Tobacco

Tobacco (pronounced tuh-bak-oh)

(1) Any of several plants belonging to the genus Nicotiana (of the nightshade family), especially one of those species, as N. tabacum, whose leaves are prepared for smoking or chewing or as snuff.

(2) Any of numerous solanaceous plants of the genus Nicotiana, having mildly narcotic properties, tapering hairy leaves, and tubular or funnel-shaped fragrant flowers. The species N. tabacum is cultivated as the chief source of commercial tobacco

(3) Any of various similar plants of other genera.

(4) The leaves of certain of these plants, dried and prepared, as used in cigarettes, cigars & pipes, as snuff and for chewing.

(5) Any product or products made from such leaves.

(6) To indulge in tobacco; to smoke.

(7) To treat with tobacco.

(8) A range of colors in the brown spectrum, tending to the darker.

1525–1535 (attested since 1588): From the Spanish tabaco of uncertain origin.  It was either from the Arabic طُبَّاق‎ (ṭubbāq) (Dittrichia viscosa) or from one or more Caribbean languages (including Galibi Carib, Arawak or Taíno) from a word meaning “roll of tobacco leaves” or “pipe for smoking tobacco” (there are contemporary reports citing both and scholars tend now to prefer the former), the best known of which was tabago (tube for inhaling smoke or powdered intoxicating plants).  Taino is thought by linguistic anthropologists to be the most likely source.  That the name of the inhaling implement was applied to the leaves was explained by the Spanish assuming it was the name of the plant.  The West Indian (Caribbean) island of Tobago was said to have been named in 1498 by Christopher Columbus (1451–1506) after the tambaku (pipe), a reference to the native custom of smoking dried tobacco leaves.  Derived forms include smokeless tobacco, tobaccoless & anti-tobacco and there are a wealth of slang terms for tobacco and its products (including the tax-evading illicit varieties) including occabot (the backward spelling), baccy, backy, chop chop, durrie, smoke, fag, gasper, ciggy, coffin nail, cancer stick, darb, dart, death stick, bine & stogie.  The spelling tabacco is obsolete.  Tobacco is a noun & verb, tobaccoing & tobaccoed are verbs; the noun plural is tobaccos or tobaccoes.

One difficulty public health authorities had in trying to reduce the use of tobacco was that images of smoking undeniably could be sexy: Lindsay Lohan demonstrates.

One attempt at social engineering began in earnest in the 1980s: Pressure was applied on film & television studios, advertisers and publishers to stop depicting smoking as something “attractive, sexy and cool” but because the creative community had over decades honed techniques to make even the lighting of a cigarette exactly that, success was limited.  What forever changed the environment in the US was when, in 1998, 52 state and territory attorneys general signed the Master Settlement Agreement (MSA) with the nation’s four largest tobacco companies to settle what were by then dozens of lawsuits brought to recover billions of dollars in health care costs associated with treating smoking-related illnesses and eventually some four-dozen tobacco companies settled under the MSA.  Although Florida, Minnesota, Mississippi and Texas are not signatories to the MSA, they all have individual settlements pre-dating the MSA.  What the framers of the MSA worked out was it was better to be realists and, in a sense. “write-off” those adults already addicted and focus on youth by (1) reducing the take-up rate (ie “the first cigarette) and (2) induce them to quit (ie “the next cigarette”).  The most obvious tactic in this was the traditional brute-force approach of increasing the cost of cigarettes by imposing payment obligations on the tobacco companies party to the MSA but more subtle measures also restricted tobacco advertising, marketing, and promotions, including:

(1) Prohibiting tobacco companies from taking any action to target youth in the advertising, promotion or marketing of tobacco products.

(2) Banning the use of cartoons in advertising, promotions, packaging, or labeling of tobacco products.

(3) Prohibiting tobacco companies from distributing merchandise bearing the brand name of tobacco products.

(4) Banning payments to promote tobacco products in media, such as movies, televisions shows, theatre, music and video games.

(5) Prohibiting tobacco brand name sponsorship of events with a significant youth audience (or team sports).

(6) Eliminating tobacco company practices which obscure the health risks associated with the use of tobacco (the history of which is extraordinary).

(7) Providing funds for the settling states that states may choose to use to fund smoking prevention programs.

(8) Establishing and funding the Truth Initiative, an organization “dedicated to achieving a culture where all youth and young adults reject tobacco.”

The National Association of Attorneys-General (NAAG) also established a Centre for Tobacco and Public Health (CTPH) which works with the settling states of the MSA to preserve and enforce the MSA’s monetary and public-health mandates, including:

(1) Representing, advising, and supporting the settling states in MSA-related legal matters, including litigation and arbitrations.

(2) Representing the settling states in bankruptcy cases filed by tobacco manufacturers.

(3) Representing the settling states before the MSA’s independent auditor and escrow agent to ensure that annual MSA payments are properly calculated and disbursed to the states.

(4) Monitoring tobacco companies’ compliance with the MSA’s payment and public health provisions.

(5) Communicating as the settling states’ collective counsel to tobacco companies, federal tobacco regulators and other third parties about the MSA and other tobacco regulatory matters.

A quarter-century on, the operation of the MSA continues to have a profound effect on smoking, particularly among youth.  Between 1998-2019, US cigarette consumption dropped by more than 50% and during that time, regular smoking by high school students dropped from its near peak of 36.4% in 1997 to a low 6.0% in 2019.  Under the terms of the MSA, tobacco manufacturers are obligated to make, in perpetuity, annual payments to the settling states as long as cigarettes are sold in the US by companies which have settled with the States.  The earlier social engineering initiatives were also rolled into the MSA and as well as the nudging of Hollywood, the programmes were cognizant of the changing media ecosystem and as well as movie studios, independent production houses, streaming services and social media platforms were prevailed upon to curb the frequency with which tobacco imagery appeared.

Billboard “welcoming” visitors to Zion, Illinois, 1919.

Eighty years before the attorneys-general secured the MSA, at least one local government knew smoking was dangerous.  Zion is a township in Lake County, Illinois and it's population in 1919 was declared to be  5460.  Named after Jerusalem's Mount Zion the settlement was founded in 1901 by a faith healer who ran Zion as a personal fiefdom though it later fell into the hands of a proponent of “flat earth theory” who maintained control until forced out when the extent of his corrupt activities became known.

When smoking was socially acceptable and some brands were marketed as "prestige products": Triumph Stag and Benson & Hedges cigarettes.  An advertisement from 1971 run in the FRG (Federal Republic of Germany, the old West Germany) which was a cross-promotion by B&H (Benson & Hedges) and Triumph, then part of the doomed British Leyland conglomerate.

Triumph never quite fixed the flaws in the Stag's unique 3.0 litre V8 (some were so fundamental they couldn't be fixed: only managed) but when the range was revised in 1973 (informally known as the "Mark II"), the parsimonious provision of ashtrays was improved, a central unit added for the rear-seat passengers who previously had none.  Triumph may have claimed the rear seat was intended for "children" and indeed leg room was a little "tight" but their in-period advertising sometimes featured four adults sharing the topless experience the Stag offered and it used to be that in a convertible, having a cigarette while enjoying the fresh air was all part of the fun.   

Because cigarette smoke is known to be carcinogenic and sustained use typically reduced the human lifespan by about a decade it was an admirable target in public health programmes and with big data sets assembled, things became more exact.  In December 2024, after running the numbers, a team at University College London released a report which concluded (on average) a single cigarette robs some 20 minutes from a person’s life; that means each pack can shorten life expectancy by about seven hours.  Historically, the term “pack-a-day-smoker” was based on the pack of 20 but those who buy the bigger packs can do their own math.  In theory, the report added, should a smoker quit on 1 January, they would by 8 January have extended their life-span by a day and if they avoid tobacco until 31 December, they’d have gained 50 days.  Explaining the findings, the team noted smoking usually “doesn’t cut short the unhealthy period at the end of life” but “primarily eats into the relatively healthy years in midlife, bringing forward the onset of ill-health. This means a 60-year-old smoker will typically have the health profile of a 70-year-old non-smoker.”   

GIF of a supine Lindsay Lohan, smoking in The Canyons (2013).

The unusual construct of the noun tobacconist (one who deals in tobacco) was tobacco + -n- + -ist.  The abnormal inserted consonant appeared to reflect the way the word actually was pronounced.  The sense of the commercial trader in the product dates from the 1650s although the earlier meaning, dating from the 1590s was “someone addicted to tobacco and by 1873 the word nicotinism (morbid effects of excessive use of tobacco) had been coined so the awareness of the adverse effects of tobacco are not new.  The first “tobacconist” (a shop where tobacco and related products are purchased) seems to have operated in Florida in the early 1800s.  The -ist suffix was from the Middle English -ist & -iste, from the Old French -iste and the Latin -ista, from the Ancient Greek -ιστής (-istḗs), from -ίζω (-ízō) (the -ize & -ise verbal suffix) and -τής (-tḗs) (the agent-noun suffix).  It was added to nouns to denote various senses of association such as (1) a person who studies or practices a particular discipline, (2), one who uses a device of some kind, (3) one who engages in a particular type of activity, (4) one who suffers from a specific condition or syndrome, (5) one who subscribes to a particular theological doctrine or religious denomination, (6) one who has a certain ideology or set of beliefs, (7) one who owns or manages something and (8), a person who holds very particular views (often applied to those thought most offensive).

Art deco: Snuffbox (left) and cigarette case (right).

Snuff (powdered tobacco to be inhaled) was first available in the1680s and was from the Dutch or Flemish snuf, a shortening of snuftabak (snuff tobacco), from snuffen (to sniff, snuff).  The practice of taking (sniffing) snuff quickly became fashionable in England and generated an industry in the making of “snuff boxes”; many small and exquisite, they’ve long been collectable.  The slang phrase “up to snuff” (knowing, sharp, wide-awake, not likely to be deceived) dates from 1811, the order of the words thought a reference to the upper-class association with the substance while the meaning is presumed to allude to the "elevating" properties of snuff.  The noun nicotine (which still appears occasionally in scientific papers as nicotin) describes the poisonous ,volatile alkaloid base found in tobacco leaves and was first documented in English in 1819, from the French nicotine, from the earlier nicotiane, from the Modern Latin Nicotiana, the formal botanical name for the tobacco plant, named for Jean Nicot (circa 1530-1600), the French ambassador to Portugal who in 1561 sent tobacco seeds and powdered leaves from his embassy in Lisbon to Paris.

Marlboro packaging.

Until the mid-twentieth century, there was much variation in packaging but in the post-war years things were (more or less) standardized in terms of size and shape.  It was a relatively small area with with to work and the convention which developed was to use the simple corporate symbol and product name, thus Marlboro's famous red-on-white chevron.  As the product range proliferated (women were a target market thought to have great potential), Philip Morris adopted the technique of semiotics to differentiate while retaining the same identifiable shape, the basic difference being in the color: red for the standard cigarette, blue for mild, green for menthol, gold for longer (ie 4 inch or 100 mm sticks) and black for higher-priced special offerings.  That didn't last and while some manufacturers stuck to the red (strong) / blue (mild) / green (menthol) convention, Marlboro's pack colors seemed increasingly to become random.       

James VI and I (1566–1625) King of Scotland as James VI (1567-1625) & King of England and Ireland as James I (1603-1625) was appalled by tobacco and in 1604 wrote the treatise A Counterblaste to Tobacco in which he left none in any doubt about how he felt and it’s a document which sounds very contemporary in its condemnation even if some of what was then medical orthodoxy is dated.  The king blamed the scourge of tobacco on Native Americans (although it was European adventurers which brought it from the New World) and was especially scathing about what is now called passive smoking, responding by imposing heavy taxes but such were the adverse consequences for the American colonies that in 1624 a royal charter was instead granted and the whole crop became a royal monopoly: it was the "if you can't beat them, join them" model to which which governments become attracted if there's money in it.  Written originally in Early Modern English (here transliterated) the king's words still read well:

Have you not reason to be ashamed, and to forsake this filthy novelty, so basely grounded, so foolishly received and so grossly mistaken as something good to use?  In your abuse you are sinning against God, harming both your health and your wallet, making yourselves look absurd by this custom, scorned and contemned by the civilized people of any nation.  It is a habit loathsome to the eye, hateful to the nose, harmful to the brain, dangerous to the lungs, and in the black stinking fumes are like the horrible Stygian smoke of the bottomless pit of Hell.

The king’s mention of Stigian is a reference to the goddess Styx (Στύξ) (stýks (literally “Shuddering”)) who in Greek mythology took the form of a river of Elia, Arcadia which surrounded Hades nine times and flowed from a rock into silver-pillared caves.  What the king probably had in mind was the tale that Stygian waters imposed senselessness for a year and a draft of the waters was decreed by Zeus for gods who had perjured themselves.  More positively though it was said of Zeus he also insisted the oaths of the gods be sworn by the water of the Styx.

Mid-century cigarette advertising.  Even in the 1950s the public's suspicion that tobacco was a dangerous product was rising and the industry's advertising switched from the traditional "lifestyle" model to one which relied on endorsements by celebrities and scientists; there was much quoting of research and statistics, much of which would later be wholly debunked.  The tactics and techniques were similar to those later adopted by the fossil fuel lobby in their long campaign to discredit the science of human-activity induced climate change. 

Marianne Faithfull (1946-2025), smoking.

Although there were always the fastidious types like James I who found it abhorrent, it wasn’t until late in the twentieth century that in the West governments began to crack down on the industry to the point where in many jurisdictions the stated aim is to eliminate it completely, the most recent innovation being progressively to raise the minimum age at which tobacco products can be purchased which, in theory, means that within decades, nobody will be able to buy them.

The Australian government took the conventional approach of taxing cigarettes to the point where the cost of consumption became prohibitive for all but the rich (who now tend not to smoke).  That method works well in economics textbooks and elegant models can even predict the point on the elasticity of demand curve at which the punitive taxation becomes effective but the IRL (in real life, a inconvenience which often annoys economists) what happened was organized crime began smuggling cigarettes from overseas where they remained cheap, selling them as "under-the-counter" merchandize in 7-11s and similar outlets, demand guaranteed because they cost Aus$20 rather than the Aus$60 of the lawful (and taxed) product.  As well as being addicted, smokers tend to be poorer than average so were pragmatic; while smoking may not be rational behavior, paying Aus$20 for a pack rather than Aus$60 certainly was and this had the unintended consequence of a rapid decline in government revenue.  Although the intention was to remove this form of revenue by reducing tobacco consumption to zero, what instead happened was much of the forgone money ended up instead with those in the criminal supply chain, organized crime (the importers) the greatest beneficiaries.  That was bad enough but organized crime is not monolithic and the gangs took up battle against each-other, the preferred method to gain control of regional distribution being to fire-bomb the shops obtaining their contraband from the opposition; fire spreading to surrounding shops (florists, hardware stores and such) was collateral damage.  Presumably, with alcohol prohibition in the US (1920-1933) being a well-documented case-study, the implications of the putative approach mush have been considered but governments seem to have though it "worth the risk".  Having effected their policy, the heath advocates might have hoped to see light at the end of the tunnel, only for vaping to become a thing.

Governments were always interested in tobacco as a form of revenue and taxing an addictive, lawful product provided for centuries a constant and often gradually increasing source of income and cynics like to note the attitudes seemed only to shift when advances in surgical techniques and drug treatments meant those suffering the consequences of a lifetime of tobacco use began to be kept alive for decades, often at public expense.  Previously, the afflicted had had the decency quickly to drop dead, usually at an age when their usefulness as economic units had either vanished or significantly diminished to the point where, as pensioners, they were a cost to society.  The BBC’s comedy Yes, Prime Minister explored the math & morals in a discussion between the prime-minister and the permanent head of the cabinet office.

Sir Humphrey Appleby: Notwithstanding the fact that your proposal could conceivably encompass certain concomitant benefits of a marginal and peripheral relevance, there is a countervailing consideration of infinitely superior magnitude involving your personal complicity and corroborative malfeasance, with a consequence that the taint and stigma of your former associations and diversions could irredeemably and irretrievably invalidate your position and culminate in public revelations and recriminations of a profoundly embarrassing and ultimately indefensible character.

Prime-minister: Perhaps I might have a précis of that?  It says here, smoking related diseases cost the National Health Service £165 million a year.

Sir Humphrey Appleby: Yes but we've been in to that, it has been shown that if those extra 100,000 people had lived to a ripe old age, it would have cost us even more in pensions and social security than it did in medical treatment.  So, financially speaking it's unquestionably better that they continue to die at their present rate.

Prime-minister: We're talking of 100,000 deaths a year.

Sir Humphrey Appleby: Yes, but cigarette taxes pay for a third of the cost of the National Health Service.  We're saving many more lives than we otherwise could, because of those smokers who voluntary lay down their lives for their friends. Smokers are national benefactors.

Prime-minister: So long as they live.

Sir Humphrey Appleby: A lot of people, eminent people, influential people have argued that such legislation would be a blow against freedom of choice.

Prime-minister: Rubbish. I'm not banning smoking itself. Does every tax rise represent a blow against freedom?

Sir Humphrey Appleby: Well, depends how big the tax rise is.

Prime-minister: Oh, that's fascinating. Does 20p represent a blow against freedom?  25p? 30p? 31? Is something a blow against freedom simply because it can seriously damage your wealth?

Sir Humphrey Appleby: I foresee all sorts of unforeseen problems.

Prime-minister: Such as?

Sir Humphrey Appleby: If I could foresee them, they wouldn't be unforeseen.

The Kennedy connection

The 1941 film Tobacco Road was based on the 1932 novel of the same name by Erskine Caldwell (1903-1987).  It involved a family living in poverty in the rural backwoods of the US and their antics did not suggest the possession even of average intelligence.  The term “tobacco road” came to be used as a slur against such folk and their lifestyle and while it’s usually an amusing disparagement exchanged between the rich and well-connected, even among them context can matter as Thomas Maier (b 1956) illustrated in one episode recounted in When Lions Roar: The Churchills and the Kennedys (2014) involving John Kennedy (JFK, 1917–1963; US president 1961-1963) and Pamela Harriman (1920–1997), later one of Western society’s last great courtesans but then just divorced from what had been a brief and understandably unhappy marriage to the even then dissolute Randolph Churchill (1911-1968), son of Winston (1875-1965; UK prime-minister 1940-1945 & 1951-1955).  Crooked old Joseph Kennedy (1888–1969) fashioned his sons to become politically powerful establishment figures but didn’t forget his great-grandfather had in 1848 left the poverty of rural Ireland during the potato famine to begin to build wealth and influence in Boston.  He’s made sure his sons knew the family history and when in Ireland in 1945, JFK’s curiosity had prompted a trip to the old Kennedy homestead:

At the Kennedy farm in County Wexford, accompanied by Pamela, Jack discovered not much had changed since his great-grandfather left. “I’m John Kennedy from Massachusetts,” he said after his knock on the door was answered. “I believe we are related.” His distant cousin Mary Kennedy Ryan seemed dubious at first but eventually invited the two strangers in for tea.

The Kennedys who remained in Ireland had spent much of the past century trying to regain the land rights to their tenant farms from the British and supporting Ireland’s independence movement led by such politicians as de Valera. Mary Ryan herself had been a member of the old IRA’s women’s auxiliary during the 1920s conflict against the British, carrying guns and money, either in carts or under her dress, to a secret hiding spot near their farm. “Jack kept pressing on about his ancestors going to America and so on, trying to make the link,” recalled Pamela. As a treat, Jack took the Irish Kennedy cousins for a short ride in Kick’s shining new station wagon, accompanied by the former Mrs. Randolph Churchill. “They never could figure out who I was,” recalled Pamela. “‘Wife?’ they’d ask. I’d say no. And they’d say, ‘Ah, soon to be, no doubt!’”

After nearly two hours “surrounded by chickens and pigs,” Jack recalled, he “left in a flow of nostalgia and sentiment.” The trip reaffirmed the Irish stories he’d heard from his parents and grandparents. Neither Pamela nor Kick, however, seemed impressed. As their car pulled away from the Kennedy farm, Pamela turned to Jack with a remark meant as witty. “That was just like Tobacco Road!” she tittered, referring to the popular novel about rural life in Georgia. Jack wasn’t amused. “The English lady,” he later recounted, ” …had not understood at all the magic of the afternoon.” To Dave Powers and Ken O’Donnell, his Irish-Catholic political aides from Boston, he was much blunter: “I felt like kicking her out of the car.” At Lismore, Lady Hartington was even haughtier. After listening to her brother’s wondrous account of the Kennedy homestead, Kick mustered only a bemused question. “Well, did they have a bathroom?”

Skeg

Skeg (pronounced skeg)

(1) In shipbuilding, a fin-like projection supporting a rudder and protecting the propeller(s) at its lower end, located abaft a sternpost or rudderpost.

(2) In the design of smaller boats, an extension of the keel, designed to improve steering.

(3) In the slang of naval architects (in certain contexts), a stump or branch (the after-part of a ship's keel).

(4) In the slang of the General Motors (GM) stylists, a “lower fin”, matching the upper on the rear of 1961-1962 Cadillacs.

(5) The fin which acts as a stabilizer on a surfboard.  To suffer some injury after being hit by one of these fins is to be “skegged”.

(6) In Australian slang, a surfer; a person who leads the lifestyle of a surfer (used also derisively in the form “fake skeg” of those who adopt the style an appearance without actually surfing.

(7) A type of wild plum (obsolete).

(8) A kind of oat (obsolete).

(9) In Northern English dialectal use, a look or glance.

(10) In many cultures, a slang term applied to youth suggesting slovenliness, a predilection to petty crime and other anti-social behavior; also used widely in Scottish slang for a surprising variety of purposes including legs, trousers, dirt, scotch eggs, sex and women of loose virtue.

1590–1600: From a dialectal term for a stump, branch, or wooden peg, from the Dutch scheg (cutwater), of Scandinavian origin and related to the Swedish skog and the Old Norse & Icelandic skegg (projection on the stern of a boat).  In some Nordic languages, skegg means “beard” and was from the Old Norse skegg, from the Proto-Germanic skaggiją, from the primitive Indo-European skek, kek-, skeg & keg- (to jump, skip, move, hurry).  The name of the English coastal town of Skegness is though a construct of the Old Norse skegg (beard) + -nes (headland) and was thought a reference to the geography, the original settlement situated farther east at the mouth of The Wash (thus jutting out like a beard from a face).  A link with the Old Norse name Skeggi is thought unlikely.  Skeg is a noun; the noun plural is skegs.

A gang of four Sceggs, Sydney, Australia.

The skegs of nautical architecture should not be confused with the homophone Sceggs, the acronym for students of Sydney Church of England Girls Grammar School (S.C.E.G.G.S.), seen also in the adjectival forms sceggesque & sceggish (one whose style suggests something similar to the stereotypical student of the school).  

Lindsay Lohan in wet suit, with surfboard, Malibu, 2011.  The stabilizing skeg is the black protrusion at the back of the board.

On nautical vessels, skegs where they exist fulfill a significant function but they are not an essential part of hull design.  A skeg is an external structural feature, a vertical tapering projection permanently fixed at the aft, usually close to the centre-line.  Most are located in front of the rudder and structurally can often be considered a sternward extension of the keel (the internal, longitudinal members which lend much strength of the hull).  Although in military vessels there are additional functions, the moist significant contribution of a skeg is in hydrodynamics, a skeg designed to influence the flow patterns and thus affecting the dynamics of both the rudder (which is usually in line with the skeg) and propeller(s).  The design is thus a finely tuned equation because while a skeg inherently induces drag, the way it alters the flow pattern can reduces the drag and resistance suffered by the rudder and propeller(s), essentially by transforming the turbulent characteristics of the flow to laminar at the stern.  Historically, skegs were a vital component in maintaining a course and that’s still an important consideration in smaller vessels but in larger craft, improved rudder and advanced navigational as well as stabilization technologies like thrusters have meant skegs are no longer of the same significance in maintaining directionality.

An US Navy Iowa class battleship, showing the inner set of propeller shafts wholly enclosed in a pair of skegs.  On the big ships, the skegs were designed also as load-bearing supports while in dry-dock.

In the modern age, skegs became an unusual feature on warships, a relative few so equipped and the designs varied, some with only a few of their shafts inside skegs while others encased all.  While the traditional design imperatives were shared with other ships, for navies, they also offered the advantage of affording some degree of protection for rudders and propellers against torpedo attack.  Historically, another important attribute of skegs was what they add to a hull’s structural strength, making the (inherently weaker) stern resistant to outside forces and all the last of the US Navy’s dreadnoughts featured skegs.  Their hulls narrowed towards the stern and to save weight lacked the sternpost plates the British, German and Japanese navies always fitted to their battleships and the skegs compensated for this, offering a hull with similar rigidity.

The US Navy’s South Dakota class battleships were fitted with an unusual set of skegs, the design dictated by the relatively short hull, the large outboard skegs helping to reduce the adverse effects of fluid dynamics induced by the hull’s abrupt end.

However, advantages in engineering and metallurgy meant much of the functionality afforded by skegs could be achieved in other ways and skegs became unfashionable in naval architecture.  The modeling and simulations made possible by supercomputers meant hull designs could be rendered which mastered the turbulence caused by fluid dynamics so rudders and propellers were less affected so the skeg was in many cases a source of performance-sapping skin-friction drag with little compensating benefit.  Indeed, not only did this hamper performance, in some cases excessive vibration was caused, something which could only to a degree be ameliorated by changes to the propellers’ configurations.

Cadillac’s Skegs, 1961-1962

Cadillac Coupe DeVille: 1959 convertible (left) & 1960 hardtop (right).

The 1959 Cadillac’s tail-fins are the best remembered and most emblematic of the brief, extraordinary era during which the absurdly macropterous flourished.  They’re rightly known as “peak-fin” but it’s a myth they were the tallest because, measured from the ground, those on the 1961 Imperial are about a half-inch (12 mm) more vertiginous.  The attractions of the style however were fading and from 1960, General Motors (GM) began to tone them down, Chrysler later following the lead (Ford never really got involved in big fins).  Another cultural phenomenon is that because of the large number of pink 1959 Cadillacs which now exist, many assume they were a common sight when new, the things perhaps made memorable by the sight of the one owned by the admirable Jayne Mansfield (1933–1967).  However, the factory never made a pink 1959 Cadillac and in the era, it was only in 1956 such a color was on the option list and Ms Mansfield had one of those while her 1959 convertible received a custom re-paint.

An inspiration, a step in the evolution and the result: A captured German V2 rocket (left), a full-size clay mock up of a design proposal (centre) and 1961 Cadillac Coupe de Ville convertible (left).  The clay mock-up was photographed at the General Motors Technical Center (1956) in Warren, Michigan.

For the 1961 the fins further were pruned but in compensation, the design staff added a "lower fin" and these, informally they called “skegs”.  While in a sense just another of the era's many extravagances, the outgrowths could have part of something even wilder because among the design proposals which emerged from the General Motors Advanced Design Studios was one which clearly was the ultimate expression of the motif of the 1950s which borrowed so much from the aerospace industry.  The proposed fins essentially were those of ballistic missiles which for decades were an evolution from the German Vergeltungswaffen zwei (V-2), developed first by the German military with the code name Aggregat 4 (A4).  Vergeltungswaffen is translated variously as "retaliatory weapons" or "reprisal weapons" but in English use is often written as “vengeance weapons”.  Aerodynamically, presumably the proposal has something to commend it and it proceeded far enough into the selection for an expensive, full-sized clay model to be rendered but ultimately the longer though somehow more restrained skegs were preferred.

1961 Cadillac Four Window "Flat Top" sedan (Body Style 6239).

Compared with some of the clay mock-ups, what emerged from the production lines hinted at rather than emulated missiles but should it be though what was rendered in clay was wild, the archives of the General Motors Technical Center contain a wealth of sketches of truly bizarre design studies which didn't make the cut to reach the hands of the modelers.  Presumably, those sketches which survive are those the stylists thought deserved to be remembered and there must of been those which even the designer concluded needed to be shredded.  As the archives also demonstrate, those who criticize the fins and "bullet" taillights on the 1959 Cadillac have reasons to be grateful even stranger things were rejected.  

Cadillac’s take on the “long & slightly less long” of it: 1961 Cadillac Six Window Sedan de Ville (Body Style 6329L, left) and 1961 Cadillac Town Sedan (Body Style 6399C, right).  In the brochures, the terms “Town Sedan” and “Short Deck” both were used.

One quirk of Cadillac’s brief embrace of the skeg was there were two iterations: skeg long and skeg short.  Whether in response to dealer feedback or in anticipation of some owners preferring their Cadillac in a more conveniently sized package, between 1961-1963 a “short-deck” option was made available on certain body styles.  Offered first on the six-window Sedan de Ville (as the “Town Sedan”), an encouraging 3,756 were built so the option was in 1962 offered on the four-window de Ville Sedan (Body Style 6398 and now called “Park Avenue”) but sales dropped to 2600.  The coming of the 1963 models marked the retirement of the short-lived skegs which thus ended their brief moment as something decorative although they continued the functional role in marine architecture.

1963 Cadillac Four-Window Sedan de Ville (Body Style 6239, left) and 1963 Cadillac Sedan de Ville Park Avenue (Body Style 6398, right).

Although smaller cars were selling well in other market sectors, among Cadillac buyers, the decline of interest in anything smaller was confirmed in 1963 when only 1575 of the Park Avenues were sold.  Although the 129.5 inch (3289 mm) wheelbase was common to the whole Sedan de Ville range, the “short deck” models were shorter by 7 inches (178 mm) for the first two seasons and an even more obvious 8 inches (203 mm) in 1963.  Space utilization was obviously a little better but the market had spoken; fewer than 8,000 of the short-deck models sold while the standard editions shipped in the tens of thousands, the flirtation with (slightly) more efficient packaging abandoned for 1964; in the course of the following decade, the Sedan de Ville would grow another seven inches (178 mm) and gain over 400 lb (181 kg).  It should be noted that by international standards, the truck capacity of even the abbreviated models was still quite generous, able effortlessly to accommodate two sets of golf clubs, something which later became something of a de-facto standard used in assessing the practicality of sports cars.  Jaguar used this feature as a selling point when the XK8 (1996-2006) was introduced because it wasn’t possible with all versions of the old E-Type (1961-1974).

1958 Cadillac Series 62 Extended Length Sedan (Body Style 6239EDX, left) and 1958 Cadillac Series 62 Sedan (Body Style 6239, right).

There was in the early 1960s much criticism that “full-size” US cars had become too big but the “short deck” venture was a departure for Cadillac which had for some years been making things bigger and in 1958 the company had even included the “Series 62 Extended Length Sedan”.  The Series 62 Sedan was already an impressive 216.8 inches (5.5 m) long but the Extended Length version measured an even more imposing 225.3 (5.7), the additional 8.5 inches (216 mm) all in the rear deck, creating a more capacious trunk (boot).  There can’t have been many Cadillac buyers with that much luggage and the new model didn’t gain many sales although there was a healthy industry in jokes about Mafia functionaries and other figures in organized crime grateful finally to have more space to transport the bodies.  Unfortunately for Cadillac, there were only so many Mafia hit-men and despite 20,952 of the 103,455 (excluding Eldorados and “chassis only” sales) Series 62s produced in 1958 being the Extended Length Sedan (some 20%), it proved a single-season one-off. 

For 1963, the short-deck models returned for another dismal season but the skegs were abandoned, never to return.  The fins however the design studio found harder to forsake, conscious perhaps it was on the 1948 Cadillac they’d first appeared.  Then, modestly sized, they’d been an allusion to the tail-planes used on the twin-boomed Lockheed P-38 Lightning (1939) but the fashion had passed and the fins had to go so, inch by inch, there was a retreat from the heights and exuberance of 1959 until in 1966 the fins were vestigial, a hint which for decades would be retained.

1955 Ford La Tosca.

A half-decade before Cadillac decided their customers needed skegs, Detroit had pondered the idea.  Shown in 1955, Ford’s La Tosca (named apparently after Giacomo Puccini’s (1858–1924) three act opera Tosca (1900) although the intended connection seems to have been a general sense of the “emotional and dramatic” rather than the fate of the doomed protagonist) was unusual in that it appeared not as a full-scale “concept car” but in the form of a 3/8 scale model, used to demonstrate the possibilities offered by a remote-controlled chassis, directed through the medium of radio waves.  To achieve this, rather than build custom components (as the Pentagon would have done), Ford’s engineers dipped into the corporate parts bin and wired together the regulator and relay from a power window apparatus, the electric motor used to lower a convertible’s soft-top, a power seat mechanism and a standard, 12 volt car battery.  The system worked flawlessly and, depending on the topography, La Tosca could remotely be controlled at distances greater than a mile (1.6 km).  According to Ford records, the project began simply as an “…internal exercise to show students in the Advanced Studio how hard it was, even for professional designers, to design a car” but so long did the model take to complete (the complex curves and canted structures challenging to render in what was then the still novel fibreglass) that “mission creep” intruded, thus the radio-controlled chassis.

1954 Lincoln Futura (1954) and Ford Mystere (1955).  In Detroit, these were at the time typical of what was authorized to be built as "concept cars", machines destined for the show circuit to gauge public reaction.  If they now seem rather wild, much of what never left the stylists' (they weren't yet "designers") sketch pads and drawing boards truly was bizarre.  

Stylistically, La Tosca was in the vein of the corporation’s other concept vehicles of the era such as the Lincoln Futura (1954) and Ford Mystere (1955), the trio reflecting the way the industry was applying motifs from missiles and jet-propelled aircraft such as Perspex bubble-tops, tubes, fins and exhaust nacelles.  Most of these proved to be brief, though memorable relics of jet-age aesthetics, fads although elements were easily recognizable in the 1958 Lincoln and Cadillac of course would later take up the skegs.  The remote-control concept was ahead of its time though it did find a niche in model cars and aircraft.  In the twenty-first century new versions of the technology are now mainstream with cranes, trucks and trains routinely operated from sometimes thousands of miles away although usually on mine-sites and other remote locations (experiments with vehicles on public roads are being undertaken).  Despite these advances, the industry regards the technology as transitional and intends as soon as practicable to remove human (and thus costly and unreliable) element completely, re-allocating control to an entirely autonomous AI (artificial intelligence) model which, without complaint or toilet breaks, can be worked 24/7/365.

Migraine

Migraine (pronounced mahy-greyn or mee-greyn)

(1) An extremely severe paroxysmal headache, usually confined to one side of the head and often associated with nausea; hemicrania.

(2) A neurological condition characterised by such headaches

1325–1375: From the Middle English, from the Old French migraigne, from (as an imperfect echoic) the Medieval Latin hēmicrānia (pain in one side of the head, headache) and the Greek hemikrania, the construct being hemi (half) + kranion (skull).  The earliest form in English was megrim or mygrame with the spelling revised in 1777 to adopt the French form.  It’s never been clear if any of the European forms are a calque of the Egyptian gs-tp (headache), a construct of gs (half) + tp (head); the link between the Egyptian magical papyri and the Greek hēmikranía (ἡμικρανία) is undocumented and could be coincidental.  The corrupt form megrim was in common use between the fifteenth & early twentieth centuries is now obsolete although it did for a while endure in its secondary senses of "depression; low spirits" (and curiously, "a whim or fancy").  The pronunciation mee-greyn is said to be most prevalent in Scotland.  Migraine is a noun and migrainoid & migrainous are adjectives; the noun plural is migraines.

Technically, a migraine is a severe, often recurring, headache, usually affecting only one side of the head, characterized by sharp pain and often accompanied by nausea, vomiting, sensitivity to light, and visual disturbances.  Vasodilation in the brain causes inflammation which results in pain, but the exact cause of migraine remains unknown.  In casual use there’s a tendency, not restricted to hypochondriacs, to use word to describe even mild headaches.

Donald Trump, Crooked Hillary Clinton & Boris Johnson demonstrate the single-handed reaction to a migraine.

Despite advances, the exact causes of migraines are yet fully to be understood and although there's a consensus migraines are complex neurological conditions triggered by various factors, it may be they are inherent to the nature of being human and while treatments may improve, many neurologists have cautioned there may never be a “cure” although it’s noted a susceptibility to migraines seems to run in families, suggesting there may be a genetic predisposition.  At the physical level, abnormalities in the brain's nerve pathways and chemical signaling are believed to be involved, changes in the levels of neurotransmitters such as serotonin, dopamine, and norepinephrine suggested as causative agents.  The triggers appear to vary between individuals although the most commonly mentioned include foods such as aged cheeses, chocolate, caffeine, and artificial sweeteners, alcohol, stress, hormonal changes (seemingly only in women), changes in sleep patterns, sensory stimuli (bright lights, loud noises, strong odors), weather changes, and certain medications.  Critical too appear to be (1) abnormalities in the brainstem and its interactions with the trigeminal nerve (a major pain pathway) and (2) fluctuations in blood flow to the brain, including constriction and dilation of blood vessels.  Interestingly, as varied as the causes may be, so too is the effectiveness of the treatments and doctors frequently report a regimen some patients finds most efficacious might achieve nothing on others reporting the same symptoms, and possible triggers.

Lindsay Lohan demonstrates the two-handed reaction to a migraine although, given the migraine typically afflicts only one side of the head, this may be a more common response to the (usually) less severe but more widespread headache.

The Migraine Pose

A staple of portrait photography for decades, the migraine pose isn’t new but Instagram is a big-machine database and it’s now easy to identify trends and spikes in techniques.  The migraine look seems to have peaked in late 2018 and although still often posted, the historic moment of the trend seems to have passed.  The pose is achieved by using one hand to pulling the face up by the temples, a look reminiscent of someone suffering a migraine.  Classically done with one hand because the headache from which it borrows the name usually is localised to one side of the head, models adopt the look because it tightens the face, renders cheekbones more prominent and lifts the brows, a kind of instant facelift.  The hand may be placed on the temples, forehead or crown but should be done with a light touch, not a gripping of the head or hair.  Models also caution neophytes not to neglect the hands and nails because nothing spoils even a perfectly composed photograph like a poor manicure.

Gigi Hadad: The perfect migraine pose by a professional model.  With that bone structure and flawless skin, she doesn't need the artifice the technique can lend those falling short of her structural ideal but the pose adds variety to a photo shoot and photographers still like it.

Barnaby Joyce (b 1967; thrice (between local difficulties) deputy prime minister of Australia 2016-2022):  Although Mr Joyce seems frequently to adopt the migraine pose, the consensus is it's not an attempt to make himself more attractive in photographs and it's likely he actually suffers headaches.  These could be caused by many things.

Of course, Mr Joyce may also have been the cause of migraines in a few of his colleagues.  He's pictured here in 2018 with Malcolm Turnbull (b 1954; Australian prime-minister 2015-2018).

Regalia

Regalia (pronounced ri-gey-lee-uh or ri-geyl-yuh)

(1) The emblems, symbols, or paraphernalia indicative of royalty or any other sovereign status; such as a crown, orb, sceptre or sword.

(2) The decorations, insignia, or ceremonial clothes of any office or order.

(3) A casual term for fancy, or dressy clothing; finery.

(4) Royal rights, prerogatives and privileges actually enjoyed by any sovereign, regardless of his title (emperor, grand duke etc).

(5) Sumptuous food (obsolete except in the odd literary novel).

(6) A large cigar of the finest quality (obsolete except in the odd literary novel). 

1530–1540: From the Medieval Latin rēgālia (royal privileges; things pertaining to a king), noun use of neuter plural of the Latin rēgālis (regal).  The word stems from the Latin substantivation of the adjective rēgālis, itself from rex (king).  Regalia is a Latin plurale tantum (plural as such, plural only) word that has different definitions. In one ancient (but now rare) definition, it refers to the exclusive privileges of a sovereign, a concept which remains codified in Scots law as Inter regalia (something inherently that belongs to the sovereign) and this may include property, privileges, or prerogatives.  The term is a direct borrowing from the Latin inter (among) and regalia (things of the king).  In Scots law, the division is between (1) regalia majora (major regalia), which are inseparable from the person of the sovereign and (2) regalia minora (minor regalia), which may be conveyed to a subject.  The word originally referred to the formal dress of a sovereign, but is now used of any type of elaborate formal dress or accessories and is applied especially to academic and ecclesiastical robes.  Although regalia is a Latin plurale tantum (plural as such, plural only) which, in the grammar of Latin is a noun (in any specific sense) that has no singular form (eg scissors) in most usage, in Modern English, it’s sometimes used in the singular: regale.  Further to complicate, the plural form of the grammatical descriptor is pluralia tantum.  Regalia is a noun and regalian is an adjective; the noun plural is regalias.

Cardinal George Pell (1941-2023) in ecclesiastical regalia (left) and a deconstruction of the layers (right).  The nature of the garments' layers assumed significance in the matter of the cardinal's trial on charges of sexual abuse of a minor, a discussion about the ease and speed with with "accessibility" was physically possible (within the constraints of time and place) being among the evidence offered in defense.  Within the Roman Curia (a place of Masonic-like plotting & intrigue and much low skulduggery), Cardinal Pell's nickname was “Pell Pot”, an allusion to Pol Pot (1925–1998, dictator of communist Cambodia 1976-1979) who announced the start of his regime was “Year Zero” and all existing culture and tradition must completely be destroyed and replaced. 

Lindsay Lohan being adorned with prom queen regalia (Mean Girls (2004)).

In his original trial the cardinal was convicted, the verdict upheld on appeal to a full bench of the Victorian Court of Appeal.  However, upon final appeal to the High Court of Australia (HCA), the conviction was quashed, the judges ruling the Crown had not beyond reasonable doubt proved the acts alleged happened as described, in the circumstances, in the place and at the time mentioned in the indictment.  Quash means to nullify, void or declare invalid and is a procedure used in both criminal and civil cases when irregularities or procedural defects are found.  In a unanimous (7-0) judgment (Pell v The Queen [2020] HCA 12)) quashing Cardinal Pell’s conviction in the Supreme Court of Victoria (Pell v The Queen [2019] VSCA 186), the High Court set aside the verdict and substituted an acquittal; in a legal sense, it is now as if the original verdict was never handed down. 

A depiction of Peter Dutton (b 1970; leader of the opposition and leader of the Liberal Party of Australia since May 2022) in the regalia of a Freemason Grand Master (digitally altered image).  Note the apron worn beneath the jacket, a style unique to The Ancient and Accepted Scottish Rite of Freemasonry.  Mr Dutton has never denied being a Freemason.

Masonic Grand Masters wear specific regalia signifying their high rank within the cult.  The details of the garments & accessories vary between the sects of Freemasonry but the core elements are:

Collar: A grand and elaborate collar made of a wide ribbon is worn around the neck, often with a grand master's jewel or other symbol of office attached.  Most ribbons are still the traditional blue with gold or silver embroidery & embellishments.

Jewel: A grand master's jewel is a distinctive medallion or emblem (usually attached to the collar) which includes symbols denoting the authority of the office such as the square, compass, eye or other Masonic insignia.

Gloves: White gloves are a standard part of Masonic regalia (worn not only by a grand master).  The origin of the white gloves was their (alleged) use by stone masons when working on porous materials such as marble, symbolizing purity and the craftsman's clean hands. Gauntlets are worn by certain high-office holders.

Sash or Girdle: In some Masonic temples, grand Masters wear a sash or girdle around the waist, again, often adorned with the cult’s symbols and colors.  Some temples don’t use sashes as part of the regalia because it’s said to be a modern addition with no real link to Masonic tradition.

Hat: The hats, while distinctive, seem to be a fashion choice more than a general tradition.  The most popular seem to be tricorn, bowler or top-hats although evidence suggest regional factors may influence the choice, a wide array of ceremonial caps existing in the photographic record.  In some sects, a specific, unique hat is reserved for use by the Grand Master who may wear it only during ceremonies and rituals.

Apron: The Grand Master wears an ornate apron which historically was fabricated from natural fibres such as silk or lambskin but it may be some now use modern synthetics which offer certain advantages although they lack the same quality of tactility.  The aprons feature intricate embroidery, including Masonic symbols such as the Square and Compasses and may feature gold or silver fringes are common.

Masonic aprons are obligatory wear for any Mason when in a lodge or temple and they’re worn always on the outside except in Scotland where the tradition is for them to sit under the jacket.  Like much else in the cult of Freemasonry, the apron is a symbol of a mason’s place in the hierarchy (as codified a system as the precedence afforded to the orders of knighthood in the UK's imperial honors) and although variations exist, there are essentially five layers of apron-wear:

(1) Enterered Apprentice: The apron of an entered apprentice is plain white to symbolise purity and innocence and usually made of lambs leather.

(2) Fellow Craft: The Fellowcraft apron has the same white background as that of the Enterered Apprentice except for the addition of two blue rosettes.  Despite much research and speculation, it’s not known why the color blue is used.

(3) Master Mason: The decoration on a Master Mason’s apron is much more elaborate and is recognizably Masonic in a way the simpler constructions are not.  Because many Master Masons elect not to progress to the status of Worshipful Master, for many this will be the apron they wear for their entire Masonic career.

(4) Worshipful Master: The only change to the apron when one enters the chair as Worshipful Master is the blue rosettes are replaced by three levels.  The symbols are distinctive so the wearer instantly is recognizable as being a present or past Worshipful Master of a Lodge.

(5) Provincial Honours: Once a mason has gone through the chair and become Worshipful Master, his title changes from Brother to Worshipful Brother.  As the years pass, he may be granted Provincial honours and his apron will then be changed from light blue to dark blue with gold braid.