Club

Club (pronounced kluhb)

(1) A heavy stick, usually thicker at one end than at the other, suitable for use as a weapon; a cudgel.

(2) A group of persons organized for a social, literary, athletic, political, or other purpose.

(3) The building or rooms occupied by such a group.

(4) An organization that offers its subscribers certain benefits, as discounts, bonuses, or interest, in return for regular purchases or payments.

(5) In sport, a stick or bat used to drive a ball in various games, as golf.

(6) A nightclub, especially one in which people dance to popular music, drink, and socialize.

(7) A black trefoil-shaped figure on a playing card.

(8) To beat with or as with a club.

(9) To gather or form into a club-like mass.

(10) To contribute as one's share toward a joint expense; make up by joint contribution (often followed by up or together).

(11) To defray by proportional shares.

(12) To combine or join together, as for a common purpose.

(13) In nautical, use, to drift in a current with an anchor, usually rigged with a spring, dragging or dangling to reduce speed.

(14) In casual military use, in the maneuvering of troops, blunders in command whereby troops get into a position from which they cannot extricate themselves by ordinary tactics.

(15) In zoological anatomy, a body part near the tail of some dinosaurs and mammals

(16) In mathematical logic and set theory, a subset of a limit ordinal which is closed under the order topology, and is unbounded relative to the limit ordinal.

(17) In axiomatic set theory, a set of combinatorial principles that are a weaker version of the corresponding diamond principle.

(18) A birth defect where one or both feet are rotated inwards and downward.

1175-1225: From the Middle English clubbe, derived from the Old Norse klubba (club or cudgel) akin to clump, from Old English clympre (lump of metal) related to the Middle High German klumpe (group of trees).  The Proto-Germanic klumbon was also related to clump.  Old English words for this were sagol and cycgel.  The Danish klőver and Dutch klaver (a club at cards) is literally "a clover."  Ultimate root is the classical Latin globus or glomus (forming into a globe or ball), a later influence the Middle Low German kolve (bulb) and German Kolben (butt, bulb, club).  The sense of a "bat used in games" is from mid-fifteenth century; the club suit in the deck of cards is from the 1560s although the pattern adopted on English cards is the French trefoil.  The social club emerged in the 1660s, apparently an organic evolution from the verbal sense "gather in a club-like mass", first noted in the 1620s, then, as a noun, the "association of people", dating from the 1640s.  The Club Sandwich was probably first offered in 1899, the unrelated club soda in 1877, originally as the proprietary name Club Soda.  Club, clubbishness & clubbing are nouns & verbs, clubber is a noun, clubbed is a verb & adjective, clubby & clubbish are adjectives and clubbily is an adverb; the noun plural is clubs.

On her Only Fans page, Tash Petersen shows her club membership.

Something of a local legend in the world of vegan activism, Tash Peterson (b circa 1995) is an animal rights activist based in Perth, Australia.  Not actually part of the the militant extreme of the movement which engages in actual physical attacks on the personnel, plant & equipment of the industries associated with animal slaughter, Ms Peterson's form of direct action is the set-piece event, staged to produce images and video with cross-platform appeal, the footage she posts on social media freely available for re-distribution by the legacy media, her Instagram feed providing a sample of her work in various contexts.  The accessories used include blood (reputedly from slaughterhouses) and very fetching figure-fitting costumes styled to resemble various animals including cows, her favored locations including the meat section of supermarkets, cafés and restaurants serving animal flesh, processing facilities associated with the slaughter industry and any events celebrating the carnivorous.  Ms Peterson's other club membership is that of the vegansexuals (vegans who chooses to have sex or pursue sexual relationships only with other vegans).

The Club Sandwich

A majority of historians of food suggest the club sandwich, as an item able to be ordered, first appeared on a menu in 1899 at the Union Club of New York City.  It was however made with two toasted slices of bread with a layer of turkey or chicken and ham between them, served warm, not the three slices with which it’s now associated; at that point the "club" was merely self referential of the institution at which it was served.  Others suggest it originated in 1894 at an exclusive gambling club in New York’s Saratoga Springs.  The former is more accepted because there’s documentary evidence while the latter based on references in secondary sources.  It’s a mere etymological point; as a recipe, what’s now thought of as a club sandwich had doubtless been eaten for decades or centuries before the words Club Sandwich appeared on a menu.

The notion that club is actually an acronym for "chicken and lettuce under bacon" appears to be a modern pop-culture invention, derived from a British TV sitcom, Peter Kay’s Car Share (episode 5: Unscripted, 7 May 2018) in what’s claimed to be an un-scripted take, although, on television, very little is really ad-lib and "reality" has a specific technical meaning.  On the show, the discussion was about the difference between a BLT (bacon, lettuce & tomato) and a club sandwich.  It spread quickly on the internet but was fake news.

Seemingly sceptical: Lindsay Lohan contemplates club.

Ingredients

12 slices wholegrain or rye bread

12 rashers rindless, shortcut, peach-fed bacon

Extra-virgin olive oil

2 free-range eggs

1/2 cup whole egg mayonnaise

12 cos lettuce leaves

320g sliced lean turkey breast

4 ripe Paul Robeson heirloom tomatoes, sliced

A little freshly-chopped tarragon

Ground smoked sea salt & freshly cracked black peppercorns

Instructions

(1) Preheat a grill tray on medium.  Place half the bread under grill and cook until lightly toasted.  Repeat with remaining bread.

(2) Lightly brush both sides of bacon with oil.  Place under grill and cook for 2-4 minutes each side according to taste.  Once removed, place on a paper towel, turning over after one minute.

(3) Fry eggs, preferably leaving yokes soft and runny.  Fold tarragon into mayonnaise according to taste.   

(4) Spread 8 of the slices of toast with mayonnaise.  Arrange half of the lettuce, turkey and tomatoes over 4 slices.  Evenly distribute the fried eggs.

(5) Top with a second slice of toast with mayonnaise. Then, add remaining lettuce, bacon and tomato. Season well with salt and pepper. Top with remaining pieces of toast.

(6) Cut each sandwich in half or quarters according to preference, using toothpicks driven through centre to secure construction.

Variations

Chefs are a dictatorial lot and tend to insist a club sandwich must be a balanced construction with no predominant or overwhelming taste or texture.  Trick is to agree with everything they say and then make things to suit individual taste.  By varying the percentages of the ingredients, one can create things like a bacon club with extras and vegetarian creations are rendered by swapping bacon and turkey for aubergine and avocado.  A surprising number find tomato a mismatch, some add cheese or onion while many prefer butter to mayonnaise.  In commercial operations like cafés, tradition is to serve clubs with French fries but many now offer salads, often with a light vinaigrette dressing.  Served with soup, it’s a meal.

1946 Lincoln Club Coupe (body style 77).  When production of the V12 Lincoln Zephyr (1936-1942) resumed in 1946, the cars were sold simply as Lincolns with no model designation, differentiated by the style of coach-work (Sedan, Club Coupe & Convertible Coupe).  When production ended in 1948, it was the last of the American V12s.

The mysterious term “club coupe” emerged in the 1930s to distinguish the style from the “business coupe”, the latter a two door car with only a front seat, the rear compartment used to augment the space in the trunk (boot), the target market the numerous “travelling salesmen” who needed a vehicle with lots of secure storage for their wares.  What the term “club coupe” described was a two-door car with a rear passenger including a bench seat for two or three.  The use of the word “club” was an example of “aspirational branding”, a marketing flourish intended to suggest something more upscale than the utilitarian business coupe, the invocation that of the style and exclusivity of the “private club”.  Being a product of the marketing department, “club coupe” was never precisely defined and while the characteristics associated with the style were sometimes identifiable they were never consistent.

1951 Ford Custom Deluxe Club Coupe; long model names are nothing new.

The mid-century tendency was to use a body shorter than that of a sedan but retaining the convenience of a full-size back seat (unlike the single-seat business coupe) but as the “two door sedan” emerged as a descriptor things became fuzzy and by the time the two door hardtops appeared at scale in the 1950s, it wasn’t surprising “club coupe” fell from favour.  Ford in 1954 offered a club coupe but they were the next season renamed “Tudor sedan” (ie a two-door sedan) but made the use murkier still by calling the Customline Six two-door a "Tudor Sedan" and the new V8 Fairlane a “Club Sedan”, business coupes and club sedans lingering for years in the line-up but the club coupe vanished until 1966.  The 1960s revival was a use of the word to allude to the upmarket fittings once associated with the more luxurious club coupes of the pre-war years and like “landau”, “brougham” and such, was just another model designation, suggestive of some link to the past.

Promotional images used for 2015 Holden Commodore Clubsport R8 25th anniversary edition.  Note the bogan-themed tyre marks; Holden knew their target-market.

The meaning denoted was different in 1990 when Holden added the V8 HSV (Holden Special Vehicles) Clubsport to the VN range as a “de-contented” entry-level model, along the lines of the original Plymouth Road Runner (1968-1970), the message being: fewer fittings meant lower cost and higher performance.  The Clubsport would remain in the line-up until the end of Commodore production in 2017 although for various reasons, equipment levels steadily increased.

1992 Porsche 911 Club Coupé in Familiengrün.

Porsche also used the word and until the US use in the 1930s which was an allusion to the generic “private club”, the German like was to a literal club.  In 2012, Porsche celebrated the company’s 60th anniversary and part of the programme was the creation of 13 911 Club Coupés, the unusual production volume a tribute to the 13 fanboys who formed the world’s first “Porsche Club”: the Westfälischer Porsche Club Hohensyburg.  Although “fanboy” is understood to mean something like übertriebener Fan (excessively obsessive fan), blinder Anhänger (blind follower) or fanatischer Anhänger (fanatical follower), German has absorbed the English slang “fanboy” and uses it unmodified.  Based on the 991 series 911, the Club Coupé was bundled with the Sport Design package, X51 Powerkit, body-colored Sport Techno wheels, PCCB (Porsche Ceramic Composite Brakes which used a ceramic disk-rotor reinforced with carbon fibre), Club-themed door sills, and PASM (Porsche Active Suspension Management).  One marker of uniqueness was the color; although the factory listed the hue as Brewster Green, it was actually known internally as Familiengrün (Family Green), used for Wolfgang Porsche’s personal 911s.

Montage

Montage (pronounced mon-tahzh (mawn-tazh in French))

(1) The technique of combining in a single composition, pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition; the composition itself.

(2) By analogy, the creation of a thing or concept by combining a number of related elements; any combination of disparate elements that forms or is felt to form a unified whole.

(3) In photography, as photomontage, a juxtaposition or partial superimposition of several shots to form a single image.

(4) In film & television etc, a technique of editing used to present an idea or set of interconnected ideas.

1929: A borrowing from the French montage (assembly, set-up), the construct being mont(er) (to mount; to put up) + -age.  Monter was from the Vulgar Latin montāre, the present active infinitive of monto (to climb, mount, go up), from mōns & montem (mountain), from the primitive Indo-European men- (mountain).  The suffix -age was from the Middle English -age, from the Old French -age, from the Latin -āticum.  Cognates include the French -age, the Italian -aggio, the Portuguese -agem, the Spanish -aje & Romanian -aj.  It was used to form nouns (1) with the sense of collection or appurtenance, (2) indicating a process, action, or a result, (3) of a state or relationship, (4) indicating a place, (5) indicating a charge, toll, or fee, (6) indicating a rate & (7) of a unit of measure.  The French suffix -age was from the Middle & Old French -age, from the Latin -āticum, (greatly) extended from words like rivage and voyage.  It was used usually to form nouns with the sense of (1) "action or result of Xing" or (more rarely), "action related to X" or (2) "state of being (a or an) X".  A less common use was the formation of collective nouns.  Historically, there were many applications (family relationships, locations et al) but use has long tended to be restricted to the sense of "action of Xing".  Many older terms now have little to no connection with their most common modern uses, something particularly notable of those descended from actual Latin words (fromage, voyage et al).

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

Montage, although now most associated with photography, painting and other static installations, was originally a term in cinematography, first attested in 1929.  The use was extended in 1931 (as photomontage) to the use of photographs or photographic negatives to make art or illustrations.  The technique can, in many fields, be used to add a veneer of intellectual gloss to what is really an elaborated form of plagiarism.  More helpfully, photomontages have been a vital aspect of the techniques of producing large scale imagery and the first were literally assembled on large tables by technicians armed with scissors, magnifying glasses and adhesive tape, the most prolific of the early adopters being the military who used the small images taken during photo-reconnaissance (PR) missions.  As camera technology improved, definition increased and more detail was captured but this was counted somewhat by increased anti-surveillance measures which forced the PR missions to operate at higher altitude.  Interestingly, the Allied military in World War II (1939-1945) found women much more efficient in both analysing PR and assembling montages.

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

The techniques honed in wartime proved valuable in peacetime for creating large-scale maps and renderings from sometimes even thousands of small fragments.  This was the way big areas on the surface of the earth were able to be visualized as if a single photograph and in the 1950s work began on the task of mapping the ocean floor, something of interest not only oceanographers & nautical geographers but also to navies, commercial shipping companies and miners, the oil & gas industry long aware that vast untapped resources lay under the waves.  The concept of mapping the seabed is simple in that all that is required is to have the images in the form of a grid which could then be assembled in a single montage (the world’s biggest).  However, while the scale in terms of the surface area proved manageable, obtaining the data at depths in which pressures are immense and darkness total proved as challenging as predicted and although the maps are in a sense complete, the deepest parts of the oceans remain to some extent mysterious.  The available montages (which scientists call bathymetric data sets) include the GEBCO (General Bathymetric Chart of the Oceans which is an international project), Seabed 2030 (a collaborative project between GEBCO and the Japanese Nippon Foundation which plans to have a comprehensive map of the entire ocean floor by 2030), the EMODnet (European Marine Observation and Data Network which publishes highly detailed bathymetric maps for European waters) and the US NOAA (National Oceanic and Atmospheric Administration which offers maps of US waters and contributes to global programmes, their material available through the National Centers for Environmental Information (NCEI).

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

The difference between collage and montage is that while a collage weaves together things of difference to create a unified whole, a montage uses complete things of some similarity to create something visually coherent although, with some modern artists, coherence can prove elusive, however cohesive a whole the glue might produce.  At the definitional margins however, the distinctions can be significant in the production but be undetectable in the result.  To create what appeared to be the montage of the seabed, what was done was technically a collage, the assembled components including photographs, renderings from ship-based sonar measurements and satellite altimetry as well as some enhancement in software.  However big might have been the ambition to create a unified montage of the ocean floor, cosmologists & astronomers thought bigger still and as space-based cameras and wandering craft became available, montages were assemble of objects such as the moon and the lovely rings of Saturn.  Aiming to produce the grandest montage of all is the European Space Agency which (ESA), using observations from their Euclid space mission (launched in July 2023) will explore dark matter and dark energy; over time billions of galaxies will be viewed.  What makes Euclid different from the Hubble Telescope and JWST (James Webb Space Telescope) is it can survey large parts of the sky at once, the agency describing the difference as between looking through a window compared with a keyhole.  In time, all the known objects in the universe might be photographed which will permit quite a montage but what really interests the cosmologists is the dark matter (which may actually be dark energy or a combination of the two) so it’s a quest for the known unknowns and unknown unknowns.

Pterodactyl

Pterodactyl (pronounced ter-uh-dak-til)

Any of a number of genera of flying reptiles of the extinct genus pterodactylus from the late Jurassic and Cretaceous periods, having membranous wings supported on an elongated fourth digit and a highly reduced tail and teeth with a bird-like beak.  The general term, now less used, is pterosaurs (pterosauria in the plural) (flying reptiles).

1826: From the early nineteenth century French ptérodactyle from the Modern Latin genus name pterodactylus, the construct being the Greek pteron (wing) + the Latinised form daktylos (finger).  Pteron’s root was the primitive Indo-European pet- (to rush, to fly).  The pteranodon, an extinct flying reptile of the Cretaceous period, has a name based on pterodactyl with the stem of Greek anodous (toothless), the construct being an- (not, without) + odon (genitive odontos) (tooth) from the primitive Indo-European root dent- (tooth).  Thought remarkable because of the size, the wings never less than twenty-five feet (7.6m), they differed greatly from the Pterodactyls of the old world, especially in the absence of teeth and were accordingly placed by in a new order, Pteranodontia, from the typical genus Pteranodon when Yale Professor of Paleontology and President of the National Academy of Sciences, Othniel Charles Marsh (1831–1899), published Principal Characters of American Pterodactyls (1876).

Depiction of Pterodactyl.

Dactyl is interesting, entering Middle English in the late 1300s from the Latin dactylus, derived from the Ancient Greek δάκτυλος (dáktulos or daktylos), used most often in the sense of “a finger-breadth” but meaning also "a fruit of the date tree” or “a date" and in literal translation "a finger" (and even "toe" though some etymologists insist this is a mistake); a word of unknown origin.  It lives on in the discipline of prosody, the study of poetic meter; the patterns of sounds and rhythms in verse where a dactyl describes the metrical foot of three syllables, one long followed by two short in quantitative meter, or one stressed followed by two unstressed in accentual meter.  Put simply, in English versification it means an accented syllable followed by two unaccented, the word adopted in this sense because a dactyl refers to the three joints of the finger, this corresponding to three syllables.  Globally, this aspect of prosody is practiced professionally by the handful of academics who care about such things and is something like poetry’s version of structuralism.

Task for Mr & Mrs Dactyl: Choosing name for daughter.

Onomatopoeia

Onomatopoeia (pronounced on-uh-mat-uh-pee-uh)

(1) The formation of words or names by imitation of natural sounds; the naming of something by a reproduction of the sound made by it or a sound associated with its referent.

(2) A word so formed.

(3) The use of imitative and naturally suggestive words for rhetorical, dramatic, or poetic effect.

1570s: From the Late Latin onomatopoeia, from the Ancient Greek ὀνοματοποιία (onomatopoeia) (the making of a name or word in imitation of a sound associated with the thing being named), from ὀνοματοποιέω (onomatopoiéō), from ὄνομα (ónoma) (genitive onomatos) (word, name) from the primitive Indo-European root no-men- (name) + a derivative of ποιέω (poiéō & poiein) (to make, to do, to produce; compose”), related to the Modern English poet.  Two of the adjectival forms, onomatopoeial (1670s) & onomatopoeous (1660s) are considered obsolete except in linguistic scholarship; only onomatopoetic (1825-1835) has survived in general use.

The adjective onomatopoeic (pertaining to, characterized by, or of the nature of onomatopoeia) was variously from the French onomatopoéique or else a construct of the noun onomatopoeia + -ic.  The suffix -ic is from the Middle English -ik, from the Old French -ique, from the Latin -icus, from the primitive Indo-European -kos & -ḱos, formed with the i-stem suffix -i- and the adjectival suffix -kos & -ḱos.  The form existed also in Ancient Greek as -ικός (-ikós), in Sanskrit as -इक (-ika) and the Old Church Slavonic as -ъкъ (-ŭkŭ); A doublet of -y.  In European languages, adding -kos to noun stems carried the meaning "characteristic of, like, typical, pertaining to" while on adjectival stems it acted emphatically.  In English it's always been used to form adjectives from nouns with the meaning “of or pertaining to”.  A precise technical use exists in physical chemistry where it's used to denote certain chemical compounds in which a specified chemical element has a higher oxidation number than in the equivalent compound whose name ends in the suffix -ous; (eg sulphuric acid (H₂SO₄) has more oxygen atoms per molecule than sulphurous acid (H₂SO₃).

Examples

Words Related to Water: Often begin with sp- or dr. Words that indicate a small amount of liquid often end in -le (sprinkle/drizzle): Splash, squirt, drip, drizzle.

Words Related to the Voice: Sounds that come from the back of the throat tend to start with a gr- sound whereas sounds that come out of the mouth through the lips, tongue and teeth begin with mu-: Giggle, growl, grunt, gurgle, mumble, murmur, chatter.

Words Related to Collisions: Collisions can occur between any two or more objects. Sounds that begin with cl- usually indicate collisions between metal or glass objects, and words that end in -ng are sounds that resonate. Words that begin with th- usually describe dull sounds like soft but heavy things hitting wood or earth: Bam, bang, clang, clank, clap, clatter, click, clink, ding, jingle, screech, slap, thud, thump.

Words Related to Air: Air doesn’t make a sound unless it blows through something so these words describe the sounds of air blowing through things or of things rushing through the air: Flutter, fist, fwoosh, gasp, swish, swoosh, whiff, whoosh, whizz, whip, whisper.

Animal Sounds: Literally imitative of the sounds made by animals: Arf, baa, bark, bray, buzz, cheep, chirp, chortle, cluck, cock-a-doodle-doo, cuckoo, hiss, meow, moo, neigh, oink, purr, quack, ribbit, tweet, warble.

Onomatopoeia by Todd Rundgren (b 1948), from The Hermit of Mink Hollow (1977).  It’s sometimes suggested the critics were “divided” on the merits of the song but the split appears to have been about 99:1 against.  Generally though, The Hermit of Mink Hollow seems to have been well-received.

Onomatopoeia by Todd Rundgren, © Warner Chappell Music, Inc

Onomatopoeia every time I see ya

My senses tell me hubba

And I just can't disagree

I get a feeling in my heart that I can't describe

It's sort of lub, dub, lub, dub

A sound in my head that I can't describe

It's sort of zoom, zip, hiccup, drip

Ding, dong, crunch, crack, bark, meow, whinnie, quack

Onomatopoeia in proximity ya

Rearrange my brain in a strange cacophony

I get a feeling somewhere that I can't describe

It's sort of uh, uh, uh, uh

A sound in my head that I can't describe

It's sort of whack, whir, wheeze, whine

Sputter, splat, squirt, scrape

Clink, clank, clunk, clatter

Crash, bang, beep, buzz

Ring, rip, roar, retch

Twang, toot, tinkle, thud

Pop, plop, plunk, pow

Snort, snuk, sniff, smack

Screech, splash, squish, squeek

Jingle, rattle, squeel, boing

Honk, hoot, hack, belch

Witenagemot

Witenagemot (pronounced wit-n-uh-guh-moht)

(1) The Anglo-Saxon parliament, the assembly of the witan; the national council attended by the king, aldermen, bishops, and nobles which assembled on several occasions between the sixth and eleventh centuries, initially as a number of bodies which claimed only regional authority, later (and with representative membership), assuming a national jurisdiction.

(2) Any one session of any of these assemblies.

(3) In casual use, other deliberative bodies (obsolete since the late nineteenth centuries).

1585–1595: From the Old English, the construct being witena, (genitive plural of wita (councillor; man of knowledge) + gemōt (assembly, meeting, council), gemōt the source of the Modern English moot.  A learned borrowing the from Old English witena ġemōt, the literal translation was “assembly of the wise”).  The spelling (and capitalization) of Witenagemot was never standardised.  In Modern English, witenagemot was the most common form but historically, more frequently used (in order) were wittenagemot, wittenagemote, wittena-gemote and wittena-gemot, but all of those variations had declined by the early twentieth century and, except in historic citation, are now extinct.  Also long obsolete is the (always rare) use of Witenagemot to describe any institution other than the Anglo-Saxon assembly.  Witenagemot is a noun; the plural is witenagemots.

Anglo-Saxon England.

The Witenaġemot, often in casual conversation spoken of as “the Witan” (which, technically was title granted to the membership), was an embryonic parliament which assembled periodically in England between the late sixth and mid-eleventh centuries.  As an aggregation, it formed by a process of gradual absorption of earlier assemblies with purely regional jurisdiction (Essex, Kent, Mercia, Northumbria, Sussex and Wessex) before eventually asserting national jurisdiction.  The closest modern counterparts of its composition and function were probably the colonial legislative councils; political institutions devoted to the deliberative and empowered to advise the executive (the king and his court).  The Witenagemot’s membership reflected the practice many such assemblies and was restricted to the nobility, the landed gentry and senior clergy.  Historians consider the Witenagemot a particularly English development and adaptation of the old (and more widely representative) Germanic assemblies or folkmoots.  In late sixth century England, these folkmoots had assumed a more aristocratic identity as convocations of the most important, influential and powerful in the land.  Although local, regional and local matters were discussed when the Witenagemot convened, it was a body without legislative authority; it was empowered only to “warn, counsel and advise” the king.

William the Conqueror, Duke of Normandy, stabbing King Harold of England at the Battle of Hastings while fighting on horseback.  Painting held by the British Library Board, Cotton Vitellius A. XIII.

One of the Witenagemot’s final acts concerned the royal succession in 1066.  Because Edward the Confessor (circa 1003-1066; King of England 1042-1066) died without an heir, it was a resolution of Witenagemot which confirmed Edward's successor to be his brother-in-law Harold Godwinson (circa 1022-1066; King Harold II of England, Jan-Oct 1066) as king.  With no royal blood and fearing rival claims from the Duke of Normandy and the King of Norway, Harold had himself crowned in Westminster Abbey on 6 January 1066, the day after Edward's death.  In September, a Norwegian army, aided by Harold's alienated brother Tostig, Earl of Northumbria, did invade but at the Battle of Stamford Bridge his force was routed so decisively by Harold that barely two-dozen vessels of the invasion fleet of three-hundred were required to ferry home the survivors.  Meanwhile, the Duke of Normandy, claiming Harold had two years earlier acknowledged him as Edward's successor, landed in Sussex.  Harold rushed his seven-thousand strong army south where, on 14 October 1066, he was defeated by the Normans, falling in battle on the field of Senlac near Hastings; after being struck in the eye by an arrow, he was cut down by Norman swords.  Harold was the last crowned Anglo-Saxon king of England.

Trumpery

Trumpery (pronounced truhm-puh-ree)

(1) Something without use or value; rubbish; trash; worthless stuff.

(2) Nonsense; twaddle; foolish talk or actions.

(3) Worthless finery; a mere trinket (archaic).

(4) Deceit; fraud (obsolete).

1425–1475: From the late Middle English trompery (deceit) from the Middle French tromperie from tromper (to cheat).  The construct of tromperie was tromper ((from the Middle & Old French tromper (to tramp, delude; literally “to play on the trumpet”), from trompe (trump, trumpet), from the Frankish trumpa (trump, trumpet), from a common Germanic word akin to the Old High German trumba & trumpa (trump, trumpet); ultimately an imitative form) +‎ -erie (from the Old French -erie, inherited the from Latin -arius & -ator; the suffix denoting, inter alia, nouns describing qualities or properties).  The plural is trumperies.

In English, the original meaning of the mid-fifteenth century noun trumpery was deception & trickery and as late as 1847, British statesman and novelist Benjamin Disraeli (1804-1881; prime-minister Feb-Dec 1868 & 1874-1880) wrote of a political movement being condemned as “…fraud and trumpery”.  The French original (tromperie from the verb tromper) also meant “to deceive” but its original, literal meaning was “to blow a trumpet” so tromper quelque chose (literally “to trump something”) meant to announce something to the sound of a trumpet, and tromper quelqu’un, (literally “to trump someone”), meant “to announce something to someone to the sound of a trumpet.  Etymologists believe the figurative sense of tromper (“to deceive”) emerged because the perception evolved that such announcements were often false, truth thought likely to be in inverse proportion to the volume of the advertising.

The English noun trump is now obsolete in the senses related to trumpets except in the Biblical expression “the last trump” (Revelation 11:15), denoting the trumpet blast that will wake the dead on Judgment Day.  Trump continues in English in card games in the sense a playing card of a suit that ranks higher than any other suit but that meaning developed separately and is a variant of triumph, once used in card games in the same sense; the French and Italian masculine nouns triomphe and trionfo were used in the same way.  The first known user of trump in the sense of a winning card was the English Protestant prelate and martyr Hugh Latimer (circa 1485-1555) in the first of his Sermons on the Card (circa 1529): “We must say to ourselves, “What requireth Christ of a christian man?” Now turn up your trump, your heart (hearts is trump, as I said before), and cast your trump, your heart, on this card; and upon this card you shall learn what Christ requireth of a christian man.”

At the GOP Shop, every card was once a Trump.  Unfortunately, for whatever reason, the GOP Shop seems to have removed all Donald Trump merchandise from its catalogue but the decks of waterproof Donald Trump 24k gold plated playing cards have been off-loaded and are available on Amazon at US$7.88, only a little more than when last advertised by the GOP Shop when they listed at US$6.25 (reduced from US$19.95).

A deck of waterproof Donald Trump 24k gold plated playing cards for US$7.88 would seem good value because a 54 card (52 + 2 jokers) Lindsay Lohan deck costs US$36.

Duplicity

Duplicity (pronounced doo-plis-i-tee or dyoo-plis-i-tee)

(1) Deceitfulness in speech or conduct, as by speaking or acting in two different ways to different people concerning the same matter; double-dealing.

(2) An act or instance of such deceitfulness.

(3) In law, the act or fact of including two or more offenses in one count, or charge, as part of an indictment, thus violating the requirement that each count contain only a single offense.

1400–1450: From the Late Middle English, from the Old French duplicite, from the Late Latin duplicitatem (nominative duplicitas (doubleness)).  Technically, the word wa borrowed from Latin duplicāre (double), present active infinitive of duplicō and the Medieval Latin duplicitās differed with ite replacing itās.  The notion is of being "double" in one's conduct ultimately is derived from the Ancient Greek diploos (treacherous, double-minded) which translates literally as "twofold, double".  Related in Medieval Latin was ambiguity, noun of quality from duplex, genitive (duplicis (two-fold)).

Duplicity good and bad

Because such conduct is inherent to human interaction, there are many words either similar in meaning or a synonym of duplicity.  Duplicity is the form of deceitfulness that leads one to give two impressions, either or both of which may be false.  Deceit is the quality that prompts intentional concealment or perversion of truth for the purpose of misleading.  The quality of guile leads to craftiness in the use of deceit; one uses guile and trickery to attain one's ends. Hypocrisy is the pretence of possessing virtuous qualities such as sincerity, goodness or devotion.  Fraud refers usually to the practice of subtle deceit or duplicity by which one may derive benefit at another's expense.  Trickery is the quality that leads to the use of tricks and habitual deception.  In modern English usage, the most common sense of duplicity is “deceitfulness.”  The roots of this meaning are in the initial dupl from the Latin duplex (twofold, or double).  We do seem a duplicitous lot.

Alexander Haig (1924–2010; US Secretary of State 1981-1982) & Ronald Reagan (1911–2004; US President 1981-1989) (left) and Lord Carrington (1919–2018; UK Foreign Secretary 1979-1982) & Margaret Thatcher (1925–2013; UK Prime Minister 1979-1990) (right).

To accuse someone duplicity is usually to allege or suggest something negative, the idea that someone has acted in a manner perhaps not dishonest but certainly misleading or dishonorable.  However there are fields of endeavor where the successfully duplicitous are often admired and the most Machiavellian can be held in awe.  In international relations, it’s true in the upper reaches of diplomacy.

Duplicity, art and science: Haig and Carrington, the White House, 26 February 1981.

More than General Colin Powell (b 1937; US Secretary of State 2001-2005) and more even than General Dwight Eisenhower (1890–1969; US President 1953-1961), General Alexander Haig (1924-2010) was an exemplar of that uniquely Washington DC creature, the political soldier, whose career shuttled between the military, diplomacy and politics.  After a meeting in 1981, Haig was heard to remark the UK Foreign Secretary, Lord Carrington, was a "duplicitous bastard".  Beyond the beltway, that would be a disparaging comment, but, in the world of international diplomacy, it’s more an expression of admiration of professional skill.

Mean Girls (2004), a story of duplicity, low skulduggery, Machiavellian manipulation, lies & deceit.  As a morality tale, the message can be reduced to: “Women would rather hear brilliant lies than honest truths”.