Cage

Cage (pronounced keyj)

(1) A boxlike enclosure having wires, bars, or the like, for confining and displaying birds or animals or as a protective barrier for objects or people in vulnerable positions (used in specific instances as battery cage, bird-cage, birdcage, Faraday cage, tiger cage, fish cage etc).

(2) Anything that confines or imprisons; prison and figuratively, something which hinders physical or creative freedom (often as “caged-in”).

(3) The car or enclosed platform of an elevator.

(4) In underground mining, (1) an enclosed platform for raising and lowering people and cars in a mine shaft & (2) the drum on which cable is wound in a hoisting whim.

(5) A general descriptor for any skeleton-like framework.

(6) In baseball (1) a movable backstop for use mainly in batting practice & (2) the catcher's wire mask.

(7) In ice hockey and field hockey, a frame with a net attached to it, forming the goal.

(8) In basketball, the basket (mostly archaic).

(9) In various sports which involve putting a ball or other object into or through a receptacle (net, hole), to score a goal or something equivalent.

(10) In fashion, a loose, sheer or lacy overdress worn with a slip or a close-fitting dress.

(11) In ordnance, a steel framework for supporting guns.

(12) In engineering (1) various forms of retainers, (2) a skeleton ring device which ensures the correct space is maintained between the individual rollers or balls in a rolling bearing & (3) the wirework strainers used to remove solid obstacles in the fluids passing through pumps and pipes

(13) To put (something or someone) into some form of confinement (which need not literally be in a cage).

(14) In underwear design, as cage bra, a design which uses exposed straps as a feature.

(15) In computer hardware, as card cage, the area of a system board where slots are provided for plug-in cards (expansion boards).

(16) In anatomy (including in zoology) as rib-cage, the arrangement of the ribs as a protective enclosure for vital organs.

(17) In athletics, the area from which competitors throw a discus or hammer.

(18) In graph theory, a regular graph that has as few vertices as possible for its girth.

(19) In killer Sudoku puzzles, an irregularly-shaped group of cells that must contain a set of unique digits adding up to a certain total, in addition to the usual constraints of Sudoku.

(20) In aviation, to immobilize an artificial horizon.

1175–1225: From the Middle English cage (and the earlier forms kage & gage), from the Old French cage (prison; retreat, hideout), from the Latin cavea (hollow place, enclosure for animals, coop, hive, stall, dungeon, spectators' seats in a theatre), the construct being cav(us) (hollow) + -ea, the feminine of -eus (the adjectival suffix); a doublet of cadge and related to jail.  The Latin cavea was the source also of the Italian gabbia (basket for fowls, coop).  Cage is a noun, verb and (occasional) adjective, caged & caging are verbs (used with object) and constructions include cage-less, cage-like, re-cage; the noun plural is cages.

The noun (box-like receptacle or enclosure, with open spaces, made of wires, reeds etc) typically described the barred-boxes used for confining domesticated birds or wild beasts was the first form and form circa 1300 was used in English to describe "a cage for prisoners, jail, prison, a cell".  The noun bird-cage (also birdcage) was in the late fifteenth century formed to describe a "portable enclosure for birds", as distinct from the static cages which came to be called aviaries.  The idiomatic use as “gilded cage” refers to a place (and, by extension, a situation) which is superficially attractive but nevertheless restrictive (a luxurious trap) and appears to have been coined by the writers of the popular song A Bird in a Gilded Cage (1900).  To “rattle someone's cage” is to upset or anger them, based on the reaction from imprisoned creatures (human & animal) to the noise made by shaking their cages.  The verb (to confine in a cage, to shut up or confine) dates from the 1570s and was derived from the noun.  The synonyms for the verb include crate, enclosure, jail, pen, coop up, corral, fold, mew, pinfold, pound, confine, enclose, envelop, hem, immure, impound, imprison, incarcerate, restrain & close-in.

Wholly unrelated to cage was the adjective cagey (the frequently used derived terms being cagily & caginess), a US colloquial form meaning “evasive, reticent”, said to date from 1896 (although there had in late sixteenth century English been an earlier cagey which was a synonym of sportive (from sport and meaning “frolicsome”)).  The origin of the US creation (the sense of which has expanded to “wary, careful, shrewd; uncommunicative, unwilling or hesitant to give information”) is unknown and despite the late nineteenth century use having been attested, adoption must have been sufficiently hesitant not to tempt lexicographers on either side of the Atlantic because cagey appears in neither the 1928 Webster’s Dictionary nor the 1933 supplement to the Oxford English Dictionary (OED).

John Cage (1912–1992) was a US avant-garde composer who, inter alia, was one of the pioneers in the use of electronic equipment to create music.  He’s also noted for the 1952 work 4′33″ which is often thought a period of literal silence for a duration of that length but is actually designed to be enjoyed as the experience of whatever sounds emerge from the environment (the space, the non-performing musicians and the audience).  It was an interesting idea which explored both the definitional nature of silence and paralleled twentieth century exercises in pop-art in prompting discussions about just what could be called music.

The related forms jail and goal are of interest.  Jail as a noun dates from circa 1300 (although it had by then been used as a surname for at least a hundred years) and meant "a prison; a birdcage".  It was from the Middle English jaile, from the Old French jaiole (a cage; a prison), from the Medieval Latin gabiola (a cage (and the source also of the Spanish gayola and the Italian gabbiula)), from the Late Latin caveola, a diminutive of the Latin cavea.  The spellings gaile & gaiole were actually more frequent forms in Middle English, these from the Old French gaiole (a cage; a prison), a variant spelling thought prevalent in the Old North French, which would have been the language most familiar to Norman scribes, hence the eventual emergence of goal which emerged under that influence.  It’s long been pronounced jail and the persistence of gaol as the preferred form in the UK is attributed to the continued use in statutes and other official documents although there may also have been some reluctance to adopt “jail” because this had come to be regarded as an Americanism.

The cage bra

The single strap cage bra.

A cage bra is built with a harness-like structure which (vaguely) resembles a cage, encapsulating the breasts using one or more straps.  Few actually use the straps predominately to enhance support and the effect tends to be purely aesthetic, some cage bras with minimal (or even absent) cup coverage and a thin band or multi-strap back.  Designed to be seen, cage bras can be worn under sheer fabrics, with clothes cut to reveal the construction or indeed worn alone, the effect one borrowed from engineering or architecture where components once concealed (air conditioning ducting, plumbing, electrical conduits etc) are deliberately exposed.  It’s thus a complete reversal of the old rule in which the sight of a bra strap was a fashion-fail.  The idea has even been extended to sports bras which actually have long often used additional, thick straps to enhance support and minimize movement, especially those induced by lateral forces not usually encountered.  The cage bra's salient features include:

Lindsay Lohan in harness cage bra with sheer cups and matching knickers.

(1) The straps are a cage’s most distinctive feature.  The most simple include only a single additional strap across the centre while others have a pair, usually defining the upper pole of each cup.  Beyond that, multiple straps can be used, both at the front and back, some of which may have some functional purpose or be merely decorative.  Single strap cage bras are often worn to add distinctiveness to camisoles while those with multiple straps are referred to as the harness style and have the additional benefit (or drawback depending on one’s view) of offering more frontal coverage, the straps sometimes a framework for lace or other detailing; this is a popular approach taken with cage bralettes.

Front and back views of modestly-styled criss-cross cage bras.

(2) Many cage bras are constructed around a traditional back band, especially those which need to provide lift & support while those (usually with smaller cups) have a thin band (merely for location) or none at all.  In this acknowledgement of the laws of physics, they’re like any other bra.  Those with a conventional back band (both bras and bralettes) are often constructed as the V-shaped cage, the symmetrical straps well suited to v-necks or even square necks and paired with cardigans or more structured jackets or blazers, they’re currently the segment's best-sellers.  A more dramatic look is the criss-cross cage but fashionistas caution this works well only in minimal surroundings so accessories should be limited to earrings or stuff worn on the wrist or beyond.

Example of the cage motif applied to a conventional bra, suitable for larger sizes.

(3) As a general principle, the cage bras manufactured tend to be those with cup sizes in the smaller range, supply reflecting the anticipated demand curve.  However, even the nominal size (A, B, C etc) of the cups of cage bras can be misleading because they almost always have less coverage than all but the most minimal of those used by conventional bras and should be compared with a demi cup or the three-quarter style of plunge bras.  That said, there are strappy designs which include molded cups with underwires suitable for larger sizes but it’s a niche market and the range is limited, the scope for flourishes being limited by the need to preserve functionality, a demand which, all else being equal, tends to increase with as mass grows.  Unlike the structural underwire, many of the "underwireish" parts of a cage bra purely are decorative.

Examples of designs used to fabricate harness cage bras which can be worn under or over clothing or, in some cases, to augment a more conventional bra or bralette.

(4) Despite the specialized nature of cage bras, some are multi-purpose and include padding with all the usual advantages in concealment and additional volume, permitting use as an everyday garment rather than one used exclusively for display.  Some include removable padding so the bra can be transformed into a see-through design.

Choker cage bra.

(5) The methods of closure type vary.  The most uncompromising designs actually have no closure mechanism; the idea being one would detract from the purity of the lines so this requires the wearer to pull it over the head.  Other types use both front and back closures, usually with conventional hook & clasp fittings (so standard-sized extenders can sometimes be used) but there are some which borrow overtly from the traditions of BDSM underwear (the origin of the cage bra motif) and use extravagantly obvious buckles and even the occasional key-lock.  The BDSM look is most obviously executed in the choker cage bra which includes a neck choker as a focal point to accentuate the neck and torso, something best suited to a long, slender neck.  Buyers are are advised to move around when trying these on because the origins of the BDSM motif lay in devices used in Medieval torture routines so a comfortable fit is important.

Cage bralette.

(6) Almost all cage bras continue to use the same materials as conventional garments, the fabrics of choice being nylon or spandex, their elasticity permitting some adjustments to accommodate variations in shape or location.  Sometimes augmented with lace, fabric, mesh or metal rings, straps can also be made from leather.

(7) Ricki-Lee Coulter in illusion dress, March 2022.

Although usually worn under or over clothing, the cage bra concept can be integrated and the gaps inherent in the use of straps mean the style is ideal for illusion clothing.

Treadmill

Treadmill (pronounced tred-mil)

(1) A device for producing rotary motion by the weight of people or animals, treading on a succession of moving steps or a belt that forms a kind of continuous path, as around the periphery of a pair of horizontal cylinders (also called a treadwheel (archaic)).

(2) An exercise machine that allows the user to walk or run in place, usually on a continuous moving belt.

(3) Figuratively, a process or situation in which continued effort leads to or is required for remaining at a particular state or level without moving ahead; any monotonous, wearisome routine in which there is little or no satisfactory progress.

(4) By extension, anything repetitive and unending.

(5) In molecular biology, as treadmilling, the apparent locomotion of certain cellular filaments by adding protein subunits at one end, and removing them at the other, a phenomenon observed in many cellular cytoskeletal filaments.

1822: The construct was tread + mill.  Tread was from the Middle English tred, from treden (to tread), from the Old English tredan, from the Proto-West Germanic tredan, from the Proto-Germanic trudaną.  Mill was from the Middle English mylne & mille, from the Old English mylen, from the Proto-West Germanic mulīnu (mill), from the Late Latin molīna, molīnum & molīnus (mill), from the Latin verb molō (grind, mill), related to the Proto-Germanic muljaną (to crush, grind (related to the later English millstone).  Although speculative, some etymologists have suggested a relationship with the surname Milne, based on an associative link with the profession of some sort of milling.  The synonyms for the physical devices have variously included mill, stepper & everlasting staircase, and in the figurative sense, chore, drudgery, groove, labor, pace, rote, routine, rut, sweat, task, toil, travail & moil.  Treadmill is a noun, treadmilling is a noun & verb, treadmilled is a verb (the forms treadmillish & treadmillesque are both non-standard); the noun plural is plural treadmills.

Depiction of penal treadmill (the wheel).

Treadmills originated as a means of translating human energy into mechanical action to be applied to tasks such as moving water or air, grinding grain or making more efficient processes like the kneading of dough.  All such devices had since the mid sixteenth century tended to be known as treadwheels and the name treadmill wasn’t widely adopted until 1822 when a machine, invented by the son of a miller and used in English jails since 1818, was introduced into the US prison system, the intention in both places being to occupy the prisoners (on the basis of the theory that “the Devil makes work for idle hands”) and harness the energy produced for some useful purpose (although it’s unclear to what extent the devices were ever used a power source).  Designed ultimately to accommodate a dozen-odd men at a time, penal treadmills were rotating cylinders with steps built into the external surface, the prisoners essentially “walking uphill” for up to 4000 metres (14,000 feet) per day.  In prison slang the treadmills became known as “the wheel” and they were widely used in England until a decline in the late nineteenth century before use was discontinued in 1902; In the US, they were rare and extinct by mid-century, prison administrations preferring to apply the labor of inmates directly to some productive purpose.  The penal treadmill (the wheel) is best remembered as being one of the punishments to which Oscar Wilde (1854-1900) was subjected during some of the two-year sentence he received after being convicted of gross indecency.

Lindsay Lohan on treadmill, Planet Fitness Super Bowl commercial, 2022.

The figurative senses allude to the way running on a treadmill requires continued effort and motion in order to remain in the same place and it’s used to refer either to one’s continued application to a specific task without making discernible progress towards the goal or the general idea of being “stuck in a rut”, leading a repetitive existence.  The idea for the familiar modern device dates from the early twentieth century and in medicine, sports and the military, variations emerged as required but by the 1970s, they became a standard piece of gym equipment and have become increasingly elaborate, linked to diagnostic and monitoring sensors and even the generation of electricity, some commercial operations granting users credits against the charges for use.

The term "euphemism treadmill" was coined by Harvard professor and psycholinguist Steven Pinker (b 1954) to describe the process by which euphemisms become as emotionally or politically loaded as the words supplanted.  It was the same idea as “euphemism cycle” which University of Oregon linguist Sharon Henderson Taylor had mentioned as long ago as 1974 but more exact in that the process is lineal rather the cyclical; once cancelled, euphemisms seem forever doomed.  Linguists call this the move from euphemism to dysphemism and while it’s impossible to know how long this has existed as a social phenomenon, the implications differ greatly between (1) purely oral cultures, (2) one where written or other records exist and (3) the digital era.  It’s now not uncommon for words individuals used decades earlier (at a time when use was either common or at least tolerated) to be produced so an understanding of historical context matters.  The word retard for example was once thought neutral and inoffensive compared with the earlier terms (idiot, imbecile & moron) which had migrated from clinical use to become slurs used as general-purpose insults against anyone.  Retard suffered the same fate and it may be the currently acceptable terminology (intellectual disability, individual with an intellectual disability & intellectually and developmentally disabled) will undergo the same process although none roll of the tongue as easily as retard and IDD is not effortless so they may endure as neutral.  The solution, Pinker pointed out, was that people should be educated to "think differently" about the subject, substituting euphemisms when progress inevitably from sanitized to slurs just kicks the can down the road. 

Structurally though, the process can be seen as inevitable because it’s associative, a product of the interplay between a descriptor and that it denotes.  Gay (a word with a centuries-long history in sexual politics) emerged in the late twentieth century as the preferred term to replace all the slurs referring to homosexuals, recommended by many even as preferable to homosexual which, despite being a neutral descriptive formation, had come to be regarded by many as a slur or term of derision.  Of course, being associative, gay soon came also to be used as a slur (and as a synonym for strange, weird, un-cool or queer (in its more traditional sense)) though the negative application is now socially proscribed so gay in its modern sense may survive.  So, the change of a descriptor doesn’t necessarily change attitudes.  Just because gay became preferred to homosexual didn’t mean homophobia vanished although, interestingly, although there’s a record of the word gayphobia from as early as the 1990s, it never caught on.

Lindsay Lohan on treadmill, Planet Fitness Super Bowl Commercial, 2022.

Of interest too is the succession of terms which replaced the infamous N-word.  Negro (which probably already is N-word 2.0 except in historic references) was in the 1960s used in the sense of something purely descriptive by mainstream figures such as John Kennedy (1917-1963; US president 1961-1963) and civil rights activist Martin Luther King (1929-1968) but it too came to be regarded as slur and was replaced by black.  Negro did though have an interesting history.  When first used in print in English in the mid-sixteenth century it was nearly always capitalized, the uncapitalized use beginning to appear in the late eighteenth century and becoming the standard form in twentieth although there were activists who insisted an initial capital was justified as a mark of respect, despite this being etymologically dubious.  It’s now rare because it carries connotations of earlier discrimination although remains acceptable in context, such as when used by the National Association for the Advancement of Colored People (NAACP).

The matter of capitalization had also affected the use of black, some activists claiming its should be capitalized whereas white should not and that too is a purely political argument given the word initially gained currency because it was thought white’s linguistic equivalent.  In many ways that was true but it was controversial because, as used, it wasn’t exactly synonymous with Negro which is why the more precise African American became popular in the 1980s, again for reasons of seeking social equivalence (Polish-Americans, Italian-Americans, Irish-Americans et al).  Black, in practice, is often used to refer to dark-skinned people whether or not of African descent and for this reason it became unfashionable.  Other sub-sets have also moved in their own direction, the Fox News audience now preferring “the 13%”.

The distinction between colored people and people of color puzzles some but is entirely due to the historical association of colored and colored people with racism both subtle and overt.  People of color is a construction without the baggage and to date has generally be used to assert identity or in a celebratory sense and technically it’s a synonym for non-white because all those not white can so self-classify.  However, language evolves and there’s no guarantee "people of color" & "POC" won’t evolve to become slurs.  So, it can be a linguistic minefield and while the general principle is that people should be described as they wish to be described (or referenced not at all), at least for now, "people of color" seems safe despite a critique which suggests it entrenches the notion of "whiteness" as the apex of desirability and consigns all other skin tones to a kind of miscellany of "the other".

Routine

Routine (pronounced roo-teen)

(1) A customary or regular course of procedure.

(2) Commonplace tasks, chores, or duties as must be done regularly or at specified intervals; typical or everyday activity.

(3) Regular, unvarying, habitual, unimaginative, or rote procedure.

(4) An unvarying and constantly repeated formula, as of speech or action; convenient or predictable response; in informal use something perfunctory or insincere; merely procedural.

(5) In computer programming, a complete set of coded instructions directing a computer to perform a series of operations; that series of operations (also as sub-routine (as part of a larger routine) & co-routine (run in conjunction) although few programmers use the hyphens).

(6) In entertainment, an individual act, performance, or part of a performance, as a song or dance, given regularly by an entertainer.

(7) Of the nature of, proceeding by, or adhering to routine.

(8) Dull or uninteresting; commonplace.

(9) One of the key concepts in ethnomethodology (a discipline in sociology focused on the methods groups use to create societal order) and related to routinization of authority, the process through which a charismatic authority becomes a bureaucracy

(10) As RAT (routine activity theory), a sub-field of criminology.

(11) In poker, as Royal Routine, an alternative name for the royal straight flush.

1670–1680: From the Middle English routine (customary course of action; more or less mechanical performance of certain acts or duties), from the sixteenth century French routine from the Middle French route (road, route), from the Old French route & rote (usual course of action, beaten path; a customary way), the construct being rout(e) + -ine (a diminutive suffix), from the Latin rupta (broken, ruptured, burst), perfect passive participle of rumpō, from the Proto-Italic rumpō (break, I break, I violate), from the primitive Indo-European Hrunépti & Hrumpénti (to break), from the root Hrewp-.  Routine is a noun & adjective, routineness, routinization & routiner are nouns, routinize is a verb and routinely is an adverb; the noun plural is routines.

Routine can be merely descriptive of something periodic or a construct and thus neutral or convey something negative in the sense in which the synonyms include conventional, everyday, ordinary, rut, humdrum, unremarkable, habitual, perfunctory & insincere.  In other European languages the descendants include the Catalan (rutina), Dutch (routine), Galician (rutina), Hungarian (rutin), Italian (routine), Portuguese (rotina), Spanish (rutina) & Turkish (rutin).  The rather unhappy noun of action routinization (a being or becoming routine; action of imposing a routine upon) was a creation of US English in 1916 as a development from the verb routinize (subject to a routine, make into a routine) which dates from 1893.  The adjectival sense "of a mechanical or unvaried character, habitually done in the same way" has been used since at least 1917 and was a direct development from the noun.  The now familiar theatrical or athletic performance sense of "carefully rehearsed sequence of actions" dates only from 1926.

In the context of the card game, the word poker is an adaptation of US English of uncertain origin and there’s no evidence of any relationship to other meanings.  Quite why the card game was so-named has attracted speculation but no documentary evidence has ever emerged.  It may be related to the German Pochspiel (a similar card game) from the German pochen (to brag as a bluff (literally "to knock, rap” (and thus the suggested link to the verb poke))) from the Middle High German bochen & puchen, from the Proto-Germanic puk-, which is probably imitative.  An alternative idea is that it was related to the French poquer from poque, (a similar card game and a move in pétanque (a form of boules (in the sense of the game, a shortening of the French jeu de boules)), a game played with metal bowls with origins in the south of France).  The earlier version of the game was in English called brag and the US form seems first to have been played in 1829 on the lower reaches of the Mississippi, presumably among riverboat gamblers and the location, with the French influences, does support some French connection in the etymology.  Interestingly, it appears the original form seems to have been played with a 20-card pack (10-J-Q-K-A) evenly dealt among four players; the full-deck version not played until the 1840s.

Lindsay Lohan's Royal Routine in The Parent Trap (1998)

The Royal Routine (more commonly known as the royal flush) is the least likely winning combination in five-card poker and cannot be beaten unless “agreed rules” are being played which includes an ascendency of suits; in that case, one Royal Routine can beat another, however unlikely such an occurrence may be.  Because in poker all suits are usually of equal value, most prefer to “split the pot” if, after a count-back, two or more hands are equal although rules for a variety of tie-break mechanisms have been defined.  In ascending order, the winning possibilities in poker are:

The Royal Routine (royal flush). The Ace down to the 10 in one suit.  Under standard poker rules, the odds against holding a Royal Routine are 649,739:1.

The straight flush: There are 40 different straight flush possibilities and the odds against are 72,192:1; although in a sense a Royal Routine is just another straight flush, it’s rarer because fewer cards are available for one to be assembled.

Four of a kind: Also called "quads", the odds against are 4,165:1.

Full house: Originally called the "full boat" (a hint of the game’s origins on the lower reaches of the Mississippi) 3744 different full house combinations are available and to players, few things are more annoying than having one’s full house beaten by another on a count-back.  The odds against are 4,165:1.

The flush: Any 5 cards of the same suit, non consecutive with the winning hand determined by the highest individual card held.  5148 different combinations of a flush are available and the odds against are 508.8019:1.

The straight: Originally known as the wheel (another allusion to the Mississippi, this one referencing the wheeled paddles of the ships which plied the route), any 5 consecutive ranked cards in multiple suits where the ace can be high or low (an ace high straight is also called the "broadway").  10240 different straight combinations are possible and the odds against are 253.8:1.

Three of a kind: In some circles called "the trips" or a "set", there are 54,912 different possibilities of 3 of a kind are available and the odds against are 46.32955:1

Two Pairs: There are 123,552 possible two pair combinations and it’s reputedly the game’s most over-bet hand; the odds against are 20.03535:1.

The pair: Any two cards of the same rank.  The odds against are 1.366477:1.

Card High:  The hand with the highest single card wins and there are over 2½ million winning combinations; the odds against are 0.9953015:1.

The Boeing B-29 Superfortress (one of the special Silverplate series) which dropped the one-off, uranium A-Bomb on Hiroshima on 6 August 1945 was named Enola Gay in honor of the mission commander’s mother (Enola Gay Tibbets (née Haggard).  Enola Gay is well known but on the Hiroshima mission were six other B-29s, two of which were named after poker hands (with scatologic graphics), reflecting the popularity of the game among the military.  The three reconnaissance planes which were tasked to report weather conditions over the possible target cities were Jabit III, Full House & Straight Flush; the mission reserve B-29 was Top Secret, Necessary Evil was the camera plane which photographed the bombing and The Great Artiste carried a scientific crew with monitoring equipment.  Poker was quite a thing then and when Richard Nixon (1913-1994; US president 1969-1974) in 1945 returned from his South Pacific tour of duty it was with thousands of dollars in poker winnings, his history including one rare Royal Routine and a prize pot of US$1500 won with a bluff on a pair of twos.

Breakaway

Breakaway (pronounced breyk-uh-wey)

(1) An act or instance of breaking away; secession; separation.

(2) A departure or break from routine or tradition.

(3) A person, thing or institution which breaks away.

(4) An object, used in theatrical productions as a prop, constructed easily to break or fall apart (also used to describe costumes designed quickly to be change and thus easily removed), especially upon impact; by extension, anything deliberately constructed of lightweight material or in such a way as to shatter or come apart easily, sometimes as a safety feature.

(5) In ice hockey, a sudden rush down the ice by a player or players in an attempt to score a goal, after breaking clear of defending opponents.

(6) In various codes of football, a run by an offensive player breaking through the defense for a long gain.

(7) In basketball, a term for the fast break.

(8) In rugby union, two forwards positioned at the side of the scrum (also called flankers).

(9) In Australian rural slang, an animal that breaks away from the herd or flock or a synonym for a stampede of a number of beasts.

(10) In Australian geographical slang, an eroding steep slope on the edge of a plateau; an escarpment; a channel of floodwater that has burst from its usual course; or the track or channel eroded by the water (archaic).

(11) Of, relating to, or being that which separates or secedes.

(12) In horse racing, a premature start.

(13) In bicycle racing, a individual or group of riders which has gone ahead of the peloton (the main group).

(14) In the entertainment industry, enjoying sudden & rapid popular success as a result of one role, release etc (archaic, now called “break-out”).

(15) In geopolitics, a sometimes used alternative descriptor for the renegade province of Taiwan. 

1885–1895: A noun & adjectival form based on the (verb) phrase “break away”.  Break was from the Middle English breken, from the Old English brecan (to break), from the Proto-West Germanic brekan, from the Proto-Germanic brekaną (to break), from the primitive Indo-European breg- (to break).  Away was from the Middle English away, awey, awei, oway, o wey & on way, from the Old English āweġ & onweġ (away), the original form being on weġ (on one's way; onward; on), the construct being a- (on) +‎ way (a road; direction).  It was cognate with the Scots awa & away (away), the Old Frisian aweg & awei (away), the Saterland Frisian wäch & wääge (away), the Dutch weg (away), the German weg (away), the Danish væk (away) and the Swedish i väg (away; off; along).

The phrase “break away”, in the sense "disengage oneself abruptly, escape" dates from the 1530s.  The late nineteenth century breakaway was used to describe physical objects, especially specifically engineered theatre props.  The use in sport was noted first in 1906 while the hyphenated break-away seems initially to have been used to describe those individuals associated with breakaway movements but a convention of use never emerged.  The use to describe splinter groups or anything schismatic began in the adjectival sense in the 1930s and was so joined by the noun and in that context the synonyms include breakup, separation, defection, dissension, disunion, division, parting, rift, rupture, schism, split, disaffiliation, & splinter group.

All Blacks vs the Barbarians, Cardiff Arms Park, 1973.

Rugby Union is noted, inter alia, for some inconsistencies in the names applied to positions.  The reasons for this are historical as the game’s origins lie in the early nineteenth century at a time when communication was slow and irregular between the parts of the British Empire (and the US) where it was played.  Nomenclature thus evolved in bubbles (as did some rules) and it seems that in Australia and New Zealand, the terminology could differ even between provinces.  Despite professionalism, some of the differences persist to this day which is why mysterious terms like “second five-eight” and “wing three quarter” still sometimes baffle neophyte audiences.  The breakaway is now more commonly called the “flanker” and there are blindside flankers (No 6) and openside flankers (No 7), the distinction being that the No 7 attaches (loosely) to the scrum on whichever side is further from the nearer touchline.  Breakaways are there to tackle the opposition and hopefully steal the ball and, although not tightly bound to the scrum, do contribute to its rigidity by applying lateral force.  The breakaways are the most obvious variation from the formation used in the breakaway (the split from rugby union dating from 1895) code of rugby league which otherwise uses the same positions and field placements, although, reflecting the later, more codified origin, the terminology tends to be more consistent between nations.

Breakaways: GAFCON and the Diocese of Southern Cross.

Belonging to a long tradition of splits, squabbles, schisms and general fissiparousness in Christianity and other faiths, congregations of Australia’s breakaway faction of the Anglican Church this week began meeting in suburban clubs and halls.  Modest though the surrounds might have been, the turbulent priests are not all that lonely in their walk, joining the Global Anglican Future Conference (GAFCON), an umbrella breakaway group dividing the Anglican Church in many countries.

GAFCON’s core objections are to the “revisionist interpretations” of the Bible by Anglican bishops, a slippery slide of “heresies” which have permitted the ordination of women, the blessing of same-sex marriages and a permissive attitude towards divorce.  Accordingly, the Diocese of Southern Cross was recently launched at a GAFCON conference in Canberra, the announcement made by its new bishop, Glenn Davies (b 1950; Archbishop of Sydney 2013-2021), the Anglican church’s former archbishop of Sydney.  In a statement which was a lament rather that a celebration, the bishop noted it was “…a sad day, in many ways”, adding that “…if the leadership would repent and turn back to the teachings of the bible, we wouldn’t need the Diocese of Southern Cross. I’d shut it down and come back.”  He denied procuring worshipers from other congregations, saying “I’m not luring people in, I’m not recruiting; I’m providing a safe haven and they can come to me.”

The way things used to be done.  St George's Anglican Church, Beenleigh, Queensland, Australia.

The Australian event is the latest expansion of a movement that is dividing the communion in many countries with rebel dioceses having already been formed in North America, South America, Africa and Europe and there are many who concede the schism has already evolved to the point where it must be acknowledged there are now two Anglican Churches in the US.  The nature of religiosity among Christians in Australia is however different from the US experience, both qualitatively and quantitatively.  Anglicanism was between white settlement in 1788 and the twenty-first century, at least nominally, most numerous denomination in Australia but the most recent census data revealed Anglican affiliation dropped more than any other religion in the past five years, from 3.1 to 2.5 million people, almost one in five and fewer than 10% of the population now self-identify as Anglican.  Of this declining sect of Christianity, many predict the breakaway Diocese of Southern Cross will grow but it’s unlikely to assume the critical mass such movements can attain in Africa and the Americas, simply because there simply aren’t enough folk who take religion that seriously.

The new way.  The first service of the Diocese of Southern Cross was held in a meeting room of the Beenleigh RSL (Returned Services League) & Golf Club.

 The breakaway GAFCON is not a new formation.  The culmination of the internal stresses visible in the Anglican communion since the 1968 Lambeth Conference, GAFCOM coalesced over three conferences held between 2008-2018, convened by conservative Anglican bishops and leaders concerned about the establishment’s positions on issues such as the ordination of women, secularism, HIV/AIDS , the matter of gay clergy and marriage equality.  Provocatively held one month prior to the 2008 Lambeth Conference, GAFCON made clear it existed because of heresy, the revisionist "false gospel" which since the 1960s had become part of Anglican orthodoxy, claiming it denied the uniqueness of Jesus Christ and promoted a corrosive cultural relativism which accepted a "variety of sexual preferences and immoral behavior as a universal human right".  These matters had been debated by the factions for years but it was the consecration of the confessed (and non-celibate) homosexual Vicky Gene Robinson (b 1947; Bishop of the Episcopal Diocese of New Hampshire 2004-2013) as a bishop by the Episcopal Church in the US which induced the conservative faction be explore an institutional formation, either to “march through the institution” or form a separate church, depending on how the numbers fell.

As things turned out in 2008, it seemed clear a takeover wasn’t (yet) a practical proposition but that GAFCON would continue as a concept.  What was decided was to create in North America, where the threat seemed greatest, a kind of parallel church, an ecclesiastical structure which would cater for conservative Anglicans, a mechanism possible the communiqué asserted because the Archbishop of Canterbury is not a pope and his recognition of an institution is not required to secure a presence within the Anglican Communion.  In a nice touch, the 1662 Book of Common Prayer was called "a true and authoritative standard of worship and prayer”.  Lambeth Palace, predictably, while noting the breakaway’s position was fraught with theological and structural difficulties, otherwise did nothing.  Schisms sometimes flourish, sometimes fade away, sometimes are re-absorbed by the establishment and sometimes cause wars.  With the Lambeth Conference having just concluded, attention will now turn to at least three of those options.

The word “breakaway” can be used of used of Hollywood starlets who wish to break away from the innocent persona of their youth (left), chocolate bars with a wafer centre (a la the Kit Kat) (centre) and devices designed to break away from their connection at a certain stress point (right).