Tenebrous
(pronounced ten-uh-bruhs)
Dark;
gloomy; obscure.
1375-1425: From
the late Middle English tenebrose (full
of darkness, gloomy), from the Anglo-Norman tenebrous
(the earlier spelling was tenebrus), from
the eleventh century Old French tenebros
(dark, gloomy) (which endures in modern French as ténébreux), from the Latin tenebrōsus
(dark), from tenebrae (darkness,
shadows). The Latin forms may have been dissimilated
from the earlier temebrai, from the
primitive Indo-European root temsro- (dark),
an adjective from temos- (darkness). The adjective tenebrous indicates a high
degree of darkness but not an absolute absence of light, the comparative is
thus more tenebrous and the superlative most tenebrous. Tenebrous is now a literary word valued by poets
because of the relative novelty of the rhyming and is used also figuratively
(as early as the 1670s it was deployed to suggest someone was “morally or
mentally dark”. Tenebrous, tenebricose
& tenebrific are adjectives, tenebrity, tenebrousness & tenebrosity are
nouns and tenebrously is an adverb; the noun plural is tenebrosities. The alternative spelling is tenebrious and except
in literary use, the verb tenebrize is now obsolete.
Salomè con testa del
Battista
(Salome with the Head of John the Baptist, circa 1608), oil on canvas by
Caravaggio (Michelangelo Merisi da Caravaggio; 1571–1610), National Gallery,
London. Tenebrosity
(darkness, gloom, obscurity) was from the early fifteenth century, tenebrious (pertaining
to darkness, of a dark nature) dates from the 1590s, tenebrity (quality of
being dark) was in use by at least 1792 while tenebrific (producing darkness),
dating from the late 1760s, was implied in the earlier tenebrificating,
recorded in 1743. In 1818, it was
reported in a London publication there was a theory darkness was not simply the
absence of light, but that certain heavenly bodies (called Tenebrific Stars),
emitted rays of positive darkness, which produced what commonly was called
“night”. This is how science evolves,
theories existing to compete as explanations for this and that until
disproved. The early fifteenth century Tenebrer (bearer of darkness) was an epithet
of Satan. One variant which didn’t
endure was recorded in the mid-seventeenth century was tenebrion (one that will not be seen by day, a lurker, a
night-thief (also a “night-spirit” and “hobgoblin”)). In Christianity, the Tenebrae is a religious
service celebrated by the Western Church on the evening before or early morning
of Maundy Thursday, Good Friday, and Holy Saturday, involving the gradual
extinguishing of candles while a series of readings and psalms are chanted or
recited. In fine art, the related
tenebrism describes a style of painting using very pronounced chiaroscuro, with
darkness a dominating feature of the image and a tenebrist is an artist
applying the method. Works in the genre
are said to be tenebristic and in the late nineteenth century those painting in
this manner (described usually as “in the
style of Caravaggio” were
called the tenebrosi; by 1959 the
preferred term among art historians was tenebrism.
Illustrating the adjectival: Lindsay
Lohan tenebrous (left), more tenebrous (centre) and most tenebrous (right),
from Pop Magazine photo-shoot, Fall/Winter 2007.
The
MOGAI
MOGAI stands
for “Marginalized Orientations, Gender Alignments and Intersex” and is
something of an omnibus term, acting as an umbrella term for sexual
orientations, gender identities and intersex traits not considered “mainstream”
although the very notion of “mainstream” is now a morass of cross-cutting
claims, some factions demanding inclusion, others insisting on their separateness. Whatever has been the track of MOGAI since
its emergence in 2015, the original intent seems to have been one of
“inclusiveness” and in that sense it’s both a logical extension of the LGBTQ+ concept
and a recognition that so many categories could be identified the “extended
model” (ie LGBTQQIAAOP and such) was becoming unmanageable. Even “LGBTQ+” was in a sense counter-productive
because in relegating certain letters (and thereby individuals or groups) to
the “+”, there was an act of marginalization which, in the modern construct could be deemed a microaggression.
What advocates emphasize is that MOGAI exists for marginalized identities
and it’s also as a kind of clearing house for novel or less recognized gender
labels.
DSM-5-TR (Text revision (2022) of DSM-5 (2013)).
In the
narrow technical sense, MOGAI is a classification system but its focus on non-binary
and other gender identities that are not cisgender seems to have acted to
encourage the growth in the creation of categories and while some have “filled
a gap”, there’s also clearly been linguistic adventurism in the same way some
have been beyond imaginative in the coining of long German compound nouns and
others have describe phobia despite there being no evidence of the particular
fear ever having been defined as a clinical condition or even reported, a phenomenon the marvellously comprehensive Phobiapedia cheerfully acknowledges. Whereas the American Psychiatric
Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM)
exists to codify mental health conditions including phobias, MOGAI is just one
of many list of gender identities but one which commands interest simply on the
basis of numbers: it has spawned literally hundreds of entries and while some
are “variations on a theme”, the breadth is striking.
The DSM contains two obviously tenebricose conditions, Social Anxiety Disorder and Seasonal Affective Disorder (a mood disorder characterized by recurrent depressive episodes that occur at particular times of the year, usually in winter), tenebrous used of the former figuratively, of the latter literally. In a decision which may have been an agenda item on one of the editorial committee's meeting, it was decided the acronym “SAD” would be applied to Seasonal Affective Disorder (presumably on the basis it described the sadness associated with dark, wintery conditions); Social Anxiety Disorder typically is abbreviated as SoAD and the differentiation makes sense because while sadness can be associated with SoAD, it's the prime dynamic of SAD. Multiple uses of acronyms is of course common but within the one publication it could confuse for the editors made a wise choice. First described in 1984, SAD was included in the revision to the third edition (DSM-III-R (1987)) as a “seasonal pattern”, a modifier applied to recurrent forms of mood disorders, rather than as an independent entity. In the DSM-IV (1994), its status as a standalone condition was changed, no longer classified as a unique mood disorder but instead a specifier (called “with seasonal pattern”) for the “recurrent major depressive disorder that occurs at a specific time of the year and fully remits otherwise”. In the DSM-5 (2013), although there were detail changes in terminology, the disorder was again identified as a type of depression (Major Depressive Disorder with Seasonal Pattern). The symptoms of SAD often overlap with the behaviors & mood changes noted in clinical depression, the novelty being the condition manifesting usually during the fall (autumn) & winter when temperatures and lower and the hours of sunlight fewer, the symptoms tending to diminish with the onset of spring.
A
gathering of high tech, robotic lawnmowers: Four Stihl iMows of the apocalypse.
Suggested collective nouns for lawnmowers
have included “graze”, “scythe”, “lawn” & “swathe” but the most evocative
was the (presumably Australian) “startyafuquer” (pronounced stahrt-yuh-fuhk-ah). Most “high tech” lawnmowers are controlled
using a cell phone app but some include the feature of a user being able to
create their own voice-activation command set so “startyafuquer” could be
recorded as the “start command”, the obvious companion phrase being “stopyafuquer”.
While notably less common, there are those who experience SAD during the summer and in either case it’s seen more frequently in women; SAD appears to be possible at any age but is most typically suffered in the age range 18-30. In the US, the dynamic of the condition is illustrated by the diagnosis of SAD ranging from 1.4% of the population in sunny Florida to 9.9% in often gloomy Alaska and, after some initial scepticism, the condition was accepted as legitimate by most of the profession although there has been some contradictory research. Although in a sense SAD has for centuries been documented in the works of poets and artists, it wasn’t until the mid-twentieth century that structured research began and it has been linked to a biochemical imbalance in the brain prompted by exposure to reduced hours of daylight and a reduction in sunlight. It’s thought that as the seasons go by, some experience a shift in their internal “biological clock” (circadian rhythm) which induces the mechanism to become asynchronous with their daily schedule. Predictably, SAD appears more prevalent among those living far from the equator where the conditions in winter are exaggerated. Seemingly paradoxically, clinicians treating SAD do in some cases recommend “outdoor activities” on the basis (1) of “confronting the problem” as is sometimes done for fears (heights, spiders etc) and (2) its frequent effectiveness in countering depression. One popular activity suggested is gardening and while many have reported it as therapeutic, those suffering from Sponeopapaaughprosebeeanthropopcacareophobia (the phobia describing the “fear of high tech lawn mowers”) would need to be cautious in their choice and handling of equipment.
Gender lists are however not “peer reviewed” in the traditional sense (controversial as that
model of academic publishing has become) so in a sense all the categorization systems are of equal validity
with users free to determine which works best for them. That’s democratic and how a classic marketplace
of ideas operates but does mean it’s a field in which most are left to make of
it what they will. It would be
interesting to compare a “comprehensive list” curated by academics in the now
well-populated discipline of “gender studies” with the hundreds of entries
which the MOGAI community hosts. In the
most recent edition of the DSM (DSM-5-TR, 2022), while there are five sub-types
of specific phobias: (1) animals, (2) the natural environment, (3) blood, injections,
medical procedures and such, (4) situational types (airplanes, elevators,
enclosed spaces etc) and (5) other types, officially, terms like nomophobia,
coulrophobia, globophobia, arachibutyrophobia etc) are no longer accepted clinical
terms used in psychiatry and instances are grouped to be diagnosed as “Specific
Phobia, other type”. Remarkably, given the
frequency of use of xxx-phobia in general use, only two explicitly are
mentioned in the DSM and they are not unrelated: Agoraphobia (an extreme or
irrational fear of entering open or crowded places or leaving one's home) and Social
Anxiety Disorder (SoAD or Social anxiety).
The MOGAI community's lists of gender types are an invaluable resource but can be challenging for those suffering Albumistaphobia (the phobia describing the “fear of lists”).
Still, even
if many of MOGAI’s entries might not survive an academic cull, there would be gender
theorists or activists who might acknowledge the entire set because a syndrome
need not be widespread to be defined as such: a single case can establish the
diagnosis. Word nerds too must have been
impressed by the diversity and intricacy (if not always the grammar and
spelling) because MOGAI definitions can also be mapped onto specific systems or
sets of labels, such as the Celestial Gender System (based on celestial bodies)
or the Restaurant System (based on restaurants and eateries). What that has meant is that as well as
serious contributions, the MOGAI community has seen the creation of new labels of
dubious practical validity which, like some alleged phobias, clearly exist just
because their creation was possible and fun.
Those schooled in labelling theory might also be interested because, once
created and vested with the “validity” of appearing in a “gender list” on the
internet, a label can gain some gravitational pull and convince readers they’ve
just discovered their “true gender” identity or identities. As patients can create the diagnosis, so the
diagnosis can create the patient.
Xenogender
A
xenogender identity is one in which a person's gender is connected to an
aesthetic or sensory experience. It is non-binary
and applies concepts beyond traditional male, female or androgynous categories
to describe a gender that cannot be contained by traditional human
understandings of gender. Xenogender claims to be all-encompassing and is this positioned as an umbrella term for identities related to abstract sources
like animals, plants, concepts and imaginary or inanimate objects; the linkages
need not in any way be literal or concrete and can be simply a device people
use to best articulate how their gender “feels” (or “appears” for those who
view themselves from beyond their own physical body) to them. Some xenogenders are used by the
neurodivergent community but the essence of xenogenderism is they cannot be exclusive
and thus cannot be used in an exclusionary way.
Hallowgender
Hallowgender
(or Halloweengender) is an aesthetigender in which one's gender is tied closely
to “the silly
part of Halloween and the Halloween aesthetic” (ie it focuses on the
fun rather than the dark and scary). The
first known use of hallowgender was by Tumblr user asukazepplinsoryu in 2014.
Flags of the Hallowgender.
Left to right: (1) The original
hallowgender flag, designed by an anonymous user; (2) the first alternate
hallowgender flag designed by Tumblr user ask-pride-color-schemes; (3) the second
alternate hallowgender flag designed by Tumblr user momma-mogai-sphinx, (4) the
third alternate hallowgender flag designed by Tumblr user momma-mogai-sphinx
and (5) the fourth alternate hallowgender flag designed by FANDOM user
WriterThatArts. In the ecosystem of gender-diversity, flags have become a thing; the gay liberation movement's Rainbow flags are the best-known but there are banners for many non-cisgender sub-sets and other divergencies including the still much-marginalized Objectum community.
TFS: The
Tenebrous Gender System
A fork of the MOGAI community, the TGS (Tenebrous Gender System) was said to have been
created by Tumblr user Hallowgender who on 12 September 2020 published a
codified version; under TGS, all sub-types are in some way and to some degree connected to “darkness and gloominess”. All are related also to other things or concepts
and that some of those might stand in stark contradiction to darkness and
gloominess was noted without further comment.
In a sign of the times, TGS, with seven categories, is said to be “one of
the smallest gender systems” and that reflects the recent proliferation from
something which for millennia usually was represented as a binary. Each TGS category has a flag:
Tenebrariarumian:
A gender that is dark, enveloping, and colorful. It is gloomy, calming and cold. Exemplar: Billie Eilish (b 2001).
Tenebrasian:
A gender that is dark, separating, and sullen. It is gloomy, tumultuous and warm. Exemplar: Lindsay Lohan (b 1986).
Tenebellariumian:
A gender that is flamboyant, dark, cool, and wintry. It is gloomy, calming, and
freezing as well but may tend also to fluidity and can be similar to Burlesgender. Exemplar: Kim Kardashian (b 1980).
Tenebrationisian:
A gender that is masculine, toasty, calming, and similar to the sea at night. It is gloomy, calming, and connected to
anchors, boats, and summer. Exemplar: Alexandria Ocasio-Cortez (AOC, b 1989).
Tenebricosumian:
A gender that is cautious, wintry, dark and comforting. It is small, fluid, and flux. Exemplar: Bernie Sanders (b 1941).
Tenebricumian:
A gender that is icy, soft, watery and comforting. It is large, fluid, and flux. Exemplar: Sydney Sweeney (b 1997).
Tenebrosumian:
A gender that is icy, soft, electric and powerful. It is large, fluid and flux as well. It can be connected to lights in a city at
night, blankets and snowy afternoons.
Exemplar: Jessica Simpson (b 1980).
Aesthetigender
Aesthetigender
was said to have been coined in 2014 by Tumblr user curiosityismysin and the original
description read: “a gender experience that is derived from, or the
embodiment of, an aesthetic”; from that came the mission creep
which saw the term evolve from a “standalone gender” to being an entire sub-category
of MOGAI genders to the point where it is one of the largest. The nature of the beast is such that within
the rubric of aesthetigender it’s an irrelevance to try to determine where one
ends and another begins and the extent of proliferation anyway made overlap
inevitable. As might be imagined, a
category in which the imperative is “a gender which in some ways relates to an aesthetic”
is so broad that probably all MOGAI genders could
be made to fit under the umbrella, including terms that aren't obviously “aesthetically
linked” because just as “everything is text”, in a sense, “everything has an aesthetic”. That has to be right because the root of aesthetigender
ultimately can be traced back to a rejection of gender as a binary and the nonbinary
activist movement really began as something aesthetic before a conceptual framework
was built. The MOGAI community now lists
over 600 known aesthetigenders and while some (like many entries in the phobia
lists) are variants, jocular coinings or exercises in novelty, such is the breadth, there
must be something for just about everyone; some illustrative examples are:
Abandoe: a
gender similar to that of an abandoned house; could be dead, genderless or of themes
being empty and intimidating.
Adorbian: a
xenic alignment to cuteness or cute things.
Aesthetigxrl:
a girl or woman who is also aesthetifluid. Your aesthetigenders act as an overlay, affecting
pronouns and desired presentation. If
the aesthetic is heavily aligned with a different gender, your gender might be
obscured until the aestheticgender changes. Comes under the genderfluid
umbrella. (Gxrl can be substituted with your main gender (bxy, boy, girl, xen,
enby ect).
Ancientus:
a gender that feels like it is becoming ancient and unused, regardless of whether
it is or is not.
Animecoric:
a gender related to animecore.
Antiancientius:
a gender that feels like it is coming back from being ancient and unused to
being new and used
Arcage: a
gender that feels locked up in a coffin or mausoleum, it’s desolate and unused
but can be revisited and used for a small amount of time. It can also be related to coffins, cemeteries
and Halloween.
Autumnusian:
a slightly neutral gender related to autumn (fall), fallen leaves, oak trees, the
smell of maples, rain, and/or the sun.
Bellusgender:
a gender relating to anything beautiful to the user’s eye (can be flowers, pets
etc).
Burlesgender:
A gender that is ineffable, extremely hard to label, but is flamboyantly and
fabulously androgynous. It was first
coined as Ziggystardustgender but changed due to this referencing a fictional
character.
Camogender:
a gender that’s hard to see on the outside, almost invisible, but very deep and
full of meaning on the inside. Can be thick or thin but is always not what it
appears to be.
Cosmiccoric:
a gender that feels like you’re a cosmic entity, one with the universe,
especially when meditating.
Crystalforestgender:
a gender associated with both crystals and forests or that is easily described
by both forests and crystals.
Demi-Smoke:
a transcendental, spiritual gender roughly drifting to other genders that are
unable to be foreseen or understood, shrouded in darkness within your inner
visual. Elevating through mystery and caused
by a lack of inner interpretation and one’s dark emotional states.
Derkazgender:
where you feel like parts of your gender are hidden or concealed in darkness.
Djender: a
gender that is harsh and jagged.
Elegender:
a gender up to interpretation by individuals, but in essence is an ethereal
gender that is unable to be understood by either the individual or others; a
gender that cannot be explained; a dainty, elegant, or delicate gender.
Estetikgender:
when your gender is influenced by your current aesthetic.
Fatugender:
a useless gender.
Fractigender:
a gender identity characterized by different genders occurring with different
intensities, and yet still connected (either through expression,
interpretation, or being experienced simultaneously). This identity is based on the Latin fractus (broken), perfect passive
participle of frangō (break, fragment),
the idea being a pattern that repeats on smaller and smaller scales, and
different locations.
Genderabyssalis:
a gender that is dark, deep, and abyssal. It may be connected to darkness, dimness, and
cold nights. It can be masculine or
neuter-aligned, but need not be.
Genderamburo:
a gender that feels slightly scorched or burnt.
Genderardere:
a gender that feels like it has been burnt/scorched, but still remains.
Genderatrum:
a gender shrouded into darkness. It feels gloomy and unwelcoming, isolating itself
from other genders.
Gendercalefecere:
a gender that feels like it warms, and then quickly cools again.
Gendercimiterium:
a gender related to graveyards. It feels
buried underneath other genders, and trapped forever more.
Genderclock:
a xenogender related with time and clocks.
Gendergothica:
a gender that feels Gothic or related to Gothic architecture or literature.
Gendermortes:
A gender that fades into death.
Gendermortuss:
A gender that feels dead or is barely clinging to life.
Gendernoir:
A gender related to the noir aesthetic.
Genderplush:
A gender related to teddy bears.
Gendertextus:
a gender that is woven into other genders.
Icegender:
A cold gender that's disconnected from emotion
Lolitagender:
A gender related to Lolita fashion.
Magikavine:
A gender related to the color purple, dark circus aesthetics, and magic.
Mermaidcoric:
A gender related to mermaidcore.
Multioculaec:
a gender related to having or wanting multiple eyes (Based off Wingphinaec).
Naufragiumgender:
a gender simply abandoned. It is similar
to a shipwreck in that it just plainly disappears for a while, later to be rediscovered
by advancing into the depths of gender.
Necrogender:
a gender that used to exist but is now 'dead' or nonexistent.
Nightshadegender:
when your gender feels ominous and dangerous if wrongly handled.
Noirgender:
an aesthetic gender based on being goth.
Noxnidorian:
A gender that’s related to the night and specifically the smell of the night.
Nymphetic:
genders relating to the nymphet/doelette/coquette/faunlet aesthetic &
fashion, without k!nk attatched
Ophthalmogender:
a gender described by your own eye and its characteristics at some point.
Opscugender:
a dark, murky gender, hard to describe or see.
Pastelgothcoric:
a gender related to pastel gothcore, or just pastel goth in general!
Petrichic:
a xenic-alignment with rain, storms, and water.
Pictogender:
a gender that can only be described through imagery. A pictogender individual
might only be able to describe their gender with icons, symbols, emojis, color
gradients, or some other visual.
Pinkcoric:
A gender related to pinkcore.
Punque: a
gender characterized by the punk aesthetic, fashion, culture, music and
attitude. Can be used as a descriptor or
as a noun.
Puppetic: A
xenogender related to puppets/marionettes.
Sadcoric: A
gender related to sadcore
Sapphiregender:
A gender that is aesthetically related to sapphires, a gender that is feminine,
non-binary, and vaguely fluid.
Savmysterius:
a masculine xenogender that feels shrouded in fog and is hard to define. It’s
slightly fluid, golden and ancient, and draws influence from many sources,
including: crystals & forests, stars & death, old gods & demons,
angels and the fae.
Sexygender:
a gender that is very, very sexy
Shampooium:
a dermagender that feels sudsy like shampoo, and makes other genders feel
healthy as well.
Shipwreckian:
a gender somehow connected to shipwrecks, the deep sea, shades of blue and warm
ocean waters.
Sliwarmasix:
a slightly warm gender, it hovers slightly above other genders and never flares
up.
Somnigender:
a gender identity related to, dependent upon, or inexorably connected to a
feeling of sleepiness or tiredness. Alternately, it can refer to a gender that
is difficult or impossible to perceive or identify due to feelings of
sleepiness or tiredness. Not a
narcolepsy/insomnia-based neurogender, just general sleepiness.
Squishyic:
a xenogender related to squishies.
Starboy: A
gender related to boasting, cyberpunk, and crime.
Tenebric: a
gender that feels cold and dark; it smells of moss and nature.
Traumacoric:
A gender related to traumacore.
Urbisgender:
a gender built like a city, composed of many, many parts that all function to
help one another; full of many small parts and things to discover.
Vampcoric:
a coric gender related to vampirecore.
Wanderlust
Gender: a labyrinthine, eerie gender that’s impossible to navigate or map, but
which causes no anxiety. This gender is
fun to explore even if it’s easy to get lost in.
Windowgender:
a gender feeling like the space between the glass and the screen of the window
thus either a free-flowing gender or for those who feel their genders are
transparent!
Wingphinaec:
a gender related to wings or having wings!
Witchcoric:
a xenogender related to witchcore.
Xenoirgender:
A gender based in emo, scene and other offshoots of goth.
Zombiecoric:
a masculine, feminine or neutral gender based around zombiecore; feels decayed
& dark, which isn’t necessarily a bad thing.
