Diet

Diet (pronounced dahy-it)

(1) Food and drink considered in terms of its qualities, composition, and its effects on health.

(2) A particular selection of food, especially as designed or prescribed to improve a person's physical condition or to prevent or treat a disease.

(3) Such a selection or a limitation on the amount a person eats for reducing weight.

(4) The foods eaten, as by a particular person or group.

(5) Food or feed habitually eaten or provided.

(6) Anything (food and otherwise) habitually provided or partaken of.

(7) To regulate the food of, especially in order to improve the physical condition.

(8) Legislative bodies of certain countries.

(9) The general assembly (Reichstag) of the estates of the Holy Roman Empire.

(10) In the law of Scotland, the date fixed by a court for hearing a case.

(11) In the law of Scotland, a single session of a court.

(12) In microbiology, the abbreviation of Direct Interspecies Electron Transfer.

1175-1225: From the Middle English diete or dieten (pittance, fare) and the Old French diete (diet, pittance, fare), from the Medieval Latin dieta (parliamentary assembly (also "a day's work”; daily food allowance, food) from diaeta (prescribed way of life) from the Ancient Greek díaita (way of life, regimen, dwelling), from diaitan & diaitasthai (separate, select (food and drink) which later had the sense “to direct or lead one's life”), frequentative of diainysthai (take apart), the construct being dia (apart) + aita (akin to aîsa share, lot) from ainysthai (take), from the primitive Indo-European root ai- (to give, to allocate).

As a verb, diet began its evolution to the current modern meaning from the late fourteenth century with a range of meanings such as “customary way of eating", "food considered in relation to its quantity and effects" & "a course of food regulated by a physician or by medical rules", the latter often a restriction of food or certain foods, hence the sense of “putting someone on a diet” which was attested by the 1650s in the sense of the specific meaning "to regulate oneself as to food" and applied especially against growing fat; from here came “dieted” & “dieting”.  A long obsolete word for this was banting (an early system for weight loss through diet control, named after its inventor, William Banting (1797-1878), the English undertaker(!) who self-tested the programme and advertised it in his 1863 pamphlet: Letter on Corpulence, Addressed to the Public").  The undertaker lived a long life and was inspired to enter the embryonic field which would become such a huge industry because, in the course of his work, he noted, impressionistically, a striking correlation between obesity and those who died young.  Because of the linguistic coincidence, although the word is a surname, it was used as a verbal noun as in “she needs to start banting".  The system was similar to some modern diet advice in that it advocated eating lean meats and limiting the intake of fat, starch, and sugar.

As a noun applied to legislative bodies (assembly of delegates, etc., held from day to day for legislative, political, or other business), it came into use in the fifteenth century, the Medieval Latin diēta (public assembly) apparently the same word as Latin diaeta, from the Ancient Greek diaita (way of life, regimen, dwelling) but associated with Latin dies (day).  Technically, diēta was a variant of diaeta (daily office of the Church) most often translated as daily duty or an assembly or meeting of counsellors.  In Latin diēta meant also "a day's work, diet, daily food allowance", derived from diaeta (prescribed way of life), from the Greek diaita and the best-known early assemblies were the German and Austrian of the Holy Roman Empire, “diet” used as a descriptor by both French and English authors.  The (now rare) adjective dietal (pertaining to a diet in the “assembly” sense) entered the language in 1845.

Product placement: Diet Coke in Mean Girls (2004).

The verbal noun “dieting” from the verb diet was first noted circa 1400 and the first practicing (or at least one advertised as such) dietician (one who practices some theory of diet) dates from 1845, from the noun diet on the model of physician, replacing the older dietist from circa 1600 although it seems curious dietist hasn’t been picked up as an Instagram niche; one can hardly think of a better tag for many an influencer.  The adjective dietary (pertaining to diet) is from the 1610s, from the Medieval Latin dietarius, from the Classical Latin diaetarius.  The old adjectives are listed by dictionaries thus: diætetic (archaic), dietetical (dated) and dietetic (obsolete).  All meant “pertaining to the rules for regulating the kind and quantity of food taken” and again were from the diaeteticus, from the Ancient Greek διαιτητικός (diaitētikós).  The adjective “diet” as a trade-name meaning (or at least implying) “slimming, having reduced calories” was first used in the US in 1958 when the Diet Rite soft drink was released, its novelty being sugar-free and the Coca-Cola Company responded in 1963 with the similar Tab which remained available in a gradually dwindling number of markets until 2020.  Interestingly, the Coca-Cola Company which since 1983 had been selling Diet Coke, discovered from its extensive market research that “diet” was off-putting to male consumers and thus in 2005 released Coca-Cola Zero though they must have though consumers just didn’t get it because in 2017 it was re-named Coca-Cola Zero Sugar.

Japanese Diet: Upper (2013 & 2016) and Lower House (2017) Election Results

Elections for the lower house (House of Representatives) of the Japanese diet became rambunctious sometime in the 1950s but those for the upper house (House of Councillors) were usually rather sleepy affairs which seemed to matter little until, in retrospect, the polls of 2013 and 2016 seemed to assume an unexpected importance after the Liberal Democratic Party’s (LDP) unexpectedly decisive victory in the 2017 (lower house) general election.  What the 2017 landslide meant was that Prime Minister Shinzo Abe’s (b 1954; Prime Minister of Japan 2006-2007 & 2012-2020) LDP suddenly enjoyed a two-thirds majority in both houses, a type of control of the legislature called a supermajority, giving Mr Abe the legal means, if perhaps not a mandate, to attempt to amend Japan’s pacifist constitution which had been a long-held ambition of members of certain LDP factions.

Adopted in 1947 when Japan was under US occupation, the constitution has ensured Japan’s so-called Self-Defense Forces have never been deployed in combat although successive LDP administrations have for decades stretched policy well-beyond what the constitution technically permits.  The critical matter is Article 9 of the constitution which prohibits war as a means to settle international disputes and its repeal would be controversial in the region where the conduct of Imperial Japan’s military remains in living memory.  Nor is it universally popular at home, some fearing a government might be tempted by risky military adventurism.  However it’s analyzed, the people of post-war Japan have done very well out of their “pacifist” constitution and even with his double-chamber supermajority, constitutional revision was no simple thing, a change requiring a national referendum and the opinion polls indicated there was no certainty voters would approve what would have been the be the first change to the document which has been the nation’s basic law for some seventy-five years.  It is now the world’s oldest, un-amended constitution.

Under the terms of Article 9, the Japanese people “…forever renounce war as a sovereign right of the nation and the threat or use of force as means of settling international disputes".  That would seem to make illegal the waging of offensive war, confirmed by the phrase “The right of belligerency of the state will not be recognized” but Article 9 also stipulates "…land, sea, and air forces, as well as other war potential, will never be maintained".  Article 9 needs obviously to be read in conjunction with more recent documents, given the Japan Self-Defense Force (JSDF) consists of: Ground Self-Defense Force (Rikujou Jieitai, GSDF; includes aviation), Maritime Self-Defense Force (Kaijou Jieitai, MSDF; includes naval aviation), Air Self-Defense Force (Koukuu Jieitai, ASDF); Japan Coast Guard (Ministry of Land, Transport, Infrastructure and Tourism) (2021) with an establishment of approximately 240,000 active personnel (145,000 Ground; 45,000 Maritime; 45,000 Air; 4,000 Joint Forces); 14,000 Coast Guard (2021).

JSDF helicopter carrier Hyūga (DDH-181) on exercises with a US carrier strike group.  Listed as an escort ship according to JSDF naming conventions, the two Hyūga-class carriers are the largest largest ships commissioned by the Japanese navy since the Second World War.

The emphasis admittedly is certainly on self-defense because the official overseas deployment in January 2022 stood at 175, all attached to the US base in Djibouti (2021).  Still, most analysts rate the JSDF as the fifth most powerful (in non-nuclear capability) military on the planet so the idea that “…land, sea, and air forces, as well as other war potential, will never be maintained” clearly needs a bit of mental gymnastics to be understood.  Indeed, in the years immediately after Japan regained its sovereignty in 1954, some black-letter law judges in lower courts felt compelled to declare the JSDF unconstitutional but appellate courts found a number of ways to rationalize matters and have always regarded it as a political matter, declining to be involved and in recent years it’s never been tested.  Political it certainly is, the US, authors of Article 9 (in the years before the Chinese Communist Party (CCP) conquered mainland China), soon began to review its position, re-equipping the embryonic forces which would become the JSDF, the constitutional constraints apparently no impediment.  In the years since, the US has more than once encouraged Japan to amend Article 9, the Pentagon not unhappy at the thought of the JSDF’s impressive capabilities being able to augment US forces in overseas deployments.  Those capabilities may be more impressive still, some analysts claiming the country has the capacity to commission and equip existing delivery systems with nuclear warheads within weeks or even days, depending on who is running the numbers.  According to some, lurking deep in (the inevitably secret underground) bunkers, the warheads lie in an almost complete state, awaiting only the placement of the weapons-grade plutonium.  A marvelous conspiracy theory, no evidence has ever been presented other than the circumstantial matters of technical capability and a supposed ability use the capacity of the local nuclear industry for the purpose.  It became an especially interesting theory after the passage of a “Regional Affairs” law in 1999 which permitted Japan automatically to participate as "rear support", were the US to be engaged in armed conflict involving "regional affairs”.  Nobody has ever suggested the South China Sea is anything but a “regional affair”.

Neither Beijing nor Seoul have suggested Tokyo is planning a second attempt at an East-Asia Co-prosperity Sphere but a change meaning Japan can again declare or wage war remains controversial at home and abroad although given how the force has evolved since 1954 and the doubtless ability of Japanese governments to be most expansive in just what “regional” means, the status of Article 9 may be less significant than once it appeared.  As things transpired, the implications of Mr Abe’s rare dual chamber supermajority remained unexplored and he retired from office in 2020 as Japan’s longest-serving prime-minister.

In praise of dieting: Lindsay Lohan before and after.

Pontiff

Pontiff (pronounced pon-tif)

(1) In historic pagan use, any pontifex, high or chief priest.

(2) In historic ecclesiastical use, a bishop.

(3) In modern use, the Roman Catholic Pope, the Bishop of Rome.

1600–1610: From the Middle French pontife, from the Latin pontifex.  The form "pontiff" which emerged in the early 1600s preserved the earlier (pagan) meaning "high priest", from the French pontif, also ultimately from the Latin pontifex (a title used by a Roman high priest).  It was used to refer to the office of bishop in Church Latin but appears not to have been recorded in that sense in English until the 1670s and then, only specifically to "the Bishop of Rome" (ie the Roman Catholic Pope), the Roman Catholic Pope. Pontifical was however used in that sense from the mid fifteenth century but it's now exclusively an alternative name for a pope.  Not any pope however; it’s never used with reference to the Coptic Pope.  The Latin pontifex meant literally “bridge builder”, the construct being pōns (bridge) +‎ fex (suffix representing a maker or producer).  It was used as a title for some of the more senior pagan priests of Ancient Rome, the consensus being it was adopted as a metaphorical device to suggest “one who negotiates between gods and men” although at least one scholar of antiquity suggested the relationship was close to literal in that the social class which supplied the priests was more or less identical with engineers responsible for building bridges.  That may seem more a sociological than theological point but for structural functionalists and other realists, such distinctions seem a bit naff.

Pontifical promotion: Lindsay Lohan in 2019 flirted with an eternity in Hell by purloining a picture of Pope Francis to promote her song Xanax.  The image was taken in 2013, during a visit to the National Shrine of Our Lady Aparecida in Brazil while he was conducting communion.  Captioned “Blessed be the Fruit”, the meme has a digitally altered image of Francis holding up a copy of her debut album Speak (2005) and in the language of the MBAs would probably be classified as a kind of “ambush marketing”.  The prospect of damnation must have been considered but when one has a dropped tune to promote, risks must be taken.

Theodosius I (347–395) was the last Roman Emperor (379-395) to rule both the eastern and western "halves" of the Roman Empire.  Once, on his travels he fell so ill that death seemed inevitable but, upon being baptised, he staged an astonishing recovery and reached Constantinople a devout Christian.  Immediately he set about removing the last vestiges of paganism from the Empire.  It wasn’t the first imperial intervention against paganism.  Earlier, the Emperor Gratian (359–383) had refused the traditional title Pontifex Maximus (chief priest of the state religion) because his bishop thought it unworthy for a Christian emperor to accept a pagan honour, even though it had been worn by emperors since Constantine (circa 272–337).  However, although the Church may have disapproved of pagan baubles for others, by 590, Pope Gregory I (circa 540–604) decided it was fine for him and granted it to himself, explaining a pope was the “…chief priest of Christianity” and that Constantine had claimed to be the “bishop of bishops”, a role long since assumed by popes.  It’s from here the word pontiff evolved into its modern form.

Pope Pius VIII (1761-1830) being carried in Saint Peter's on the Sedia Gestatoria (circa 1825), wearing the papal triple tiara (triple crown) by Emile Jean Horace Vernet (1789-1863).

The sedia gestatoria (gestatorial chair, literally translated from the Italian as "chair for carrying") was the ceremonial throne on which the Pope, pontiff of the Roman Catholic Church, was carried on shoulders of courtiers.  An enlarged and elaborate version of the sedan chair, it was constructed with a silk-covered armchair attached to a suppedaneum, on each side of which were two gilded rings; through these passed the long rods with which twelve palafrenieri (footmen) carried the chair on their shoulders.  With origins in antiquity, the sedia gestatoria was for almost a millennium used to convey popes during the grandest of ceremonial occasions in the Basilica of St John Lateran & St Peter's Basilica and, beyond the Holy See, somewhat less grand sedia gestatoria were used by cardinals and others, given sometimes with the blessing of the pope as an expression of especial favor.  Used also by Byzantine emperors, the concept and much of the design was borrowed from the sedias of the Roman Empire although there, use was a little less exclusive, high officials as well as emperors enjoying the distinction and some fun was made of rich individuals (who held no public office) arranging their own.

Pope Benedict XVI in Popemobile passing 1600 Pennsylvania Avenue (the White House), Washington DC, April 2008.  This Popemobile was based on a Mercedes-Benz ML 430 (W163), powered by a 4.3 litre (260 cubic inch) V8 (M113).

For their public appearances, popes have been driven a variety of vehicles ranging from a Leyland truck to a Ferrari Mondial Cabriolet (1982-1993), the latter believed to be the fastest of the Popemobiles.  Although most associated with the need to provide protection against assassination, the Popemobiles replaced the sedia gestatoria because, although trips such as Benedict's to White House would have been possible with the traditional chair carried by a dozen, attractive young palafrenieri, it would have been time-consuming.  Pope John Paul I (1912–1978; pope August-September 1978) was the last to use the sedia gestatoria and even he had resisted, preferring to walk, acceding only because without the elevated platform, his visibility to the crowd and the television cameras would be so limited.  Pope John Paul II (1920–2005; pope 1978-2005), the first non-Italian pontiff in over four-hundred years, vetoed the idea of being carried on shoulders and alternatives were created, evolving into the increasingly armored Popemobiles.  The sedia gestatoria thus joined the papal tiara (triple crown) on the shelf of the retired symbols of the church of a grander age.

The Triple Tiara

Sultan Süleyman the Magnificent (circa 1545), woodcut by an unknown Venetian artist.  Historians suspect the depiction of the splendid jewel-studded helmet was substantially accurate but the object may simply have been too heavy safely to wear for all but static, set-piece events, the risk of injury to the neck too great.

The papal triple tiara is a crown which has been worn by popes of the Roman Catholic Church since the eighth century.  Traditionally it was worn for their coronation but no pontiff has been so crowned since Saint Paul VI (1897-1978; pope 1963-1978) in 1963 and he abandoned its use after the Second Vatican Council (Vatican II, 1962-1965).  The name tiara refers to the entire headgear and it has used a three-tiered form since a third crown was added during the Avignon Papacy (1309–1378).  It's also referred to as the triregnum, triregno or Triple Crown.  In a piece of one- (or perhaps four-) upmanship, Suleiman I (Süleyman the Magnificent, 1494-1566, Sultan of the Ottoman Empire 1520-1566) commissioned from Venice a four tier helmet to show, in addition to the authority claimed by popes, he could add the symbol of his imperial power.  Often put on display as the centrepiece of Ottoman regalia to impress visitors, there's no documentary evidence the sultan ever wore the four layer tiara, crowns not part of the tradition and, fashioned from gold and gemstones, it would anyway have been extraordinarily heavy.

A representation of the triregnum combined with two crossed keys of Saint Peter continues to be used as a symbol of the papacy and appears on papal documents, buildings and insignia.  Remarkably, there’s no certainty about what the three crowns symbolize.  Some modern historians link it to the threefold authority of the pope, (1) universal pastor, (2) universal ecclesiastical jurisdiction and (3) temporal power.  Others, including many biblical scholars, interpret the three tiers as meaning (1) father of princes and kings, (2) ruler of the world and (3) vicar of Christ on Earth, a theory lent credence by the words once used when popes were crowned:  Accipe tiaram tribus coronis ornatam, et scias te esse patrem principum et regum, rectorem orbis in terra vicarium Salvatoris nostri Jesu Christi, cui est honor et gloria in saecula saeculorum (Receive the tiara adorned with three crowns and know that thou art father of princes and kings, ruler of the world, vicar on earth of our Savior Jesus Christ, to whom is honor and glory for ever and ever).

Documents in the Vatican Archive suggest by 1130 the papal tiara had been modified to become a conventional (and temporal) symbol of sovereignty over the Papal States.  In 1301 during a dispute with Philip IV (Philip the Fair, 1268–1314, King of France 1285-1314), Pope Boniface VIII (circa 1230–1303; pope 1294-1303) added a second layer to represent a pope’s spiritual authority being superior to an earthly king’s civil domain.  It was Benedict XII (1285–1342; pope 1334-1342 (as the third Avignon pope)) who in 1342 who added the third, said to symbolize the pope’s moral authority over all civil monarchs, and to reaffirm Avignon’s possession.  A changing world and the loss of the Papal States deprived the triple crown of temporal meaning but the silver tiara with the three golden crowns remained to represent the three powers of the Supreme Pontiff: Sacred Order, Jurisdiction and Magisterium.

Pope Pius XII (1876-1958; pope 1939-1958) in the papal triple tiara, at his coronation, 1939.

Not since 1963 has a pope worn the triple crown.  Then, the newly-elected Pope Saint Paul VI, at the end of his coronation, took the tiara from his head and, in what was said to be a display of humility, placed it on the altar.  In a practical expression of that humility, the tiara was auctioned; the money raised used for missionary work in Africa although, keeping things in house, the winning bidder was the Archdiocese of New York.  Popes Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) and Francis (b 1936; pope since 2013) received tiaras as gifts but neither wore them.  Benedict’s, in a nice ecumenical touch, was made by Bulgarian craftsmen from the Orthodox Church in Sofia, a gesture in the name of Christian unity.  Benedict would have appreciated that, having always kept a candle burning in the window to tempt home the wandering daughter who ran off to Constantinople.

Lindsay Lohan, the wandering daughter who ran off to Dubai in Lynn Kiracofe tiara, W Magazine photo- shoot, April 2005.

Eminence

Eminence (pronounced em-uh-nuhns)

(1) A position of superiority; high station, rank, or repute.

(2) The quality or state of being eminent; Prominence in a particular order or accumulation; esteem.

(3) In topography, a high place or part; a hill or elevation; height.

(4) As a color, a dark or deep shade of purple.

(5) In anatomy, a protuberance.

(6) In the hierarchy of the Roman Catholic Church, a title used to address or refer to a cardinal (in the form “eminence”, “your eminence”, “his eminence” or “their eminences”).

(7) As “gray eminence” (the usual spelling of éminence grise), a “power behind the throne”.

1375–1425: From the late Middle English eminence (projection, protuberance (and by the early fifteenth century a “high or exalted position”)), from the Anglo-French, from the Old French eminence, from the Latin ēminēntia (prominence, protuberance; eminence, excellence; a standing out, a distinctive feature, most conspicuous part), the construct being equivalent to ēmin- (base of ēminēre (to stand out) + -entia (-ence) (the noun suffix), from eminentem (nominative eminens) (standing out, projecting (and figuratively “prominent, distinctive”)), from an assimilated form of the construct ex- (out) + -minere (related to mons (hill), from the primitive Indo-European root men- (to project).  The adjective eminent dates from the early fifteenth century and was used in the sense of “standing or rising above other places; exceeding other things in quality or degree” and was from the thirteenth century Old French éminent (prominent) or directly from the Latin eminentem.  From the 1610s, it came be used of those “distinguished in character or attainments”.  The noun pre-eminence (also as pre-eminence) was known as early as the twelfth century and then meant “surpassing eminence; superiority, distinction; precedence, a place of rank or distinction”.  It was from the Late Latin praeeminentia (distinction, superiority), from the Classical Latin praeeminentem (nominative praeeminens), the present participle of praeeminere (transcend, excel (literally “project forward, rise above”)) the construct being prae (before) + eminere (stand out, project).  The alternative for eminency is listed usually as archaic or obsolete.  Synonyms include conspicuousness, distinction, prominence, renown, celebrity, note & fame in the context of status and elevation or prominence when applied to topography.  Eminence & eminency are nouns, eminently is an adverb and eminent is an adjective (and a non-standard noun); the noun plural is eminences or eminencies.

The use in anatomy is to describe certain protuberances including (1) hypothenar eminence (plural hypothenar eminences) (the ulnar side of the human hand; the edge of the hand between the pinky and the outer side of the wrist, (2) ileocecal eminence (plural ileocecal eminences) (the ileocecal valve), (3) median eminence (plural median eminences) (part of the inferior boundary for the hypothalamus in the human brain and (4) frontal eminence (plural frontal eminences) (either of two rounded elevations on the frontal bone of the skull (known also as the “tuber frontale”).

Extract from xona.com's color list.

As a name for a deep or dark shade of purple, name eminence has been in regular use since the nineteenth century and there have always been variations in the shades so described; on the color charts of different manufacturers, this continues.  In digital use however, eminence as a shade of purple has been (more or less) standardized since 2001 when xona.com promulgated their influential color list.  Although “eminence” is the form of address for a cardinal in the Roman Catholic Church, it’s presumable this has no relationship with the color eminence because cardinals wear red and it’s the monsignors who don a purple which does look like the shade typically described as eminence.  As far as is known, the name “monsignor” has never been applied to any shade.  Monsignor is one of the honorary titles Popes for centuries granted to priests within their Papal Court and there were many degrees of these, conferred usually on priests worked closely with the Holy Father in Rome.  Over time, the use of monsignor was expanded and could be granted to priests beyond Rome on the recommendation of a bishop.  Recently, Pope Francis (b 1936; pope since 2013) has restricted this, returning to the older ways and this will have please some bishops, not all of whom were anxious to see too much purple in their diocese.  The monsignor’s purple (which most would probably call a magenta) was connected to the tradition in the Roman empire to vest new dignitaries with a purple toga and in medieval heraldry the color symbolized justice, regal majesty and sovereignty although not so much should be made of this in the context of the Vatican’s choices in ecclesiastical fashion: Originally, it was never envisaged monsignors would wander far from the Holy See.

Pope Francis passes the coffin (casket) at the funeral of Cardinal George Pell (1941-2023), St Peter’s Basilica, the Vatican, January 2023.

Until the sixteenth century bishops wore green and this use persists on the traditional coat of arms that each bishop chooses when elected.  In the 1500s, the switch was made to “amaranth red,” named after the amaranth flower although, despite the name, the actual hue is more like fuchsia but, being similar to a purple, church historians maintain there’s some symbolic value linking with the bishop being charged to govern his local diocese.  Technically, the Holy See describes the color worn by cardinals as “scarlet” and their eminences are described as “princes” of the church although part of the mystique of the place is that the red symbolizes the blood they’re all supposed to be prepared to spill to defend the pope.  When the Pope places the biretta (the hat with 3 or 4 stiffened corners worn as part of liturgical dress) on top of the cardinal’s head, he says, “(This is) scarlet as a sign of the dignity of the cardinalate, signifying your readiness to act with courage, even to the shedding of your blood, for the increase of the Christian faith, for the peace and tranquility of the people of God and for the freedom and growth of Holy Roman Church.”  As a title of honor within the church, eminence was in use as early as the 1650s although apparently since the 1720s, the honorific has been exclusive to cardinals.

Cardinal Richelieu (1636), oil on canvas by Philippe de Champaigne (1602–1674) (left) and Engraving of Francois Leclerc du Tremblay (circa 1630) by an unknown artist.

The term gray eminence was from the French éminence grise, plural eminences grises or eminence grises (literally “grey eminence” and the French spelling is sometimes used in the English-speaking world).  It was applied originally to François Leclerc du Tremblay (1577–1638), also known as Père Joseph, a French Capuchin friar who was the confidant and agent of Cardinal Richelieu (1585–1642), the chief minister of France under Louis XIII (1601–1643; King of France 1610-1643).  The term refers to du Tremblay’s influence over the Cardinal (who bore the honorific of Eminence), and the colour of his habit (he wore gray).  Aldous Huxley (1894–1963) sub-titled his biography of Leclerc (L'Éminence Grise (1941)): A Study in Religion and Politics.  Huxley discussed the nature of both religion & politics, his purpose being to explore the relationship between the two and his work was a kind of warning to those of faith who are led astray by proximity to power.

Use of the term éminence grise suggests a shadowy, backroom operator who avoids publicity, operating in secret if possible yet exercising great influence over decisions, even to the point of being “the power behind the throne”.  In this a gray eminence differs from a king-maker or a svengali is that those designations are applied typically to those who operate in the public view, even flaunting their power and authority.  Probably the closest synonym of the gray eminence is a “puppetmaster” because of the implication of remaining hidden, and although never seen, the strings they pull are if one looks closely enough.  The svengali was named for the hypnotist character Svengali in George du Maurier’s (1834–1896) novel Trilby (1894).  Svengali seduced, dominated and manipulated Trilby who was a young, half-Irish girl, transforming her into a great singer but in doing so he made her utterly dependent on him and this ruthlessly he exploited.

The brown eminence

Adolf Hitler (1889-1945; German head of government 1933-1945 & head of state 1934-1945) followed by his "brown eminence", Martin Bormann (1900–1945).

Bormann attached himself to the Nazi Party in the 1920s and proved diligent and industrious, rewarded in 1933 by being appointed chief of staff in the office of Rudolf Hess (1894–1987; Nazi Deputy Führer 1933-1941) where he first built his power base.  After Hess bizarrely flew to Scotland in 1941, Hitler abolished the post of Deputy Führer, assigning his offices to Bormann and styling him Head of the Parteikanzlei (Party Chancellery), a position of extraordinary influence, strengthened further when in 1943 he was appointed Personal Secretary to the Führer, a title he exploited to allow him to act as a kind of viceroy, exercising power in Hitler’s name.  Known within the party as the der brauner Schatten (the brown shadow) which was translated usually as “Brown Eminence” (an allusion to an éminence grise), he maintained his authority by controlling access to Hitler to whom his efficiency and dutifulness proved invaluable.  The "brown" refers to the Nazi's brown uniforms, a color adopted not by choice but because when the cash-strapped party in the 1920s needed uniforms for their Sturmabteilung (The SA, literally "Storm Division" or Storm Troopers and known as the "brownshirts"), what were available cheaply and in bulk was the stock of brown army clothing intended for use in the tropical territories the Germans would have occupied had they won World War I (1914-1918).  Bormann committed suicide while trying to make his escape from Berlin in 1945 although this wasn't confirmed until 1973.

Lindsay Lohan's inner eminence on film.

Lindsay Lohan (2011) by Richard Phillips & Taylor Steele.

Screened in conjunction with the 54^th international exhibition of the Venice Biennale (June 2011), Lindsay Lohan was a short film the director said represented a “new kind of portraiture.”  Filmed in Malibu, California, the piece was included in the Commercial Break series, presented by Venice’s Garage Center for Contemporary Culture and although the promotional notes indicated it would include footage of the ankle monitor she helped make famous, the device doesn't appear in the final cut.

At the festival, co-director Richard Phillips (b 1962) was interviewed by V Magazine and explained: “Lindsay has an incredible emotional and physical presence on screen.  “[She] holds an existential vulnerability, while harnessing the power of the transcendental — the moment in transition. She is able to connect with us past all of our memory and projection, expressing our own inner eminence.”

Directed by: Richard Phillips & Taylor Steele
Director of Photography: Todd Heater
Creative Director: Dominic Sidhu
Art Director: Kyra Griffin
Editor: Haines Hall
Color mastering: Pascal Dangin for Boxmotion
Music: Tamaryn & Rex John Shelverton
Costume Designer: Ellen Mirojnick

Capuchin

Capuchin (pronounced kap-yoo-chin or kap-yoo-shin)

(1) A notable agile, forest-dwelling Central and South American monkey (Cebus capucinus), having a prehensile tail and a cowl of thick hair atop the head, vaguely resembling a monk’s hood.

(2) Any monkey of the genus Cebus (the term ring-tailed monkey is also sometimes used and the Sapajus apella is known as the tufted capuchin.)

(3) A style of hooded cloak historically worn by women.

(4) A friar belonging to a strict and autonomous branch of the Franciscan (Friars Minor), casual use extending later to Franciscans and eventually to cowled monks generally.

(5) Among bird-watchers, A hooded pigeon.

1590–1600: From the Middle French, from the Italian cappuccino, the construct being capuche (a long, pointed hood worn by monks in many Roman Catholic monastic orders) + -in(o).  Capuchin was an Italian borrowing of the Middle French capuchin (Capuchin friar) (from the earlier from earlier capucin), from the Italian cappuccino (Capuchin friar (literally “a small capuchin)), from cappuccio (hood, cowl), from the Late Latin cappa (cape, hood); synecdochally it was used also to refer to members of orders of Roman Catholic friars generally.  The Italian suffix -ino was from the Latin -īnus, from the primitive Indo-European -inos and was comparable with the English -ine.  It was a noun-forming suffix used (1) to form diminutives, (2) to indicate a profession, (3) to indicate an ethnic or geographical origin & (4) to denote a device, tool or instrument; as an adjective-forming suffix it was used (1) to indicate an ethnic or geographical origin & (2) to denote composition, color or other physical qualities.  Capuchin & capuchiness are nouns; the noun plural is capuchins.

Lindsay Lohan in black capuchin, Los Angeles, October 2011.

The hooded habits worn by friars and nuns of the Capuchin order were a distinctive reddish-brown and in seventeenth century Europe capuchin was a common description of the hue.  According to histories published by the order, the robes were inspired by the vestments actually worn by Saint Francis of Assisi (circa 1180-1226) in the thirteenth century, some of which were preserved in the Abby to which his remains were taken.  Saint Francis actually wore robes which were uncolored but, apparently for no reason other than product differentiation, the Capuchins colored their fabric lest they be confused with friars of other Church orders (the Benedictines, Augustinians, Franciscans etc).

The Colombian white faced capuchin (Cebus capucinus).

The style of prepared coffee called cappuccino (pronounced kap-oo-chee-noh, kah-poo-chee-noh or (in Italian) kahp-poot-chee-naw) consists of an espresso base topped with foamed milk, often served with powdered cinnamon and (sometimes) whipped cream.  The color contrast between the foam and cinnamon makes designs possible and some baristas make these their signatures.  Although it appears in Italian documents from the nineteenth century, the word seems first to have achieved wider popularity in the immediate post-war years (1645-1948).  It was adopted originally because the color of the foam-cinnamon mix was fancied as having a resemblance to the color of a Capuchin habit.  In a trend which has shocked purists, there have long been those who prefer powdered chocolate to cinnamon.

Lindsay Lohan with a brace of takeaway cappuccinos, Los Angeles, January 2008.

Whether the cappuccino really was “invented” by an Italian Franciscan after the 1683 Battle of Vienna (when the armies assembled by the Holy Roman Empire turned away the Ottomans besieging the gates of the city, thereby saving Europe from the threat of Islamic conquest) is unknown and likely a myth but it remains a popular story and, unlike the similar attribution of the aftermath of the battle being the birthplace of the croissant, it’s never actually been disproved.  Historically, all agree the appearance of the cappuccino has changed over the centuries and the extravagance of the froth is a recent innovation.  The name certainly comes from the color of the habits worn by “Capuchin” friars which so resembled the color the beverage assumed when a small measure of milk was added to the almost black, brewed coffee and it’s at least possible cinnamon was among the herbs sprinkled but there were likely many tried.  The modern cappuccino with espresso créma and steamed milk is a twentieth century creation but innovation has always surrounded the barista’s steam and in the late eighteenth century, the Viennese used the German modification of the Italian cappuccino (Kapuziner) and, being Austrians, added whipped cream and spices although some recipe books mention egg yolks as part of the concoction, sugar apparently compulsory.  As an Italian specialty (thought to be an import from the Italian-speaking parts of the Austro-Hungarian Empire barely known outside the country or the parts of the Austro-Hungarian Empire) it spread in the early years of the twentieth century as espresso machines suitable for use in cafés entered volume production and prices fell but outside the country it remained almost unknown until the 1930s and it was during the post-war period when the combination of an influx of foreigners to Italy and the mass-migration of Italians that the cappuccino became the latest of the nation’s many cultural exports.

A classic cappuccino.

However, unlike the practices in many places, Italians seldom took a cappuccino before ten or eleven in the morning, the cultural tradition (said to date from Ancient Rome) being that milk ingested too early in the day impedes the digestion of food for the rest of the day, thus the Italian preference for an early espresso.  In places beyond, there was no such reluctance and in US cities (where they’d been widely available in Italian restaurants since the 1930s) the breakfast cappuccino became a bit of a cult among urban sophisticates and late in the century as coffee chains became first national and then international, the cappuccino went worldwide.

The cappuccino’s place in the milky ecosystem detailed by CoffeeHow.  Sasha’s coffeehow.co is the web’s outstanding site for coffee fiends, being both comprehensive and accessible.  If there’s anything to be known about coffee, Sasha’s site has an entry.  

Making a cappuccino at home

Ingredients

1 oz dark roast ground coffee.
½ cup hot water.
¾ cup whole milk.
Sprinkle of powdered cinnamon.
Whipped cream & sugar (raw sugar or coffee crystals are best) are optional, neither of which are recommended.)

Directions

(1) Place coffee grounds in French press and add the hot water.  Allow the mix to steep (the process by which a porous solid absorbs a liquid) for 4 minutes, then push down on plunger down and pour into a mug, ideally one with an outward curl to the lip.

(2) While coffee is steeping, pour milk into a small pot and heat to 140-150^o F (60-65^o C); ideally, use a thermometer to test temperature.

(3) Pour hot milk into a large container (ideally one made from stainless steel with handle & spout and conical so opening is somewhat narrower than base) and with handheld frothing wand froth hot milk; this should take some 3 minutes.

(4) Pour frothed milk into mug atop coffee and if foaming has been done correctly it should be very foamy on top.  The sugar can at this point be added but a cappuccino is best enjoyed unsweetened.  Sprinkle with cinnamon and serve, if desired with whipped cream.

Viscount

Viscount (pronounced vahy-kount)

(1) In the peerage of the UK, a nobleman ranking below an earl and above a baron.

(2) In medieval Europe, the deputy of a count.

(3) In historic English use, a sheriff.

(4) In the 華族 (Kazoku) (Magnificent/Exalted lineage), a rank in the hereditary peerage (1869-1947) of the Empire of Japan (1868-1947), the system emulating the English structure.

(5) In the UK and some European countries, a secondary title of the higher ranks of nobility, used by the sons of the primary title holders (and in Europe, sometimes by the younger brother of a count).

1350–1400: From the Middle English viscounte, from the Anglo-French & Old French visconte (which in modern French became vicomte), from the Medieval Latin vicecomitem, accusative of vicecomes, the construct being vis- (vice) (deputy) + comes (a Roman imperial courtier or trusted appointee, source of the modern “count” (although the word originally meant "companion").  The title is called a viscountcy, the feminine form is viscountess.

The first counts were created during the Carolingian Empire (800-888; the first epoch of the aggregation which became the Holy Roman Empire which would endure until 1806).  The functions undertaken by the counts varied greatly according to the military and economic demands to their region but they were essentially governors with both administrative and military responsibilities.  Viscounts (ie vice (deputy) counts) were appointed to assist the counts; although the office carried with it no authority, the viscounts exercised powers delegated by the count, often serving as magistrates administering justice in minor civil and less serious criminal matters.  Unlike later place when they would enjoy a place in the formalized structures of the systems of hereditary peerages, neither a counts nor a viscount was an inheritable title, the kings having no wish to create centres of independent political or economic power; the counts and viscounts were to remain dependent on the king and remained in office only at his pleasure.  By the late tenth century, the title of viscount spread to areas under Norman rule, this time exercising the delegated authority of their duke and as early as the mid 1200s, at least some viscountcies had become hereditary.  As a rank in British peerage, it dates from 1440, initially a royal appointment as sheriff but as in France, evolved into a hereditarily title, Lord Melbourne (1779–1848; UK prime-minister 1834 & 1835–1841) once giving a potted explanation of their origin to Queen Victoria (1819–1901; Queen of the UK 1837-1901), pointing out that the titles viscount or marquess “were not really English (and) that dukes and barons were the only real English titles”.

Marquess entered the system from the Old French marchis (ruler of a border area), from marche (frontier), from the Middle Latin marca (frontier), the significance of that to the English peerage being that the border of a Marquess’s lands were those which bordered potentially hostile territory and the holder, responsible for defense, was thus more important to the Crown that those whose holding lay behind the lines.  The aristocrats without the responsibility of border security were styled as barons, viscounts or earls although Melbourne chose not to burden Victoria with the etymology of earl.  Count was from the Old French conté or cunté (denoting a jurisdiction under the control of a count or a viscount (the modern French comté)) but, after the Norman conquest, the Norman French title count was abandoned and replaced with the Germanic “eral”, the entirely speculative but pleasing suggestion being the unfortunate phonetic similarity with “cunt” although the wives of earls continued to be styled “countess”; perhaps the patriarchy of the time were enjoying a little tautological joke.  Earl was from the Middle English erle & erl, (a strong man) from the Old English eorl, from the Proto-Germanic erlaz (related to the Old Norse jarl, the Old High German & Old Saxon erl), from the Proto-Germanic erōną & arōną (related to the Old Norse jara (fight, battle)), from the primitive Indo-European h₃er- (related to the Latin orior (to rise, get up), from the Ancient Greek ὄρνυμι (órnumi) (to urge, incite) and related to the Avestan ərənaoiti (to move), the Sanskrit ऋणोति (ṛṇóti) (to arise, reach, move, attack.  Earl also ultimately displaced the unrelated ealdorman (alderman) which, in Anglo-Saxon Britain, was applied to those men enjoying political ranking second only to the King; over the centuries, the Danish eorl was substituted and that evolved into the modern earl.

Vickers Viscount ZK-BRD of New Zealand’s National Airways Corporation (NAC) on first publicity flight, 1957.

The Vickers Viscount was produced between 1948-1963 by the British concern Vickers-Armstrongs.  One of a number of the products which emerged from the specifications and design requirements laid down by the many committees the British government established after 1942 to plan for the post-war world, it was medium-range turboprop civilian airliner, the first of its type.  A versatile design and sufficiently robust to operate in environments with severe climatic variations and rough airstrips, it was sold to operators around the world, attracted to its comfort (a pressurized cabin then quite a novelty), speed and low running costs.  By the time the last was delivered in 1963, 445 had been sold, an impressive number given that the volumes in civil aviation were a fraction of today.  For decades a reliable workhorse with an enviable safety record, the last Viscount wasn't retired from commercial passenger service until 2009, over sixty years after the first flight.

Vickers Vanguard of British European Airways (BEA (which begat BOAC & BA)), 1964.

In the late 1950s, Vickers would take the Viscount's fundamental design and render it as the larger, faster Vanguard, the rationale being that in the short-medium range, hundred-seat sector, there would continue to be a market for turboprop airliners, their lower operating costs off-setting their speed disadvantage.  That proved not to be the case and in the sector jets prevailed while the turboprops found a role, which endures to this day, in smaller airframes.  The Vanguard entered service in 1960, the timing especially unfortunate as it coincided with the newest generation of jet-airliners better suited to the rapidly expanding short and medium haul market in what was by them the rapidly expanding field of civil aviation.  Consequently, only a few dozen Vanguards were built but they proved as durable and practical as the Viscount and most were converted to freighters and re-christened at the Cargoliner or Merchantman depending on the operator.  Very popular in both Europe and Africa, the freighters continued to fly until 1996.

GM Viewing Auditorium.

In the mid-1960s, General Motors were at their most optimistic, the long post-war boom at its apex and it was, if not indulgent, at least receptive to the ideas of its overseas divisions, Opel (the FRG (West Germany), Vauxhall (UK) and Holden (Australia), then clustered in a unit called General Motors Overseas Operations (GMOO).  Computers were by then widely used in the industry in the production and inventory processes but in the pre-CAD (computer aided (or assisted) design), styling and design was still something done by hand and for final evaluations, full-scale models were rendered in clay or fibreglass.  As part of design process, GM maintained an indoor “Viewing Auditorium” and outdoor “Viewing Terrace”, opened in 1956, where the full-scale models were assessed, often parked next to cars which were either competitors or sometimes just for inspiration.

Vauxhall FD Viscount (FWD) design proposal (D-68927 22 Mar 1966).

One model considered for release in 1969 was a new platform for Vauxhall’s large range, including the top-of-the-range Viscount.  Two radically different proposals were pursued, one with front wheel drive and, as the sessions at the auditorium progressed, increasingly over-wrought styling cues from some of the more lamentable of the era, including rear-wheel spats (technically called fender skirts), the attraction of which some of Detroit’s designers could not for decades shake.  Fortunately, the economics of the approach couldn’t be made to work and attention turned to the second proposal which was to base the Viscount on the German Opel KAD (Kapitän, Admiral, Diplomat) range.

Opel Diplomat design proposal (D-77114 15 Dec 1968).

The Opel KADs range was really rather good and what ended up being released in 1969 as the range-topping Diplomat even had what was then still something of a novelty in Europe: a V8 engine, Opel plucking the 327 cubic inch (5.3 litre) small-block Chevrolet from the GM parts bin.  Augmenting this was a de Dion rear axle, a non-independent but usefully sophisticated arrangement uniquely suited to the high power and torque generated by the engine, the great benefit of which was maintaining in all circumstances the wheels in a true parallel.  By the standards of the age it was a good car but it never succeeded in creating the perception it was a competitor for the Mercedes-Benz models at which it was aimed, nor the bigger BMWs which were moving increasingly up-market.  After the first oil-crisis in 1973, it was considered for US production as a smaller Cadillac but for a number of reasons, the project proved abortive, it being prohibitively expensive to integrate the German body-engineering into Detroit’s production system.  Cadillac instead created the first Seville, using a long-wheelbase version of the Chevrolet Nova (itself based on the Camaro) which was sufficiently well-executed to hid its origins to all but the most knowledgeable.  It was expensive but well-received.

Vauxhall FD Viscount design proposal (D-77841 30 June 1967).

The KAD platform would have been suitable for what Vauxhall envisaged as the Viscount’s market position but the economics of adapting it to right-hand drive and using Vauxhall’s existing 3.3 litre (201 cubic inch) straight, in addition to the styling changes deemed necessary meant, given the anticipated sales volumes, profitability was never likely.  It was a different time and the UK was not then a member of the European Economic Community (EEC 1957-1993 which evolved into the modern European Union (EU); it was in English speaking countries also known as the European Common Market (usually just as the “common market”)) and local laws required local production.  In late 1967, the proposal for a Viscount platform was vetoed and the programme cancelled.

Vauxhall PC Viscount, 1967.

The existing Viscount (introduced in 1966 and a tarted-up version of the cheaper Cresta) thus continued in production until 1972, it’s place at the top of the range assumed by the Ventura, a tarted-up version of the smaller Victor.  Vauxhall would not return to the executive car market until later in the decade when, with the UK now in the EEC, the economics of platform-sharing with Opel became viable.