form while other breads faded from use.  It seems clear that the long, stick-like direct ancestors of the baguette began to assume their recognizably modern form in French towns and cities in the eighteenth century although doubtless there was much variation between regions and probably even between bakers in the same place.  The daily bread being the classic market economy, bakers would be influenced by losing sales to a more popular shop and so would adjust their mixes or techniques to attract customers back.  In this way a standardized form would have emerged and, in the French way, by 1920 the assembly had passed a law codifying the critical parameters (weight, size and price), formalizing the popular name baguette.  In 2003, the jocular slang "freedom bread" emerged to describe the baguette, an allusion to the "Freedom Fries" which replaced "French Fries" in US government staff canteens while there was tension between the White House and the Élysée Palace over France's attitude to the proposed invasion of Iraq.   

Lindsay Lohan in promotion for @lilybakerjewels, 2020.  The Rainbow Baguette Ring (centre) using stones cut in a true “baguette” rectangle whereas the Rainbow Bracelet used squares.

Globalization and modern techniques of mass production however intruded on many aspects of French lives and bakeries weren’t immune from the challenge of the cheap “baguette” sold by supermarkets.  Even among the boulangerie (a French bakery in which the bread must, by law, be baked on-premises) there were some who resorted to less demanding methods of production to compete.  As a matter of cultural protection, the assembly in 1993 enacted Le Décret Pain (The Bread Decree) which stipulates that to be described as pain maison (homemade bread), a bread needs to be wholly kneaded, shaped, and baked at the place of sale.  To limit the scope of the supermarkets (some of which were importing frozen, pre-prepared dough), rules also defined what pain traditionnel français (traditional French bread) may be made from and banning any pre-made components from baguettes.  Also retained was the relevant provision of the 1920 labor legislation which prohibits the employment of people in bread and pastry making between ten in the evening and four in the morning.  So, when visiting a boulangerie, it’s recommended to ask for a baguette de tradition française (usually as baguette de tradition) which is made from wheat flour, water, yeast, and common salt (reflecting modern practice, one may contain up to 0.5% soya flour, up to 2% broad bean flour and up to 0.3% wheat malt flour) and the dough must rest between 15-20 hours at a temperature between 4-6^o C (43-46^o F).  The less exalted baguettes ordinaires, are made with baker's yeast and a less exacting specification.

The French Ministère de la Culture’s (Ministry of Culture) L'inventaire national du Patrimoine culturel immatériel (National Inventory of Intangible Cultural Heritage) in 2018 added the baguette to its index and in 2022, the artisanal know-how and culture of the baguette was added to UNESCO’s (the United Nations Educational, Scientific and Cultural Organization) list of Intangible Cultural Heritage.  Already preserving the information about some 600 traditions from more than 130 countries, UNESCO noted the addition by saying it celebrated the French way of life, something of which the baguette, as a central part of the French diet for at least 100 years, was emblematic.  With some 16 million consumed in France every day, the “…the baguette is a daily ritual, a structuring element of the meal, synonymous with sharing and conviviality", a statement from UNESCO read, concluding it was “…important that these skills and social habits continue to exist in the future."

Zigzag

Zigzag (pronounced zig-zag)

(1) A line, course, or progression characterized by sharp turns first to one side and then to the other.

(2) One of a series of such turns, as in a line or path (typically in a repeating “Z-like” pattern.

(3) Proceeding or formed in a zigzag:

(4) In sewing, dressmaking etc, a pattern or stitches in this shape.

(5) In military use (land, sea & air), to move or manoeuvre in a zigzaging motion, usually as a form of evasion.

(6) In figurative use, something performed in a non-lineal way, characterized by frequent changes, often in response to external influences such as criticism.

(7) As “zigzag rule”, a rule composed of light strips of wood joined by rivets so as to be foldable, all the opening and closing parts being in parallel planes.

(8) In World War I (1914-1918) US military slang, a slang term for “someone drunk”.

1712: From the mid-seventeenth century French zigzag which replaced the earlier ziczac, from the German zickzack, from the Walloon ziczac, a gradational compound based on Zacke (tack) (familiar in English use as the “zigzagging technique” used in yachting).  It’s thought the coining of the original may have been influenced by the letter “Z” which appears twice, a “Z” able to be interpreted as a representation of a “zigzag movement”.  Less supported among etymologists is the alternative theory the German Zickzack was from Zacke (point; tooth; prong; jagged projection).  The earliest known use in German was to describe military siege approaches, a use adopted (by analogy) by early English landscape architects (then known as “gardeners”) to the layout of appropriately shaped paths in parks.  It was used as an adjective from the mid eighteenth century, the first appearing in 1774.  The brand of cigarette paper (a favorite of many stoners because the glue was said to make joints “easier to roll”) was first sold in 1909.  The adjectival use is common in fabric design and dressmaking, the zigzag pattern widely used.  In sewing, a zigzag stitch is one of the standard set in sewing machines, used usually to finish edges, the attachment to create such stitches known as a zigzagger.  The hyphenated spelling zig-zag is common.  Zigzag is a noun, verb adjective & adverb; zigzaggedness & zigzagger are nouns and zigzagged & zigzagging are verbs; the noun plural is zigzags.

ZIG is used as an acronym for a number of purposes including (1) zoster immune globulin (a globulin fraction of pooled plasma from patients who have recovered from herpes zoster and used prophylactically for immuno-suppressed children exposed to varicella and therapeutically to ameliorate varicella infection), (2) a general-purpose imperative, statically typed, compiled programming language intended as a modern successor to the C language and is (3) the abbreviation of Zimbabwe Gold, the official national currency of Zimbabwe since April 2024; it began in October 2023 as a gold-backed digital token in October 2023.  ZAG is the International Air Transport Association’s (IATA) code for Zagreb International Airport, Croatia and to describe Zymosan-Activated Granulocytes (a type of white blood cell (granulocytes) that have been stimulated by exposure to zymosan, a polysaccharide derived from the cell walls of yeast species like Saccharomyces cerevisiae).

Lindsay Lohan with Kim Kardashian (b 1980) with strategically placed “gash” in dress.

The feature may be described as either a “zig” or “zag” because the terms are interchangeable.  However, were there to be two connected gashes which assume opposite directions: that would be a “zigzag”.  While the nature of the formation of the words “zig” & “zag” is not unique, it is unusual in that, dating from the late eighteenth century, both were extractions: back-formation from “zigzag”.  A notable quirk of zig & zag is that interchangeably they can be used to mean the same thing yet when used in the same sentence, they mean “to move in opposite directions”.  In separate use, it thus matters not whether one says “she zigged around” or “she zagged around”; the meaning is the same.  Used together however, the rule is strict: she will always be described as “zigzagging” and never “zagzigging”.  Zigzag is often intended to be humorous and when applied to politicians it’s a way of saying they are “being evasive” or “flip-flopping”.

Lindsay Lohan wearing a Tolani zig zag scarf (given it was winter, the piece should probably be described as a “muffler”) in the style made famous by the Italian fashion house Missoni, New York, November 2007.

Founded in 1953 by Ottavio (1921-2013) and Rosita (b 1931) Missoni, the house became well-known during the 1960s for their vibrant and colorful knitwear, the signature motif of which was a distinctive zigzag pattern.  The technology which made the garments possible was not new, the Missoni’s “re-discovering” the long discarded “Rachel” machines traditionally used to create the shawls worn in the south of Italy, devices which permitted an almost infinite variation of lines and styles within a given design; such things were of course possible using other machinery but the versatile Rachels allowed changes to be integrated into the production line process, making possible economies of scale not available to other manufacturers; all that was required was a quick juggling of the assembly’s array of multi-colored points and what would emerge was fabric with horizontal and vertical lines in a rainbow of colors.  Ottavio Missoni did acknowledge the stylistic debt owed, once saying: “For a thousand years, the Incas have been copying my knit sweaters…”

A swatch of Missoni's signature zigzag.

The event which made Missoni famous was at the time thought scandalous although, given what these days is worn on catwalks and red carpets, it seems quaint indeed.  After their first, well-received, catwalk show in 1966, Missoni was invited to the event held in Florence’s Pitti Palace in April 1967 and it was only during last-minute rehearsals Rosita Missoni became aware the shape and color of the models’ bras were clearly visible, distracting attention from the unique zigzagging patterns which were the brand’s signature.  With no time to arrange a fix like skin-toned bodysuits, her solution was for the models to remove their bras; that solved the problem but replaced one distraction with another, the assembled pack of photographers most impressed because, under venue’s unusually bright lights, the pieces became transparent.  Since dubbed “The Battle of the Bras”, at the time not all thought the look “appropriate” but it generated much publicity and was one of the reasons Milan would in the late 1960s emerge as one of the world’s fashion capitals, the photographers following the Missonis back to Milan.  The couple weren’t invited to the next year’s Pitti Palace show but Vogue, Marie Claire, Elle, and Harper's Bazaar all provided generous coverage and the Rubicon had been crossed, Yves Saint-Laurent (1936–2008) in 1968 displaying the “see-through” look.  Since then, it’s never gone away.

PLA Shenyang J-8II (left) and USN Lockheed EP-3E ARIES II (right)

The phrase “he zigged when he should have zagged” came into common use in the mid-twentieth century and is believed to have been popularized by radio sports commentators who needed something “graphical” to paint a “word picture” of why a football player had been tackled.  The origin is thought to be sardonic military humor and a euphemism for “he was killed while attempting an evasive maneuver”.  An example of “he zigged when he should have zagged” was the fate of the unfortunate Lieutenant Commander (shao xiao) Wang Wei (1969-2001) of the People's Liberation Army (PLA) Navy of the PRC (People’s Republic of China), killed when his Shenyang J-8II interceptor (a Chinese knock-off of the old Soviet-era MiG 21) collided with a US Navy Lockheed EP-3E ARIES II signals reconnaissance aircraft (a development of the old P-3 Orion).  The affair became known as the “Hainan Island Incident” because the damaged EP-3 was forced to land on the Chinese territory of Hainan Island, the ensuring diplomatic spat played out over the next ten days, resolved by the US ambassador to Beijing handing to the PRC’s foreign minister the “Letter of the two sorries”; US surveillance flights have continued and the PLA is now more cautious in its shadowing.  US pilots noted the dark linguistic coincidence of the name “Wang Wei” being pronounced “wong way”.

Jewish Museum Berlin (2001), overhead view (left), exterior (centre) and interior (right).

Designed by US architect Daniel Libeskind (b 1946) and opened in 2001, Berlin’s Jewish Museum is noted for the “zigzag” theme reflected in its floor plan, exterior surfaces and interior detailing.  The “gashes”, a recurring motif, are integral to the design and described as “voids”, deep, empty spaces which “cut their way” through the building, serving as symbols representing the absence, loss, and emptiness left by the Holocaust.  The architect’s idea was to evoke a sense of disorientation & fragmentation, recalling the often disrupted history of the Jewish people in Germany (the Holocaust only the most severe of the pogroms suffered).  According to the museum, the voids are intended to summon in visitors periods of reflection, silence, and remembrance; a recall of what irrevocably has been lost.  In terms of design & effect, one of the most celebrated voids is the "Memory Void" in which houses the installation Shalekhet (Fallen Leaves) by Israeli painter & sculptor Menashe Kadishman (1932–2015), constructed with thousands of metallic faces spread across the floor.  On these, visitors walk, producing a haunting sound many report as “intensifying the emotional experience”.  Voids are not unusual in museums, galleries and other exhibition spaces but unlike some, those in the Jewish Museum contain no exhibits, reminding visitor of the void in Jewish culture rent by the Holocaust.

Dongle

Dongle (pronounced dong-guhl)

(1) Historically, a hardware device attached to a computer without which a particular software program will not run; used to prevent unauthorized use.

(2) Latterly, a device (almost always plugged into a USB port) to enable connectivity with other devices, peripherals or networks.

(3) In (very) casual use, any small USB device. 

1980: First recorded in 1980, shortly after the debut of the original IBM PC-1 and although often cited as arbitrary coinage, is possibly derived from dangle, given the first dongles dangled from a short cable.  Unfortunately, the advertisement in a computer magazine in the early 1990s which claimed the dongle was invented by an engineer named Don Gall was just an attempt to make nerds laugh and maybe create an urban legend.  Donglegate was a 2013 incident at an IT conference when a double entendre on the word "dongle" led to a complaint.  Dongle is a noun; the noun plural is dongles.  Because of the nature of the devices and the use to which they're put, it's surprising it seems not to be used as a verb; nor have dongling & dongled emerged. 

Parallel-port dongle.

Historically, a dongle was a small (about the size of a box of matches) pass-through device, a piece of hardware which connected to a PC’s 25-pin parallel (then used most often for a printer) port.  It provided usually a form of copy protection and license enforcement in that the software with which it was supplied wouldn’t run unless dongle was plugged-in.  Most PCs had only one printer port (although from the original IBM PC-1 (1981), there was always support for three physical parallel ports and in the early days of the industry it wasn't unknown to see three Epson 9-pin impact (dot-matrix) clattering away, hanging off the one PC) but it was in some cases possible to daisy-chain multiple dongles on the one port and still connect the actual printer (as the last device in the chain).  The parallel dongles were famously robust and reliable but less successful were the early implementations of dongles as USB devices; the problems were not solved until the early 2000s.

Raspberry Pi Nano WiFi dongle.

Dongle has also come to mean just about anything small which connects to a USB port and does something.  Although the definitions were never codified, the convention of use with USB devices seems to be that a dongle is something which in some way is an enabling device for something else (such as connecting to a WAN, LAN, Wi-Fi or a streaming feed) whereas “stick”, “pen-drive” or “key” is used for something self-contained such as a flash drive.

Personalized dongles.

The most familiar “dongles are still the USB flash drives, used for data storage and file transfer, the later a large-scale version of the original “sneaker-net” which described a kind of low-tech “networking” of devices, accomplished by a programmer (wearing sneakers of course), floppy diskettes in hand, waling between machines to copy and write files.  Memories fade but it’s not forgotten just how transformative was the arrival of the USB flash drive.  Although there had been advances in removable storage which meant at least some users were no longer subject to the tyranny of the 1.44 MB floppy diskette, the proprietary devices were expensive and thus relatively rare.  Additionally, the removable media depended on compatible devices existing at each end, something not always possible conveniently to arrange.  On the PCS, the ubiquitous 3½ floppy diskette had shrunk from it 5¼-inch origins but grown from a capacity 180 KB to 1.44 MB and some versions in the 1990s supported 1.8 MB & 2.88 MB but take-up was slow, the BIOS (Basic Input-Output System) support needed by the latter attracting little support from manufacturers.  Thus the enthusiasm which greeted the early 16 MB USB flash drives early in the century too grew to the point that in 2024 2 TB sticks are available and 4 TB prototypes have been demonstrated.  That process also attracted the interest of economists who noted that even by the standards of IT hardware, the unit cost reductions have been dramatic: the early 1 GB sticks were advertised at US$300 yet by 2024 1 TB (1024 or 1000 GB depending on manufacturer) were advertised at under US$150.  Curiously (and unusually for the industry), just who “invented” the USB flash drive remains contested.

Rainbow Technologies' "Don Gale" dongle advertisement (1992).  While there was no actual Mr Gale, the story related is exactly the reason the software protection hardware was created.

Skeuomorph

Skeuomorph (pronounced skyoo-uh-mawrf)

(1) An ornament or design on an object that mimics the form of the object when made from another material or by other techniques, usually one that reflects a previously functional element.

(2) In digital technology. a design or design element, as an icon on a digital device, that mimics the three-dimensional look or the sound of a physical object, even if that object is obsolete.

1889: The construct was the Ancient Greek σκεῦος (skeûos) (implement, tool, vessel) + μορφή (morphḗ) (shape; form), modeled after the earlier zoomorph (resembling an animal) and phyllomorph (resembling a plant).  The suffix -morph was appended to words to denote “of or pertaining to shape or structure”.  Skeuomorph & skeuomorphism are nouns, skeuomorphic is an adjective and skeuomorphically is an adverb; the noun plural is skeuomorphs.

Magic Cap's start-up screen (1994).

The classic desktop metaphor, built with skeuomorphs, which was the start-up screen for the Magic Communicating Applications Platform (1994-2001 and commonly known as Magic Cap), an operating system for personal digital assistants (PDA) constructed wholly in the object oriented programming (OOP) model.  Loaded with good ideas and ahead of its time, Magic Cap failed because the planet's communication infrastructure was neither robust enough or sufficiently fast to realize the OS's possibilities.  Additionally, even as things evolved, there was never enough inter-operability with other systems and services which had achieved critical mass.

A skeuomorph is a design element in an object which mimics the design of a similar object made from another material or serving another function; it can thus be considered a derivative object which retains visual cues from the original object.  Quite when the idea emerged of the skeuomorph as something which consciously and deliberately “carries over” an earlier motif for some purpose beyond the functional is uncertain but in engineering and architecture, the technique pre-dates Antiquity.  Because architectural generations (expressed usually as eras or epochs) tend to extend over at least several human generations, what comes to be defined as “attractive” or “elegant” can become well-established but as technological advances make possible structures which are bigger, taller or able to be created with different materials or in different shapes, it had been common for motifs like familiar visual elements to be (explicitly or in detail) to be included in the new.  It softened the shock of the new.  In domestic architecture, this continues to this day, much to the disgust of architects who are appalled at the mash-up of influences which can appear in a McMansion (in which there will be chandeliers with electric bulbs emulating wax candles; a classic skeuomorph) but since modernity was delivered with the twentieth century, in big buildings and representational architecture, the shock of the new seems to have become the objective and skeuomorphs are regarded as sentimental or worse: bourgeois.

Instagram’s old skeuomorph (left) and the new flat logo (right).

In 2018 Instagram switched its logo from a skeuomorph UI to a flat UI.  It was a move which at the time surprised many because the retro brown and cream camera with a rainbow stripe (a nod to the Polaroid cameras which were such a symbol of the late twentieth century) had become instantly recognisable but the company insisted the new design reflected how the app had changed. When first released (as Burbn), the app was used almost exclusively for its photo filters and effects that lent digital images a “retro edge”, the dominant pattern of use then to use Instagram as handler to edit images which were then uploaded to a platform such as Facebook or X (then known as Twitter).  However, Instagram clicked with generation brought up on short-form content and static images and became suddenly a massive social phenomenon.  So, the logo changed because as the company put it: “We've been inspired by all the ways the community has grown and changed, and we wanted to create something that reflects how vibrant and diverse storytelling on Instagram has become”.  Exactly how all this was reflected in the new logo was neither immediately obvious nor expanded on by Instagram but the point probably was just that it was changed, the medium being the message.  In 2012 Facebook bought Instagram for US$1 billion which now sounds a bargain but back then, a billion US$ was still a lot of money.

Skeuomorphs in action: The Lindsay Lohan Quiz for iOS.

In the more ephemeral world of screen icons, graphical user interfaces (GUI) and app design where the life of a design can be closer in duration to that of the premiership of Liz Truss (b 1975; UK prime-minister Sep-Oct 2022) than something like Westminster Abbey, skeuomorphs proved popular because instantly they could adopt symbols which were unambiguous and universally understood; the sense of continuity with the past really wasn’t important at all, the retro-look just amusing.  Although using a representation of an old-style rotary-dial telephone on a screen icons does sound paradoxical, it made sense because the symbol was internationally recognized whereas were an image of cell phone (mobile) to be used, it would not have worked as well because it could be easily confused with a calculator or some other rectangular device.  Equally, envelopes and mail-boxes were used where E-mail was involved because nothing else could possibly be so evocative of “mail”.

Among software designers, the dominant theme in the early skeuomorphs was to create panels with a 3D appearance to gain some resemblance to physical buttons.  This was at least partially because designers tend wherever possible to exploit to the maximum whatever is permitted by the medium which is their platform but it was also partly the persuasive utility of the skeuomorph itself.  The alternative approach was the “flat design” which deliberately avoided imitating real-world textures or objects, a paradigm inherited from a school of art and design which rejected the idea of one thing imitation another.  Imitation however thrived, thus smartphones have digital cameras which produce the audible sound of a mechanical shutter when a photograph is taken and note-taking apps may emulate the appearance (in 2D) of textured bond paper.  The trends come and go and no approach has ever seemed to be dominant, both motifs (and hybrid forms) peacefully co-existing, frequently on the one device although in recent years things do seem to have moved to the darker and more minimalist.

Baguette

Baguette (pronounced ba-get)

(1) In ad-hoc application, a descriptor (based on baguette in the sense of “stick” , “rod” or “wand”) for an object with a narrow, relatively long rectangular shape (applied in the past as baguette magique (magic wand), baguettes chinoises (chopsticks) & baguette de direction (conductor's baton)).

(2) In jewelry design, a small gem-stone in a rectangular shape, achieved by cutting & polishing.

(3) A gem-stone in this shape (used especially for diamonds).

(4) In architecture, a small convex molding (a narrow, relatively long rectangular shape, especially one in a semi-circular section.

(5) In zoology, one of the minute bodies seen in the divided nucleoli of some infusoria after conjugation.

(6) As an ethnic slur (can be mildly offensive, but also used neutrally or affectionately as an alternative to “frog”), a French person, or a person of French descent.

(7) A type of French bread, actually defined in law by the ingredients and methods of production but most associated with the long, narrow shape.

1720–1730: From the French baguette (or baguet) (a type of architectural ornament, based on the sixteenth century sense of the word as “a wand, rod, stick”), from the Italian bacchetta (literally “a small rod” and the diminutive of bacchio (rod), from the Latin baculum (a stick or walking-stick (and linked to the later bacillus)).  The construct was bacch(io) + -etta.  The –etta suffix (the feminine of –etto), as well as indicate the feminine was used also with inanimate nouns ending (usually ending in –a) to create a literal diminutive (such as with boteca (shop, store), rendering botechetta (small shop).  The term was first used in gem-stone cutting in 1926 and in countries where the French colonial history left some linguistic trace, baguette is applied to some items such as the gun-stick (the rod for forcing ammunition into the barrel of a gun and in Louisianan Cajun, it referred to the barrel itself).  Like English, Danish, German, Spanish and Swedish adopted the French spelling which in other languages the variations included the Czech bageta, the Greek μπαγκέτα (bagkéta), the Hebrew בגט‎ (bagét), the Norwegian (Bokmål & Nynorsk) bagett, the Portuguese baguete, the Romanian baghetă, the Russian баге́т (bagét) and the Turkish baget.  Baguette & baguet are nouns; the noun plurals are baguettes & baguets.

Beware of imitations: The baguette de tradition française.

The origin of the baguette (as it's now understood) is truly a mystery and there are so many tales that it's recommended people choose to believe which ever most appeals to the.  In France, a true baguette (Baguette artisanale) is made from ingredients and with a method defined in law while the famous shape is a convention.  Typically, baguettes have a diameter between 50-75 mm (2-3 inches) and are some 610-710 mm (24-26 inches) in length although the 1 m (39 inch) baguette is not unusual, popular especially with the catering trade.  It’s a little misleading to suggest the baguette was invented because for centuries loaves in the shape existed in many places around the world and recipes for the mixing of dough were constantly subject to changes imposed by the success of harvests, economics, supply-chain disruptions and simple experimentation.  The baguette instead evolved and its popularity was a thing of natural selection; it survived because people preferred the taste, texture and convenience of form while other breads faded from use.  It seems clear that the long, stick-like direct ancestors of the baguette began to assume their recognizably modern form in French towns and cities in the eighteenth century although doubtless there was much variation between regions and probably even between bakers in the same place.  The daily bread being the classic market economy, bakers would be influenced by losing sales to a more popular shop and so would adjust their mixes or techniques to attract customers back.  In this way a standardized form would have emerged and, in the French way, by 1920 the assembly had passed a law codifying the critical parameters (weight, size and price), formalizing the popular name baguette.  In 2003, the jocular slang "freedom bread" emerged to describe the baguette, an allusion to the "Freedom Fries" which replaced "French Fries" in US government staff canteens while there was tension between the White House and the Élysée Palace over France's attitude to the proposed invasion of Iraq.   

Lindsay Lohan in promotion for @lilybakerjewels, 2020.  The Rainbow Baguette Ring (centre) using stones cut in a true “baguette” rectangle whereas the Rainbow Bracelet used squares.

Globalization and modern techniques of mass production however intruded on many aspects of French lives and bakeries weren’t immune from the challenge of the cheap “baguette” sold by supermarkets.  Even among the boulangerie (a French bakery in which the bread must, by law, be baked on-premises) there were some who resorted to less demanding methods of production to compete.  As a matter of cultural protection, the assembly in 1993 enacted Le Décret Pain (The Bread Decree) which stipulates that to be described as pain maison (homemade bread), a bread needs to be wholly kneaded, shaped, and baked at the place of sale.  To limit the scope of the supermarkets (some of which were importing frozen, pre-prepared dough), rules also defined what pain traditionnel français (traditional French bread) may be made from and banning any pre-made components from baguettes.  Also retained was the relevant provision of the 1920 labor legislation which prohibits the employment of people in bread and pastry making between ten in the evening and four in the morning.  So, when visiting a boulangerie, it’s recommended to ask for a baguette de tradition française (usually as baguette de tradition) which is made from wheat flour, water, yeast, and common salt (reflecting modern practice, one may contain up to 0.5% soya flour, up to 2% broad bean flour and up to 0.3% wheat malt flour) and the dough must rest between 15-20 hours at a temperature between 4-6^o C (43-46^o F).  The less exalted baguettes ordinaires, are made with baker's yeast and a less exacting specification.

The French Ministère de la Culture’s (Ministry of Culture) L'inventaire national du Patrimoine culturel immatériel (National Inventory of Intangible Cultural Heritage) in 2018 added the baguette to its index and in 2022, the artisanal know-how and culture of the baguette was added to UNESCO’s (the United Nations Educational, Scientific and Cultural Organization) list of Intangible Cultural Heritage.  Already preserving the information about some 600 traditions from more than 130 countries, UNESCO noted the addition by saying it celebrated the French way of life, something of which the baguette, as a central part of the French diet for at least 100 years, was emblematic.  With some 16 million consumed in France every day, the “…the baguette is a daily ritual, a structuring element of the meal, synonymous with sharing and conviviality", a statement from UNESCO read, concluding it was “…important that these skills and social habits continue to exist in the future."

Dynasty

Dynasty (pronounced dahy-nuh-stee (US English); din-uh-stee (UK English)

(1) A sequence of rulers from the same family, stock, or group.

(2) The rule of such a sequence.

(3) A series of members of a family who are distinguished for their success in business, wealth creation etc.

(4) In sport, a team or organization which has an extended period of success or dominant performance (technically unrelated to family links or even and great continuity in personnel).

(5) As used specifically in East Asian history, the polity or historical era under the rule of a certain dynasty.

1425-1475: From the Middle English dynastia, from the Middle French dynastie, from the Late Latin dynastia, from the Ancient Greek δυναστεία (dunasteía) (power, dominion, lordship, sovereignty) from dynasthai (have power), of unknown origin.  The adjective dynastic (from 1800) is used when speaking or, relating to or pertaining to a dynasty; dynastical attested since 1730.  A dynast (hereditary ruler) is from the 1630s, from the Late Latin dynastes, from the Greek dynastes (ruler, chief, lord, master).  Synonyms include house & lineage.  Dynasty & dynast are nouns, dynastic & dynastical are adjectives and dynastically is an adverb; the noun plural is dynasties.

The word is widely used of the ruling families of nations associated with royalty (Hapsburg dynasty, Romanov dynasty, Hohenzollern dynasty) and remains the standard term in the historiography of Imperial China (Ming dynasty, Qing dynasty, Song dynasty, Tang dynasty, Yuan dynasty).  In political science it’s a popular use (verging on a slur) to describe the political arrangements concocted when a ruler attempts (sometimes with success) to pass the office (and thus their country) to a descendent (usually the eldest or most demonstrably ruthless son), examples including the Congo, Syria and Cambodia.  Sometimes, polities organized in this manner can give rise to what is known as a subdynasty (which seems never to hyphenated), an idea borrowed from European history when royal families routinely would provide offspring to serve as kings of other states, thereby creating a new dynasty; sometimes this worked well, sometimes not.

In politics, families which some characterize as appearing dynastic can be very sensitive to anything which seems even to hint at the suggestion and the Lee family in Singapore is the standard case study.  Between the rule of Lee Kuan Yew (1923–2015; prime minister of Singapore 1959-1990) and that of his son Lee Hsien Loong (b 1952; Prime Minister of Singapore since 2004) there was gap of over a dozen years (which must not be called an interregnum) and of some interest is whether a similar mechanism will be engineered to enable a third generation to assume office, the previous successor designate having been removed from the plan because of “some unsuitability”.  According to commentators, this means Mr Lee has decided to delay his retirement so a “long runway” is provided on which the next prime minister can emerge (Mr Lee presumably thinking of “runway” in the modern sense of the “catwalk” on which models strut their stuff rather than anything to do with aviation).

While Li Hongyi (b 1987; first-born child of Lee Hsien Loong), has disavowed any interest in a political career, there’s still plenty of time and if, in the fullness of time, “drafted” by the ruling PAP (the People’s Action Party which has been in power since independence in 1959), he may feel it his duty to be “be persuaded”.  Li Hongyi however may simply believe his lineage is too great a disadvantage to overcome.  Earlier, Lee Hsien Loong dismissed suggestions his stellar career (becoming at becoming at 32 the youngest brigadier-general in the history of the Singapore military and prime minister at 53) owed anything to family connections, claiming being the prime minister’s son actually hindered him because people were so anxious to avoid accusations of favoritism.  Interestingly, entertainment personality Kylie Jenner (b 1997) made much the point, claiming it was belonging to a famous family which saw her denied some modelling work.  The Lee family though do seem unusually sensitive to suggestions the scions might unduly benefit from the connection, the Financial Times in 2007 even having to apologize for having published not anything libellous (actually easily done in Singapore) but simply a list of Lee family members in high positions in the island nation.  The current derogatory slang is “nepo baby”, a clipping of nepotism baby, a term one is unlikely to read in the Singaporean press.

Kim I, II & III: The Kim Dynasty, Democratic People’s Republic of Korea (DPRK, aka North Korea)

Kim I: Kim Il-sung (1912-1994; The Great Leader of DPRK (North Korea) 1948-1994 (left).  Like his descendants, The Dear Leader and The Supreme Leader, The Great Leader enjoyed food.  He’s pictured here at lunch with another foodie, comrade Stalin (1878-1953; Soviet leader 1924-1953) (right).

Kim Il-sung held an array of titles during his decades as the DPRK’s dictator, the proliferation not unusual in communist nations where the ruling party’s structures are maintained alongside the formal titles of state with which a nation maintains relations with the rest of the world.  In office for a notable forty five years he was designated premier (head of government) between 1948-1972 and president 1972-1994.  He was head of the Workers' Party of Korea (WPK) between 1949- 1994, and in that role was styled as chairman 1949-1966 and general secretary after 1966.  During his forty-five year rule, there were ten US presidents, six South Korean presidents, nine British prime ministers and ten Australian prime ministers.  He tenure in office also spanned the time of the USSR from its apotheosis under Comrade Stalin to its collapse in 1991. 

Being dead however proved no obstacle to The Great Leader extending his presidency, the collective office “Eternal leaders of Juche Korea” (Chuch'ejosŏnŭi yŏngwŏnhan suryŏng) created in 2016 by the insertion of an enabling line in the preamble to the constitution.  What this amendment did was formalise the position of The Great Leader and his late son Comrade Kim Jong Il (The Dear Leader) as the “eternal leaders” of the DPRK.  Juche is the term used to describe the DPRK’s national philosophy, a synthesis of The Great Leader’s interpretation of (1) Korean tradition and (2) Marxist-Leninist theory.

Funeral of The Great Leader, 1994.

It was an interesting move.  Technically, the office of president was constitutionally established only in 1972.  Prior to that, the role of head of state had been purely ceremonial and held by respected party functionaries, all power exercised by The Great Leader in his capacity as premier and general secretary of the WPK.  So tied to the legend of The Great Leader was the office of president that upon his death in 1994, the position was left vacant, The Dear Leader not granted the title.  That nuance of succession for a while absorbed the interest of the DPRK watchers but attempts to invest the move with any significance abated as DPRK business, though in the more straitened circumstances of the post Soviet world, continued as usual.

The constitution was again revised in 1998.  Being a godless communist state, no fine theological points stood in the way of declaring The Great Leader the DPRK’s "Eternal President", the latest addition to the preamble declaring:

Under the leadership of the Workers' Party of Korea, the Democratic People's Republic of Korea and the Korean people will hold the great leader Comrade Kim Il-sung in high esteem as the eternal President of the Republic.

The constitution in its 2012, promulgated after the death of The Dear Leader, again referred to The Great Leader as "eternal President of the Democratic People's Republic of Korea" but, in 2016, The Dear Leader, having apparently been dead for a decent duration, another amendment to the preamble changed the administrative nomenclature of executive eternity to "eternal leaders of Juche Korea", the honor now jointly held by the leaders great & dear.  It was another first for the Kims.

Kim II: Kim Jong-il (1941–2011; The Dear Leader of DPRK (North Korea), 1994-2011).  Pictured here admiring a vegetable, The Dear Leader is accompanied by a general.  DPRK generals wear big hats and always carry a notebook in case the closest Kim says something.  They write it down.

As a construct, the DPRK is best thought of a hereditary theocracy.  Although opaque, its dynamics are now better understood but when The Great Leader died in 1994, neither within the country nor beyond was it widely understood how much of the power structure he controlled had passed to The Dear Leader.  Although the economic circumstances of 1994 were hardly propitious, there seems to have been little doubt about the formal succession, The Dear Leader having been anointed for more than a decade.  The DPRK’s media operation, while not in the conventional sense having a middle class to be made “quite prepared”, had the rest of the country to work on and The Dear Leader was gradually eased into photo opportunities with The Great Leader, eventually making even solo appearances, sometimes in the role of Supreme Commander of the Korean People's Army to which he’s been appointed in 1991, despite having no military experience, although, given the minimal battlefield exposure of most of the generals, this might have been less of a problem than it appears.

Perhaps now aware of his own mortality, The Great Leader spent some of the time in the years before his death clearing the decks for the succession, purging the military and civilian ranks of any difficult types who might prove obstacles to The Dear Leader’s ascent.  Some apparently died but it may have been a coincidence; constitutionally the DPRK may be a theocracy but its military and political elite are gerontocracies.  The path was smoothed and, the military command settled, in 1992, The Great Leader announced The Dear Leader was in charge of all the DPRK’s internal affairs.  Curiously, shortly after that, the media began using the honorific “Dear Father” instead of “Dear Leader” but for whatever reason, all official communications soon reverted to the original title and there’s never been any explanation.

Despite all the dynastic help, the indications are it took The Dear Leader sometime fully to assert his authority.  Seriously weird it may appear but, the WPK is just another political party and they all have factions and, in the difficult post-Soviet environment of the 1994 succession, it seems there were genuine discussions within the party about how to deal with the economic problems the DPRK faced.  It frankly didn’t go well but while The Dear Leader may not have learned much economic theory, he proved adept at consolidating his power, adopting the Songun (military first) policy of North Korea, granting the military priority in resource allocation and political influence, not out of any concern about foreign invasion but to ensure the loyalty of what was, in effect, a giant police force to protect the Kim dynasty from a revolt of the people.  Secure in office, The Dear Leader did spasmodically attempt economic reforms but the results were not impressive.

Planning the dynasty: The Dear Leader shaking hands with Japanese-born singer Ko Yong-hui (1952-2004; aka Takada Hime) circa 1972.  She became his consort and would later give birth to Kim III (later The Supreme Leader).  Within the DPRK, her name must never be spoken and she's referred to only by honorific forms, the most commonly use of which is: “The Respected Mother who is the Most Faithful and Loyal 'Subject' to the Dear Leader Comrade Supreme Commander”.

By 1997, he was sufficiently entrenched to engineer his appointment to The Great Leader’s old post as General Secretary of the WPK and a year later, a constitutional amendment declared his role as chairman of the National Defence Commission was "the highest post of the state", presumably among those still alive because the same constitutional reform abolished the office of president and proclaimed The Great Leader to be the DPRK’s "Eternal President".  The year after The Dear Leader’s death in 2011, the constitution was amended to declare him Eternal General Secretary of the WPK and Eternal Chairman of the National Defence Commission.  In 2016, after a decent period of mourning, the new title "Eternal Leaders of Juche Korea" was created and granted to both the Great Leader & Dear Leader.

US actor Elizabeth Gillies (b 1993) appeared as Fallon Carrington on in the television drama Dynasty (2017–2022), a revival of the 1980s soap opera; it was shown in the US on the CW Television Network (episodes streamed internationally on Netflix the next day).  She appeared (far left) in Ariana Grande's (b 1993) music video Thank U, Next (2019), taking the part of Lindsay Lohan in the segment which was a homage to Mean Girls (2004).  While not technically a doppelganger, the degree of resemblance was sufficient for the concept to work.

The reputation of the DPRK as a hermit state cloaked in secrecy is undeserved because there is an official biography of The Dear Leader and from his birth, he was amazing.  He was born inside a log cabin beneath Korea’s most sacred mountain and in the moment of delivery, a shooting star brought forth a spontaneous change from winter to summer and there appeared in the sky, a double rainbow.  The Dear Leader was not subject to bowel movements, never needing to defecate or urinate although it’s not known if this is a genetic characteristic of the dynasty and therefore enjoyed also by The Supreme Leader.  He had a most discriminating palette so The Dear Leader employed staff to inspect every grain of rice by hand to ensure each piece was of uniform length, plumpness, and color, The Dear Leader eating only perfectly-sized rice.  Although he only ever played one round of golf and that on the country’s notoriously difficult 7,700 yard (7040 m) course at Pyongyang, he took only 34 strokes to complete the 18 holes, a round which included five holes-in-ones.  Experienced golfers have cast doubt on the round of 34 (not commenting on the holes-in-one) but the diet of individually inspected & polished grains of rice was thought "at least plausible".  

Funeral of The Dear Leader, 2011.

The car is a 1975 or 1976 Lincoln Continental, built by Moloney Standard Coach Builders on an extended wheelbase.  Lincoln experts say it's a different car to the similar model used in The Great Leader's funeral, the dynasty said to own several and it's believed they were obtained "through sources in Japan".  Uniquely, the Kin dynasty is the only only family said also to own a brace of Mercedes-Benz 600s (M100; 1963-1981) long-roof Landaulets, only twelve of which were built.  Fittingly, the long-roof variants are known casually as the "presidentials" but the factory never officially used the designation.  

The Kims certainly build personality cults but it’s not only the North Koreans who create retrospective honours to acknowledge the uniqueness of a special individual.  George Washington (1732-1799) will forever be the first President of the United States (POTUS) so that’s fine but he retired from the army as a lieutenant general and later appointments of some to more senior ranks bothered some in the military, concerned his primacy in the hierarchy wasn’t adequately honoured.  The later appointments had been (1) Ulysses S Grant (1822–1885) created General of the Army in 1866, (2) John Pershing (1860–1948) appointed General of the Armies in 1919 and (3) nine of the World War II (1939-1945) generals and admirals who were appointed to the newly formalised five star rank as Generals of the Army and Fleet Admirals respectively.  Where Washington stood in this potpourri of stars and titles wasn’t clear until 1978 when, after years of discussions of the difficulties inherent in solving the problem, in a surprisingly simple act of internal Army administration, Washington posthumously was promoted to General of the Armies of the United States, making him eternally the US military’s most senior officer.

Kim III: Kim Jong-un (b circa 1982; The Supreme Leader (originally The Great Successor) of DPRK (North Korea) since 2011).  The Supreme Leader is pictured here with South Korean foreign minister, Chung Eui-yong (b 1946).

Inheriting the family business at a much younger age than The Dear Leader, The Supreme Leader, didn’t benefit (or suffer) from the long public gestation period his father was provided by The Great Leader.  It was in 2009, about two years before The Dear Leader’s death that the media began reporting the youngest son, was to be the DPRK’s next leader although at that stage, he was referred to as The Brilliant Comrade, the honorific The Great Successor not adopted until after The Dear Leader’s death and it was soon replaced by The Supreme Leader.  For whatever reason, and the speculation and conspiracy theories are many, Kim III more quickly assumed his panoply of offices and titles than his immediate ancestor.  

Announced on state television as The Great Successor, The Supreme Leader was appointed General Secretary of the WPK, Chairman of the Central Military Commission, and President of the State Affairs Commission, followed soon afterwards by a promotion to the army’s highest military rank, Marshal of the Korean People's Army, adding to his position as Supreme Commander of the Armed Forces (exactly the same constitutional arrangement adopted by Hitler as commander-in-chief of both OKH (Oberkommando des Heeres (High Command of the Army)) and OKW (Oberkommando der Wehrmacht (High Command of the Armed Forces)).  Great minds do think alike.  Confusingly, having already morphed from The Brilliant Comrade to The Great Successor to The Supreme Leader, references also appeared calling him The Dear Respected Leader but thankfully the proliferation seems now to have stopped.  In office, he has pursued 병진 (byungjin (literally "parallel development")), a refinement of The Great Leader’s policy simultaneously to develop both the economy and the military, his particular emphasis in the latter a focus on nuclear weapons and inter-continental delivery systems.  It may be an attempt to avoid the problems inherent in the “Waffen und Butter” (guns and butter) programme pursued by the Nazi regime (despite the international perception) as late as the first three years of World War II (1939-1945).

Although Kim III is no longer referred to as The Great Successor, there have been great successes.  Despite Western propaganda, there are elections in the DPRK and when The Supreme Leader sought a seat in the Supreme People's Assembly, there was a record turnout of voters and he received 100% of the votes cast.  Although it’s hard to determine the veracity of many of the reports, it’s suggested he’s an innovator in matters of military discipline, new methods used by firing squads said to include flame throwers, and anti-aircraft cannons, both said to make quite a mess although it's difficult to know how high is the body count, some reported executed later turning up alive and well.  Worth a mention though is the assassination in 2017 of his exiled half-brother Kim Jong-nam (1971-2017), killed with the nerve agent VX while walking through Kuala Lumpur International Airport, a novel twist on the extra-judicial execution being the use of two aspiring starlets to deliver the VX; they believed they were being filmed as part of a reality TV show. Most celebrated has been the nuclear programme and the increasingly bigger and longer-range missiles paraded from time to time.  Underground nuclear tests being hard to monitor, it remains unclear whether the devices tested are the long de rigueur plutonium weapons or, for the first time since the one-off A-Bomb used in Hiroshima in 1945, made using uranium.  Most recently, state media has announced the complete success in avoiding COVID-19 with no cases reported in the republic so, on any basis of calculation, The Supreme Leader has supervised the most successful COVID-19 strategy on Earth.

The Supreme Leader has also drawn the interest of the pro ana community because of his remarkable weight loss.  Whether his motivation was (1) concerns about his health, being a bit chubby, (2) a wish to look more sexy and attractive to younger women or (3) display some solidarity with his subjects, many of whom were suffering food shortages, his weight-loss regime has been a success, experts estimating, on the basis of photographic evidence, that he has probably shed up to 25-30 kg (65-80 lb).  This is good but has created a problem for the small number of people in the entertainment business who work as as Kim Jong-il impersonators, some of who have sought guidance from the pro ana community.  For security reasons, The Supreme Leader is known also to employ body doubles and it's not known if they're currently being starved or have already been shot and replaced with thinner models.  

After the weight loss he seems in such rude good health that, still not forty, there’s no reason he may not rule perhaps even longer than his grandfather’s forty-five years.  Ever since the demise of the USSR in 1991, analysts have been predicting the imminent demise of the communist regimes in both Pyongyang and Havana but they seem to muddle through, the DPRK of late enjoying new sources of foreign exchange, branching out from industrial-scale drug production and the smuggling of oil and minerals to the new field of cybercrime; even in the niche market of fake news they're said to run a small operation.