Saint

Saint (pronounced seynt)

(1) Any of certain persons, said to be of exceptional holiness of life, formally recognized as such by churches by act of canonization (with doctrinal and procedural differences between denominations).

(2) In secular use, figuratively, a person of extraordinary virtue or who performed acts of extraordinary virtue (often as secular saint).

(3) As patron-saint, the founder, sponsor, inspiration or patron, as of a movement or organization (used formally by churches and informally otherwise).

(4) A religious icon or relic (archaic).

Pre 1000; A borrowing from the Old French, it existed in English as seint, sainct, seinct, sanct & senct, derived from the Latin sānctus (sacred; holy), adjectival use of past participle of sancīre (to hallow; to consecrate), the construct being sanc (akin to sacer (sacred)) + tus (past participle suffix).  The French borrowing replaced the Old English sanct which had been drawn from the Latin.  Variations were adopted by most Germanic languages; it was sankt in the Old Frisian, sint in Dutch and sanct in German; the Italian is santa.  As a verb in the sense of "to enroll (someone) among the saints", use was common by the late fourteenth century and the adjectival forms saintly & saintliness emerged in the 1620s.  Universal abbreviation is St and now often without full-stop, a welcome reduction in clutter.  One quirk in English is the name St John (Christian or surname) is properly pronounced sin-jin.

Originally an adjective prefixed to the name of a canonized person, by circa 1300 it had become a noun.    Saint Bernard, to describe the breed of mastiff dogs, was used first in 1839, the name adopted because the monks of the hospice of the pass of St Bernard (between Italy and Switzerland) sent them to rescue snowbound travelers.  The term secular-saint remains in wide use, the first known example being St Elmo's Fire (named for the patron saint of Mediterranean sailors, a corruption of the name of St Erasmus (fuoco di Sant'Elmo in the Italian), an Italian bishop martyred in 303) in the 1560s.  The phenomenon of weather is known also as corposants or corpusants, from the Portuguese corpo santo (holy body), and was described as long ago as Antiquity, mentioned in Os Lusíadas (The Lusiads (1572), a Portuguese epic poem written by Luís Vaz de Camões (circa 1524-1580) and earlier alluded to by the Greek poet Xenophanes of Colophon (circa 570–circa 478 BC).

The Ecstasy of Saint Teresa

Unlike many of the buildings usually included in the standard tourist itinerary of Rome, the Cornaro Chapel (1626), at Santa Maria della Vittoria, close to the Repubblica metro station, is tiny.  In this intimate space is an elevated aedicule on which sits the little church’s famous installation, L'Estasi di Santa Teresa (The Ecstasy of Saint Teresa; sometimes called The Transverberation of Saint Teresa), a sculptural group in white marble, carved by Gianlorenzo Bernini (1598-1680) in 1652.

The interior of the church, also the work of Bernini, is sumptuously decorated, gilded stucco and multi-colored marble arranged so that barely a surface or crevice is left naked, this lushness the best setting imaginable for this masterpiece of high Roman baroque.  Bernini dismissed the suggestion he use an enclosed chapel and instead presented his composition as a theatre, cleverly lit by a window hidden by the pediment with, on the flanking walls, two opera-boxes containing sculptured representations of the family of his patron, the Venetian Cardinal Federico Cornaro (1579–1653). 

Bernini had reason to be grateful to the cardinal.  The work was completed during the pontificate of Innocent X (1574–1655; Giovanni Battista Pamphilj, pope 1644-1655) and Bernini had been the court architect of the previous pope, Urban VIII (circa 1568–1644; Maffeo Barberini, pope 1623-1644), regarded by Innocent as profligate.  With papal patronage withdrawn, Bernini was again an artist for hire and the cardinal granted the commission.  Teresa of Ávila, the Spanish founder of the Discalced Carmelite nuns, is depicted seated on clouds as if on a bed.  She is captured during the ecstasy she described in her mystical autobiography, experiencing an angel piercing her heart with a dart of divine love, causing both immense joy and pain.  Considering the long tradition of statuary in the Roman Catholic Church, that of Saint Teresa is quite a departure, her contorted posture and the ambiguous smile of the angel lending the scene a rare mix of passion and voluptuousness.  It’s reputed also to be the only Roman Catholic church with a painting depicting a battle scene above the alter and soldiers instead of angels holding up the organ, a legacy of the celebrations at the end of the Thirty Years War (1618-1648).

Saint Teresa in white marble, 1652 (left) and Lindsay Lohan resting in a Cadillac Escalade, Los Angeles, May 2007 (right).  The striking similarity between the two saintly souls inspired one of 2007's most widely-shared memes.