Anarchy

Anarchy (pronounced an-er-kee)

(1) A state of society without government or law.

(2) A political and social disorder due to the absence of governmental control.

(3) Lack of obedience to an authority; insubordination.

(4) In casual use, confusion and disorder; the absence of any guiding or uniting principle; chaos.

1530–1540: From the Middle English, from the Middle French anarchie, from the Medieval Latin anarchia, from the Ancient Greek ἀναρχία (anarkhía) (lawlessness, literally “lack of a leader”), the construct being ánarch(os) (leaderless) ((ἀν- (an-) (not; without) + ἀρχή (arkhḗ) arch(ós) (leader; power; authority) + -os (the adjectival suffix)) + -ia (the noun suffix).  Anarchy & anarchism are nouns, anarchist is a noun & adjective, anarchic & anarchical are adjectives and anarchically is an adverb; the noun plural is anarchies.

Lindsay Lohan Anarchy tattoo by TADEONE!

Use of the word began in the 1530s in the sense of an "absence of government" describing the Year of Thirty Tyrants (in Athens 404 BC, when there was no archon (leader)), as an abstract noun from anarkhos (rulerless).  The noun anarchism, denoting the political doctrine advocating leaderlessness, the idea that a community is best organized by the voluntary cooperation of individuals, rather than by a government, which is regarded as being coercive by nature, was first noted in the 1640s; from the 1660s, it was used to mean “confusion or absence of authority in general" and by 1849 in reference to the social theory advocating "order without power," with associations and co-operatives taking the place of direct government, as formulated in the 1830s by French political philosopher Pierre-Joseph Proudhon (1809-1865).  The adjective anarchic (chaotic, lawless, without order or rule) appears not to have been used until 1755 (the poet Walter Savage Landor (1775–1864) using it in 1824) although anarchical had existed since 1710.  The deliciously paradoxical anarch (leader of the leaderless) was used by John Milton (1608–1674), Alexander Pope (1688–1744), Percy Bysshe Shelley (1792–1822) & Lord Byron (1788–1824) and is said to be a favorite word in undergraduate anarchist clubs during discussions about whether leadership in actually possible in such organizations.  Whether any consensus tends to emerge from these ponderings is hard to say because, being anarchists, they're not inclined to keep minutes. 

The Russian connection

Mikhail Bakunin.

One of the seeming contradictions in the histories of anarchism and nihilism, despite essentially being about the absence of systems and structures and having been unsuccessful as political doctrines, is that both have attracted theorists who have produced detailed descriptions of their intellectual underpinnings and created complex layers of categories.  For whatever reason, it does seem Russians authors were those most attracted, possibly because the movements became popular during the late tsarist epoch and may have appeared uniquely attractive to activists seeking a philosophy with which to excite revolutionary possibilities.  The three categories of Russian anarchism were anarcho-communism, anarcho-syndicalism and individualist anarchism, the ranks of all three drawn predominantly from the intelligentsia and the working class, though the most numerous group, the anarcho-communists, appealed also to soldiers and peasants.  Anarchy was, in pre-revolutionary Russia, a movement which was never envisaged as merely theoretical or utopian, it’s proponents bent upon radically reforming Russian society, by violent means if need be.  An underground movement during the reactionary time after the tumult of 1848, Nicholas I (1796–1855; Tsar of Russia 1825-1855) imposed a harsh crack-down, persecuting writers such as Fyodor Dostoevsky (1821–1881), Vladimir Dahl (1801-1872), and Ivan Turgenev (1818–1883) in a period known as the gloomy seven years (1848-1855).  The roots of Russian nihilism are present in early work of the political anarchists, most notably Mikhail Bakunin (1814–1876) but can be found also in the Byronic philosophy of negating social and political cant such as found in the narrator's critical position in Don Juan (1819-1824).

Attracted by the homophonic properties, one model adopted Anekee van der Velden (sometimes as Anekee Vandervelden) as her internet identity and, operating somewhere on the soft core spectrum, had for some years a presence on a number of platforms, the merchandise including calendars.  She seems to have been from the Netherlands and the Dutch name Anekee is an affectionate diminutive of Anna.  Anneke means “favor”, “grace”, “gracious” & “merciful” or “He (God) has favored me” (from the Hebrew חֵן” (hen) (grace & favor) or  חָנַן” = (ḥanán) (to show favor; to be gracious)) and her photographs do suggest God was generous in his favor.  This being the internet, there's the not untypical mystery about her identity and history.  Some sources say her real name was Anne Isabella Raukema (b 1988) while others deny this but all her accounts are now closed or inactive and there are reports of her death but the veracity of such things is difficult to determine.  

Ms van der Velden integrated the anarchist symbol (the upper-case A surrounded by a circle (in typography one of the enclosed alphanumerics)) into her branding which was a nice touch.  The symbol has been used for decades and there have been attempts to interpret the meaning but while the "A" is obvious (from the Ancient Greek ἀναρχία (anarkhía) (lawlessness, literally “lack of a leader”)) and the circle is regarded usually a some sort of boundary (though after that the deconstructionists can weave some complexities), what's probably more interesting is that the anarchist symbol is depicted most frequently in the combinations black on white or red on black, exactly the same color palette used by the communists in Weimar Germany (1918-1933) and "borrowed" in the mid-1920s by Adolf Hitler (1889-1945; German head of government 1933-1945 & head of state 1934-1945) to render the swastika.  Hitler made no secret of his purloining and always delighted in telling how he turned the imagery of his opponents against them.

The use of red and black in the iconography of anarchism dates from the earliest days of the various movements in the nineteenth century.  Red flags, scarves, shirts etc had for centuries been popular in political and religious movements, both for their vividness and the representation of "blood to be spilled" but after the color was adopted by first the more numerous socialists and later the communists (its allocation by US TV networks to the Republican Party was done apparently without irony), the anarchists switched to black and there have been various interpretations of that, ranging from "mourning for the exploited & oppressed" to "the cold fury of the exploited & oppressed"; depending on their world view, anarchists can make of it what they will.  In an allusion to both traditions, a heterochromic blend (diagonally bisected red and black) is sometimes used by offshoots such as anarcho-syndicalism & anarcho-communism.

Anarchy & anarcho-communist pencil mini-skirts.  Capitalism is actually selectively anarchic in that it lobbies ruthlessly for legislation and regulations which protect it from competition or increases their profits while usually maintaining a public position of opposition to "intrusive", "unnecessary", "inefficient" or other laws which may impose costs.  Their preferred model is "self-regulation", administered by suitably vague "guidelines" or "codes of conduct", the charm of this approach being nothing is enforceable and everything can be ignored.  Although it's doubtful anyone has run the numbers, the suspicion is there would be something of a correlation between the extent to which certain industries are allowed to run under a "self-regulation" model and the value of political donations made.