Tuesday, September 5, 2023

Compromise

Compromise (pronounced kom-pruh-mahyz)

(1) A settlement of differences by mutual concessions; an agreement reached by adjustment of conflicting or opposing claims, principles etc by reciprocal modification of demands.

(2) The result of such a settlement.

(3) Something intermediate between different things:

(4) An endangering, especially of reputation; exposure to danger, suspicion.

(5) To expose or make vulnerable to danger, suspicion, scandal etc; to jeopardize; to be placed in such a position (usually as "compromising" or "compromised") and applied particularly to "hacked" electronic devices.

(6) To bind by bargain or agreement.

(7) To make a dishonorable or shameful concession

(8) To prejudice unfavorably (obsolete).

(9) Mutually to pledge (obsolete).

1400–1450: Late Middle English borrowed from the Anglo-French compromise, from the Middle French compromise From the Old French compromis.  Root was the Medieval Latin comprōmissum (a joint promise to abide by an arbiter's decision) from comprōmittere (to make a mutual promise).  Construct was com (together) + prōmittere (to promise).  The most common modern sense of "a coming to terms" is from extension to the settlement itself and dates from the late fifteenth century.  The other meanings followed and there’s some variation in use within the English speaking world, it being a word which, depending on context, can imply something positive, neutral or negative so it needs to be considered in a cultural context.  During the Anglo-Irish negotiations in the 1990s which (at least to an extent) ended the "troubles", London learned the word "compromise" (which they thought something positive in the sense of "give & take to reach resolution) was vested in Ireland with the sense of "surrender".  Quickly, the texts were changed.  Compromise is a noun & verb, compromiser & compromisation are nouns, compromised & compromising are verbs & adjectives, compromisable is an adjective and compromisedly is an adverb; the common noun plural is compromises.  The most frequently seen derived form is uncompromising

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

Compromise is close to inevitable in human interaction; those with the luxury of enjoying an uncompromising life are rare.  The concept was in 1943 explained by Marshal of the Royal Air Force Sir Charles Portal (1893-1945; later Viscount Portal of Hungerford, Chief of the Air Staff 1940-1945) when discussing the allocation of finite resources between a military operation the British wished to undertake and one they were compelled by an earlier agreement to conduct in concert with the Americans: “We are in the position of the man writing his will who wishes to leave as much as possible to his mistress but for reasons of respectability must leave enough to his wife as would be thought honorable”.

Strictly speaking, not all hacked devices are merely "comprised"; for some it's worse.

The now familiar use of compromise in the field of cybersecurity as a blanket term to cover in general the hacking of devices needs some nuance.  The use draws from the earlier idea of people “being compromised” or “placed in a compromising position” by some act, the implication being that while life goes on, their situation has changed in that they’re now in a kind of “middle ground” between life as normal and consequences much worse.  Some hacking activity is designed to induce something similar: the device continues to function, often without the user being aware anything nefarious having happened but they may suffer the consequences.  The user’s device is thus in a state of vulnerability, a “middle ground” between it functioning normally and securely and total inaccessibility or failure.  For that reason, it’s really not correct to suggest “ransomware” attacks which completely disable system are “compromised”; it’s beyond that.  Despite that, the term seems to have become the standard term to describe the state of a hacked device, whatever might be details.

The Missouri Compromise

It’s a quirk more of history than language that in popular use, it’s the Mason-Dixon Line rather than the one drawn in The Missouri Compromise which symbolizes the cultural boundary between North and South in the United States, a thing explained probably by the Mason-Dixon Line coming first, thus gaining linguistic & cultural critical mass.  The Mason-Dixon Line is the official demarcation defining the boarders of what would become the US states of Pennsylvania, Maryland, Delaware and West Virginia (which was until 1863 attached to Virginia).  The line was determined by a survey undertaken between 1763-1767 by two English astronomers Charles Mason (1728–1786) & Jeremiah Dixon (1733–1779), commissioned because the original land grants issued by Charles I (1600–1649; King of England, Scotland & Ireland 1625-1649) and Charles II (1630–1685; King of Scotland 1649-1651, King of Scotland, England and Ireland 1660-1685) were contradictory, something not untypical given the often outdated and sometimes dubious maps then in use.  Later, "Mason-Dixon Line" would enter the popular imagination as the border between "the North" and "the South" (and thus "free" & "slave" states) because the line, west of Delaware, marked the northern limit of slavery in the United States.  Even though the later abolition of slavery in some areas rendered the line less of a strict delineation for this purpose, both phrase and implied meaning endured.

The Missouri Compromise line, although representing a much clearer geographic correlation to slavery in the years leading up to the Civil War, never entered the language in the same way as "south of the Mason-Dixon Line".

The Missouri Compromise was the legislation passed in 1820 to admit as states of the United States (1) the free state of Maine and (2) the salve state of Missouri, thus preserving the balance of power between North and South in the senate.  A part of the law was that slavery was prohibited north of the 36°30′ parallel, excluding Missouri and this extension of the Mason-Dixon Line became the Missouri Compromise line.  Controversial even at the time, there were predictions a formal division along sectional lines would institutionalize the political divide and might lead to conflict.  Although effectively repealed in the Kansas–Nebraska Act of 1854 and declared unconstitutional by the Supreme Court in 1857, those warnings would, within a generation, be realized in the US Civil War (1861-1865).

Skirt

Skirt (pronounced skurt)

(1) The part of a gown, dress, slip, or coat that extends downward from the waist.

(2) A one-piece garment extending downward from the waist and not joined between the legs, worn especially by women and girls.

(3) Some part resembling or suggesting the skirt of a garment, as the flared lip of a bell or a protective and ornamental cloth strip covering the legs of furniture.

(4) In saddlery, in a small leather flap on each side of a saddle, covering the metal bar from which the stirrup hangs.

(5) In the building trades, a baseboard or apron.

(6) In furniture design, a flat horizontal brace set immediately beneath the seat of a chair, chest of drawers, or the like, to strengthen the legs; also called a bed or frieze (a flat brace or support immediately beneath a tabletop).

(7) The bordering, marginal, or outlying part of a place, group etc; the outskirts; to lie along the border of somewhere.

(8) In slang, an older (and usually disparaging or offensive) term used to refer to a woman or girl.

(9) In rocketry, an outer part of a rocket or missile that provides structural support or houses such systems as avionics or gyroscopes.

(10) To avoid, go around the edge of, or keep distant from (something that is controversial, risky etc).

(11) In the wool industry, to remove low-grade wool and foreign matter from the outer edge of fleece.

(12) In the design of internal combustion engines, the lower part of the block which extends to (or below) the centre of the crankshaft line.

(13) In the design of suction or elevating devices, a flexible edging providing a partial seal at the base where the air flow occurs.

(14) In butchery, a cut of beef from the flank.

1250–1300: From the Middle English skyrte & skirte (lower part of a woman’s dress) from the Old Norse skyrta (shirt; a kind of kirtle) from the Proto-Germanic skurtijǭ (skirt).  The sense development from "shirt" to "skirt" is thought most likely related to the long shirts of peasant garb (the Low German cognate Schört, in some dialects translates as "woman's gown").  The meaning "border, edge" (in outskirts, etc) was first recorded in the late fifteenth century and the metonymic use for "women collectively" emerged as early as the 1550s although there’s no evidence the slang sense of "young woman" existed prior to 1906 with “skirt-chaser” (a womaniser) first attested 1942.  The mini-skirt dates from 1965, reputedly the invention of French designer André Courrèges (1923-2016).

The Ford & Lincoln “Y-Block” V8 engines gained their nickname from the deep skirting of the block which extended below the crankshaft line, making for an unusually robust bottom end, something which would prove of some significance long after the unit had been supplanted in the US by more modern designs. 
In many ways the Y-Blocks were a curious cul-de-sac in the evolutionary path of the US V8 engine, having an unusual port design which rendered development by conventional means impossible (hence the brief resort to supercharging) and the dimensions limited the potential for increased displacement.  It was noted also for the unique arrangement of the solid valve lifters which had to be installed from below and a firing order which produced a distinctive and pleasing burble from the exhaust.  Compared with Ford’s earlier and later V8s, both the Y-Blocks were short-lived, the Lincoln (some of which were actually used in Ford trucks) used between 1952-1963 while the Ford lasted from 1954 until 1964, their replacements both adopting a more conventional design approach.  However, the Ford lived on in Romania until 1975 where it was produced under licence as a truck engine (the durability of the tough, deep-skirted block an asset in a market where conditions were tough and the quality of oil and fuel sometimes suspect) and in Argentina until 1988, the South Americans improving things greatly with their re-designed heads which used conventional porting.

The Pencil Skirt

Lindsay Lohan in racerback floral crop top and matching high-waisted pencil skirt with cobalt blue suede heels; Suno Spring Collection, 2013.

A pencil skirt is a slim-fitting garment with a severe, narrow cut.  The classic design was approximately knee-length but modern, more flexible fabrics have made possible calf-length styles.  It borrows its name from the writing instrument because, tailored for a close fit, it is pencil-like: long and slender.  Flexible in use, it’s the quintessential mix-and-match item, able to be worn either as a separate piece or as part of an ensemble.  A vent is usually placed in the back (or increasingly at the sides, especially in longer styles) because the slim shape would otherwise impede movement although a more modest kick pleat can instead be used.  Modern stretchy fabrics have made practical functional pencil skirts without either vents or pleats but they seem still popular for aesthetic reasons.  Historically, the industry paired pencil skirts with stilettos or court shoes but they’re now worn in just about any combination, boots proving increasingly popular.  French designer Christian Dior (1905–1957) included a classic pencil skirt in his 1954 Autumn-Winter collection although the style had long been worn.  Economical in the use of fabric compared with more voluminous cuts, its popularity had been boosted by war-time rationing and post-war austerity.

The pencil skirt’s precursor was the hobble skirt, an Edwardian-era fad inspired by the Ballets Russes, a Paris-based ballet company which, between 1908-1929, performed in the Americas and Europe (though paradoxically never in Russia because of the political convulsions).  Highly influential, Ballets Russes brought modernism to ballet with works commissioned from Stravinsky, Debussy, Prokofiev, Satie and Ravel, and their artistic collaborators included Kandinsky, Benois, Picasso and Matisse.  Coco Chanel (1883–1971) was one of their costume designers but it’s not known if she penned the hobble skirt.

Monday, September 4, 2023

Serpent

Serpent (pronounced sur-puhnt)

(1) A literary or dialect word for snake.

(2) A wily, treacherous, sly, deceitful, unscrupulous or malicious person.

(3) In the Old Testament, a manifestation of Satan as a guileful tempter (Genesis 3:1–5).

(4) A firework that burns with serpentine motion or flame.

(5) An obsolete wooden wind instrument, bass form of the cornet, with a serpentine shape and a deep, coarse tone.

(6) In astronomy (with initial capital letter), the constellation Serpens.

1250-1300: From Middle English and Middle French, from the Latin serpent (stem of serpēns (a creeping thing)).  Latin root was serpentem (nominative serpens) from serpere (to creep), related to the Greek herpein (to crawl) and herpeton (serpent).  In Old French, sarpent was used interchangeably for snake and serpent as was does in the Sanskrit sarpati and the Albanian garper.  The figurative use dates from its early days, influenced by the Biblical association with Satan while the use to express spiral or sinuous shapes (such as the musical instrument) was first noted in 1730.  Use of the phrase “serpent's tongue” as figurative of venomous or stinging speech is from mistaken medieval notion that the serpent's tongue was its sting and name was also given to fossil shark's teeth circa 1600; use faded as scientific techniques improved.  Serpent is a noun & verb, serpentine is a noun, verb & adjective and serpentlike is an adjective; the noun plural is serpents.

The serpent and the downfall of man

Serpents appear frequently in the Bible.  In Exodus, sticks become snakes and the devil appears in serpent form in Psalms, Genesis and Revelation.  Leviathan is a serpent in Isaiah and a sea-going beast exists in Amos and the prophet Jeremiah compares, perhaps unfairly, the King of Babylon to a serpent.  The word viper is used as a term of disparagement by both John the Baptist and Jesus although the latter also expresses the Hebrew notion of serpents as symbols of wisdom.  Best known is when, in the Old Testament (Genesis 3:1-20), it’s a serpent slithering around the Garden of Eden which tempts Eve to taste the forbidden fruit of the Tree of Knowledge of Good and Evil.

The Garden of Earthly Delights (circa 1505), a triptych in oil on oak panels by Hieronymus Bosch (c 1450-1516), Museo del Prado, Madrid. 

The fruit has always attracted interest.  It was in the early texts only ever described as forbidden "fruit" but centuries of speculation followed discussing which fruit the serpent may have chosen; most popular has always been the apple but suggestions have included grapes, figs, dates, pomegranates, bananas and even psychoactive mushrooms.  Because of the nature of the allegory in the Book of Genesis, the banana is probably the most obviously tempting of fruits to link to the tale and during the Middle Ages the notion appeared in several places.  In 1277, Nathan HaMe’ati translated the Pirkei Moshe (The Medical Aphorisms of Moses) by influential medieval Sephardi Jewish philosopher and Torah scholar Maimonides (1138–1204) from Arabic into Hebrew.  In the section detailing the medicinal effects of the banana HaMe’ati calls it the “apple of Eden”, a use echoed by the sixteenth-century Rabbi Menachem de Lonzano, in his Ma’arich (a work explaining foreign words in rabbinic literature), who documented the banana as a well-known fruit in Syria and Egypt known to the Arabs as “the apple of Gan Eden”.  Today, some bananas are known by the Latin names Musa paradisiaca (fruit of paradise) and Musa sapientum (fruit of knowledge).  Identifying the Tree of Knowledge with the banana appears to be a Christian tradition from at least the twelfth century that enjoyed popularity but was never adopted by rabbinic sources.  So it tends still to be the apple which is most associated with the tree but were a modern translator to seek a younger audience, they might be tempted by cherries.  Theologically, it’s sterile speculation, the type of fruit mattering not at all.  The purpose of the allegory is to explain (1) there are consequences if one disobeys God, (2) that all are guilty of sin and (3), the downfall of mankind was all Eve’s fault.  From this came the orthodoxy which has for two thousand years sustained the Church: "Everything bad is the fault of women". 

Not wholly improbable as an Eve for the third millennium, while on holiday in Thailand, just after Christmas 2017, Lindsay Lohan was bitten by a snake and while said to have made a full recovery, there was never any word on fate of serpent.  The syndicated story on the internet attracted comment from the grammar Nazis who demanded it be verified the snake really was on holiday in Thailand.

Club

Club (pronounced kluhb)

(1) A heavy stick, usually thicker at one end than at the other, suitable for use as a weapon; a cudgel.

(2) A group of persons organized for a social, literary, athletic, political, or other purpose.

(3) The building or rooms occupied by such a group.

(4) An organization that offers its subscribers certain benefits, as discounts, bonuses, or interest, in return for regular purchases or payments.

(5) In sport, a stick or bat used to drive a ball in various games, as golf.

(6) A nightclub, especially one in which people dance to popular music, drink, and socialize.

(7) A black trefoil-shaped figure on a playing card.

(8) To beat with or as with a club.

(9) To gather or form into a club-like mass.

(10) To contribute as one's share toward a joint expense; make up by joint contribution (often followed by up or together).

(11) To defray by proportional shares.

(12) To combine or join together, as for a common purpose.

(13) In nautical, use, to drift in a current with an anchor, usually rigged with a spring, dragging or dangling to reduce speed.

(14) In casual military use, in the maneuvering of troops, blunders in command whereby troops get into a position from which they cannot extricate themselves by ordinary tactics.

(15) In zoological anatomy, a body part near the tail of some dinosaurs and mammals

(16) In mathematical logic and set theory, a subset of a limit ordinal which is closed under the order topology, and is unbounded relative to the limit ordinal.

(17) In axiomatic set theory, a set of combinatorial principles that are a weaker version of the corresponding diamond principle.

(18) A birth defect where one or both feet are rotated inwards and downward.

1175-1225: From the Middle English clubbe, derived from the Old Norse klubba (club or cudgel) akin to clump, from Old English clympre (lump of metal) related to the Middle High German klumpe (group of trees).  The Proto-Germanic klumbon was also related to clump.  Old English words for this were sagol and cycgel.  The Danish klőver and Dutch klaver (a club at cards) is literally "a clover."  Ultimate root is the classical Latin globus or glomus (forming into a globe or ball), a later influence the Middle Low German kolve (bulb) and German Kolben (butt, bulb, club).  The sense of a "bat used in games" is from mid-fifteenth century; the club suit in the deck of cards is from the 1560s although the pattern adopted on English cards is the French trefoil.  The social club emerged in the 1660s, apparently an organic evolution from the verbal sense "gather in a club-like mass", first noted in the 1620s, then, as a noun, the "association of people", dating from the 1640s.  The Club Sandwich was probably first offered in 1899, the unrelated club soda in 1877, originally as the proprietary name Club Soda.

The Club Sandwich

A majority of historians of food suggest the club sandwich, as an item able to be ordered, first appeared on a menu in 1899 at the Union Club of New York City.  It was however made with two toasted slices of bread with a layer of turkey or chicken and ham between them, served warm, not the three slices with which it’s now associated; at that point the "club" was merely self referential of the institution at which it was served.  Others suggest it originated in 1894 at an exclusive gambling club in New York’s Saratoga Springs.  The former is more accepted because there’s documentary evidence while the latter based on references in secondary sources.  It’s a mere etymological point; as a recipe, what’s now thought of as a club sandwich had doubtless been eaten for decades or centuries before the words Club Sandwich appeared on a menu.

The notion that club is actually an acronym for "chicken and lettuce under bacon" appears to be a modern pop-culture invention, derived from a British TV sitcom, Peter Kay’s Car Share (episode 5: Unscripted, 7 May 2018) in what’s claimed to be an un-scripted take, although, on television, very little is really ad-lib and "reality" has a specific technical meaning.  On the show, the discussion was about the difference between a BLT (bacon, lettuce & tomato) and a club sandwich.  It spread quickly on the internet but was fake news.

Seemingly sceptical: Lindsay Lohan contemplates club.

Ingredients

12 slices wholegrain or rye bread

12 rashers rindless, shortcut, peach-fed bacon

Extra-virgin olive oil

2 free-range eggs

1/2 cup whole egg mayonnaise

12 cos lettuce leaves

320g sliced lean turkey breast

4 ripe Paul Robeson heirloom tomatoes, sliced

A little freshly-chopped tarragon

Ground smoked sea salt & freshly cracked black peppercorns

Instructions

(1) Preheat a grill tray on medium.  Place half the bread under grill and cook until lightly toasted.  Repeat with remaining bread.

(2) Lightly brush both sides of bacon with oil.  Place under grill and cook for 2-4 minutes each side according to taste.  Once removed, place on a paper towel, turning over after one minute.

(3) Fry eggs, preferably leaving yokes soft and runny.  Fold tarragon into mayonnaise according to taste.   

(4) Spread 8 of the slices of toast with mayonnaise.  Arrange half of the lettuce, turkey and tomatoes over 4 slices.  Evenly distribute the fried eggs.

(5) Top with a second slice of toast with mayonnaise. Then, add remaining lettuce, bacon and tomato. Season well with salt and pepper. Top with remaining pieces of toast.

(6) Cut each sandwich in half or quarters according to preference, using toothpicks driven through centre to secure construction.

Variations

Chefs are a dictatorial lot and tend to insist a club sandwich must be a balanced construction with no predominant or overwhelming taste or texture.  Trick is to agree with everything they say and then make things to suit individual taste.  By varying the percentages of the ingredients, one can create things like a bacon club with extras and vegetarian creations are rendered by swapping bacon and turkey for aubergine and avocado.  A surprising number find tomato a mismatch, some add cheese or onion while many prefer butter to mayonnaise.  In commercial operations like cafés, tradition is to serve clubs with French fries but many now offer salads, often with a light vinaigrette dressing.  Served with soup, it’s a meal.

Sunday, September 3, 2023

Montage

Montage (pronounced mon-tahzh (mawn-tazh in French))

(1) The technique of combining in a single composition, pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition; the composition itself.

(2) By analogy, the creation of a thing or concept by combining a number of related elements; any combination of disparate elements that forms or is felt to form a unified whole.

(3) In photography, as photomontage, a juxtaposition or partial superimposition of several shots to form a single image.

(4) In film & television etc, a technique of editing used to present an idea or set of interconnected ideas.

1929: A borrowing from the French montage (assembly, set-up), the construct being mont(er) (to mount; to put up) + -age.  Monter was from the Vulgar Latin montāre, the present active infinitive of monto (to climb, mount, go up), from mōns & montem (mountain), from the primitive Indo-European men- (mountain).  The suffix -age was from the Middle English -age, from the Old French -age, from the Latin -āticum.  Cognates include the French -age, the Italian -aggio, the Portuguese -agem, the Spanish -aje & Romanian -aj.  It was used to form nouns (1) with the sense of collection or appurtenance, (2) indicating a process, action, or a result, (3) of a state or relationship, (4) indicating a place, (5) indicating a charge, toll, or fee, (6) indicating a rate & (7) of a unit of measure.  The French suffix -age was from the Middle & Old French -age, from the Latin -āticum, (greatly) extended from words like rivage and voyage.  It was used usually to form nouns with the sense of (1) "action or result of Xing" or (more rarely), "action related to X" or (2) "state of being (a or an) X".  A less common use was the formation of collective nouns.  Historically, there were many applications (family relationships, locations et al) but use has long tended to be restricted to the sense of "action of Xing".  Many older terms now have little to no connection with their most common modern uses, something particularly notable of those descended from actual Latin words (fromage, voyage et al).

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

Montage, although now most associated with photography, painting and other static installations, was originally a term in cinematography, first attested in 1929.  The use was extended in 1931 (as photomontage) to the use of photographs or photographic negatives to make art or illustrations.  The technique can, in many fields, be used to add a veneer of intellectual gloss to what is really an elaborated form of plagiarism.  More helpfully, photomontages have been a vital aspect of the techniques of producing large scale imagery and the first were literally assembled on large tables by technicians armed with scissors, magnifying glasses and adhesive tape, the most prolific of the early adopters being the military who used the small images taken during photo-reconnaissance (PR) missions.  As camera technology improved, definition increased and more detail was captured but this was counted somewhat by increased anti-surveillance measures which forced the PR missions to operate at higher altitude.  Interestingly, the Allied military in World War II (1939-1945) found women much more efficient in both analysing PR and assembling montages.

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

The techniques honed in wartime proved valuable in peacetime for creating large-scale maps and renderings from sometimes even thousands of small fragments.  This was the way big areas on the surface of the earth were able to be visualized as if a single photograph and in the 1950s work began on the task of mapping the ocean floor, something of interest not only oceanographers & nautical geographers but also to navies, commercial shipping companies and miners, the oil & gas industry long aware that vast untapped resources lay under the waves.  The concept of mapping the seabed is simple in that all that is required is to have the images in the form of a grid which could then be assembled in a single montage (the world’s biggest).  However, while the scale in terms of the surface area proved manageable, obtaining the data at depths in which pressures are immense and darkness total proved as challenging as predicted and although the maps are in a sense complete, the deepest parts of the oceans remain to some extent mysterious.  The available montages (which scientists call bathymetric data sets) include the GEBCO (General Bathymetric Chart of the Oceans which is an international project), Seabed 2030 (a collaborative project between GEBCO and the Japanese Nippon Foundation which plans to have a comprehensive map of the entire ocean floor by 2030), the EMODnet (European Marine Observation and Data Network which publishes highly detailed bathymetric maps for European waters) and the US NOAA (National Oceanic and Atmospheric Administration which offers maps of US waters and contributes to global programmes, their material available through the National Centers for Environmental Information (NCEI).

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

The difference between collage and montage is that while a collage weaves together things of difference to create a unified whole, a montage uses complete things of some similarity to create something visually coherent although, with some modern artists, coherence can prove elusive, however cohesive a whole the glue might produce.  At the definitional margins however, the distinctions can be significant in the production but be undetectable in the result.  To create what appeared to be the montage of the seabed, what was done was technically a collage, the assembled components including photographs, renderings from ship-based sonar measurements and satellite altimetry as well as some enhancement in software.  However big might have been the ambition to create a unified montage of the ocean floor, cosmologists & astronomers thought bigger still and as space-based cameras and wandering craft became available, montages were assemble of objects such as the moon and the lovely rings of Saturn.  Aiming to produce the grandest montage of all is the European Space Agency which (ESA), using observations from their Euclid space mission (launched in July 2023) will explore dark matter and dark energy; over time billions of galaxies will be viewed.  What makes Euclid different from the Hubble Telescope and JWST (James Webb Space Telescope) is it can survey large parts of the sky at once, the agency describing the difference as between looking through a window compared with a keyhole.  In time, all the known objects in the universe might be photographed which will permit quite a montage but what really interests the cosmologists is the dark matter (which may actually be dark energy or a combination of the two) so it’s a quest for the known unknowns and unknown unknowns.

Precious

Precious (pronounced presh-uhs)

(1) Of high price or great value; very valuable or costly.

(2) Highly esteemed for some spiritual, nonmaterial, or moral quality.

(3) Affectedly or excessively delicate, refined, or nice; fastidious in speech and manners.

(4) Anything though extreme (now rare and usually used only in clichéd forms).

(5) As precious and semi-precious, descriptors used in the gem-stone trade.

1250–1300: From the Middle English preciose (valuable, of great worth or price, costly) from the eleventh century Old French precios (precious, costly, honourable, of great worth), from the Latin pretiōsus (costly, valuable), the construct being pretium (price, value, worth) + ōsus or ous.  The Latin suffix -ōsus or ous (full, full of) was used to form adjectives from nouns, to denote possession or presence of a quality in any degree, commonly in abundance.  It was picked up in Middle English as -ous, from the Old French –ous & -eux.  The Modern French is précieux.

The meaning "over-refined" dates from the late fourteenth century and Dr Johnson noted it also had a secondary inverted sense of "worthless" whereas today, that’s a pure antonym.  As applied to a "beloved or dear person or object", meaning in that sense was first noted in 1706.  Related forms include preciously (adverb) & preciousness (noun).  The formal division of the gemstone market into precious and semi-precious dates from 1858, adopting the division introduced in the metals trade in 1776, precious metals then defined as gold, silver and sometimes platinum, the parameters being those rare enough to be used as a standard of value yet sufficiently abundant enough to permit use for coinage (the category of the semi-precious metal was introduced in 1818).  The idea of a person or object being precious in the sense of "beloved or highly valued” emerged early in the eighteenth century and was based on the earlier adjectival use.  The now rare noun preciosity (value, great worth, preciousness, quality of being precious) from the Old French preciosite and directly from the Medieval Latin pretiocitas (costliness, a costly thing), from pretiosus was from circa 1400.

The equally rare noun precieuse (pedantic woman, woman aiming at refined delicacy of language and taste) was in 1727 borrowed by English from French and was from the French précieuse, noun use of the feminine of précieux.  In English, it was best known as a stereotypical character in Molière's (Jean-Baptiste Poquelin, circa 1622-1763) 1659 comedy of manners Les Précieuses ridicules (The Affected Young Ladies).

Precious & semi-precious gemstones

Although the notion of a hierarchy pre-dates modern civilization, gemstones were first classified into the categories of precious and semi-precious in the mid-nineteenth century.  Originally an internal system of classification used by the gemstone trade, the distinction became popular and use widespread.

Precious was applied to four types of gems: diamonds, rubies, sapphires, and emeralds.  As early as the 1880s, some traders, doubtlessly seeking commercial advantage, applied the label to other stones including opal, jade and pearls but most of the industry regards this as mere puffery and use has never become persistent or generally accepted.  Nor have buyers been persuaded; diamonds, rubies, sapphires and emeralds account for well over ninety percent of the US$ dollar value of gemstone turnover; although not as widely applied, the four are known also as the cardinal stones.

Semi-precious is used for all varieties of gemstones not categorized as precious and any gemstone suitable for being used in personal adornment can be included. Semi-precious stones include gems fashioned from agate, amber, amethyst, aquamarine, aventurine, chalcedony, chrysocolla, chrysoprase, citrine, garnet, hematite, jade, jasper, jet, kunzite, lapis lazuli, malachite, moonstone, obsidian, onyx, peridot, rhodonite, sunstone, tiger's eye, tanzanite, topaz, turquoise, tourmaline and many other materials.

What can be misleading or confusing is the classification is inherently hierarchical and suggests correlation with cost.  An opal has been sold at US$5500 per carat and both jade cabochons and red beryls have traded US$10,000 a carat, all prices higher than that at which most precious stones sell.  Nor should precious imply scarcity, many semi-precious stones more rare than the precious four; red beryl, ammolite, benitoite, gem silica, demantoid garnet and tsavorite garnet are all found in fewer locations and produced in smaller quantities than any of the precious stones.

Such apparent anomalies are not unusual in classification systems, especially the older sets.  In geology the elements described as rare earths aren’t especially rare and in arboreal taxonomy, the soft, light balsa is a hardwood.  So, although not entirely arbitrary and meaningless, the classification of gemstones is best considered jargon of the trade although the American Gem Trade Association (AGTA) has in their code of ethics a clause that members should avoid the use of the term ”semi-precious” in describing gemstones.  The view of the association is that a term like semi-precious tends to devalue the objects and they’d prefer to have just about all gems thought of as “precious” (and therefore expensive).

Nor does the notion of the four precious gems have long history.  One stone regarded as precious since antiquity was amethyst but it fell from favor when large deposits were found in South America; the introduction of semi-precious into the lexicon corresponding with the new discoveries.  Of all stones, diamond is the most mythologized, mostly of modern origin.  Historically, colored stones such as ruby and sapphire were more highly valued than diamond, because diamond was not particularly rare.   That changed in the twentieth century when, counter-intuitively, large finds in South Africa created an abundant supply of gem-quality diamonds.  Until the South African boom, worldwide production of diamond amounted only to a few kilograms per year.  After huge South African mines opened in 1870, output began to be measured by the ton, causing such a glut the De Beers cartel was formed to control supply.  Quality diamonds are not at all scarce but De Beers’ control kept prices high and their near monopoly endured until 2005; even today they control over a third of world trade.  They also generated demand.  Until De Beers lavished spending on advertising, the diamond engagement ring was almost unknown; now, it’s an almost essential part of the marriage ritual.  The diamond's special position as a precious stone is due largely to monopoly economics and social engineering.

Ruby was from the Middle English ruby, rubie, rubi & rube, from the Old French rubi, from the Latin rubinus lapis (red stone) & rubeus (red) (feminine rubea, neuter rubeum) from rubeō (I am red, reddish).  The Latin rubeus was the source also of the Italian rubino and in related to ruber, from the primitive Indo-European root reudh- (red, ruddy).  It came to be applied as a name for a pure or somewhat crimson-red color from the 1570s.  There’s no etymological explanation for the Modern French rubis (ruby) beyond a assumption the plural was mistaken for the singular and caught on.

A pink to blood-red colored stone, the ruby, like the sapphire, is a variety of the mineral corundum (aluminium oxide).  The ruby’s deep red hue and vibrant glow is because of the presence of the element chromium but, more romantically, it carries the color of love and desire, a quality perhaps reflected in the prices the stone attracts at auction, the ruby tending to command the highest per-carat value of all colored gems.  A particular attraction of the pure ruby are the thin inclusions called needles which, when intersecting in groups, create a phenomenon called “silk” which softens the color causing the light to scatter in intricate patterns across the facets.  Ruby is the birthstone for July and the gem of the fifteenth and fortieth wedding anniversaries.

Emerald was from the early twelfth century Middle English emeraude, from the earlier Old French esmeraude, from the Medieval Latin esmaralda & esmaraldus, from the Classical Latin smaragdus, from the Ancient Greek σμάραγδος (smaragdos) (green gem or malachite), from the Semitic baraq (shine).  It was influenced by the Hebrew bareqeth (emerald) and the Arabic barq (lightning).  The Sanskrit maragdam (emerald) was from the same source, as was Persian zumurrud, from which Turkish gained zümrüd, source of Russian izumrud (emerald).  Historians caution that many mediæval references to the precious stones are not reliable except as a (sometimes vague) reference to color and this is said to apply especially to the emerald.  Ireland, came to be known as the Emerald Isle from 1795, the linkage because, with a high rainfall and a temperate climate, it’s a very green island.  The emerald was the favourite stone of Cleopatra, Queen of Egypt.

A cyclosilicate and a variety of the mineral beryl and colored green by tiny quantities of chromium and sometimes vanadium, emeralds are not an especially tough stone so their resistance to breakage is classified by cutters as poor.  For this reason, jewellers often mount emeralds differently, using the shape or thickness of the supporting metal to afford the stone greater protection.  The particular quality of the structure of the emerald is the often-seen intricate inclusion called the “jardin” (French for “garden”) which appear in multiples and demand a special technique from those cutting the stone; gem cutters thus developed the “emerald cut” which lends the cut stone its distinctive rectangular or square shape.  Those who cut gem stones are formerly styled lapidaries but the more evocative “cutters” seem both preferred and better.  Emerald is the birthstone for May and the gem of the twentieth and thirty-fifth wedding anniversaries.

Sapphire is from the mid-thirteenth century Middle English saphir, from the early thirteenth century Old French saphir, from the Latin sapphir, sappir & sapphīrus (blue), from the Ancient Greek σάπφειρος (sáppheiros) (precious stone, blue gem), from a Semitic language.  The Hebrew סַפִּיר‎ (sappī́r) was perhaps from a non-Semitic source such as the Sanskrit शनिप्रिय (śanipriya) (dark-colored stone, perhaps a sapphire or emerald, literally “dear to Saturn”, the construct being Saturn + priyah (precious).  Some historians have speculated the Ancient Greek sappheiros, although meaning “blue stone" apparently referred to the "lapis lazuli", the modern sapphire being instead signified by the Greek hyakinthos; not all concur.  The Latin sapphirus was the source also of the Spanish zafir and the Italian zaffiro.  Among Renaissance lapidaries, the sapphire was said to cure anger and stupidity and, as sapphiric & sapphirine, assumed the role of adjective since the fifteenth century.

The sapphire is another variety of the mineral corundum, consisting of aluminium oxide with trace quantities of elements such as iron, titanium, chromium, vanadium, or magnesium.  A notably hard stone, the sapphire is third in hardness behind the diamond and moissanite and has some useful optical qualities which is why it’s used also in non-ornamental applications, such as infrared devices, wristwatch crystals and ultra- thin electronic wafers, used as the insulating substrates of specific-purpose solid-state electronics such as integrated circuits and blue LEDs, the latter of such importance the discovery of the processes which permitted its creation gained the responsible scientists the 2014 Nobel Prize for physics.

Although most associated with hues of blue, pure sapphires are actually white, but in the presence of titanium and iron traces they acquire their velvety blue shade and there’s long been a speculation there’s some link between the name and the planet Saturn.  Apart from the classic blue, there are the rarer “fancy sapphires” which exist in just about every color from green to pink (even a highly prized black and there are “parti sapphires” which display two or more colors) except for red; what would technically otherwise be a red sapphire is actually a ruby.  Known as the gemstones of wisdom, truth and justice, sapphire is the birthstone for September and the gem of the fifth and forty-fifth wedding anniversaries.  A sapphire jubilee happens after sixty-five years.

Diamond was from the mid-fourteenth century Middle English diamaunt & dyamaunt, from the Old French diamant, from the Late Latin diamantem (nominative diamas), from the Vulgar Latin adiamantem, from the Classical Latin adamantem (nominative adamans) (the hardest metal, later "diamond"), from the Ancient Greek δάμας (adámas) (genitive adamantos) (diamond).  Adamantos was used also as the name of the hypothetical hardest material, noun use of an adjective meaning "unbreakable, inflexible”).  It was cognate with the Spanish imán (magnet) & diamante, the French aimant (magnet) & diamant, the Italian diamante, and the Portuguese ímã (magnet) and diamante.

Lindsay Lohan's engagement ring.

From the early fifteenth century, in English also picked up another meaning which appeared also in Classical Latin: "a person of great worth".  In mathematics, later in the same century, diamond had come to describe a "geometric figure of four equal straight lines forming two acute and two obtuse angles.  It was used for one of the four suits in playing cards from the 1590s, having been an adjective to describe clusters of diamonds since the 1550s.  In baseball, the use to refer to the square space enclosed within the four bases dates from 1875.

Created when carbon is subject to immense pressure, diamond possess the highest shine of all transparent gemstones and is both the hardest known natural material on earth and the one with the highest thermal conductivity.  Able to be scratched only by another diamond, the cutting of the stones is also done with another diamond.  To determine their quality, diamonds like all precious stones are graded using the 4C system of connoisseurship: carat weight, color, clarity and cut. Diamond is the birthstone for April and the gem of the tenth and sixtieth wedding anniversaries.

Knight's Cross with Golden Oak Leaves, Swords, and Diamonds (1944).

A diamond cluster was an addition late in World War II to the Knight’s Cross, the highest decoration awarded to Germany’s military and paramilitary forces during the Third Reich.  The Knight's Cross with Oak Leaves, Swords, and Diamonds (Ritterkreuz des Eisernen Kreuzes mit Eichenlaub, Schwertern und Brillanten) was gazetted in July 1941.  A final and higher grade, the Knight's Cross with Golden Oak Leaves, Swords, and Diamonds (Ritterkreuz des Eisernen Kreuzes mit Goldenem Eichenlaub, Schwertern und Brillanten) was created in December 1944, intended (somewhat optimistically given that all professional soldiers expected that month's  Unternehmen Wacht am Rhein (Operation Watch on the Rhine and better known as the Ardennes Counteroffensive or the "Battle of the Bulge") to fail (as it did)) to be awarded after Germany's final victory the to the dozen most illustrious soldiers.  Only six were struck, one of which was actually awarded.