Xanadau

Xanadu (pronounced zan-a-du)

Also known as Shangdu, Xanadu was the capital of Kublai Khan's (1215-1294) Yuan dynasty (1271-1368) in China, before he decided to move his throne to the Jin dynasty (1115-1234) capital of Zhōngdū (middle capital), which he renamed Khanbaliq, later known in the West as Peking and of late, Beijing.  Xanadu then became his summer capital.  Xanadu was visited by the Venetian merchant Marco Polo (circa 1254–1324) in about 1275, and was destroyed in 1369 by the Ming army under Zhu Yuanzhang (1328-1398).

Relic site of Xanadu.  Xanadu was located in what is now called Inner Mongolia, 220 miles (350 km) north of what is no the city of Beijing (Peking).  Today, only ruins remain, surrounded by a grassy mound that was once the city walls. Since 2002, restoration work has been undertaken and in June 2012, Shangdu was made a World Heritage Site.

Kubla Khan (1797) by Samuel Taylor Coleridge (1772-1834)

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And here were gardens bright with sinuous rills
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced;
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves:
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 't would win me
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

By his own account, Samuel Taylor Coleridge was reading about Shangdu while taking laudanum, an opium based medicine.  It led to an opium-induced dream, during which he composed some three-hundred lines of verse.  As soon as he awoke, he wrote down the first fifty but unfortunately, was then interrupted by “a man on business from [the local Somerset village of] Porlock.”   Once the business was concluded, Coleridge found the distraction had driven from his mind the rest of the poem.  All find Coleridge’s story charming but scholars doubt it’s true, the poet having used a similar excuse years before.  Most think it a case of writer’s block.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011. 

Tumult

Tumult (pronounced too-muhlt or tyoo-muhlt)

(1) Violent and noisy commotion or disturbance of a crowd or mob; uproar.

(2) A general outbreak, riot, uprising, or other disorder.

(3) Highly distressing agitation of mind or feeling; turbulent mental or emotional disturbance.

1375–1425: From the late Middle English tumult(e), from the twelfth century Old French tumult from the Latin tumultus (an uproar; commotion; bustle; uproar; disorder; disturbance), akin to tumēre to (to be excited; to swell), ultimately from the primitive Indo-European root teuə - (& teu) (to swell).  Teuə- was a productive root, forming all or part of: butter; contumely; creosote; intumescence; intumescent; protuberance; protuberant; psychosomatic; -some; soteriology; thigh; thimble; thousand; thole; thumb; tumescent; tumid; tumor; truffle; tuber; tuberculosis; tumult & tyrosine.  It’s the hypothetical source of (and certainly evidence for its existence is provided by): the Avestan tuma (fat), the Ancient Greek tylos (callus, lump); the Latin tumere (to swell), tumidus (swollen) & tumor (a swelling); the Lithuanian tukti (to become fat), the Old Church Slavonic & Russian tuku (fat of animals) and the Old Irish ton (rump).  Tumult is a noun & verb, tumultuate, tumultuating & tumultuated are verbs tumultuously is an adverb and tumultuous is an adjective; the noun plural is tumults.  

Nothing good ever came from the DLP:  One of tumult’s few linguistic niches is the phrase “the tumult & the shouting”, clearly a favorite of publishers given the number of books enjoying the title.  One was the 1977 political memoir of Frank McManus (1905–1983), an Australian senator who was briefly leader of the DLP (Democratic Labor Party) in the dying days of its first and longest incarnation.  While of no great literary merit, it’s a kind of apologia with an entertaining mix of satisfaction at a job well-done, occasional regrets and vicious character assassination, capturing vividly the hatreds which for a generation or more poisoned the Victorian branch of the ALP (Australian Labor Party) following the 1955 split.

Tumult is an example of a word in English where the root has become rare but a derived form remains in common use, the adjective tumultuous more frequently seen (tumultuous noted first in English in the 1540s).  It’s was a borrowing from the Middle French tumultuous (tumultueux in Modern French), from the Latin tumultuosus (full of bustle or confusion, disorderly, turbulent), from tumultus which also provided tumult. Like tumult, the adverb tumultuously and the noun tumultuousness are less common.

Headline writers, whether in print or on-line, famously are fond of alliterations and puns, preferably combined.  It's also one of the few aspects of journalism in which clichés seem to be tolerated and even celebrated.  The breed also has favorite words and one is "tumultuous".  While there are many words which (depending on context), can convey much the same meaning including boisterous, hectic, raucous, histrionic, riotous, stormy, turbulent, violent, agitated, clamorous, disorderly, disorder, disturbed, excited, noisy, obstreperous, passionate, rambunctious, restless, rowdy, turmoil, maelstrom, upheaval, riot, agitation, commotion, pandemonium, strife, rumbustious, termagant, unruly, uproarious, vociferous affray, racket, revolt, revolution, mutiny, unrest, disturbance, hassle, fracas, ferment, turbulence, outcry, convulsion, quarrel & perturbation & vicissitudinous, none work quite as well to encapsulate feeling the and some are not words as widely understood.

For some lives, the only adequate adjective is tumultuous (although "stormy" must have been tempting for some of those writing of Mr Trump.

Doom

Doom (pronounced doom)

(1) Fate or destiny, especially adverse fate; unavoidable ill fortune.

(2) Ruin; death.

(3) A judgment, decision, or sentence, especially an unfavorable one.

(4) In Christian eschatology, the Last Judgment, at the end of days.

Pre 900: From the Middle English dome & doome from the Old English dōm (a law, statute, decree; administration of justice, judgment; justice, equity, righteousness; condemnation) from the Proto-Germanic domaz (source also of the Old Saxon and Old Frisian dom, the Old Norse domr, the Old High German tuom (judgment, decree), the Gothic doms (discernment, distinction), possibly from the primitive Indo-European root dhe- (to set, place, put, do), (source also of the Sanskrit dhā́man (custom or law), the Greek themis (law) and the Lithuanian domė (attention)).  It was with the Old Norse dōmr (judgement), the Old High German tuom (condition) and the Gothic dōms (sentence).  A book of laws in Old English was a dombec.

Lidsay Lohan and her lawyer in court, Los Angeles, December 2011. 

In all its original forms, it seems to have been used in a neutral sense but sometimes also "a decision determining fate or fortune, irrevocable destiny."  The Modern adverse sense of "fate, ruin, destruction" began in the early fourteenth century and evolved into its general sense after circa 1600, influenced by doomsday and the finality of the Christian Judgment. The "crack of doom" is the last trump, the signal for the dissolution of all things and the finality of the Christian Judgment Day, is most memorably evoked in the Old Testament, in Ezekiel 7:7-8.

(7) Doom has come upon you, upon you who dwell in the land. The time has come! The day is near! There is panic, not joy, on the mountains.

(8) I am about to pour out my wrath on you and spend my anger against you. I will judge you according to your conduct and repay you for all your detestable practices.

Doom Paintings

Doom paintings are the vivid depictions of the Last Judgment, that moment in Christian eschatology when Christ judges souls and send them either to Heaven or Hell.  They became popular in medieval English churches as a form of graphical advertising to an often illiterate congregation, dramatizing the difference between rapture of heaven and the agonies of hell, consequences of a life of virtue or wickedness.  During the English Reformation, many doom paintings were destroyed, thought by the new order rather too lavishly Romish.

Weltgericht (Last Judgement) (circa 1435)); Tempera on oak triptych by German artist Stefan Lochner (c1410–1451).

Decimate

Decimate (pronounced des-uh-meyt)

(1) To destroy a great number or proportion of; to devastate, to reduce or destroy significantly but not completely (modern use).

(2) To select by lot and kill every tenth person (obsolete except for historic references).

(3) To take a tenth of or from (obsolete except for historic references).

(4) In computer graphics processing, to replace something rendered in high-resolution with something of lower but still acceptable quality.

(5) To exact a tithe or other 10% tax (almost archaic except in the internal rules of some religions).

1590–1600: From the Latin decimātus (tithing area; tithing rights), past participle of decimāre (to punish every tenth man chosen by lot) a verbal derivative of decimus (tenth), a derivative of decem (ten) and decimo (take a tenth), from the primitive Indo-European root dekm (ten).  The related nouns are decimation & decimator, the verbs (used with object) are decimated & decimating.  The most commonly used synonyms now are: wipe out, obliterate, annihilate, slaughter, exterminate, execute, massacre, butcher, stamp out & kill off

Decimate is interesting as an example of two linguistic phenomena.

(1) It’s a foreign word (Latin) which has become part of the English language.  This happens a lot (eg fuselage) because English is a vacuum-cleaner language which sucks in whatever is needed but it’s not universal and there’s no precise rule which decides what become assimilated and what, however frequently used, remains foreign: zeitgeist (spirit of the age) although now common in English, remains German.

(2) It’s a contranym, a word which in modern use, now means the opposite of its classical origins.  In Roman times, it meant to reduce by 10%; now it’s probably understood to reduce to, if not 10% then a least by a large portion.  This is a genuine meaning shift and, except in precise historic references (and then probably foot-noted), the new meaning is now correct.  Decimate thus differs from a word like enormity; if used (as it sometimes is) to mean enormous that’s not an error because by virtue of use, that meaning has been absorbed into the language as a concurrent use with the original.  By contrast, decimate has suffered a meaning shift.

The killing of one in ten, chosen by lots, from a rebellious city or a mutinous army was a punishment sometimes used by the Romans and there have been many instances of it (expressed usually as collective punishment) since, Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) explicitly referring to the Roman tradition when in 1934 explaining why there had been so many (retrospectively authorized) executions during the suppression of the so-called "Röhm putsch" (the Führer's actions now sometimes (generously) described as a pre-emptive or preventative strike).  The word has been (loosely and un-etymologically) used since as early as the 1660s to mean "destroy a large but indefinite number of."  This is one of those things which really annoys pedants but given it’s been happening since the seventeenth century, it may be time for them to admit defeat.  Were the word now to be used to convey its original meaning, the result would probably be only confusion.  One point in use which is important is that one should speak of the whole of something being decimated, not a part (eg a plague decimated the population, not disease decimated most of the population).  Decimate remains well-known because is well known because it’s lived on in Modern English, albeit with quite some mission-creep in meaning but the Romans had many other expressions defining the precise proportionality of a reduction by single aliquot part including: tertiate (⅓), quintate (⅕), sextate (⅙), septimate (⅐), duodecimate (¹⁄₁₂) and centesimate (¹⁄₁₀₀).

Smaller but not decimated: Lindsay Lohan full-sized (left), reduced by 10% (centre) & reduced by 90% (right).

However, although most probably now understood what is meant by decimate even if they're unaware of the word's origin, it should still be use with some care.  Sir Ernest Gowers (1880–1966) in his revision (1965) of Henry Fowler's  (1858–1933) A Dictionary of Modern English Usage (1926) objected to the "virtual extermination" of rabbits by the agent of the myxomatosis virus being described as a decimation because, with a reported death rate of 99.8%, it was something notably more severe than modern understanding of the word let alone that of a Roman.  In the way of such things the rabbits anyway staged a revival as natural selection did its thing.  Fowler's guide also cautioned that any use "expressly inconsistent with the proper sense... must be avoided", citing "A single frost night decimated the currants by as much as 80%".  The point is taken but that sentence does seem helpfully informative.  Nor are all acts of reduction of necessity instances of decimation; there has to be something destructive about the process.  A photograph can be reduced in size by a Roman 10% or a modern 90% but one wouldn't suggest it has been decimated; it has just be rendered smaller.

Twilight

Twilight (pronounced twahy-lahyt)

(1) The soft, diffused light from the sky when the sun is below the horizon, either from daybreak to sunrise or, more commonly, from sunset to nightfall.

(2) The period in the morning or, more commonly, in the evening during which this light prevails.

(3) A terminal period, especially after full development, success, etc.

(4) A state of uncertainty, vagueness, or gloom.

(5) Of or relating to, or resembling twilight; dim; obscure:

(6) Appearing or flying at twilight; crepuscular.

(7) The period of time during which the sun is a specified angular distance below the horizon (6°, 12° and 18° for civil twilight, nautical twilight, and astronomical twilight respectively)

1375-1425: From the Middle English twyelyghte (twilight) from the Old English twēonelēoht (twilight), the construct being twi (double, half) +‎ light, literally “second light, half-light”.  Light was from the Middle English light, liht & leoht, from the Old English lēoht, from the Proto-West Germanic leuht, from the Proto-Germanic leuhtą, from the primitive Indo-European lewktom, from the root lewk- (light).  It was cognate with the Scots licht (light), the West Frisian ljocht (light), the Dutch licht (light), the Low German licht (light) and the German Licht (light).  It was related also to the Swedish ljus (light), the Icelandic ljós (light), the Latin lūx (light), the Russian луч (luč) (beam of light), the Armenian լույս (luys) (light), the Ancient Greek λευκός (leukós) (white) and the Persian رُخش‎ (roxš).  It was cognate with the Scots twa licht, twylicht & twielicht (twilight), the Low German twilecht & twelecht (twilight), the Dutch tweelicht (twilight, dusk) and the German zwielicht (twilight, dusk).  The exact connotation of twi- in this word remains unclear but most etymologists link it to "half" light, rather than the fact that twilight occurs twice a day.  In that twilight may be compared with the Sanskrit samdhya (twilight, literally "a holding together, junction") and the Middle High German zwischerliecht (literally "tweenlight").

Enjoying the crepuscular: Lindsay Lohan at twilight.

The meaning "light from the sky when the sun is below the horizon at morning and evening" dates from the late fourteenth century, used often in the form "twilighting").  It was used originally (and most commonly) in English with reference to evening twilight but occasionally, beginning in the fifteenth century, referred also to the light of dawn.  The figurative extension dates from circa 1600.  The "twilight zone" is from 1901 (in a literal sense of the part of the sky lit by twilight), the use extended after from 1909 to refer to topics or cases where authority or behavior is unclear, the origin of that probably the 1909 novel In the Twilight Zone by Roger Carey Craven, the reference is to the mulatto heritage of one character, the idea of what used to be called the "half-breed", one who might be equally be claimed or disowned by either race.  The name was re-used in 2016 by Nona Fernández (b1971) (translated into English by Natasha Wimmer (b 1973)) in a novel about Chile under the dictatorship (1973-1990) of General Augusto Pinochet (1915–2006).  The US TV series of that name is from 1959.  The connotation of “twi” in this context is uncertain with most etymologists concluding it appears to refer to "half" light, rather than the state of twilight which occurs twice a day although in Sanskrit samdhya (twilight) was literally "a holding together” or “junction”, a formation known also in the Middle High German zwischerliecht, literally "tweenlight".  Twilight today is most commonly used with its original meaning of the evening light but from the mid-fifteenth century to the mid-twentieth, it was used also to refer to the morning twilight.  The figurative extension is first recorded circa 1600.

Götterdämmerung

Richard Wagner (1865) by August Friedrich Pecht (1814–1903), oil on canvas, Metropolitan Museum of Art, Ney York.

Götterdämmerung (Twilight of the Gods), is the fourth and final part of Richard Wagner's (1813-1883) Der Ring des Nibelungen (The Ring of the Nibelung, usually known as The Ring or Ring Cycle).  Lasting some fifteen hours and usually presented over several days, its debut performance was at the Bayreuth Festival on 17 August 1876.

A great set piece drama and the grandest moment in Opera, the Ring Cycle is about the destruction of the gods and in a final battle with evil powers and although based on an old Norse myth, a dubious translation of the Old Icelandic Ragnarǫk (fate of the gods) meant it entered Modern German as Ragnarökkr (twilight of the gods).  In the Norse, the story was of "ancestral voices prophesying war" between mortals and the gods, a conflict ending in flames and flood but leading finally to the renewal of the world.  Wagner's work differs much from the Old Norse.

Part 1: Das Rheingold (Rhinegold)

The Rig Cycle begins with the dwarf Alberich seizing the gold of the Rhinemaidens. Alberich denounces love to gain possession of the magic ring which gives its wearer ultimate power; the ring is the world’s most desired object.  Rhinegold is the story of the gods; one learns of the suffering of Wotan and the problems the gods have in repaying Fafner and Fasolt, the giants who built Valhalla.

Part 2: Die Walkure (The Valkyries)

Brunnhilde and her father Wotan struggle with their pride to decide the ultimate destiny of mortals, the Valkyries being about the deep, tortured relationship between gods and mortals.  The gods also war with each-other but nobleness, especially in love, prevails over the oaths and the divine promises of the gods. Siegmund, the mortal hero, dies because his father, Wotan, is obliged to obey his wife, Fricka.

Part 3: Siegfried

This is the story of the hero, Siegfried, how he grows to manhood, how he discovers love and loss.  Raised by the Nibelung Mime, Siegfried is young, innocent and fearless and with help from a mysterious wanderer (Wotan in disguise), Siegfried finds the pieces of his father's sword.  Notung reforges the blade and Siegfried kills the dragon Fafner who guards the hoard of Nibelung gold stolen from the Rhinemaidens, taking possession of Alberich's cursed ring.  Siegfried is then drawn to follow a birdsong to find the sleeping Brunnhilde whom fate has destined him to awaken and fall in love with.  Waking her, Siegfried gives the ring to Brunnhilde to symbolize his oath of undying love and fidelity.

Part 4: Götterdämmerung (Twilight of the Gods)

Under an ambiance impending doom, all face the consequences of their choices; the Nibelung Alberich's curse upon the Ring proving prophetic for whoever holds the ring is ultimately destroyed.  Although Wotan's disempowerment was, in part three, foreshadowed by Siegfried breaking his spear, the doomed fate of the gods is sealed when Alberich's evil son, Hagen dupes and cruelly murders the brave mortal hero Siegfried.  Devastated, Brünnhilde has a huge funeral pyre built by the river, takes the ring and tells the Rhinemaidens to claim it from her ashes.  Brünnhilde then mounts her horse and rides into the flames.  As she burns, the Rhine overflows, quenching the fire and the Rhinemaidens swim in to claim the ring.  Hagen tries to stop them but they drag him to his death in the depths.  As they celebrate the return of the ring and its gold to the river, a red glow fills the sky for Valhalla, the last resting place of the gods is ablaze and the gods are consumed by the flames.

Sedulous

Sedulous (pronounced sej-uh-luhs)

(1) Of a person: diligent in application or pursuit or attention; constant and persevering; steadily industrious; assiduous.

(2) Of an activity: carried out with diligence.

(3) Persistently or carefully maintained.

1530–1540: From the Latin sēdulus (diligent, industrious, sedulous; solicitous; unremitting; zealous), an adjectival derivative of the phrase sē dolō (diligently (literally “without guile”) which replaced sedulious.  The origin of sēdulus is murky but it was probably from sēdulō (diligently; carefully; purposely; zealously) and the construct may have been sē- (the prefix meaning “without”) + dolō (singular of dolus (deceit, deception; evil intent, malice (and cognate with the Ancient Greek dolus (ruse; snare), ultimately from the primitive Indo-European del- (to count, reckon) + -us (the suffix forming adjectives).  In English the form was created with the suffix –ous.  The –ous suffix was from the Middle English -ous, from the Old French –ous & -eux, from the Latin -ōsus (full, full of); a doublet of -ose in an unstressed position.  It was used to form adjectives from nouns, to denote possession or presence of a quality in any degree, commonly in abundance.  In chemistry, it has a specific technical application, used in the nomenclature to name chemical compounds in which a specified chemical element has a lower oxidation number than in the equivalent compound whose name ends in the suffix -ic.  For example sulphuric acid (H₂SO₄) has more oxygen atoms per molecule than sulphurous acid (H₂SO₃).  The noun sedulity (diligent and assiduous application, constant attention) sates from 1542.  The synonyms include diligent & assiduous and words which hint at the meaning include constant, untiring & tireless.  Sedulous is an adjective, sedulousness & sedulity are nouns and sedulously is an adverb.

Lindsay Lohan and her lawyer in court, Los Angeles, 2011.

Because of the variations in spelling in Medieval Latin, scholars have debated whether the correct form is sedeō or sē dolō, those of the former citing assiduus, some of the latter insisting even that the construct can only be sē dolus.  It carries the whiff of linguistic snobbery.  Medieval Latin (perhaps better understood by an alternative descriptor: Church Latin), never universally adopted the forms or rules of Classical Latin and within Europe, variations in form were common.

Carp

Carp (pronounced kahrp)

(1) To find fault or complain querulously or unreasonably; be niggling in criticizing; cavil.

(2) A peevish complaint; to find fault with; to censure; to complain about a fault.

(3) A large, freshwater teleost (of, or relating to the Teleostei (fish with bony skeletons)) food fish of the family Cyprinidae (Cyprinus carpio), characterized by a body covered with cycloid scales, a naked head, one long dorsal fin, and two barbels on each side of the mouth.  It was native to Asia but was widely introduced in tropical and temperate waters; an important food fish in many countries and an introduced invasive pest in others.  There is one .cyprinid genus which tolerates salt water although many at times inhabit brackish water.

(4) Any of various other fishes of the family Cyprinidae; a cyprinid.

(5) In botany, a combining form occurring in compounds that denote a part of a fruit or fruiting body (best known in the form endocarp (the woody inner layer of the pericarp of some fruits that contains the seed).

(6) To say; to tell (obsolete).

1200-1250:  From the Middle English carpen (talk; to speak, to tell (someone something)), from the Old Norse karpa (to brag, wrangle) & karp (bragging) of unknown origin but linked to the Vulgar Latin carpere because of the meaning shift to “find fault with”, under the influence of the Latin carpō.  By the late fourteenth century, the sense had been further refined to mean “complain excessively about minor faults, often petulantly or without reason.  The Latin carpere (literally “to pluck” was used to convey the idea of "to slander or revile”), from the primitive Indo-European root kerp- (to gather, pluck, harvest).  The original sense in English (talk; to speak, to tell (someone something)) was between the mid-fifteenth and early sixteenth centuries maintained in the noun carper (talker), an agent noun from the carp; the modern sense of “a fault-finder” began to prevail from the 1570s.  Thus carping, which in the late thirteenth century was recorded as meaning “talk, speech; talkativeness, foolish talk” and was a verbal noun from the verb also by the 1570s came to be used to impart the idea of “unreasonable criticism or censure”.  The botanical use was from the New Latin -carpium, from the Greek -karpion, a derivative of karpós (fruit).

Among critics, there are clappers and carpers.

The name of the fish was from the late fourteenth century Middle English carpe, via the Old French carpa (the source also of the Italian & Spanish carpa), from either the Middle Dutch or the Middle Low German karpe and cognate with the Old High German karpfo, the Middle Dutch carpe, the Dutch karper, the Old High German karpfo & the German Karpfen (carp).  Although documentary evidence is lacking, some etymologists suggest the origin may be East Germanic (perhaps the unrecorded Gothic karpa) because the fish was in the fourteenth century introduced into English waterways from the Danube.  The Lithuanian karpis and the Russian karp are Germanic loan words but the most attractive name for the fish is doubtlessly the Japanese koi, first noted in 1727.  The ubiquitous goldfish is a type of carp and was introduced to Europe from China where it was native, their natural dull olive skins rendered by selective breeding into silver, red & black as well as the familiar orange.  The phrase “living in a goldfish bowl” dates from 1935 and was used figuratively to suggest a “lack of privacy”, based on the circular bowls in which the domestic pet fish were often kept, affording all a 360^o view of their activities.  The use of the noun gallimaufry (a medley, hash, hodge-podge) to describe various recipes of carp stews is mysterious but presumably related to the many other ingredients included to make the dish more palatable, the freshwater carp not highly regarded compared to the alternatives.  Carp convey a specific sense of the way a criticism is delivered and is subtly different from words like deprecate, condemn, censure, grumble, quibble, complain, criticize or reproach is that it’s held to be something nit-picking or pedantic.  Carp & carper are nouns; carped is a verb and carping is a verb, adjective & noun; the noun plural is carps although, of the fish, carp tends to be used when speaking collectively except when it’s regarding two or more species in which case it’s carps.

In some Australian waterways, carp have become a notable environmental threat, crowding out native species and adversely affecting water-quality because of their mud-sucking ways, causing erosion and killing of trees close to the water’s edge.  Although some water birds benefit from the abundant food source, they’re a rare winner.  The invasive species was introduced to the countries over a hundred years ago but the populations spiked massively after the 1960s when one genetic strain escaped from a fish farm in Victoria and in some places carp now constitute some 90% of the aquatic biomass.  As filter feeders (mud-suckers), they forage in the riverbeds, damaging aquatic plants, a feeding style which induces turbidity in the water, something unsuitable for many native fish.  Carp reproduce quickly, lack natural predators and are highly adaptable, able to take over ecological niches adding further stress to local flora & fauna.

In October 2022, a six-year research project to investigate the potential to introduce a herpes virus to control the carp delivered a final report to the Commonwealth & state governments.  In the national parliament, then deputy prime-minister and minister for Agriculture Barnaby Joyce MP (b 1967; thrice deputy prime-minister of Australia, 2016-date (the gaps due to “local difficulties”)) warmed to the idea of unleashing a venereal disease on “disgusting, mud-sucking carp”.

Caprice

Caprice (pronounced kuh-prees)

(1) A sudden, unpredictable change, as of one's mind or the weather.

(2) A tendency to change one's mind without apparent or adequate motive; whimsicality; capriciousness; a disposition to be impulsive.

(3) In music, as capriccio, a term for a kind of free composition.

(4) A brief (and hopefully torrid) romance; a fling

(5) A model name used by General Motors (GM) in several markets.

1660-1670: From the French caprice (whim) & capricieux (whimsical), from the Italian capriccioso from capriccio (a shivering), possibly from capro (goat), from the Latin capreolus (wild goat).  Another theory, drawn from folk etymology, connects the Italian compound capo (head) + riccio (hedgehog) suggesting a convulsive shudder in which the hair stood on end like a hedgehog's spines.  The application in musical composition to describe a kind of free composition dates from the 1690s, the sense drawn from the Italian capriccio (the music characterized by a “sudden start or motion”); earlier it meant "a prank, a trick".  The closest synonym is probably whim but vagary, notion, fancy & fling can, depending on context, summon a similar meaning.  An act of caprice differs from a fiat in that the latter, although it may be arbitrary, is an authoritative sanction issued by those vested with a certain legal authority.  The descendents include the Danish kaprice, the German Caprice and the Romanian: capriciu.  Caprice & capriciousness are nouns, capricious is an adjective and capriciously is an adverb; the noun plural is caprices.

Infamously capricious in her youth, Lindsay Lohan is now a mature and responsible mother.

Ford, and the rest of the industry, learned much from the Edsel debacle of the late 1950s.  Although unlucky to be launched into the teeth of the worst recession of the post-war boom, mistakes in conception, design and production had been many and may anyway have been enough to kill the thing.  The lessons learned had been expensive, depending on the source, a loss between US$250-300 million is usually quoted and that was at a time when a million dollars was a lot of money although how much of that loss was real or a product of taking advantage of accounting rules has never been clear.  None of the most expensive aspects to design and build (1) engine, (2) transmission, (3) suspension, (4) body platforms and (5) assembly plant production lines were unique to the Edsel, all being shared variously with other Ford, Mercury and Lincoln models; surprisingly little was exclusive to the Edsel, indeed that sameness was one of the complaints about a car which Ford had puffed-up as “all new”.  That essentially left interior and exterior trim, body panels, marketing and the distribution network to pay for.  Ford certainly lost a lot of money on the Edsel but perhaps not quite as much as the books suggest.  Still, it was a big loss and the corporate capriciousness wasn’t repeated in the 1960s.  The Edsel had been a bad implementation of a sound concept: a spread of brand-identities across a market with a wide price-spread so a corporation can achieve economies of scale using many of the same resources to produce products which to compete both at the low-end on cost-breakdown and in segments where prestige or exclusivity matters.  Ford’s notion was that General Motors (GM) and Chrysler were at the time better able to cover the market because both had more brand-names, GM having five: Chevrolet, Pontiac, Oldsmobile, Buick & Cadillac as did Chrysler: Plymouth, Dodge, De Soto, Chrysler & Imperial.  Ford had only three: Ford, Mercury & Lincoln (the short-lived Continental Division (1956-1957) a failure).

Thus the attraction of adding another, an idea which worked well with products like washing powder although, in the auto industry, costs tended to be higher and the model wasn’t essential to cover a broad market, Mercedes-Benz for decades successfully using the one brand for diesel taxis, trucks small and large, Formula One racing cars and cars up to the grandest limousines.  Indeed, the idea by Daimler-Benz to resurrect adopt the long moribund Maybach name to sit atop the range was a failure, reflecting the misunderstanding by the MBA-types involved of the value of the Mercedes-Benz brand which had been acceptable for kings, queens, popes, presidents and potentates.  Only salesmen with no background would think dotcom millionaires and the other newly-rich would be more attracted to Maybach than Mercedes.  Another brand might not have been a bad idea but Maybach should have been positioned as a platform for the front wheel drive and other categories which, frankly have only devalued the three-pointed star; while some have been good cars, they simply were not Mercedes-Benz as they once were understood. 

Nor is the idea infinitely scalable.  GM at one time had nine divisions and the pattern evolved that the brand names tend to appear in times of economic buoyancy (al la Edsel) and disappear during or after recessions (Edsel & De Soto after 1958; Imperial after the first oil shock, Oldsmobile, Pontiac, Mercury and Plymouth in the wake of the global financial crisis from 2008).  So, while the 1960s were about the most buoyant years yet, Ford didn’t repeat quite the mistake though they certainly repeated one aspect of the Edsel debacle although the implications of that wouldn’t play out for decades.

1965 Ford LTD.

In 1965, Ford reverted to the business model which had worked in pre-Edsel times and introduced the LTD as an up-market option for their full-sized Galaxie.  It seemed a good idea at the time and it was, the option proving popular with customers and lucrative for Ford, the option package costing about US$175 to install yet it added some US$335 to the sticker price and the psychology of turning the mainstream Ford into a “luxury car” seemed also to exert a pull on the buyers’ wallets because it was possible to work through the option list and add some 30% to the bottom line.  Unlike most Galaxie customers, LTD buyers were inclined to tick the boxes.  Even at the time, although generally impressed with the thing (and in fairness to Ford much attention had been devoted to some basic engineering to ensure it was quieter and smoother than before), reviewers did ponder quite what the effect of moving a Ford up-market would be on the companion Mercury Division, positioned since 1938 as up-market from Ford, yet well short of Lincoln.  The corporation aimed to solve that problem by maintaining some differentiation between the two brands and to some degree this worked for decades but eventually the point of maintaining three distinct layers had ceased to have value for Ford and in 2011 Mercury was shuttered.

1965 Ford LTD.

The LTD (it apparently meant “Lincoln Type Design” and not “Limited”) did though have quite an effect on the completion with the entry level ranges of others soon augmented with similar options.  Chevrolet called their effort the “Caprice”, Plymouth, like Ford” preferred a TLA (three letter acronym) and opted for “VIP” while AMC used “DLP” which apparently stood for “Diplomat”.  Of them all, only the Caprice and the LTD endured but the concept overtook the industry which switched increasingly to adding variations of their basic models with as many “luxury” fittings added as the budget would permit.  There were critics at the time who criticized all this as “gingerbread” but buyers responded and soon tufted, pillowed upholstery in crushed velour or even leather could be had in even the most humble showrooms.  A popular name for such models was “Brougham”, borrowed from a nineteenth century horse-drawn carriage named after a member of the UK’s House of Lords and even if most weren’t aware of the etymology, they knew it sounded suitably aristocratic which was all that mattered.  What came in retrospect to be known as the “brougham era” lasted into the 1980s.

1969 Chevrolet Caprice four-door hardtop.

While never the biggest sellers, dealers liked to have four-door hardtops on display because of the perception they generated showroom traffic and although the collector market prefers two-doors (especially convertibles), the four-door hardtops were often Detroit’s most ascetically successful coachwork for full-sized cars.  In 1969, Chevrolet restricted the Caprice range to two & four door hardtops because the more elaborate interior trim (compared to the cheaper Biscayne, Bel Air & Impala) was more susceptible to sun damage which precluded offering a convertible.  That may have been the reason why in the same era some European manufacturers switched from timber veneer to leather for some vulnerable surfaces in a few convertibles although the published explanations were sometime different.  Improvements in the durability of materials meant that when the revised range was released in 1973, a convertible Caprice was added to the range.

1981 Holden WB Caprice.

Holden, the General Motors operation in Australia began selling their own Caprice in 1974.  In the usual way it was a more elaborately-appointed version of an existing model and in GM tradition replaced an existing badge as the top-of-the-range, the Statesman de Ville relegated to become the entry-level of the long-wheelbase cars, the basic Statesman (always aimed at the hire-car business) retired, mirroring Ford which dropped its Fairlane Custom and, added the Marquis (a name borrowed from Mercury) as a Caprice competitor atop the Fairlane 500.  The early Statesman & Caprice never quite matched the appeal of the competition but it did go out in surprisingly fine style, the WB range (1980-1984) a remarkably successful re-styling of the HQ-HJ-HX-HZ platform (1971-1980) which endured for almost half a decade after the smaller, Opel-based Commodore had replaced the mainstream models.  Developed in unusual secrecy, Holden were miffed to learn Ford’s ZJ Fairlane & FC LTD (released in 1979) had beaten them to the market by six months and included the additional side window they’d hoped would make such a splash on the WB.  Instead, they made much of the Caprice having a grill made from steel.  Not that long before, all grills had been made from steel but most had long switched to extruded plastic so to have one genuinely hand-assembled in steel was a point of differentiation although the public response was muted.  Despite the age of the platform, the attention to the underpinnings which began to be taken seriously after 1977 meant the thing was a capable, if thirsty road car and among the dedicated customer base, there was genuine regret when production ended in 1984.  In 1990, Holden revived the name for a stretched Commodore (some of which were even exported to the US and the Middle East to be sold as Chevrolets) and production continued until the Australian operation was shuttered in 2017.