Slag

Slag (pronounced slag)

(1) The substantially fused and vitrified matter separated during the reduction of a metal from its ore; also called cinder.

(2) The scoria (the mass of rough fragments of pyroclastic rock and cinders produced during a volcanic eruption) from a volcano.

(3) In the post-production classification of coal for purposes of sale, the left-over waste for the sorting process; used also of the waste material (as opposed to by-product) from any extractive mining.

(4) In industrial processing, to convert into slag; to reduce to slag.

(5) In the production of steel and other metals, the scum that forms on the surface of molten metal.

(6) In commercial metallurgy, to remove slag from a steel bath.

(7) To form slag; become a slaglike mass.

(8) In slang, an abusive woman (historic UK slang, now a rare use).

(9) In slang, a term of contempt used usually by men of women with a varied history but now to some degree synonymous with “unattractive slut” (of UK origin but now in use throughout the English-speaking world and used sometimes also of prostitutes as a direct synonym, the latter now less common).

(10) In the slang of UK & Ireland, a coward (now regionally limited) or a contemptible person (synonymous with the modern “scumbag” (that use still listed by many as “mostly Cockney” but now apparently rare).

(11) In Australian slang, to spit.

(12) Verbally to attack or disparage somebody or something (usually as “slag off”, “slagged them”, “slagged it off” etc); not gender-specific and used usually in some unfriendly or harshly critical manner; to malign or denigrate.  Slang dictionaries note that exclusively in Ireland, “slagging off” someone (or something) can be used in the sense of “to make fun of; to take the piss; the tease, ridicule or mock” and can thius be an affectionate form, rather in the way “bastard” was re-purposed in Australian & New Zealand slang.

1545–1555: From the Middle Low German slagge & slaggen (slag, dross; refuse matter from smelting (which endures in Modern German as Schlacke)), from the Old Saxon slaggo, from the Proto-West Germanic slaggō, from the Proto-Germanic slaggô, the construct being slag(ōną)- (to strike) + -gô (the diminutive suffix).  Although unattested, there may have been some link with the Old High German slahan (to strike, slay) and the Middle Low German slāgen (to strike; to slay), the connection being that the first slag from the working of metal were the splinters struck off from the metal by being hammered.  Slāgen was from Proto-West Germanic slagōn and the Old Saxon slegi was from the Proto-West Germanic slagi.  Slag is a noun & verb, slagability, deslag, unslag & slaglessness are nouns, slagish, slagless, slagable, deslagged unslagged, slaggy & slaglike are adjectives and slagged, deslagged, unslagged, slagging, deslagging & unslagging are verbs; the noun plural is slags.  As an indication of how industry use influences the creation of forms, although something which could be described as “reslagging” is a common, it’s regarded as a mere repetition and a consequence rather than a process.

In the UK & Ireland, the term “slag tag” is an alternative to “tramp stamp”, the tattoo which appears on the lower back.  Both rhyming forms seem similarly evocative.

The derogatory slang use dates from the late eighteenth century and was originally an argot word for “a worthless person or a thug”, something thought derived from the notion of slag being “a worthless, unsightly pile” and from this developed the late twentieth century use to refer to women and this is thought to have begun life as a something close to a euphemism for “slut” although it was more an emphasis on “unattractiveness”.  The most recent adaptation is that of “slagging off” (verbal (ie oral, in print, on film etc) denigration of someone or something, use documented since 1971 although at least one oral history traces it from the previous decade.  In vulgar slang, slag is one of the many words used (mostly) by men to disparage women.  It’s now treated as something akin to “slut” (in the sense of a “women who appears or is known to be of loose virtue) but usually with the added layer of “unattractiveness”.  The lexicon of the disparaging terms men have for women probably doesn’t need to precisely to be deconstructed and as an example, in the commonly heard “old slag”, the “old” likely operates often as an intensifier rather than an indication of age; many of those labeled “old slags” are doubtless quite young on the human scale.  Still, that there are “slags” and “old slags” does suggest men put some effort into product differentiation.

How slag heaps are created.

All uses of “slag”, figurative & literal, can be traced back to the vitreous mass left as a residue by the smelting of metallic ore, the fused material formed by combining the flux with gangue, impurities in the metal, etc.  Although there’s much variation at the margins, typically, it consists of a mixture of silicates with calcium, phosphorus, sulfur etc; in the industry it’s known also as cinder and casually as dross or recrement (the once also-used "scoria" seems now exclusively the property of volcanologists).  When deposited in place, the piles of slag are known as “slag heaps” and for more than a century, slag heaps were a common site in industrial regions and while they still exist, usually they’re now better managed (disguised).  A waste-product of steel production, slag can be re-purposed or recycled and, containing a mixture of metal oxides & silicon dioxide among other compounds, there is an inherent value which can be realized if the appropriate application can be found.  There are few technical problems confronting the re-use of slag but economics often prevent this; being bulky and heavy, slag can be expensive to transport so if a site suitable for re-use is distant, it can simply be too expensive to proceed.  Additionally, although slag can in close to its raw form be used for purposes such as road-base, if any reprocessing is required, the costs can be prohibitive.  The most common uses for slag include (1) Landfill reclamation, especially when reclaiming landfills or abandoned industrial sites, the dense material ideal for affording support & stability for new constructions, (2) the building of levees or other protective embankments where a large cubic mass is required, (3) in cement production in which ground granulated blast furnace slag (GGBFS) can be used as a supplementary component material of cement, enhancing the workability, durability and strength of concrete, (4) manufacturing including certain ceramics & glass, especially where high degrees of purity are not demanded, (5) as a soil conditioner in agriculture to add essential nutrients to the soil and improve its structure, (6) as a base for road-building and (7) as an aggregate in construction materials such as concrete and asphalt.  The attraction of recycling slag has the obvious value in that it reduces the environmental impact of steel production but it also conserves natural resources and reduces the impact of the mining which would otherwise be required.  However, the feasibility of recycling slag depends on its chemical composition and the availability of an appropriate site.

Harold Macmillan, Epsom Derby, Epsom Downs Racecourse, Surrey, 5 June 1957.

The word “slag” has been heard in the UK’s House of Commons in two of the three senses in which it’s usually deployed.  It may have been used also in the third but the Hansard reporters are unlikely to have committed that to history.  In 1872, Benjamin Disraeli (1804-1881, UK prime-minister Feb-Dec 1868 & 1874-1880) cast his disapproving opposition leader’s gaze on the cabinet of William Gladstone (1809–1898; prime-minister 1868–1874, 1880–1885, Feb-July 1886 & 1892–1894) sitting on the opposite front bench and remarked: “Behold, a range of extinct volcanoes; not a flame flickers upon a single pallid crest.”.  Sixty-odd years later, a truculent young Harold Macmillan (1894–1986; UK prime-minister 1957-1963) picked up the theme in his critique of a ministry although he was slagging off fellow Tories, describing the entire government bench as “a row of disused slag heaps”, adding that the party of Disraeli was now “dominated by second-class brewers and company promoters.”  Presumably Macmillan thought to be described as a “slag heap” was something worse than “extinct volcano” and one can see his point.  The rebelliousness clearly was a family trait because in 1961, when Macmillan was prime-minister, his own son, by then also a Tory MP, delivered a waspish attack on his father’s ministry.  When asked in the house the next day if there was “a rift in the family or something”, Macmillan said: “No.”, pausing before adding with his Edwardian timing: “As the House observed yesterday, the Honorable Member for Halifax has both intelligence and independence.  How he got them is not for me to say."

Lindsay Lohan and the great "slagging off Kettering scandal".

Although lacking the poise of Macmillan, Philip Hollobone (b 1964; Tory MP for Kettering since 2005), knew honor demanded he respond to Lindsay Lohan “slagging off” his constituency.  What caught the eye of the outraged MP happened during Lindsay Lohan’s helpful commentary on Twitter (now known as X) on the night of the Brexit referendum in 2016, the offending tweet appearing after it was announced Kettering (in the Midlands county of Northamptonshire) had voted 61-39% to leave the EU: “Sorry, but Kettering where are you?”

Philip Hollobone MP, official portrait (2020).

Mr Hollobone, a long-time "leaver" (a supporter of Brexit), wasn’t about to let a mean girl "remainer's" (one who opposed Brexit) slag of Kettering escape consequences and he took his opportunity in the House of Commons, saying: “On referendum night a week ago, the pro-Remain American actress, Lindsay Lohan, in a series of bizarre tweets, slagged off areas of this country that voted to leave the European Union.  At one point she directed a fierce and offensive tweet at Kettering, claiming that she had never heard of it and implying that no one knew where it was.  Apart from the fact that it might be the most average town in the country, everyone knows where Kettering is.”  Whether a phrase like “London, Paris, New York, Kettering” was at the time quite as familiar to most as it must have been to Mr Hollobone isn’t clear but he did try to help by offering advice, inviting Miss Lohan to switch on Kettering's Christmas lights that year, saying it would “redeem her political reputation”.  Unfortunately, that proved not possible because of a clash of appointments but thanks to the Tory Party, at least all know the bar has been lowered: Asking where a town sits on the map is now “slagging it off”.

Screen grab from the "apology video" Lindsay Lohan sent the residents of Kettering advising she'd not be able to switch on their Christmas lights because of her "busy schedule".

Slut

Slut (pronounced sluht)

(1) A woman of loose virtue; one who seeks sexual partners to an extent thought wantonly excessive (vulgar and usually derogatory).

(2) By extension, a prostitute (now rare, presumably because as it came to be applied more widely, such use began to lack precision.

(3) By extension, someone who seeks attention through inappropriate means or to an excessive degree (vulgar, figuratively and usually derogatory) . 

(4) By analogy, a person with seemingly undiscriminating desires for or interests in something (coffee-slut, chocolate-slut etc).

(5) A kitchen maid or servant (obsolete).

(6) An slovenly, untidy person (historically usually applied to women and now rare).

(7) A bold, outspoken woman (always derogatory and now obsolete). 

(8) A female dog (obsolete, bitch the replacement although that's now sometimes avoided because of the way it's used offensively against women). 

(9) A rag soaked in a flammable substance and lit for illumination, tied or mounted usually to a long handle (obsolete).

Circa 1400: From the late Middle English slutte (a dirty, slovenly, careless, or untidy woman) which may be either derived from or related to "sloth" and the first known use in print was in the medieval "Coventry Mystery Plays"; the Oxford English Dictionary (OED) lists it as "of doubtful origin" and though paired alliteratively with sloven (which also first appears there) both suggestive of "lewd, lascivious woman", this remains uncertain.  It’s thought likely cognate with the dialectal German Schlutt (slovenly woman), dialectal Swedish slata (idle woman) and Dutch slodde or slodder (a careless man) but the exact relationship of all these is obscure.  In dialectical Norwegian, there was slut (mud) and slutr sleet (dirty liquid) in which meaning, like future adoptions, tended to the impure.  It’s thought related also the Middle Dutch slore, the Modern Dutch slomp and the German schlampe, the latter enjoying some popularity in the English-speaking world.  Etymologists have also suggested the possibility of a link with the Old English (West Saxon) sliet & slyt, (sleet, slush) which may be compared to the Norwegian dialectal slutr (snow mixed with rain), the connection being the sense of "the impure or dirty".  Slut is a noun & verb; sluttish, slutty, sluttier & sluttiest are adjectives, sluttishness & sluttiness are nouns, the noun plural is sluts.

Another of those English words with meanings changing over centuries, in 1402 slut meant roughly what one sense of slattern means today: a slovenly, untidy woman or girl.  It also meant kitchen maid although Geoffrey Chaucer (circa 1344-1400) used sluttish to describe both them and the appearance of an untidy man but as early as the end of the fifteenth century the sense had emerged as a woman of loose virtue, though not (yet) a prostitute although in the 1660s there are examples of the use of the word to refer to "playful young women" without any suggestion of a sexual overtone.  By the mid-fifteenth century, slut had come to be used of "kitchen & scullery maids" and from this the meaning was transferred to the labors: as late as the eighteenth century the hard pieces of imperfectly kneaded dough were called slut's pennies and dust left to gather on a floor was slut's wool.  The meanings ran in parallel until the nineteenth century; Samuel Johnson (1709-1784) thought the main use of the word was to suggest untidiness and a Samuel Pepys' (1633–1703) diary note in 1664 uses it as a term of endearment to commend the cheerful efficiency of one of his kitchen maids.  By the late twentieth century, the modern meaning had subsumed all others and was applied almost always pejoratively.  However, there were some in the late 1990s who adopted slut in the names of websites with content broader than the more specialised in the genre, an example of which was the now sadly defunct literary discussion and book-review site, bookslut.com, edited by feminist critic and author Jessa Crispin (b 1978).  A newer site, https://www.thebookslut.com now exists, seeming to function as an all-purpose clearing house for all things literary.

Before the advent of modern science gave rise to the extraordinary proliferation of technical terms, probably no purpose in English was so productive in the manufacture of words than the need to insult or disparage women and as an element, "slut" did its bit to contribute.  Although there are no rules which dictate exact use, there are dirty sluts, total sluts, pub sluts, slum sluts, ugly sluts, supersluts and slutbags.  Those thought sluts form part of the sluthood and exist in a state of slutdom; if one sleeps with one on a casual basis, one has had a slut stand and when observing her among the others in a slutfest, one might have noticed her was styled in slutstrands (two strands of hair (left & right) pulled down around the face with the rest pulled back.  Surprisingly, although sluts wear certain sorts of shoes, they're described not a slut-shoes but as "fuck-me shoes" (which isn't too literal because "fuck-me shoes" can be boots).  Among adjectives, the common form is slutty, the comparative sluttier & the superlative sluttiest but the simpler form is simply that one slut "out-sluts" another; a judgment inherently subjective.  The male slut was often a term of (sometimes grudging) admiration and referred to a promiscuous man who could sometimes be said to be a slut-maker.  A job slut was someone who often switched occupations and that could be used either neutrally or in a derogatory sense although in politics, the term "political prostitute" became popular and "political slut" did not, presumably because the intended implication was that the switching of allegiances was venal.  As a self descriptor without a sexual connotation it was once widely used but has become less popular because of feminist criticism (which must be why there were Facebook sluts but not TikTok sluts although the latter may be applied in a different context).  Once, there were press sluts (also known as media tarts in the digital age), coffee-sluts, beer sluts, chocolate-sluts, party sluts and book sluts, the terms all indicating an indiscriminate consumption of or addition to whatever was referenced.  To confuse English speakers, in Swedish, a slutstation is not what people variously may imagine but a part of public transport infrastructure meaning a terminus (the end-station at which a service terminates); figuratively it's used to mean "a final destination".  English visitors, returning home from Sweden have been known to nickname nightclubs with a certain reputation "slutstations".

Slutwalk, Toronto, Canada, April 2011. 

In the twenty-first century, feminists sought to claim the word and began a campaign socially to construct slut-shaming as an unacceptable form of bullying or discrimination.  Just as overtly political have been the slut-walks, the first of which was held in Toronto, Canada in April 2011 in reaction to comments by a police officer suggesting women were at least partially complicit in sexual assault by dressing in certain ways and that in their own interest, they should “…avoid dressing like sluts".

The police hastened to issue a flurry of apologies but that was perceived as crisis management rather than any indication of cultural change and the slut-walk soon followed, since repeated in many cities world-wide, sometimes as regular events.  Despite that, expressions of “victim blaming” continue to be issued by figures of authority.  A stated aim at the time was to redefine "slut" to describe someone in control of their own sexuality, to rid the word of any negative connotations.  That seemed linguistically ambitious but, although there are in English words which over time have come to mean the exact opposite of what they once did, it’s wrong to describe this as part of the “reclaim the word” movement.  It’s more of an attempt at re-appropriation like the successful campaign which gained “gay” its new exclusivity.  From within feminism came a critique which thought the word slut a distraction, something which attracted too much of the news media’s focus at the expense of the substantive issues: (1) a right to choose one’s clothing without fear of harassment, (2) the right to inhabit public space on the same basis as men and (3) that consent to sexual activity must always be explicit and can never be deemed to be implied on the basis of clothing or other signal.  This view suggested the issue was not the right to self-label as a slut but the right for women actually safely to exist in a time and place on the basis of their choice.

The RHS

The cocktails called the Red-Headed Slut (RHS) or the Ginger Bitch are identical.  Although variations exist, the original is served on the rocks, poured over ice, either in a old fashioned (rocks) glass or a highball.  Quantities of ingredients can vary but the alcohol components should always be equal.

Ingredients

(1) One part Jägermeister
(2) One part peach schnapps
(3) Cranberry juice

Instructions

Combine Jägermeister and schnapps in glass full of cubed or crushed ice. Add cranberry juice to fill glass. Stir as preferred.

It may be served as a shooter, chilled and shaken but without ice.   One popular derivative includes equal parts Jägermeister, Schnapps, Crown Royal, and cranberry-flavored vodka.  Some substitute Chambord for the cranberry juice, and sometimes Southern Comfort for the schnapps.  For a sweeter taste, apricot brandy can be used instead of schnapps and best of all, there’s the Angry Red-Headed Slut which adds rum (over-proof or two shots to increase the degree of anger).

Lindsay Lohan enjoying an eponymous: Surely an affectionate homage, the Lindsay Lohan is a variation, the Lohanic version taking a classic RHS and adding a dash of Coca-Cola (usually expressed as "coke").  It should be served in a highball or other tall glass.

Cocktail

Cocktail (pronounced kok-teyl)

(1) Any of various short mixed drinks, consisting typically of gin, whiskey, rum, vodka, or brandy, with different admixtures, as vermouth, fruit juices, or flavorings, usually chilled and frequently sweetened.

(2) A portion of food, as seafood served with a sauce, a mixture of fruits, or juice, served as the appetizer course of a meal.

(3) In pharmacology, a mixture or solution concocted of various drugs.

(4) In casual use, a thing mixed of several ingredients.

(5) Any eclectic mixture or miscellaneous collection.

(6) An evening dress in semi-formal style; probably now a LBD (little black dress) alternative.

(7) A horse with a docked tail (archaic).

(8) A horse of mixed pedigree (ie standardbred and not a thoroughbred (archaic)).

(9) A man of poor breeding pretending to be a gentleman (archaic).

(10) A species of rove beetle, so called from its habit of elevating the tail.

(11) As the Molotov Cocktail, an improvised incendiary weapon; a petrol bomb.

1806:  If one accepts what seems the orthodox view, the construct was cock + tail.  Cock (in this context) was from the Middle English cok, from the Old English coc & cocc (cock, male bird), from the Proto-West Germanic kokk, from the Proto-Germanic kukkaz (cock), probably of onomatopoeic origin.  It was cognate with the Middle Dutch cocke (cock, male bird) and the Old Norse kokkr (cock (and source of the Danish kok (cock) and the dialectal Swedish kokk (cock)). The development was influenced by the Old French coc, also of imitative origin.  Tail (in this context was from the Middle English tail, tayl & teil, from the Old English tæġl (tail), from the Proto-Germanic taglaz & taglą (hair, fiber; hair of a tail), from the primitive Indo-European doḱ- (hair of the tail), from deḱ- (to tear, fray, shred).  It was cognate with the Scots tail (tail), the Dutch teil (tail, haulm, blade), the Low German Tagel (twisted scourge, whip of thongs and ropes; end of a rope), the German Zagel (tail), the dialectal Danish tavl (hair of the tail), the Swedish tagel (hair of the tail, horsehair), the Norwegian tagl (tail), the Icelandic tagl (tail, horsetail, ponytail) and the Gothic tagl (hair).  From this, came the general idea of the tail (rear) being the opposite of the head (front) which was generalized to many front-rear comparisons.

That etymology of course relies on the simple conjecture that "cocktail" was an allusion to the decorative embellishments often appended to the glasses in which mixed drinks were served; often made of bar wastage such as fruit rind or the leaves of pineapples, the constructions were said vaguely to resemble a rooster’s tail feathers.  Zoological still but equestrian rather than avian, it’s been linked also to the earlier use of cocktail to describe a "horse with a docked tail" (one cut short, which makes it stand up somewhat like the cock's comb).  The linkage is that because that method of dressing the tail was most associated with ordinary working horses rather than the pure-blooded thoroughbreds, cocktail came to be extended to drinks that were a mixture rather than anything pure.

What is certain however is the word is an Americanism and none of the attempts to explain the origin have found general acceptance.  HL Menken (1880-1956) listed several possibilities and the one which seemed most to appeal to him was a connection with the French coquetier (egg-cup) which, in English, was "cocktay".  That’s because a late eighteenth-century New Orleans apothecary, Antoine Amédée Peychaud (circa 1803-1883 and a confessed Freemason), conducted Masonic rituals in his pharmacy, mixing brandy toddies with bitters and serving them in an egg-cup.  Even those who find the etymology dubious admit it's an attractive tale.  The first known reference to a cocktail party is 1907 and since the 1920s cocktail has been used, formally and informally, to describe any concoction of substances (fruit, seafood, chemicals et al).  In motorsport, for almost a century, various high-octane fuel concoctions have sometime been allowed and colloquially they're known as the “exotic cocktails”.  What goes into the mixes has included gasoline (petrol, including high octane aviation fuel), methanol (known also as methyl alcohol), nitromethane (an often secret blend with several additives which creates famously explosive combustion characteristics and is banned in most categories), propane and nitrous oxide.  

The Cocktail Dress

Varations on the theme of the cocktail dress: Lindsay Lohan in vintage Herve Leger at Arrivals For Cartier Declare Your Love Day VIP cocktail reception, Cartier Store, New York, June 2006 (left) and in black Dion Lee cocktail dress with illusion panels and an off-the-shoulder silhouette, January 2013 (right).

Cocktail dresses straddle the gap between daywear and ball gowns.  Intended to be worn at formal or semi-formal occasions (classically of course, the “cocktail party”) including wedding receptions or dinner parties, they’re typically shorter in length than a gown, the hemline falling somewhere between just above the knee to mid-calf.  There’s no exact template for a cocktail dress but they should be identifiable by their simplicity and elegance, thus the utility of their versatility.  While not exactly post-modern, they appear in many fabrics and just about any style including empire, bandage, A-line or sack, featuring a range of necklines, sleeve lengths, and embellishments.  Historically, befitting the sophistication once associated with the cocktail party, the dresses were characterized by modesty and severity of line, the classic motif the tailored silhouette, relatively uncluttered by details.  Vogue magazine labeled the accessories (shoes, jewelry, a clutch and sometimes a wrap) the “cocktail dress ensemble”.  Things have has changed a bit and in recent decades, some discordant elements have intruded.

The Molotov Cocktail  

Molotov Coca-Cola Triptych (1997) by Alexander Kkosolapov (b 1943),

Describing a hand-held petrol-bomb, the term Molotov Cocktail was coined by the Finnish military during the Finnish-Soviet war (Winter War) of 1939-1940.  In Finnish it’s polttopullo or Molotovin koktaili, a reference to Soviet foreign minister Vyacheslav Molotov (1890-1986; USSR Foreign Minister 1939-1949 & 1953-1956).  In 1939, Comrade Molotov claimed the Soviet Union was not dropping bombs on Finland, but merely airlifting bread to starving Finns.  The ordinance being dropped was an early type of cluster bomb which the Finns sarcastically dubbed Molotov's bread basket and soon after, they developed the petrol bomb as an improvised incendiary device suited especially to anti-tank operations in Finnish winter conditions.  That, they named the Molotov Cocktail, "a drink to take with the bread”.

The RHS

The cocktails called the Red-Headed Slut (RHS) or the Ginger Bitch are identical.  Although variations exist, the original is served on the rocks, poured over ice, either in a old fashioned (rocks) glass or a highball.  Quantities of ingredients can vary but the alcohol components should always be equal.

Ingredients

(1) One part Jägermeister
(2) One part peach schnapps
(3) Cranberry juice

Instructions

Combine Jägermeister and schnapps in glass full of cubed or crushed ice. Add cranberry juice to fill glass. Stir as preferred.

It may be served as a shooter, chilled and shaken but without ice.   One popular derivative includes equal parts Jägermeister, Schnapps, Crown Royal, and cranberry-flavored vodka.  Some substitute Chambord for the cranberry juice, and sometimes Southern Comfort for the schnapps.  For a sweeter taste, apricot brandy can be used instead of schnapps and best of all, there’s the Angry Red-Headed Slut which adds rum (over-proof or two shots to increase the degree of anger).

The Lindsay Lohan

Lindsay Lohan enjoying an eponymous.  Surely an affectionate homage, the Lindsay Lohan is a variation, the Lohanic version taking a classic RHS and adding a dash of Coca-Cola (usually expressed as "coke").  It should be always served in a highball.

Boss

Boss (pronounced bos or baws)

(1) A person who employs or supervisors workers; a manager; a person in charge of a business or company.

(2) A politician who controls the party organization, as in a particular district (historically most associated with the Democrat & Republican party “machines” in US cities from the mid-nineteenth to the late twentieth centuries and notorious for devious, corrupt or illegal practices and still used in many countries where the US influence was strong, notably the Philippines.

(3) To be master of or over; manage; direct; control; to be a boss.

(4) To order about (used especially if conducted in an officious manner.

(5) To be too domineering and authoritative (often as “bossy”).

(6) To ornament with bosses; to emboss.

(7) On slang, first-rate.

(8) In botany & zoology, a protuberance or roundish excrescence on the body or some internal organ of an animal or on a plant.

(9) In geology, a knob-like mass of rock, especially an outcrop of igneous or metamorphic rock, applied particularly to the uppermost part of an underlying batholith.

(10) An ornamental protuberance of metal, ivory, etc; a stud.

(11) In architecture, an ornamental, knob-like projection, as a carved keystone at the intersection of ogives.

(12) A stone roughly formed and set in place for later carving.

(13) In bookbinding, one of several pieces of brass or other metal inset into the cover of a book to protect the corners or edges or for decoration.

(14) In engineering, a small projection on a casting or forging appearing on a machine or fitting; an area of increased thickness, usually cylindrical, that strengthens or provides room for a locating device on a shaft, hub of a wheel etc

(15) In nautical use, a projecting part in a ship's hull or in one frame of a hull, fitting around a propeller shaft.

(16) In plumbing, to hammer (sheet metal, as lead) to conform to an irregular surface.

(17) In dialectal (northern English) use, a familiar name for a calf or cow.

(18) In dialectal (Scots) use, hollow.

(19) As the abbreviation BOSS, the Bureau of State Security; an apartheid-era branch of the South African security police which existed 1969-1980.

(20) In informal use (particularly in India and in Multicultural London English (MLE)), a term of address to a man, not of necessity related to employment, status or other relationships but also as an alternative of “guv” or “guvnor”.

(21) In video gaming, an enemy, often at the end of a level, that is particularly challenging and must be beaten in order to progress (from the Far East), from the Japanese ボス (bosu).  In Swedish, the related form is slutboss (the construct being slut (end) +‎ boss (boss) and synonymous with sista bossen).

(22) In (allegedly) humorous use, one’s wife.

(23) In archery, a target block (now constructed usually of hard foam but historically made of hay bales), to which a target face is attached.

(24) In building, a wooden vessel for the mortar used in tiling or masonry, hung by a hook from the laths, or from the rounds of a ladder.

(25) In hydrology, a head or reservoir of water.

(26) A hassock or small seat, especially made from a bundle of straw (obsolete).

1250–1300: From the Middle English bos, bose & boce, from the Anglo-French boce (lump, growth, boil), from the Old French boce (lump, bulge, protuberance, knot), from either the Frankish bottja or the (unattested) Vulgar Latin bottia, both of uncertain origin but probably related to the Italian bozza (metal knob, swelling) and the Proto-Germanic bautaną (to hit, strike, beat).  By the turn of the fifteenth century, it was used in the sense of “to swell out; to beat or press into a raised ornament” and by the 1620s as “to furnish with bosses”.  The word survives as the Modern French bosse.

The (highly nuanced) use to mean “a supervisor” dates from the 1640s and was a creation of US English, from the Dutch baas (master, foreman).  The Dutch baas was from the Middle Dutch baes (master of a household, friend), from the Old Dutch baso (uncle, kinsman), from the Proto-West Germanic baswō, from the Proto-Germanic baswô (uncle) which may have been from the Proto-Germanic ba- or bō- (father, older male relative), the source also of the English terms babe, boy, bub & bully. It was cognate with the Middle Low German bās (supervisor, foreman), the Old Frisian bas (master), hence the Saterland Frisian Boas (boss) and the Old High German basa (father's sister, cousin) from which German gained Base (aunt, cousin) (although not all etymologists are convinced there’s a link with the Old High German basa).  The etymology seems to suggest the word originally was a term of respect used to address an older male relative (usually an uncle but also even others considered “honorary uncles”).  Later, in New Amsterdam (the old name for New York), it came to mean “a person in charge who is not a master (in the legal sense of ownership) and the representation of the Dutch -aa- by the English -o- is attributed to the older, unrounded pronunciation of this letter, which remains prevalent in North America and parts of Ireland, but in the colonial era existed also in some British accents.  The Dutch form baas is in English from the 1620s as the standard title of a Dutch ship's captain and the rapid adoption in the US may have reflected the popularity of a word which avoided the slavery implications of “master”, something never necessary in England where the terms master & servant were included in legislation into the twentieth century.

Lindsay Lohan released the track Bossy in May 2008.  It was classified as electropop & dance-pop and was about a bolshie woman; it’s thus considered autobiographical.

The slang adjective meaning “excellent; first rate” was in use at least by the 1880s although it faded from use before being revived (perhaps independently) in the 1950s, in the slang of US youth and jazz musicians.  The adjective bossy was developed from the noun and in the 1540s meant “a swelling, projecting and rounded, decorated with bosses” The meaning “domineering, fond of ordering people about” was first noted in 1882.  The use as the Scots adjective meaning “hollow; empty” dates from the early sixteenth century and is of obscure origin.  The northern English dialectal form which was a familiar name for a cow or calf was first documented in 1844 and was from the earlier dialectal form buss (calf) which is of uncertain origin but is thought almost certainly from the Latin bōs cow (ox), from the primitive Indo-European root gwou- (ox, bull, cow).  The verb emboss (to ornament with raised work) dated from the late fourteenth century and was from the Old French embocer (and thus a similar form to embocieure (boss, stud, buckle), from an assimilated form of the construct en- (in, into) + boce (knoblike mass).  The synonyms, depending on context includes administrator, chief, chieftain, director, employer, executive, leader, owner, supervisor, capital, champion, fine, fly, top, controller (or comptroller), executive, foreman, foreperson, head, honcho, head honcho, overseer & superintendent.  Boss is a noun, verb & adjective, bosser & bossiness are nouns, bossed is a verb, bossing is a verb & adjective, bossily is an adverb and bossy is an adjective; the noun plural is bosses.

The Boss Mustangs

During the initial development phase in 1968-1969, the project code for Ford’s Boss Mustang programme was the bland “SKO” (Special Mustang, Kansas City Operation).  According to industry legend, secrecy was maintained by instructing the staff working to the prototype to respond to any questions about the vehicle by saying “it’s the boss’s car”.  Whether or not that’s true, it was the project's boss (the chief engineer) who suggested the “BOSS” name formerly be adopted as the official model designation and although the management team initially responded with restrained enthusiasm, the production cars emerged as 1969 models as the “Boss Mustang” and the response was so good it was continued for three seasons and the corporation has over the decades revived the name, both in the US and Australia.

1969 Ford Mustang Boss 302.

The first of the line was the Boss 302, introduced in 1969.  The Boss 302 existed solely to ensure Ford would have a competitive entry for the SCCA’s (Sports Car Club of America) Trans-Am series which was conducted in two classes, one for cars with engines up to 2.0 litres (122 cubic inch) and one with a five litre (305 cubic inch) limit, the Mustangs campaigned in the latter.  Ford had enjoyed early success in the series but Chevrolet’s Camaro had prevailed in 1968, its Z/28 package optimized for the road circuits on which the events were conducted and Ford’s initial response had been the “Tunnel Port” engine, developed with cylinder heads cleverly designed for top end power at the expense of just about everything else.  The tunnel ports certainly delivered the power but the high-revving engines proved chronically unreliable although the debate about whether this was a fundamental flaw in the design or some laxness in the preparation has never been resolved and their performance in competition over the decades since does suggest that if assembled and maintained with the appropriate care, they’re a robust unit.

1970 Ford Mustang Boss 302.

However, noting the care with which the Z/28 had been configured, Ford decided to follow their example and conceived the Boss 302 Mustang with a bucket of money in one hand and plans of the Trans-Am’s circuits in the other.  Added to the robust 302 cubic inch (4.9 litre) Windsor block were more modern cylinder heads with canted valves, emulating the approach adopted for the new Cleveland (335) series V8.  Unlike the highly strung tunnel ports, the Boss 302 had a wider power band and more low-speed torque, characteristics more suited to the race tracks.  To ensure success, 1000 identical examples had to be sold but such was the demand 1628 were built, all fitted with the modifications to the brakes and suspension required to provide the basis of a successful race car.  Despite it all, the Camaro again won the series in 1969 but the Boss 302 returned to take the title in 1970 and that year's model proved even more popular with 7013 sold.

1969 Ford Mustang Boss 429.

The homologation of the Boss 302 for competition was a simple matter in that it was a complete package, as required under SCCA rules.  The Boss 429 Mustang was different in that it was only the engine which was required to be built is sufficient numbers, 500 required for them to be used on the NASCAR (National Association of Stock Car Auto Racing) ovals & circuits and with 857 built in 1969 (a further 499 1970 models were also produced), the threshold was reached.  The Mustang was not used in NASCAR but such was the symbiotic relationship between the sanctioning body and the manufacturers that Ford was granted permission separately to homologate the platform and the powerplant, the intermediate Torino Talladegas (actually to be used) with their aerodynamic enhancements produced in their run of 500 (which may or may not have been produced in time) but fitted with ordinary engines.  So cooperative was NASCAR that they even nudged their capacity limit to 430 cubic inches to accommodate Ford’s new engine which was just slightly larger than the previous 7 litre mark.  That’s sounds needlessly complicated and was (as well as being expensive) but the market research suggested that while demand would exist for at least 500 Boss 429 Mustangs, 500 Ford Torinos & Mercury Cyclones (the models actually used in competition) with the big engine might be hard to shift.

Boss 429 in 1969 Mercury Cyclone, 1971 Daytona 500.

The decision was thus taken to put the Boss 429 in the pony car but it was not a simple task and one certainly not appropriate for Ford’s high volume, mass-production lines so the job was out-sourced to a third party which received a series of deliveries in two parts, (1) batches of complete cars and (2) crates containing engines.  The task was to remove the existing engine (to be returned to the factory), make the necessary modifications to the body and suspension, fit the Boss 429 and attend to all the small details which made the cars into regular production models.  The concept was simple but the wide engine wouldn’t fit without significant changes and although Ford never revealed how much of a loss it made on each Boss 429, few estimates have figured it was less than a four figure sum per unit.  Still, they must have been pleased with the investment because the engine did the job in NASCAR and the aura surrounding the Boss 429 Mustang has grown over the years.  That however took a while because it wasn’t wholly suited to life on the street or the drag-strip and was at its happiest only when on a racetrack at full throttle, breathing in through a very big carburetor and out through free-flowing tubular headers.  The professionals however learned quickly, the pioneers of the then still novel business of turbo-charging finding the Boss 429 took to forced aspiration like few others.

1971 Ford Mustang Boss 351.

Times had changed by 1971.  It was obvious to all the crazy era of the muscle cars was in its last days and both the Boss 302 and 429 were retired, the tasks of homologation done.  There was however a Boss 351 Mustang, a machine with no pretensions to any real link with competition although it was dressed up to look the part.  A development of Fords 335 (Cleveland) series, it's an engine at which the purists have sometimes looked askance because it lacked the extensive lubrication enjoyed by the Windsor which underlay the Boss 302s but for street use it's certainly more than adequate.  The lack of pedigree has meant the Boss 351 has never enjoyed the stellar reputation of its predecessors and its lines doubtlessly contributed to that, the new body bigger and heavier, lacking the litheness of the earlier years.  Even when standing still however the thing undeniably had a presence although the dramatic roofline (said to be highly aerodynamic) did restrict rearward visibility, the glass close to horizontal.

1971 Ford Mustang Boss 351.

It may not have enjoyed the racing history of the Boss 302 or possessed the thoroughbred lineage of the Boss 429 but lurking behind all the thunder, it ranks with the best of the Chrysler 340s as one of the most under-estimated engines of the era and contemporary reports were impressed with the performance, noting it could run with machines fitted with engines sometimes 100 cubic inches (1.6 litres) larger while at the same time delivering a better driving experience, the smaller, lighter weight over the front wheels making it rather more nimble although that was a relative phrase; the Boss 351 was no Lotus Elan.  The engine technically was Ford’s short-lived 351 HO which would soon fall victim to the increasingly restrictive emission regulations but demand was anyway falling; having sold over 7000 Boss 302s in 1970, only 1806 Boss 351s were made.

Lindsay Lohan, Bossy (2008)