Pump

Pump (pronounced puhmp)

(1) An apparatus or machine for raising, driving, exhausting, or compressing fluids or gases by means of a piston, plunger, or set of rotating vanes.

(2) An instance of the action of a pump; one stroke of a pump; any action similar to pumping.

(3) In engineering or building trades, a shore having a jackscrew in its foot for adjusting the length or for bearing more firmly against the structure to be sustained.

(4) In the slang of the biological sciences, an animal organ that propels fluid through the body; the heart.

(5) In cell biology, a system that supplies energy for transport against a chemical gradient, as the sodium pump for the transfer of sodium and potassium ions across a cell membrane.

(6) To raise, drive or free from fluids by means of a pump.

(7) To inflate something with a gas or viscous substance and used analogously in other contexts.

(8) To operate or move by an up-and-down or back-and-forth action.

(9) Several types of shoe, with much variation in the way the description is applied.

(10) In bodybuilding and climbing, a swelling of the muscles caused by increased blood flow following high intensity weightlifting; a specific type of exercise routine offered by gyms; as “pump iron” a generalised phrase to refer to weight-lifting.

(11) In colloquial use, a ride on a bicycle given to a passenger, usually on the handlebars or carrier (rare).

(12) In US slang, the heart, (obsolete).

(13) In (vulgar) UK slang, the vagina (obsolete).

(14) In the slang of (pre-pandemic) social interaction, vigorously to shake a hand (often as "pumping the flesh").

(15) In slang, as “pump for information”, relentlessly to question.

(16) In the slang of computer programming, to pass messages to a program so it may respond.

(17) In cosmetic surgery or non-surgical beauty treatment, as "pumped up", a general term to describe body parts (lips, breasts etc) made plumper with some artificial substance or the redistribution of the body’s natural fat deposits.

(18) In ballistics, as “pump-action”, a design which permits the rapid loading a shell or cartridge from a magazine.

1400-1450:  From the Late Middle English pumpe, cognate with Middle Low German pumpe and Middle Dutch pompe (water conduit, pipe).  Later variations were the Dutch pompen, the German pumpen, and the Danish pompe.  All are thought derived from the Spanish bomba of imitative origin, the source thought to be North Sea sailors, either an imperfect echoic or something imitative of the sound of the plunger in the water.  The earliest use in English was in reference to a device to raise and expel bilge water from ships and the Late Old French pompe probably is from something Germanic.  The mystery is that pumps are ancient machines so the late appearance in the Germanic word is odd in that no evidence has been found of a previous descriptive word.  The use as an "an act of pumping" is attested from the 1670s.  Pump & pumping are nouns & verbs, pumper is a noun, pumpy is a noun & adjective and pumped is a verb & adjective; the noun plural is pumps.

Pump-action, in reference to a type of repeating firearm equipped with a rapid loading mechanism is attested in advertisements from 1912 but it’s unknown whether this was an invention by a manufacturer or retailer or an adoption of existing slang.  The metaphoric extension in pump (someone) for information is from 1630s.  To pump iron as a term for the lifting of weights for fitness was first noted in 1972; pump-classes in gyms became popular in the 1990s although label wasn’t (virtually) universal until circa 2002.  The meaning “low shoe without fasteners" dates from the 1550s and is of unknown origin but was perhaps (very speculatively) echoic of the sound made when walking in them or, more plausibly, from Dutch pampoesje (type of sandal worn in the Dutch East Indies), derived from the Javanese pampoes and ultimately of Arabic origin.  Some sources propose a connection with pomp but it’s undocumented.  The name pump was applied to many shoes with a very low heel, convenient in situations where freedom of movement was required and thus preferred by dancers, couriers, acrobats, duellists and such.  In the shoe business, the definition soon wandered with differences noted between British and North American applications.

The now obsolete nineteenth century phrase “keep your toes in your pump” was dialectal for "stay calm, keep quiet, don't get excited", in the same sense as advice not to “get your knickers in a knot”, the latter which has survived.  In slang, to "be pumped" is (1) to be excited in anticipation of something, (2) having muscles in an engorged state following exercise, (3) in body-building, having muscles which have responded as expected to steroids or other drugs, (4) in rock-climbing, being severely fatigued, (5) in cosmetic surgery & certain non surgical treatments, having a fuller appearance (lips, breasts etc) by virtue of the insertion of implants or an injection of some chemical and (6) among models and other women, the sense of relief upon replacing fetching but uncomfortable shoes with a pair of welcoming and accommodating pumps.

Of pumping ship

Pumps are of great importance on ships because of the need quickly to be able to remove unwanted water from inside a hull.  At sea, when a ship is "taking on water", if pumps fail or the entry of water exceeds pumping capacity, a ship will become unstable and it may sink.  In the smallest vessels, hard-pumps are used while mechanical devices are installed on anything larger than a modest dinghy.  In admiralty jargon, the command “Pump Ship!” is an instruction to begin pumping with all pumps and, in the way sailors adapt such things, it entered naval vernacular as the phrase meaning “I intend to urinate”.

It was picked up by nautical types in civilian life but was probably unknown to most until the publication (in three volumes, 2021-2022) of the unexpurgated diaries of Sir Henry "Chips" Channon (1897–1958), a US born English MP and socialite.  Edited by Dr Simon Heffer (b 1960), the entry of interest was from 19 November 1936 when Channon hosted one of his many glittering dinners in the dining room designed by Parisian interior decorator Stéphane Boudin (1888–1967, his House of Jansen later decorating the White House for Jacqueline Kennedy (1929-1994; US First Lady 1961-1963)) and modelled on the interior of the Amalienburg, an eighteenth century hunting lodge in on the grounds of the Nymphenburg Palace Park outside Munich, a place notorious for the intricacy of its fittings, even by the standards of Rococo.  The Amalienburg was built for someone who would later be Holy Roman Emperor, just the sort of crew with whom Channon identified and he had the elaborate style replicated in the dining room of his London house in Belgrave Square, including even the Bavarian national colors of blue & silver.  Unfortunately, no color photographs appear to have survived and the room was later disassembled, the extendable mirrored table, which could expand to a length of 25 feet (7.7 m), occasionally offered at auction.  By all accounts, the room truly was “breathtaking” and it was one of the few things in life of which Channon could find no grounds for criticism, it living up to his expectation it would “shimmer in blue and silver” and “shock and stagger London”.  For that alone he seemed to think the Stg£6,000 (mostly money he had married) cost (some Stg£525,000 adjusted for 2023) well worth it.  To illustrate the relativities, the next year he would purchase a V12 Rolls-Royce Phantom III for a sum (Stg£1900 for the chassis & another Stg£1100 to have a coach-builder fabricate a body) which would then have bought six houses in a middle-class London suburb although it’s not known if that’s something he’d have known, “middle class” being about the worst thing he could think to say of anyone.

Dining Room, 5 Belgrave Square, London, circa 1937.

On that November evening the guest of honor was King Edward VIII (1894–1972; King of the UK & Emperor of India January-December 1936, subsequently Duke of Windsor) and Channon noted in his diary his surprise at the monarch’s “modern” turn of phrase when he rose and announced “I want to pump shit.”  A dutiful host, Channon recorded he “…led His Majesty to our loulou! He proceeded to pass water without shutting the door, talking to me the while”.  That fragment of royal history was printed in the first volume (2021) of the published diaries (it was a measure of the deference which still applied in the England of 1965 that when first they appeared in heavily redacted form the passage was omitted) but comments soon appeared suggesting neither Channon nor Dr Heffer were well-acquainted with the sailors' slang the king would have learned during his brief naval career.  Dr Heffer responded by examining closely the original entry in the diarist’s hand and concluded the relevant character really was a “t” and not a “p” so the words on the night were either “misheard or misunderstood” and there’s little doubt what was said was “pump ship” and not “pump shit”.  He added that like Channon, he had “no naval connections” and was as thus just as “unfamiliar with the sea-dog slang” but that when the paperback edition was proofed, the text would be changed and an explanatory footnote (the diaries worth reading just for Heffer’s detailed footnotes) added.  Rising to the occasion, he observed this meant the “the hardback edition is destined to become a collector's item.”  The dinner proved the apogee of Channon’s social life because he’d backed the wrong royal horse, Edward VIII abdicating within weeks of having pumped ship in Belgrave Square.

Of Pumps, Courts and Flats

Lindsay Lohan in curved-heel stiletto pumps.

The homogenization of English was well-advanced long before the ubiquity of the internet but well into the twentieth century, different meanings for words could evolve in parallel in different regions of the same country, let alone between different states or provinces.  In British English, a court shoe was a woman’s shoe with a low cut vamp, sometimes with no instep fastening and otherwise adorned with a shoe buckle or a bow as an ostensible fastening.  In US English, such a shoe is a pump; pumps and court shoes may or may not have an ankle strap.  Pumps today, on either side of the Atlantic, are almost exclusively worn by women but historically were also formal shoes for men, the male variation called an opera slipper or patent pump.  For men, the pump gained ascendency over the dress boot as modern road-making techniques rendered cities less muddy places and dress pumps remained the standard for evening full-dress until the Second World War.  They remain the usual choice for black tie events and are obligatory with white-tie; the original design with steel-cut buckles, otherwise long extinct, still part of British court uniform and dress.

The construction of pumps is simple, using a whole-cut leather top with a low vamp, lined with either quilted silk or plain leather, trimmed with braid at the opening. The full leather sole is either glued onto the bottom, common on cheaper styles, or sewn, as on more costly bespoke styles still made traditionally, using a shallow slit to lift a flap of leather around the edge to recess and hide the stitching. The sole is, as on ordinary shoes, several layers of leather put together. The bow is made of grosgrain silk or rayon, in a pinched or flat form.  Pumps, which may have an ankle strap, if also constructed with a strap across the instep, are called Mary Janes.

Lindsay Lohan in ballet flats / pumps / slippers.  Ballet pumps in the UK, ballet flats in US English.

Most of the UK fashion business adopted the US use of pump because it simplified the mechanics of trade.  Otherwise, in the UK (and most of the Empire and Commonwealth) a pump implied a flat or low-heel ballet slipper or even rubber-soled canvas plimsolls.  Ballet slippers (now more often called flats) date from the medieval period, their popularity declining in only in the seventeenth century when higher heels became fashionable.  After a brief nineteenth century revival, heals again prevailed until the 1960s when they became suddenly and wildly popular after Brigitte Bardot appeared in a pair of Rose Repetto’s hand-stitched ballet flats.  These days, between heals and flats, it seems a draw although the trend increasingly to prefer the comfort of the flat as the years pass is noted.

Lindsay Lohan in kitten-heeled pumps.

Except for court dress, historic references or the exact (if not always enforced) rules for white-tie, there’s now less precision attached to the use of pump and the word should be thought of as referencing a range of closed and open-toed shoes, with and without straps, bows or buckles, the other useful modifier being some reference to the height or type of the heel.  This means anything from a modest kitten to an elongated stiletto and, depending on the airport at which one lands, a flat may be a ballet flat or a ballet pump.

In US use, pumps are exclusively women's shoes with a kitten or higher heel; flats are never pumps and Canada, always more influenced by US linguistic imperialism, followed; that influence is now almost universal and the notion of the flat pump, while not extinct, has declined.  Heels for pumps vary, from the kitten 1-2 inch (25-50 mm) to the stripper (200-250 mm), the bulk of stiletto sales in the 3-5 inch (75-125 mm) range.  They can be made from any material though the classic is patent leather and, under rules formalised by Donald Trump's (b 1946; US president 2017-2021) Miss Universe contests, white, stiletto pumps were once obligatory in the swimsuit section of beauty pageants.  Perhaps surprisingly to some, the swimsuits have survived much criticism as have the stilettos although they're no longer exclusively white and, open-toed and strappy, in most places they wouldn't even be thought of as pumps.

Of the Holley Double Pumper

Even in an age when electronic fuel-injection (EFI) has long been the standard form of induction in internal combustion engines, there remain silos in which the now arcane languages of carburetors are spoken and while there is some commonality of terms among the shortcuts, abbreviations & euphemisms of these vernaculars, a trained ear can pick the differences between the flavours to tell which dialect (SU, Weber, Holley, Rochester, Carter et al) is in play.  One part of the Holley tongue is “double pumper”.  A Holley double pumper is a four barrel carburettor with two accelerator pumps (the source of the moniker) and a mechanical linkage connecting the primary and secondary sides of the device.  Widely used during the classic era (1964-1971) of the US muscle cars, the main advantage of the design was the twin accelerator pumps prevented the transitory leanness in the fuel-air mixture which can happen during quick throttle blade movements if only a single pump is fitted.  All multi-barrel carburetors use an accelerator pump circuit but many have only one feeding the primary barrel(s).  These pumps spray a quick shot of the mix to compensate for the split-second lag which will happen before the main circuit fully responds to a throttle pushed suddenly wide open.  All double pumper carburetors use an accelerator pump circuit on both the primary and the secondary sides.

Holley 850 CFM (cubic feet per minute) double pumper carburetor (part number 0-4781C) (left).  The double accelerator pump outlets for both the primary and secondary throttle bores are are arrowed (right), in this case on a HP (high-performance) version in which the choke housing has been removed to optimize the air inlet path, making it less suitable for street use but ideal for competition.

It’s important not to refer to vacuum secondary carburettors (VSC) as any sort of pumper.  A VSC uses a secondary opening controlled by a vacuum diaphragm which opens the secondary barrels only when there is sufficient airflow demand to require it so no accelerator pump is required on the secondary side.  So, a VSC is technically a “single pumper carburettor” but that term is never used and anyone referring to one as such will lose face.  There's also a point of etiquette of which to be aware.  While “VSC” is an accepted term, a double pumper is never referred to as a “DP” because use in the pornography industry has made “DP” exclusively their own and it seems mere politeness not to intrude on their noble linguistic traditions.

There is an (unverified) industry legend that the "double buffer" terminology adopted in 1991 when Microsoft released version 4 of the Smart Drive (smartdrv.exe) disk cache was the coining of a coder who used a Holley double pumper in his muscle car.  That may or may not be true but "double buffer" lives on in the memory management of graphics processing units (GPU) as a description of the temporary storage areas in main memory where data is held during the transfer process.  The trick is that rather than processes being sequential, while program x is being read, program y can be written and vice versa.  It's not exactly quantum mechanics but means things simultaneously are happening in two places; for the gamers for whom GPUs are a fetish, every millisecond matters.

Weiland tunnel ram inlet manifold for big block Chevrolet V8 (396-427-454) with dual Holley 750 CFM double pumpers.

Synod

Synod (pronounced sin-uhd)

(1) An assembly of ecclesiastics or other church delegates (particularly of a diocese), convoked pursuant to the law of the church, for the discussion and decision of ecclesiastical affairs (in various denominations such gatherings sometimes described as ecclesiastical councils or).

(2) An assembly or council having civil authority; a legislative body and used (sometimes loosely) of any council of any institution (in this context also used disparagingly of secular institutions thought becoming too rigid in thought or process.

(3) An (often geographical) administrative division or district in the structures of some churches, either the entire denomination or a mid-level division such as a “middle judicatory” or “district”); use of the word “synod” differs between and sometimes within denominations.

(4) In astronomy, a conjunction of two or more of the heavenly bodies.

1350–1400: From the Middle English synod (ecclesiastical council), from the Late Latin synodus, From the Ancient Greek σύνοδος (súnodos or sýnodos) (assembly, meeting; a coming together, a conjunction of planets), the construct being the English syn-(from the Ancient Greek σύν (sún) (with, in company with, together with) + ὁδός ((h)odós) (traveling, journeying; a manner or system (of doing, speaking, etc.); a way, road, path (the word of uncertain origin).  The term סַנְהֶדְרִין‎ (sunédrion) exists in the Hebrew Talmudic literature and was used in a similar way and the early twelfth century Middle English form was sinoth.  Synod was used in the Presbyterian Church between 1953-1922 in the traditional sense of “an assembly of ministers and other elders” when the term was changed to “General Council”, an act of modernization apparently provoked by the word “synod” beings so associated with the Roman Catholic Church and the Church of England.  In the schismatic world of the Medieval Church, just as there were from time to time, “antipopes” (from the Medieval Latin antipāpa), there were also antisynods, convened as meetings of his supporters.  Synod and synodicon are nouns, synodic is an adjective, synodal is a noun & adjective, the noun plural is synods.

The adjective synodal (of or relating to a synod) was a mid-fifteenth century creation from the Late Latin synodalis.  As a noun, a synodal was (1) a constitution made in a provincial or diocesan synod which was subject to review by a central body or (2) a tribute in money formerly paid to the bishop or archdeacon (at the time of his Easter visitation), by every parish priest (now made to the ecclesiastical commissioners and in later versions of canon law referred to as a "procuration").  The adjective synodic dates from the 1630s and was from the Latin synodicus, from the Ancient Greek συνοδικός (sunodikós) (of or related to an assembly or meeting); the form used in the late sixteenth century was synodical.  When used of the conjunction of two or more of the heavenly bodies (the moon and the planets) described by the astronomers of Antiquity, the phenomenon may be called a “synodical revolution” and the time in which it occurs a “synodical month”. Despite sounding suspiciously modern, a synodicon is not associated with on-line video gaming.  The noun synodicon was from the Latin, from the Ancient Greek συνοδικόν (sunodikón) and was a substantivisation of συνοδικός (sunodikós) (synodical).  Institutionalized in modern Italianate Ecclesiastical Latin, it describes a document from a church synod or synods, especially the official records of proceedings.  A subsynod (sometimes as sub-synod) is either (1) an assembly of officials which meets prior to a synod proper to make administrative arrangements, formalize an agenda etc or (2) a kind of sub-committee of a synod which is created for some purpose such as allowing a technical matter to be discussed by experts before being referred to the full assembly of the synod for deliberation.

The noun synodality (the plural synodalities) is used in Christianity to refer (sometimes perhaps optimistically) to the “quality or style of a synod; the fraternal collaboration and discernment as typified in a synod”.  The origin of the word synod (the Ancient Greek συν (together) + ὁδός (journey) hints at the hopefully fraternal collaboration and discernment that such gatherings of ecclesiastical worthies are intended to be, the expression of this the essence of synodality.  The notion of synodality is a part of the mystique of the Roman Catholic Church because it’s said to denote the essence of the church’s mission, something explained by the Holy See's International Theological Commission (ITC) which states that synodality encapsulates “the specific modus vivendi et operandi (way of living & method of operation) of the Church, the People of God, which reveals and gives substance to her being as communion when all her members journey together, gather in assembly and take an active part in her evangelizing mission”.

The ITC is an organization of the Roman Curia which advises the magisterium of the church, most notably the Dicastery for the Doctrine of the Faith (DDF, the old Holy Office which many still refer to by its original name: The Inquisition).  The IDF was a creation of the re-structuring in the wake of the Second Vatican Council (Vatican II; 1962-1965) and formerly was established in 1969 as a kind of internal think tank which might present a kinder face to the world than the rather austere Congregation for the Doctrine of the Faith (the CDF (as the DDF was then known)).  That was an approach not unknown (for good & bad) in secular politics and while over the years there have been those who claimed the relationship between the ITC and the CDF was the sort of “creative tension” needed to ensure debates over matters of ethics and procedure stayed dynamic, others have seen the tension but little creativity.  For students of structuralism, it’s of interest the prefect of the DDF is ex officio the president of the ITC, an arrangement carried over in June 2022 when Pope Francis (b 1936; pope since 2013), as a part of a range of reforms to the curia, announced the name change from CDF to DDF.

Pope Francis has made synodality (at least his conception of it) as perhaps the core value he intends to be the legacy of his pontificate and the ITC in 2018 published a paper which made explicit Francis was not modest in his ambitions for that legacy, the ITC’s document stating it was “…precisely this path of synodality which God expects of the Church of the third millennium” and stressed synodality “…is an essential dimension of the Church”, in the sense that “what the Lord is asking of us is already in some sense present in the very word 'synod’”.  Although presumably the pope and the ITC were more concerned with theology than etymology, tracing a tread which ran from the gathering of Christ’s disciples to the sessions of Vatican II in the 1960s, word nerds would anyway have enjoyed the thoughts:

In ecclesiastical Greek it expresses how the disciples of Jesus were called together as an assembly and in some cases it is a synonym for the ecclesial community. Saint John Chrysostom, for example, writes that the Church is a “name standing for 'walking together’ (σύνοδος)". He explains that the Church is actually the assembly convoked to give God thanks and glory like a choir, a harmonic reality which holds everything together (σύστημα), since, by their reciprocal and ordered relations, those who compose it converge in αγάπη and όμονοία (common mind).

Since the first centuries, the word “synod” has been applied, with a specific meaning, to the ecclesial assemblies convoked on various levels (diocesan, provincial, regional, patriarchal or universal) to discern, by the light of the Word of God and listening to the Holy Spirit, the doctrinal, liturgical, canonical and pastoral questions that arise as time goes by.

The Greek σύνοδος is translated into Latin as synodus or concilium. Concilium, in its profane use, refers to an assembly convoked by some legitimate authority. Although the roots of “synod” and “council” are different, their meanings converge. In fact, “council” enriches the semantic content of “synod” by its reference to the Hebrew   קָהָל(qahal), the assembly convoked by the Lord, and its translation into Greek as έκκλησία, which, in the New Testament, refers to the eschatological convocation of the People of God in Christ Jesus.

In the Catholic Church the distinction between the use of the words “council” and “synod” is a recent one. In Vatican II they are synonymous, both referring to the council session. A precise distinction was introduced by the Codex Iuris Canonici of the Latin Church (1983), which distinguishes between a particular (plenary or provincial) Council and an ecumenical Council on the one hand, and a Synod of Bishops and a diocesan Synod on the other hand.

5. In the theological, canonical and pastoral literature of recent decades, a neologism has appeared, the noun “synodality”, a correlate of the adjective “synodal”, with both of these deriving from the word “synod”. Thus people speak of synodality as a “constitutive dimension” of the Church or tout court of the “synodal Church”. This linguistic novelty, which needs careful theological clarification, is a sign of something new that has been maturing in the ecclesial consciousness starting from the Magisterium of Vatican II, and from the lived experience of local Churches and the universal Church since the last Council until today.

So for Francis, the word synodality has assumed an importance beyond that with which it has so long been vested in the Catholic Church so the Vatican watchers took note when, under the pope’s imprimatur, it was in October 2021 announced a summit to be conducted over two years was to be known as the Synod on Synodality.  It would have sounded an innocuous thing had it not been for the ITC’s paper three years earlier and it had the inevitable immediate effect among the clergy, the laity and the theologians: sniffing change in the air, some were hopeful and some fearful.  However, the pope, although thought by many a disruptor is also a realist and understands change in his 2000 year old institution will unfold among the generations to come and his immediate ambition seems restricted to tweaking the way the church relates to the rest of the world rather than overturning dogma.  Thus, expectations of welcoming the LGBTQQIAAOP in the church or approving the ordination of women are absurd but there may be changes in the way bishops both interact with their flock and the priests who are closer to that flock.  Just because a change doesn’t happen in the corridors of the Vatican where the curia plot and scheme, doesn’t mean the power structures haven’t changed.  The flock doesn’t mix with the curia; they talk to their parish priest.

Interestingly, for something some fear will be the harbinger of something radical, the Synod on Synodality is structured in the traditional (Vatican II style) modules with un-threatening names like "communion", "mission" & "participation" but however vague may be the indication of the content, few doubt that at the next session the factions will be mapping onto those titles the concerns which have for decades troubled Rome and it’ll be mostly about sex: whether the thousand-year enforcement of clerical celibacy is the underlying cause of the rampant child-sex abuse among its members, the role of women in the power structures and attitudes towards same-sex relationships including marriage.  Those discussions will play out between the factions and there are few with any hope there'll be many minds changed but the tone of the synod will be important and Francis has the advantage of being the absolute monarch in a theocracy; it is Francis who gets to review the synodicon the theologians and the bishops will submit and he will write the final document of the Synod on Synodality.

Working for more synodality in the world: Lindsay Lohan supporting the NOH8 campaign which sought to end California's 2008 voter-approved gay marriage ban (Proposition 8). 

It means Francis has immense power to shape things and point them in the desired direction and his contribution to ecclesiology is likely to be very different to the intriguing exercises in abstraction which came from the pen of Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022).  Whether that means it becomes simultaneously possible for the church simultaneously to continue to condemn homosexuality as a sin yet approve priests giving a blessing to those in a same-sex marriage remains to be seen but in many places, it would merely be an acknowledgement of what’s already happening.  Still, those who enjoy the process of such things more than the outcome can be assured there'll be much weeping and gnashing of teeth during the modules and some rending of garments on the way out.

Sandbag

Sandbag (pronounced sand-bag)

(1) A bag filled with sand, used in water-proofing, fortification, as ballast etc.

(2) Such a bag used as a weapon.

(3) Violently to set upon or attack from or as if from ambush (archaic).

(4) To coerce or intimidate, to make threats (archaic).

(5) Sometimes by metaphor, by virtue of added weight, to reduce performance in competitive sport; a form of cheating.

(6) To conceal or misrepresent one's true position, potential, or intent in order to gain an advantage.

(7) In commerce, to obstruct an unwelcome takeover bid by prolonging talks in the hope an acceptable bidder will appear.

1580-1590: A compound of the nouns sand + bag.  Sand was from the Middle English sand, from the Old English sand, from the Proto-Germanic samdaz.  In other European languages there was the West Frisian sân, Dutch zand, German Sand, Danish, Swedish and Norwegian sand, thought all related to the primitive sámh₂dhos.  Bag was from the Middle English bagge, borrowed from the Old Norse baggi (bag, pack, satchel, bundle), from the primitive bhak and thought related are the Welsh baich (load, bundle) and the Ancient Greek βάσταγμα (bástagma) (load)).  In Latin there was sabulum, and in Ancient Greek ἄμαθος (ámathos) from sem (to pour).  English root is hinted at by The Old English dialectal samel (sand bottom), the Old Irish to-ess-sem (to pour out), the Latin sentina (bilge water), the Lithuanian sémti (to scoop) and the Ancient Greek ἀμάω (amáō) (to gather) & ἄμη (ámē) (water bucket)).  The verb was first noted in 1860 with the simple meaning “provide someone with sandbags".  The meaning "pretend weakness" apparently first used in 1950s motor racing appears not to have been in common use until the 1970s, with most sources linking use to the poker-playing sense of "refrain from raising at the first opportunity in hopes of raising more steeply later", a use first documented in 1940.  The idea of the sandbag as a weapon (used by a sandbagger) dates from 1882 with the resultant “sandbagged” emerging in 1887.

Sandbagging

Lindsay Lohan in Chief Sandbagger tank top.

Sandbagging is a form of cheating, usually in sport but also in commerce.  It involves deliberately under-performing at certain stages to maximise the benefits gained when later performing to full-potential.  The metaphor is based on the notion of being impeded by the extra weight of carrying a sandbag, analogous with the old “lead in the saddle” from horse racing when unscrupulous owners would add to a well-priced mount’s weight if they were betting on a longer-odds starter.  In motor racing, sandbagging described drivers who, in handicapped events, deliberately recorded slow times in qualifying to gain a more advantageous starting position or a less onerous handicap in the event proper.  The authorities responded with penalties or disqualification if race-day performance improved on the qualifying mark by more than a defined measure.  Literal sandbagging proved useful as a stabilizing device in many of the big-engine machines during the (1964-1974) US muscle car era during which some of the things generated close up to five-hundred horsepower, delivered to the road through primitive drive systems with over sixty percent of their weight sitting over the front wheels.  On street, strip and track, two or more bags of sand in the trunk (boot) greatly improved traction and balance.  A specialised need for the bag in the boot is in the stunt car business for those times when there’s a need to have a vehicle fly through the air, landing safely on four wheels at the end of descent.  To do that, object will fly best if its weight-distribution is a close as possible to 50-50 but, most cars being front-heavy, there’s a tendency to nosedive, the traditional fix being sandbags in the boot.  Cement is sometimes used instead of sand and the need for such tricks is diminishing with advances in CGI.

Before sandbagging: A tendency to nosedive.

The CBS comedy TV series The Dukes of Hazzard was aired between 1979-1985.  The show did feature actors and plot lines (analysts have suggested there were either five or six plots and these, with tweaks and variations on the themes, were recycled in all the 147 episodes shot) but for many the most memorable character was the 1969 Dodge Charger.  Introduced as a 1968 model, it replaced its rather slab-sided predecessor which, after an encouraging debut in 1966, had suffered a precipitous drop in sales the next season.  The re-styling for 1968 transformed not only the appearance but also its popularity and sales more than quadrupled even though some of the extravagant interior appointments (the eye-catching electroluminescent instrument lighting and the four bucket seats with a full-length centre console) which two years earlier had attracted such interest were no longer offered.  The sleek new lines however more than made up for the cost-cutting although belying the wind-cheating appearance, the shape wasn’t that aerodynamically efficient, something the corporation would twice seek to rectify in the quest for success on the circuits.  The first attempt was relatively modest and proved inadequate but the second worked so for the one season it was used the sanctioning body outlawed the entire concept.  Known as the first of the "aero cars", it was the most radical a manufacturer had ever attempted.  It still is.

After sandbagging: Perfect weight distribution.

In the course of production, over 300 Dodge Chargers were used in the series, the rate of attrition as one might expect from the number of car-jumping stunts involved.  Early in the show’s life, when 1968-1969 (the 1968 cars were easily modified to appear as next year’s model for filming purposes) Dodge Chargers were just cheap used cars and readily available, the supply-line of replacements wasn’t a significant part of the budget but by the early 1980s, the cars were becoming scarce and increasingly expensive, something at least partly attributable to the impact of the TV series.  There was in the early 1980s also a sudden drop in the cost of gas as the (somewhat misleadingly named) “oil glut” depressed the price of oil and gas-guzzlers like the Chargers, with their satisfying, if rather primitive characteristics, enjoyed a renaissance.  In response, the producers responded with the tricks used in the pre CGI (computer-generated imagery) era, re-using old footage and staging some of the more distant scenes with scale models.  The viewers seemed not to mind.

Perfect weight distribution: Jessica Simpson (b 1980) in promotional shot for The Dukes of Hazzard (2005), said to be among the worst films ever made.  The viewers seemed not to mind.

Joe Biden, sandbagged in Colorado.

In June 2023, Joe Biden (b 1942; US president since 2021) told reporters he'd "been sandbagged" after tripping over “a sandbag” after handing out diplomas on a stage at the US Air Force (USAF) Academy’s Falcon Stadium in Colorado Springs, Colorado.  The footage of the event was all from one camera angle and on that no sandbag was evident but some quickly observed even if there wasn’t really a sandbag, the president clearly believes there was one and under some theories of cognition, that means the same thing.  The eighty year old president was quickly picked up by an air force officer and two members of the Secret Service, the White House later issuing a statement saying he was “fine after the fall” and USAF sources confirmed “two small black sandbags were used to support the teleprompter”.

Joe Biden has suffered repeated difficulties in trying to board Air Force One using the red-carpeted stairs, once infamously tripping over three times during one ascent (left).  He now uses the "baby stairs" in the nose.  Note the Secret Service officer at the bottom of the stairs: he is the "designated catcher".

So sandbags have been added to the checklist his Secret Service detail goes through before he’s allowed to make any public appearances.  Apparently surfaces on which the president will walk (or stumble or shuffle depending on the time of day) have to be as free from obstacles and obstructions as is possible and not be at all slippery.  A roll-up mat is now part of the inventory carried in the presidential motorcade, un-rolled whenever surfaces appear “potentially challenging”.  Anything other than sitting down is obvious fraught with danger and it’s not clear if he’ll again be allowed to ride a bike after tumbling to the ground when his feet somehow got “tangled in the pedals”.  His difficulties with stairs have been well documented and it’s of note he now uses only a rarely used forward exit when boarding or alighting from Air Force One.  Even that doesn’t guarantee he won’t trip up but from these stairs it’s a shorter fall to the tarmac so there’s that.

Fasces

Fasces (pronounced fas-eez)

(1) In ancient Rome, one or more bundles of rods (historically wooden sticks) containing an axe with its blade protruding, borne before Roman magistrates as an emblem of official power.

(2) In modern Italy, a bundle of rods containing an axe with the blade projecting, used as the symbol of Fascism (sometimes used imitatively in other places).

1590–1600: From the Latin fasces (bundle of rods containing an axe with the blade projecting), the plural of fascis (bundle or pack of wood), from the Proto-Italic faski- (bundle) possibly from the primitive Indo-European bhasko- (band, bundle), (the source also of the Middle Irish basc (neckband), the Welsh baich (load, burden) and possibly the Old English bæst (inner bark of the linden tree)).  In Ancient Rome, the bundle (the “fascio littorio”) was carried by a functionary before a lictor (a senior Roman magistrate) as a symbol of the judiciary’s power over life and limb (the sticks symbolized the use of corporal punishment (by whipping or thrashing with sticks) while the axe-head represented capital jurisdiction (execution by beheading)).  From this specific symbolism, in Latin the word came to be used figuratively of “high office, supreme power”.  Fasces is a noun (usually used with a singular verb); the noun plural is fascis but fasces is used as both a singular & plural.  For this reason, some in the field of structural linguistics suggest fascis remains Latin while (and thus a foreign word) fasces has been borrowed by English (and is thus assimilated).

The Italian term fascismo (a fascist dictatorship; fascism) was from fascio (bundle of sticks) and ultimately from the Latin fasces.  The name was picked up by the political organizations in Italy known as fasci (originally created along the lines of guilds or syndicates, the structures surviving for some time even as some evolved into “conventional” political parties).  Benito Mussolini’s (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) recollections of events were not wholly reliable but there are contemporary documents which support his account that he co-founded Fasci d'Azione Rivoluzionaria (Fasces of Revolutionary Action), the organisation publishing the Fascio Rivoluzionario d'Azione Internazionalista (the Revolutionary Internationalist Action League) in October 1914.  As far as is known, the future Duce’s embryonic movement was the first use of the terminology the world would come to know as “fascism”, the organizational structure of the Partito Nazionale Fascista (National Fascist Party) first discussed in 1919 and codified in 1919 when the party was registered.

Surviving art from Ancient Rome confirms the fascio littorio was represented both  with the head of the axe protruding from the centre of the bundled rods of the fasces and through a gape in the sides (left) but in Fascist Italy (1922-1943), the official images issued by the state used almost exclusively the latter arrangement (right).   

The Fascists choose the ancient Roman fascio littorio (a bundle of rods tied around an axe) because (1) the literal suggestion of strength through unity; while a single rod (an individual) is easily broken, a bundle (the collective) is more resilient and resistant to force and (2) the symbolic value which dated from Antiquity of the strong state with the power of life & death over its inhabitants.  The evocation of the memories of the glories of Rome was important to Mussolini who wished to re-fashion Italian national consciousness along the lines of his own self-image: virile, martial and superior.  When he first formed his political movement, Italy had been a unified nation less little more than fifty years and Mussolini, his envious eye long cast at Empire builders like the British and Prussians, despaired that Italians seemed more impressed by the culture of the decadent French for whom “dress-making and cooking have been elevated to the level of art”.  The use by the Nazis of the swastika symbol was a similar attempt at linkage although less convincing; at least the history of the fasces was well documented.  The Nazis claimed the swastika as a symbol of the “Aryan People” which they quite erroneously claimed was a definable racial identity rather than a technical term used by linguistic anthropologists studying the evolution of European languages.  Although there was much overlap in style, racist ideology, fascist movements in different countries tended to localize their symbols and Falange in Spain was one of the few to integrate the fasces although the yoke & arrows of the Falange flags were actually an adoption of a design which had long appeared on the standards of the Spanish royal house.

Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945 was at least honest in private conversation when he admitted that of human beings that “scientifically, there is only one race” but the propaganda supporting his (ultimately genocidal) racist philosophy was concerned with effect, not facts.  Hitler too, had no wish to too deeply to dig into an inconvenient past.  It annoyed him that Heinrich Himmler (1900–1945; Reichsführer SS 1929-1945) went about commissioning archaeological excavations of prehistoric sites which could only “…call the whole world’s attention to the fact we have no past?  It isn’t enough that the Romans were erecting great buildings when our forefathers were still living in mud huts; now Himmler is starting to dig up those villages of mud huts and enthusing over every potsherd and stone axe he finds.  All we prove by that is that we were still throwing stone hatchets and crouching around open fires when Greece and Rome had already reached the highest stage of culture”.  Perhaps with the Duce in mind, he added “The present-day Romans must be having a laugh at these revelations”.

The fascist salute has become so associated with Hitler and Nazism that in recent years some jurisdictions have banned its use, emulating the prohibition which has existed in Germany (the sanction pre-dating unification in 1990) for decades.  Because the salute is the same gesture as that used for purposes ranging from waving to one's mother to hailing a taxi, prosecutions are expected to be initiated only in cases of blatant anti-Semitism or other offensive acts.  The "salute" is so widely used that photographs exist of just about every politician in the act and they're often published; usually it's just a cheap journalistic trick but if carefully juxtaposed with something, it can be effective.     

The Duce’s reverence for the Ancient Rome of popular imagination accounts at least in part also for the Fascist’s adoption of the Roman salute although Mussolini did also object to the shaking of hands on the basis it was “effete, un-Italian and un-hygienic” and as the reduced infection rates of just about everything during the “elbow-bumping” era of the COVID-19 social isolation illustrated, on that last point, he had a point.  Other fascist regimes and movements also adopted the salute, most infamously the Nazis although none were as devoted as Hitler who, quite plausibly, claimed to have spent hours a day for weeks using a spring-loaded “chest expander” he’d obtained by mail-order so he’d strengthen his shoulder muscles sufficiently to enable him to stand, sometimes for a hour or more with his right arm extended as parades of soldiers passed before him.

A much-published image of the Duce, raising his arm in the fascist salute next to the bronze statue of Nerva (Marcus Cocceius Nerva) (30–98; Roman emperor 96-98) in the Roman Forum.

However, historians maintain there’s simply no evidence anything like the fascist salute of the twentieth century was a part of the culture of Ancient Rome, either among the ruling class or any other part of the population.  Whether the adoption as a alleged emulation of Roman ways was an act of cynicism of self-delusion on the part of the Duce isn’t known although he may have been impressed by the presence of the gesture in neo-classical painting, something interesting because it wasn’t a motif in use prior to the eighteenth century.  This “manufacturing” of Antiquity wasn’t even then something new; the revival of interest in Greece and Rome during the Renaissance resulted in much of the material which in the last few hundred years has informed and defined in the popular imagination how the period looked and what life was like.  By the twentieth century, it was this art which was reflected in the props and sets used in the newly accessible medium of film and the salute, like the architecture, was part of the verisimilitude.  Mussolini enjoyed films and to be fair, there were in Italy a number of statutes from the epoch in which generals, emperors, senators and other worthies had a arm raised although historians can find no evidence which suggests the works were a representation of a cultural practice anything like a salute.  Indeed, an analysis of many statues revealed that rather than salutes, many of the raised arms were actually holding things and one of the best known was revealed to have been repaired after the spear once in the hand had been damaged.

Adolf Hitler showing the "long arm" & "short arm" variants of the fascist salute (left) and examples of the long arm & short arm penalty being awarded in rugby union (right).

In fascist use, what evolved was the “long-arm” salute used on formal occasions or for photo opportunities and a “short-arm” variation which was a gesture which referenced the formal salute which was little more than a bending of the elbow and involved the hand rising at a 45^o angle only to the level of the shoulder; in that the relationship of the short to the long can be thought symbiotic.  Amusingly and wholly unrelated to fascism, the concept was re-appropriated in the refereeing of rugby union where a “short-arm” penalty (officially a “free-kick”) is a penalty awarded for a minor infringement of the games many rules.  Whereas a “full-arm” penalty offers the team the choice of kicking for goal, kicking for touch or taking a tap to resume play, a “short-arm” penalty allows a kick at goal, a kick for touch or the option of setting a scrum instead of a lineout.  The referee signals a “short-arm” penalty by raising their arm at an angle of 45^o.

Sometimes, a wave is just a wave.

Capillary

Capillary (pronounced kap-uh-ler-ee)

(1) Pertaining to or occurring in or as if in a tube of fine bore.

(2) Resembling a strand of hair; hair-like; slender.

(3) In physics, pertaining to capillarity; of or relating to the apparent attraction or repulsion between a liquid and a solid, observed in capillarity.

(4) In anatomy, pertaining to a capillary or capillaries; one of the minute blood vessels between the terminations of the arteries and the beginnings of the veins.  Capillaries form a network throughout the body for the exchange of oxygen, metabolic waste products, and carbon dioxide between blood and tissue cells.

(5) As capillary tube, any small-bore tube.

(6) A fine hole or narrow passage in any substance (technical use only).

1570–1580: From the Middle English, from the Latin capillāris (of or pertaining to hair), the construct being capill(us) (hair) + -ary.  The suffix –ary (of or pertaining to) was a back-formation from unary and similar, from the Latin adjectival suffixes -aris and -arius; appended to many words, often nouns, to make an adjective form.   Use was not restricted to words of Latin origin.  The etymology of the Latin capillus (hair (of the head)) is contested.  Although a relationship to caput (head) seems obvious, some doubt the connection "for formal reasons”, essentially because capillus is a diminutive, and would translate as “little head”, a perhaps tenuous relationship with “hair” but certainly not impossible and the dispute continues.  The Latin word was borrowed by early fourteenth century English as capillar (hair-like) to describe veins.

In the modern science of anatomy, used to describe “tube-like structures having so small a bore that water will not run through them”, use dates from 1742, an extension of the noun use from 1606 used to describe a “minute blood vessel”.  From 1806, experientialists used the word to describe the phenomena of the rise of liquids in tubes etc by the processes of surface tension; because the observational studies were conducted in capillary vessels, this came first to be called capillary attraction (1813).  Capillary as the "state or condition of being capillary" was first documented in 1806, from the French capillarité, from Latin capillāris.  In science, the derived terms include magnetocapillary, optocapillary & polycapillary.  The noun plural is capillaries and intercapillary is the adjective

The smaller, the bore of the tube, the greater the effect of the interaction of forces.

The process behind the counter-intuitive idea of water flowing uphill, even vertically, is called capillary action (and also capillary motion, capillarity, capillary effect, wicking or capillary attraction).  It describes the process by which liquids contained in narrow spaces are able, without the assistance of, or even in opposition to external forces such as pressure or gravity are able to move upwards.  It occurs because of the reaction of intermolecular forces between the liquid and surrounding solid surfaces; if the internal diameter of the tube is sufficiently small, then a combination of surface tension (caused by cohesion within the liquid) and adhesive forces between the liquid and wall will propel the liquid.  When the intermolecular attractive forces between the liquid and the solid surrounding surfaces (adhesive forces) are stronger than the cohesive forces within the liquid, the fluid will be pulled up the liquid column up until there is a sufficient mass of liquid for gravitational forces to counteract these forces.

The circular economy of botanical water management.

Plants use capillary action to draw water from roots and stems upwards to the trunk.  The molecules of the water are attracted to the molecules already  inside of the nominally solid stem from where they are dispersed throughout the plant.  Again, it’s the product of the relationship between adhesion and cohesion, and for plants, adhesion allows for the water to stick to their organic tissues while cohesion keeps the water molecules together.  Surface tension is the effect of intermolecular attraction that causes liquids to form a top or outer layer that behaves like a thin film of sorts.  Surface tension is responsible for the shape of water drops and for holding the structures together as plants soak up the water.  This is the circular economy of plants.

Capillary attraction and the Thorny Devil (from a BBC documentary).

Dwelling uniquely in central & western Australia, the thorny devil (Moloch horridus) is a lizard which is often seen when around 50-75 mm (2-3 inches) in length but can grow as large as 200 mm (8 inches).  Long-lived (up to 20 years), although fearsome in appearance, they are placid creatures with few apparent interests other than finding the ants and so voracious is their appetite that thousands can be consumed in a single meal.  The presence of people seems little to disturb them and thorny devils will sit on someone's shoulder for some time, apparently content and without any sign of distress.  Other than ants, their main need is for fresh water which is harvested through the channels formed in its skin between the spines.  It can collect moisture either from allowing dew to settle or by finding a water source and standing still, allowing gravity and capillary action to operate to let the fluid reach the mouth.  During rainfall events (which do happen in the Australian deserts), the process is rapid but in dry periods capillary action permits water to be taken up from damp sand and this can for months at a time be the creature’s primary method of intake.