Cruise

Cruise (pronounced krooz)

(1) To sail about on a pleasure trip (often as cruising).

(2) To sail about, as a warship patrolling a body of water.

(3) To travel about without a particular purpose or destination.

(4) To fly, drive, or sail at a constant speed that permits maximum operating efficiency for sustained travel.

(5) In aeronautics, the portion of aircraft travel at a constant airspeed and altitude between ascent and descent phases.

(6) To travel at a moderately fast, easily controllable speed.

(7) To travel about slowly, looking for customers or for something demanding attention.

(8) As cruise missile, an intermediate-range weapon.

(9) Among male homosexuals, actively to seek a casual sexual partner by moving about a particular area known to be frequented by those there for such purposes, an area known to be productive known as “cruisy” (“to troll” & “trolling” were once used as a synonyms but those terms have now been claimed by their use on the internet).

(10) In informal use in the US military, a period spent in the Marine Corps.

(11) In casual use in sporting competition, easily to win.

1645-1655:  From the Dutch kruisen (to cross, sail to and fro), from kruis or cruis (cross), from the Middle Dutch cruce, from the Latin crux.  Root was the primitive Indo-European sker (to turn, to bend); etymologists suggest it may be cognate with the Latin circus (circle) and curvus (curve).  In English, it began to be used as a noun in 1706 in the sense of “a voyage taken in courses” and by 1906 as “a voyage taken by tourists on a ship".  It was related to the French croiser (to cross, cruise), the Spanish cruzar and the German kreuzen.  The alternative spelling cruize is obsolete.  Cruise & cruising are nouns & verbs, cruised is a verb, cruiser is a noun and cruisy is an adjective; the noun plural is cruises.

Welcome to the Cruise (1979) by Judie Tzuke (b 1956), cover art by Hipgnosis.

In the era of the mass-selling LP (long playing) vinyl records, they were distributed in 305 x 305 mm (12 x 12 inch) cardboard sleeves and the size was sufficient to create what became a genuine genre in graphic art: the album cover.  The era lasted until CD (compact disc) sales eclipsed vinyl; CD packaging being around a quarter the size, greatly the possibilities diminished and what had been a flourishing industry vanished.  Many books detailing the history of album cover art have been published.

Cruiser in the sense of "one who or that which cruises" (agent noun from the verb cruise) is from the 1670s, probably, borrowed from similar words in continental languages (such as the Dutch cruiser & French croiseur).  In older use, a cruiser was a warship built to patrol and protect commerce of the state to which it belongs and to chase hostile ships; cruisers were the classic gun boats used by the European colonial powers for patrolling their empires.  In this use they were often compared to the frigates of old in that they possessed good speed and were employed to protect the trade-routes, to glean intelligence, and to act as the “eyes of the fleet” and in casual use, during the eighteenth century, the term was often applied to the ships of privateers (pirates).  Cruiser was used to describe male homosexuals “cruising for sex partners" (ie frequenting or lingering in places notorious for such things) from 1903, as a boxing weight (cruiserweight) class, from 1920.  The meaning "police patrol car" is a 1929 adoption of US English.

Royal Navy battlecruiser HMS Hood entering Valletta harbor, Malta 1937.

In admiralty use, cruisers are now the largest of the conventional warships still in service.  Navies used to use the term “cruiser” more as a description of the tasks for which the ships were used rather than specific nature of the construction, the early cruisers those ships which were used for long-range missions such as costal raiding or scouting and it was only in the late nineteenth century as the fleets grew and ships became more specialized that the classic model of the corvette / frigate / destroyer / cruiser / battleship evolved.  Even then there were distinctions such as "light" & "heavy" cruisers but the most interesting development in warship architecture was the battlecruiser, built essentially because HMS Dreadnought (1906) had created “a gap in the market”.  Battlecruisers were battleships with less armor, therefore gaining speed at the cost of greater vulnerability.  The theory was they would have the firepower to out-gun all but the battleships and those they could out-run with their superior speed; on the high seas, a margin of even two knots could be decisive.  The concept seemed sound and in December 1914, at the Battle of the Falkland Islands, two Royal Navy battlecruisers vindicated the theory when they chased and destroyed the German East Asia Squadron but less than two years later, the performance of the battlecruisers in the Battle of Jutland (31 May-1 June 1916) forced the Admiralty to re-consider.

The Royal Navy's Battle Cruisers opening fire in the opening stages of the Battle of Jutland, 31 May 1916, (1919), oil on canvas by Lionel Wyllie (1851–1931).  It was the war's only great, set piece, mass engagement.

Fought by fleets of the Royal Navy and the forces of the German Empire (the so-called “Second Reich”), the battle of Jutland in was the closest the world got a cataclysmic clash of fleets of dreadnoughts, an event the navalists and theorists had for a generation be expecting or hankering for.  For a variety of reasons it proved anti-climatic (though at a cost of over 8,000 lives) but while a tactical victory for the Germans (in terms of ships sunk or damaged and causalities suffered), strategically the British succeeded in ensuring for the rest of of World War I (1914-1918) their opponents were confined to a pocket of the Baltic, denied access to the North Sea and thus the Atlantic; this enabled the Royal Navy’s blockade of Germany to be maintained.  Summing up, the New York Times concluded: “The prisoner gave his jailor a bloody nose but at the end of the day was back behind bars in his jail cell.”  Barely noticed except in the halls of the admiralties (where it made a great impression) was the vulnerability of the battlecruiser, a class of ship of which much had been expected although at Jutland they were used in a way the theorists who suggested the configuration had neither intended nor recommended.

Ultimately, both sides choose to avoid the decisive encounter which offered the prospect of victory because the consequences of defeat were so severe, especially for the British: Then serving as First Lord of the Admiralty (minister for the navy), Winston Churchill (1875-1965; UK prime minister 1940-1945 & 1951-1955) had early in the war been quite correct in cautioning the First Sea Lord (the most senior admiral) that while there was little the navy could do to win a continental war, it could "lose it in an afternoon".  Jutland did prove the naval theorists had been right: unless very lucky (not something to rely on at sea), the battlecruiser could not fight the battleship and if their paths threatened to cross, the less-armored vessel should retreat and rely on speed to make good her escape.  There were technical deficiencies in the British ships, without which perhaps three of their battlecruisers wouldn’t have been lost, but what happened in 1916 made it clear to the admirals that uneven contests between the big capital ships were to be avoided.  The consequence was that the battlecruiser became unfashionable and after the round of disarmament in the 1920s, none were built until, unexpectedly, the Soviet Navy commissioned four in the 1980s.  They proved the last of the breed and despite Donald Trump's (b 1946; US president 2017-2021 and since 2025) announcement of the USS Defiant, the USN (US Navy) are (sensibly) planning vessels on a smaller scale. 

Origin of cruise missiles

US Pershing II cruise missiles in Neu-Ulm military base, Swabia, Bavaria in the FRG (Bundesrepublik Deutschland (Federal Republic of Germany; the old West Germany, 1949-1990)), 1984.

Carrying large warheads long distances, cruise missiles are guided weapons, used against ground targets; they fly at both subsonic and supersonic speed, remain in the atmosphere and, self-propelled for the most of their flight, travel for mostly at a constant speed.  In this they differ from ballistic missiles which fly in an arc, often reaching suborbital flight with a final trajectory much like a bullet because, once the fuel is expended, the path from that point is determined by the speed and direction of launch and the force of gravity pulling towards Earth.  Both cruise and ballistic missiles can carry nuclear warheads but cruise missiles are most often equipped with conventional warheads.  Theorists and researchers were exploring the possibility of military missiles as early as 1908, described then as the aerial torpedo, envisaged as remote-controlled weapons with which to shoot-down airships bombing London, perceived then as the most credible airborne delivery system.  Between the World War I & II (1939-1945), the major powers all devoted resources to research but few projects reached even the prototype stage.

Annotated schematic of the V-1 (left) and a British Military Intelligence drawing (dated 16 June 1944, 3 days after the first V-1 attacks on London (right). 

First deployed in 1944 the German Vergeltungswaffen eins (“retaliatory weapon 1” or "reprisal weapon 1” and eventually known as the V-1) was the world’s first cruise missile.  One of the rare machines to use a pulse-jet, it emitted such a distinctive sound that those at whom it was aimed nicknamed it the “buzz-bomb” although it attracted other names including “flying bomb” and “doodlebug”.  In Germany, before Dr Joseph Goebbels (1897–1945; Reich Minister of Propaganda 1933-1945) decided it was the V-1, the official military code name was Fi 103 (The Fi stood for Fieseler, the original builder of the airframe and most famous for their classic Storch (Stork), short take-off & landing (STOL) aircraft) but there were also the code-names Maikäfer (maybug) & Kirschkern (cherry stone).  While the Allied defenses against the V-1 did improve over time, it was only the destruction of the launch sites and the occupation of territory within launch range that ceased the attacks.  Until then, the V-1 remained a highly effective terror weapon but, like the V-2 and so much of the German armaments effort, bureaucratic empire-building and political intrigue compromised the efficiency of the project.

A bronzed (not recommended) Lindsay Lohan on a cruise in the Maldives, January 2019.

The V-1 used a gyroscope guidance system and was fitted with an unusual triple-layer fuse system, the primary device and a backup augmented by a fail-safe designed to ensure destruction of “duds” (weapons which fail to detonate) so they couldn’t be examined.  The accuracy of the thing was sufficient only for use against very large targets (such as the general area of a city which made sprawling London ideal) while the range of 250 km (155 miles) was significantly less than that of a medium bomber carrying the same payload. The main advantages were speed (although not sufficient to outrun the fastest of the low-altitude propeller-driven interceptors), expendability and economy of operation.  Indeed, it was probably the war’s outstanding delivery system in terms of cost per ton of explosive, able to carry a warhead of 850 kg (1,870 lb) to London at a tiny fraction of the cost of using manned aircraft for the same task with the priceless additional benefit of not risking the loss of aircrew.  The production cost of a V-1 was also only a small fraction of that of the supersonic V-2 ballistic missile which carried a warhead only of a similar-size although once launched, effectively, it was invulnerable.  Unlike the V-2, the initial deployments of the V-1 required large, fixed launch ramps which were relatively easy to detect and susceptible to bombardment.  Later experiments produced much smaller launch facilities which provided for a greater rate of sustained fire.  Bomber-launched variants of the V-1 saw limited operational service near the end of the war, with the pioneering V-1's design reverse-engineered by the Americans as the Republic-Ford JB-2 cruise missile.

Luftwaffe Mistel Aircraft (Focke-Wulf Fw 190 (upper) & Junkers Ju 88 (lower)), Merseburg, Germany, 1945.

The "cruise missile" project which was the best example of the improvisation which characterized much of the ad-hoc weapon development of war time was the Mistel (mistletoe) or Beethoven-Gerät (Beethoven Device) composite aircraft program which the Germans developed in 1943.  It was a rudimentary air-launched cruise missile, made by a piloted fighter aircraft being mounted atop an unpiloted bomber-sized aircraft, packed with explosives and the larger aircraft would be released to glide towards the target.  Calling it the mistletoe reveals a sense of humor mot usually associated with the Luftwaffe but it was known rather more evocatively as the Vati und Sohn (Daddy and Son) or the Huckepack (Piggyback).  Although built in the hundreds, by the time it was available for deployment, the scope for attacking large targets with manned aircraft had reduced and the need was for precision delivery, something for which the Mistel was ill-suited and success was limited.