Sketch

Sketch (pronounced skech)

(1) A simply or hastily executed drawing or painting, especially a preliminary one, giving the essential features without the details, later to be elaborated.

(2) A rough design, plan, or draft, as of a book.

(3) A brief or hasty outline of facts, occurrences etc.

(4) As thumbnail sketch, a piece of text which summaries someone or something.

(5) A short, usually descriptive, essay, history, or story.

(6) A short play or slight dramatic performance, as one forming part of a variety or vaudeville program; a short comedy routine (a skit).

(7) To make a sketch.

(8) To summarize, to set forth in a brief or general account.

(9) In metallurgy, to mark a piece of metal for cutting.

(10) In music, a short evocative instrumental piece, used especially with compositions for the piano.

(11) In the slang of the Irish criminal class, as “to keep (a) sketch), to maintain a lookout; to be vigilant; watch for something.

(12) In journalism, as parliamentary sketch, a newspaper article summarizing political events which attempts to make serious points in a lest than obviously serious manner (mostly UK).

(13) In category theory, a formal specification of a mathematical structure or a data type described in terms of a graph and diagrams (and cones (and cocones)) on it. It can be implemented by means of “models” (functors) which are graph homomorphisms from the formal specification to categories such that the diagrams become commutative, the cones become limiting (ie products) and the cocones become colimiting (ie sums).

1660–1670: From the Dutch schets (noun), from the Italian schizzo, from the Latin schedium (extemporaneous poem), noun use of neuter of schedius (extempore; hastily made), from the Ancient Greek σχέδιος (skhédios) (made suddenly, off-hand, unprepared), from σχεδόν (skhedón) (near, nearby), from ἔχω (ékhō) (I hold).  The German Skizze, the French esquisse & the Spanish esquicio are also from the Italian schizzo.  Sketch,  sketcher, sketchist & sketchiness are nouns, verb & adjective, sketching is a noun & verb, sketched is a verb, sketchlike, sketchy, sketchier, sketchiest & sketchable are adjectives, and sketchily & sketchingly are adverbs; the noun plural is sketches.  When a sketcher (or sketchist) sketches their sketches, they appear often in a sketchbook.

Six photographs of Lindsay Lohan, rendered in software as pencil sketches.

Sketch became a verb in the 1660s in the sense of “present the essential facts of" and was derived from the earlier noun. This idea of a sketch as a “brief account” by 1789 had enlarged to a "short play or performance, usually comic", still maintaining the connection from art as something less than full-scale, the reference to comedy suggesting something slight rather than a serious work.  The sketch-book was first recorded in 1820.  That sense extended beyond text to art and design from 1725 when it came also to mean "draw, portray in outline and partial shading", firstly to describe simple drawings, referring later to preparatory work for more elaborate creations.  The adjective sketchy is noted from 1805, describing art “having the form or character of a sketch".  The colloquial sense of "unsubstantial, imperfect, flimsy" is from 1878, possibly to convey the sense of something "unfinished".  Adumbrate (faint sketch, imperfect representation), actually pre-dates sketch, noted first in the 1550s.  It was from the Latin adumbrationem (nominative adumbratio) (a sketch in shadow, sketch, outline).  The meaning "to overshadow" is from the 1660s at which time emerged the derived forms adumbrated and adumbrating and related forms are adumbration (noun), adumbrative (adjective) and adumbratively (adverb).

Sketches by “Boz,” Illustrative of Every-day Life and Every-day People by Charles Dickens (1812-1870), illustrated by George Cruikshank (1792–1878).

Charles Dickens' first book, Sketches by “Boz” was a collection of 56 short pieces, originally published in various newspapers and other periodicals between 1833-1836. They were re-issued in a two-volume set in 1836 with a single edition appearing in 1839.  Very different from the work with which Dickens most is associated, the theme of 56 sketches was the people and scenes of London (the built environment best understood also as a “character” in the narratives.  Divided into four sections (Our Parish, Scenes, Characters & Tales), the first three contained non-narrative pen-portraits while the final wholly was fictional.  In Sketches by “Boz”, there are passages which constitute classic “thumbnail sketches” (in literature, concise, vivid descriptions (classically in a single paragraph of no more than a few sentences) that captures the fundamental essence, appearance, or personality of a character, setting or scene).  The term was a borrowing from the visual arts, where a thumbnail sketch was a quickly composed, rough drawing to map out an idea, the notion being it looked “sketchy enough to have been drawn by the artist's thumb”.  In both graphics and text, the shared definition was an entire concept rendered by the depiction of its most recognizable and striking elements with no extraneous detail.

The sketch (a short, often topical comedic performance) quickly became a staple of television variety shows and such productions have (thankfully) declined in number, the format is still used.  In literary theory, there are two basic categories of sketch: (1) a short prose piece (perhaps between one to two thousand words) which tends to be of the descriptive kind once most associated with newspapers and magazines (and still often appearing in the latter).  In newspapers, one notable survivor is the “parliamentary sketch” in which some (often anecdotal) “color” is added to political reporting.  A feature of British political journalism since the 1700s when the reporting of the antics of politicians was more restricted (to avoid the truth being told about the lies they told, that strategy seen still in the laws of defamation in some jurisdictions), many of the early parliamentary sketches used pseudonyms for those described and the art of a fine sketch writer was providing just enough for the well-informed reader to “read between the lines”.  In literary use, because of the nature of the form, stylistically some sketches could overlap with the short story and there's is little point attempting to be prescriptive about where one ends and the other begins; the classic example of a sketch was Charles Dickens's Sketches by "Boz", a series of sketches of life and manners.  (2) A brief dramatic piece of the kind one might find in a revue or as a curtain raiser or as part of some other kind of theatrical entertainment, exemplars being Harold Pinter's (1930-2008) Request Stop, Last to Go & Special Offer, performed in the revue Pieces of Eight, which opened at the Apollo Theatre, London, in September 1959.  For better or worse, ambitious monologists including Ruth Draper (1884-1956) and Joyce Grenville (1910-1979) extended the concept of the sketch into a particular dramatic form described as "a kind of monodrama".  Nor were sketches dependent on oral delivery, the solo mime artist Marcel Marceau (1923-2007) sometimes referring to his performances as un sketch dramatique (a dramatic sketch).

Sketches of Spain

Although not yet regarded as the landmark in jazz it would come to be in the decades which followed its release in 1959, even in 1960 Miles Davis’s (1926-1991) Kind of Blue had already created among some aficionados an expectation; realising it was something special, this was what they hoped would be the definitive Davis style and they were anxious for more.  The next release however, wasn’t indicative of what was to come, Workin' with the Miles Davis Quintet (1960 Cat# Prestige P-7166) was the third of four albums assembled from sessions recorded long before the Kind of Blue sessions and released to fulfil contractual obligations to the independent label Prestige.  Although some purists were pleased, after Kind of Blue, the music seemed old-fashioned.

Miles Davis, Kind of Blue, (1959, Columbia, Cat# CS 8163).

Davis had enjoyed considerable success in the 1950s but, needing the distribution and promotional network of a major label to reach a wider audience, he’d signed with Colombia (CBS internationally).  The early Colombia releases had been well received but it was the sixth, Kind of Blue, which made him a star beyond the world of jazz, the album selling in volumes unprecedented in the genre; to date, over four million copies are said to have been shipped.  Davis had been innovative before, his performance at the 1954 Newport Jazz Festival defining what had come to be called “hard bop” (a flavor of jazz influenced by other forms, especially rhythm and blues) but the appeal extended little beyond already established audiences.  What made Kind of Blue so significant was that Davis effectively invented modal jazz which shifted the technique from one where the players worked within a set chord progression to soloists creating melodies using modes which could be deployed alone or in multiples.  Musicians explain the significance of this as a movement to the horizontal (the scale) rather than the traditional vertical (the chord).  In the somewhat insular world of jazz, that would anyway have been interesting but the sound captivated those beyond and was a landmark in what would come to be known as musical fusion, the cross-fertilisation of sound and technique.  Among composers, fusion was nothing new but Kind of Blue realised its implications in a tight, seductive package.

Miles Davis, Sketches of Spain, (1959, Columbia, Cat# CS 8271).

Sketches of Spain too was a fusion but it was different to what had come before and was no attempt to be "Kind of Blue II".  For one thing, the sound was big, recorded in the famously cavernous converted church in Manhattan which for decades was Colombia’s recording studio.  Lined with old timber and with a ceiling which stretched 100 feet (30 m) high, technicians called it the “temple of sound” because of the extraordinary acoustic properties.  The ensemble too was big, a necessity because this time the fusion was with the orchestral, the long opening track an arrangement by Davis and Gil Evans (1912-1988) of the adagio movement of Joaquín Rodrigo’s (1901-1999) guitar concerto, Concierto de Aranjuez  (1939).  Such was the extent of the fusion there were traditionalists who doubted Sketches of Spain could still be called jazz; they saluted the virtuosity but seemed to miss the sometimes arcane complexities in construction inaccessible except to the knowing few.

Miles Davis, Bitches Brew (1970, CBS, Cat# S 66236).

The wider world however was entranced and technical progress needs also to be noted.  Colombia had recorded Davis before in the then still novel stereo but even fans acknowledged the mono pressings remained superior and it wasn’t until 1960, after extensive testing and the refinement of equipment that the technique had been perfected.  Sketches of Spain was lush or austere as the moment demanded, listeners new to stereo especially enchanted at being able to hear the sounds hanging in a three-dimensional space, each instrument a distinct object in time and place.  Nobody asked for mono after that.  Influential as it was, to Davis, Sketches of Spain was just another phase.  Ten years later, noting the increasingly sparse audiences in jazz clubs and aware a new generation had different sensibilities, Davis would fuse with other, more recent traditions and Bitches Brew would cast his shadow over a new decade.  A footnote to the change of direction Bitches Brew flagged came with the release of material from Davis's performance at the Isle of Wight Festival (1970) which included, inter alia, a 17 minute passage substantially from the album.  Noting the discursiveness, producers from Columbia contacted Davis and asked him what the piece should be titled.  "Call it anything" he told them, repeating the answer he'd given to the musicians at the Festival who had asked him what he was about to play.  Liking that, Colombia's literalists included the track Call it Anything when the album The First Great Rock Festivals of the Seventies (1971) was released.   

Dynasty

Dynasty (pronounced dahy-nuh-stee (US English); din-uh-stee (UK English)

(1) A sequence of rulers from the same family, stock, or group.

(2) The rule of such a sequence.

(3) A series of members of a family who are distinguished for their success in business, wealth creation etc.

(4) In sport, a team or organization which has an extended period of success or dominant performance (technically unrelated to family links or even and great continuity in personnel).

(5) As used specifically in East Asian history, the polity or historical era under the rule of a certain dynasty.

1425-1475: From the Middle English dynastia, from the Middle French dynastie, from the Late Latin dynastia, from the Ancient Greek δυναστεία (dunasteía) (power, dominion, lordship, sovereignty) from dynasthai (have power), of unknown origin.  The adjective dynastic (from 1800) is used when speaking or, relating to or pertaining to a dynasty; dynastical attested since 1730.  A dynast (hereditary ruler) is from the 1630s, from the Late Latin dynastes, from the Greek dynastes (ruler, chief, lord, master).  The synonyms include house & lineage.  Dynasty & dynast are nouns, dynastic & dynastical are adjectives and dynastically is an adverb; the noun plural is dynasties.

The word is widely used of the ruling families of nations associated with royalty (Hapsburg dynasty, Romanov dynasty, Hohenzollern dynasty etc) and remains the standard term in the historiography of Imperial China (Ming dynasty, Qing dynasty, Song dynasty, Tang dynasty, Yuan dynasty etc).  In political science it’s a popular use (verging on a slur) to describe the political arrangements concocted when a ruler attempts (sometimes with success) to pass the office (and thus their country) to a descendent (usually the eldest or most demonstrably ruthless son), examples including the Congo, Syria, Cambodia and the Islamic Republic of Iran.  Sometimes, polities organized in this manner can give rise to what is known as a subdynasty (which seems never to hyphenated), an idea borrowed from European history when royal families routinely would provide offspring to serve as kings of other states, thereby creating a new dynasty; sometimes this worked well, sometimes not.

In politics, families which some characterize as appearing dynastic can be very sensitive to anything which seems even to hint at the suggestion and the Lee family in Singapore is the standard case study.  Between the rule of Lee Kuan Yew (1923–2015; Prime Minister of Singapore 1959-1990) and that of his son Lee Hsien Loong (b 1952; Prime Minister of Singapore since 2004-2024) there was gap of over a dozen years (which must not be called an interregnum) and there was of some interest in whether a similar mechanism would be engineered to enable a third generation to assume office, the previous successor designate having been removed from the plan because of “some unsuitability”.  According to certain Western commentators, Mr Lee delayed stepping down from the premiership (to become "Senior Minister", the same path taken by his father and not wholly different for the approach of Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022)) so a “long runway” cold be laid onto which the next prime minister can emerge (the word “runway” used in the modern sense of the “catwalk” on which models strut their stuff rather than anything to do with aviation).

Something in common: Lee Hsien Loong and Klyie Jenner.

As things turned out, in 2024, Lawrence Wong Shyun Tsai (b 1972) became the city state's fourth prime minister.  While Li Hongyi (b 1987; first-born child of Lee Hsien Loong), has disavowed any interest in a political career, there’s still plenty of time and if, in the fullness of time, “drafted” by the ruling PAP (the People’s Action Party which has been in power since independence in 1959), he may feel it his duty to be “be persuaded”.  Li Hongyi may however believe his lineage is too great a disadvantage to overcome.  Earlier, Lee Hsien Loong dismissed suggestions his stellar career (becoming at becoming at 32 the youngest brigadier-general in the history of the Singapore military and prime minister at 53) owed anything to family connections, claiming being the prime minister’s son actually hindered him because people were so anxious to avoid accusations of favoritism.  Interestingly, entertainment personality Kylie Jenner (b 1997) made much the point, claiming it was belonging to a famous family which saw her denied some modelling work.  The Lee family though do seem unusually sensitive to suggestions the scions might unduly benefit from the connection, the Financial Times in 2007 even having to apologize for having published not anything libellous (actually easily done in Singapore) but simply a list of Lee family members appointed to high positions in the state.  The current derogatory slang is “nepo baby”, a clipping of "nepotism baby", a term one is unlikely to read in the Singaporean press.

Kim I, II & III: The Kim Dynasty, Democratic People’s Republic of Korea (DPRK, aka North Korea)

Kim I: Kim Il-Sung (1912-1994; The Great Leader of DPRK, 1948-1994, left).  Like his descendants, The Dear Leader and The Supreme Leader, The Great Leader enjoyed food.  He’s pictured here at lunch with another foodie, comrade Stalin (1878-1953; Soviet leader, 1924-1953, right).

Kim Il-Sung held an array of titles during his decades as the DPRK’s dictator, the proliferation not unusual in communist nations where the ruling party’s structures are maintained alongside the formal titles of state with which governments conduct relations with foreign powers.  In office for a remarkable 45 years, he was designated premier (head of government) between 1948-1972 and president 1972-1994.  He was head of the WPK (Workers' Party of Korea) between 1949-1994 and in that role successively was styled as Chairman (1949-1966) and General Secretary (after 1966).  During his 45-year rule, there were ten US presidents, six RoK (Republic of Korea (South Korea)) presidents, nine British prime ministers and ten Australian prime ministers.  He tenure in office also spanned the era of the Soviet Union from its apotheosis under comrade Stalin to its collapse in 1991.  Being dead however proved no obstacle to The Great Leader extending his presidency, the collective office Chuch'ejosŏnŭi yŏngwŏnhan suryŏng (Eternal leaders of Juche Korea) created in 2016 by the insertion of an enabling line in the preamble to the constitution.  What this amendment did was formalise the position of The Great Leader and his late son comrade Kim Jong-Il (1941–2011; The Dear Leader of DPRK 1994-2011)) as the “eternal leaders” of the DPRK.  Juche is the term used to describe the DPRK’s national philosophy, a synthesis of The Great Leader’s interpretation of (1) Korean tradition and (2) Marxist-Leninist theory.

Funeral cortege of The Great Leader, 1994.

It was an interesting move.  Constitutionally, the office of president in its executive form was codified only in 1972; prior to that the role of head of state had been purely ceremonial and held by trusted party functionaries, all power exercised by The Great Leader in his capacity as premier and WPK general secretary.  However, merely by being president The Great Leader vested the office with such an aura that upon his death in 1994, the position was left vacant, The Dear Leader not granted the title.  That nuance of semi-succession for a while absorbed the interest of the DPRK watchers but attempts to invest the move with any significance abated as DPRK business, though in the more straitened circumstances of the post Soviet world, continued as usual.  The constitution was again revised in 1998.  Being a godless communist state, no fine theological points stood in the way of declaring The Great Leader the DPRK’s "Eternal President", the latest addition to the preamble declaring:

Under the leadership of the Workers' Party of Korea, the Democratic People's Republic of Korea and the Korean people will hold the great leader Comrade Kim Il-Sung in high esteem as the eternal President of the Republic.

The constitution, as revised and promulgated after the death of The Dear Leader, again referred to The Great Leader as "Eternal President of the Democratic People's Republic of Korea" but in 2016 (The Dear Leader having apparently been dead for what must have been judged a decent duration), another amendment to the preamble changed the administrative nomenclature of executive eternity to "eternal leaders of Juche Korea", the honor now jointly held by the leaders great & dear, one dead, one alive.  It was another first for the Kims.

Kim II: Kim Jong-Il (1941–2011; The Dear Leader of DPRK, 1994-2011) in Prussian blue pantsuit, 593 Military Unit's Commander School (secret location undisclosed), 21 June, 2010.

DPRK generals wear big hats and always carry a notebook in case the closest Kim says something interesting.  They write it down and because every thing said is interesting, all in the entourage go through many notebooks.  DPRK watchers have concluded that because of the nature of the regime, it's unlikely any of these notebooks have been discarded so there must be a large number of them stored around the country. 

As a political construct, the DPRK is best thought of as a hereditary theocracy because what's expected of citizens is not mere veneration of the Kims but a form of worship.  Although opaque, its dynamics are now better understood but when in 1994 The Great Leader died, neither within the country nor beyond was there wide understanding how much of the power structure he controlled had passed to The Dear Leader.  Following the collapse of the Soviet Union which had provided the DPRK with much financial and other aid, the economic circumstances were hardly propitious but there seems never to have been any doubt about the formal succession, The Dear Leader having been anointed for more than a decade.  The DPRK’s propaganda machine, while not in the conventional Western sense having a middle class to be made “quite prepared”, did have the had the rest of the country to work on and for years Kim Jong-Il had gradually been eased into photo opportunities with The Great Leader, eventually making even solo appearances, sometimes in the role of Supreme Commander of the KPA (Korean People's Army) to which he’d been appointed in 1991, despite having no military background.  However, given most of the generals and admirals (despite their impressive display of decorations and other medals) also have little experience of active combat, this was less of a problem than it might have seemed.

There must in the mind of the Great Leader been some concerns a dynasty might not evolve because, perhaps now aware of his own mortality, The Great Leader in the years before death made the effort to "clear the decks" for the succession, purging the military and civilian ranks of any difficult types who might prove potential obstacles in the path of Kim Jong-Il's ascent.  Some of the purged went into enforced retirement while the deaths of others (presumably suspected recalcitrants) was announced although that may have been a coincidence; the DPRK may be a theocracy but its military and political elite are gerontocracies so senior figures dropping dead from old age is not rare.  Anyway, the path was smoothed and, the military command settled, in 1992, The Great Leader announced Kim Jong-Il was now in charge of all the DPRK’s internal affairs.  Curiously, shortly after that, the media began using of him the honorific “Dear Father” instead of “Dear Leader” but for whatever reason, all official communications soon reverted to the latter which first had appeared a couple of years earlier.

Kim Jong-Il with the judging committee at the annual "DPRK Biggest Watermelon Competition", Pyongyang, August, 2010.

Despite all the dynastic help, indications are it took The Dear Leader sometime fully to assert his authority.  Seriously weird it may appear but, the WPK is just another political party and it too has factions; in the difficult post-Soviet environment of the 1994 succession, DPRK-watchers detected signs of genuine internal debates about how to deal with the economic problems faced.  The adjustments frankly didn’t go well for many North Korean citizens (some of whom starved to death) but while The Dear Leader may not have learned much economic theory, he proved adept at consolidating his power, adopting the Songun (military first) policy, granting the military priority in resource allocation and political influence, not out of any concern about foreign invasion but to ensure the loyalty of what was, in effect, a giant police apparatus tasked with protecting the Kim dynasty from "problems from within", the slightest hint of dissent met with the "good, hard crackdown" which is a signature tactic of dictatorships in managing their highest priority: regime survival.  Secure in office, spasmodically, The Dear Leader did attempt the implement the odd economic reform but the results were not impressive; despite that, efficient internal repression ensured the family's business as usual continued.

Dynastic family planning.

Kim Jong-Il shaking hands with Japanese-born singer Ko Yong-hui (aka Takada Hime, 1952-2004) circa 1972.  She became his consort and would later give birth to Kim Jong-Un.  Within the DPRK, her name must never be spoken and she's referred to only by honorific forms, the most commonly used being: “The Respected Mother who is the Most Faithful and Loyal 'Subject' to the Dear Leader Comrade Supreme Commander”.

By 1997, The Dear Leader sufficiently was entrenched in power to engineer his appointment to The Great Leader's old post as General Secretary of the WPK and, a year later, a constitutional amendment declared his role as chairman of the NDC (National Defence Commission) was "the highest post of the state", presumably among those still alive because the same constitutional reform proclaimed The Great Leader to be the DPRK’s "Eternal President".  Complicating things further, the Dear Leader's career progression was mapped onto the 2012 constitutional amendments in which The Dear Leader’s had been declared "Eternal General Secretary of the WPK and Eternal Chairman of the National Defence Commission".  In any other country this may have been thought an anomaly to be clarified but in the DPRK it's all part of the mystique of the personality cults of the Kims.  In 2016, after a decent period of mourning, the new title "Eternal Leaders of Juche Korea" was created and conferred on both The Great Leader & Dear Leader, the internal logic again perfect.

The reputation of the DPRK as a hermit state cloaked in secrecy is not wholly undeserved but what was published by the energetic and highly productive KCNA (Korean Central News Agency) was an official biography of The Dear Leader and it must from his earliest years have been obvious he was extraordinary.  He was born inside a log cabin beneath Korea’s most sacred mountain and in the moment of delivery, a shooting star brought forth a spontaneous change from winter to summer and there appeared in the sky, the biggest, brightest rainbow ever seen.  The Dear Leader turned out to be not subject to bowel movements, never needing to defecate or urinate (although evidence suggests this is not a genetic characteristic of the dynasty and not shared by his son & successor).  He had a most discriminating palette so prior to his meals being prepared, several staff assiduously by hand inspected every grain of rice to ensure each was of uniform length, plumpness, and color, The Dear Leader eating only "perfect" rice.  Although he only ever played one round of golf and that on the country’s notoriously difficult 7,700 yard (7040 metre) course at Pyongyang, he took only 34 strokes to complete the 18 holes, a round which included five holes-in-one.  Although the scorecard was verified by all 17 of the bodyguards on duty at the course, experienced golfers have cast doubt on the round of 34 (not commenting on the holes-in-one) but the diet of individually inspected & polished grains of rice was thought "at least plausible".  

Funeral cortege of The Dear Leader, 2011.

The funeral cars were 1975 or 1976 Lincoln Continentals, built by Moloney Standard Coach Builders on an extended wheelbase.  Lincoln experts say it's a different car to the similar model used in The Great Leader's funeral, the dynasty said to own several and it's believed they were obtained "through sources in Japan".  Nor are the big Lincolns are the only machines of note in the state mews.  Uniquely, the Kim dynasty is the only family believed also to own a brace of Mercedes-Benz 600 (M100; 1963-1981) long-roof Landaulets, only twelve of which were built.  Fittingly, these variants with an extended length folding top casually are known as the "presidentials" but the factory never officially used the designation.  There were also 47 "standard" Landaulets with a shorter fabric soft-top.  

The Kims certainly are the subjects of some of the most elaborate personality cults ever but it’s not only the DPRK administration that creates retrospective honours to acknowledge the uniqueness of a special individual. George Washington (1732–1799; POTUS, 1789-1797) will forever be the first POTUS so that distinction was always secure but he retired from the army as a lieutenant general; that others since have been appointed to more senior ranks did disturb some in the military, concerned his primacy in the hierarchy wasn’t adequately honoured.  Perhaps surprisingly, in the US military, the system was finalized only this century and prior to 1944, the matter of stars and titles for generals had been a little confused, the whole order of precedence in the army since the Declaration of Independence only properly codified with some retrospective creations in 1976 and 2024.  Historically, the most senior rank in the US Army had been lieutenant general with first significant change effected in the post Civil War (1861-1865) era when the rank of “General of the Army” was gazetted and while nominally a four star appointment, structurally, it was the equivalent of what would in 1944 be formalized as five star rank.  However, in 1866, the significance of the title “General of the Army” was it reflected the appointee being the general with authority over the whole army which meant there could be only ever be one in active service.  In other words, that meant the four star general was commander-in-chief of the army and the paperwork had years earlier been prepared for Washington to be raised thus but this was never done because of concern among lawyers it might set a precedent and be seen to impinge upon a president’s authority as commander in chief of all forces.  Indeed, although later the US military would use titles such as “Commander in Chief, US Pacific Command”, Donald Rumsfeld (1932–2021: US defense secretary 1975-1977 & 2001-2006) in 2002 ended the practice (and use of the acronym CINC) by re-asserting there was in the US: “only one commander in chief in America - the president”, spelled out in Article II, Section 2 of the US Constitution: “The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States."  The matter of civilian authority over the military was one of the founding principles of the republic.

The next change came when General John "Black Jack" Pershing (1860–1948) who had commanded the US expeditionary forces in World War I (1914-1918) was in 1919 appointed to the then unique rank of “General of the Armies of the United States”.   At the time, the war was known as the "World War" (a suggestion by Woodrow Wilson (1856–1924; POTUS 1913-1921)), the vast and bloody conflict already regarded as “the war to end all wars” and the feeling was the conflict had in scale and awfulness been unique so some special recognition was deserved.  Pershing however remained a four star general and confusingly, when the spate of five star appointments was made between 1944-1950, the old wording “General of the Army” was revived with the pecking order based on the gazetted date of appointment to the rank which no longer implied an individual having authority over the entire army.  There have since been no five star creations (although many other armies have continued to appoint field marshals which is the equivalent).  In the US, some historians and many in the military fretted over the untidiness of it all and in 1976, George Washington formerly was gazetted “General of the Armies of the United States with rank and precedence over all other grades of the Army, past or present”, meaning he will for all time be the US Army’s senior officer.  In 1944, there was also an amusing footnote which, according to legend, resulted in the decision to use the style “general” and not “marshal” (as many militaries do) because the first to be appointed was George Marshall (1880–1959; US Army chief of staff 1939-1945) and it was thought “Marshal Marshall” would be a bit naff, something Joseph Heller’s (1923-1999) character “Major Major” in Catch-22 (1961) would prove.  So, retrospective adjustments to hierarchies are not unique to the DPRK.

Kim III: Kim Jong-Un (b circa 1982; The Supreme Leader (originally The Great Successor) of DPRK since 2011).  The Supreme Leader is pictured here with South Korean foreign minister, Chung Eui-yong (b 1946).  In the North, the KCNA refers to South Korea as "the puppet state" [of the US].

Inheriting the family business, the country and its population at a much younger age than The Dear Leader, The Supreme Leader, didn’t benefit (or suffer) from the long public gestation period his father was provided by The Great Leader.  It was in 2009, about two years before The Dear Leader’s death that the media began reporting the youngest son was to be the DPRK’s next leader although at that stage, he was referred to as The Brilliant Comrade, the honorific The Great Successor not adopted until after The Dear Leader’s death and it was soon replaced by The Supreme Leader.  For whatever reason, and the speculation and conspiracy theories are many, Kim III more quickly assumed his panoply of offices and titles than his immediate ancestor.

The Supreme Leader leads the bowing ceremony before the portraits of the Great Leader (left) and Dear Leader (right), 9^th Congress of the WPK (Workers' Party of Korea), April 25 House of Culture, Pyongyang, 19-25 February 2026.  Unanimously, delegates paid tribute to the Supreme Leader and declared it the “best congress ever”.

Portraits of the Kims are of great significance to the regime.  In August 2023, with tropical storm Khanun bearing down on the DPRK coast, state media issued instructions that all citizens must “with urgency” and “at any cost” focus on “ensuring the safety” of items depicting the three members of the Kim dynasty.  Presumably because they would be more susceptible to the storm’s heavy rain and strong winds than sturdier objects like statues, the Rodong Sinmun (official newspaper of the ruling WPK) emphasized citizens’ “foremost focus” must be ensuring the preservation of portraits of the Kims although they did caution the need also to safeguard the large number of statues, mosaics, murals and other monuments to the dynasty which has ruled North Korea since its foundation in 1948.

Meeting of the WPK to commemorate the Supreme Leader’s tenth anniversary of his assumption of leadership of the party, Pyongyang, April 2022.  The Supreme Leader’s portrait is displayed in an oval which is not unusual in DPRK Kim iconography.

The order was an interesting insight into the way the regime regards the symbolism of representational objects as a part of its legitimacy but they have set the population an onerous task given the sheer volume of portraits which exist.  At least one each of the Great Leader & Dear Leader are known to hang in every house, café, bus, train carriage or shop and in larger public buildings there might literally be dozens.  In whatever form, the depictions are regarded as not merely symbolic but as sacred icons; just as every citizen must be willing (anxious even) to die protecting the leader, so must they be prepared to sacrifice themselves to save his portrait.  It's never been revealed whether any of the Kims read Oscar Wilde's (1854–1900) The Picture of Dorian Gray (1890) but if so, they've learned well. 

Coriaceousness on legs: The Supreme Leader in black leather.

Fashionistas note the perception of black as a “slimming color” but caution the effect is attained through the interplay of optics, contrast perception and even cultural expectations rather than the color’s inherent properties.  Done well, it can work but success depends on design and fit; there are limitations so expectations have to be “realistic”.  Essentially, what use of solid black can do is: (1) Reduce visible contour information (although something really shiny like patent leather can make things worse) because less light is reflected, meaning shadows, folds and changes in body shape appear less are less visually distinct, details to some degree “flattened out”; (2) Minimize edge definition and contrasts in hues, human vision (for sound evolutionary reasons) drawn to highlights & boundaries so while light-colored fabrics generate stronger visual cues of volume and curvature, these black tends to suppress; (3) Exploit a trick from visual art in which darker tones appear to “recede” while the lighter “advance”.  The technicalities however operate in conjunction with the long-established cultural expectation; because the notion “black is a slimming color” has become a popular orthodoxy, viewers perceptions can be “pre-conditioned” and appearances interpreted accordingly.  Fashion critics suggest the effect is overstated and all else being equal, design and the quality of fabric is much more significant than the color, a well-cut garment in a light shade able to be more “slimming” that anything ill-fitting or of poor design in black.  They note the effect anyway can to some extent be achieved with other solid, dark colors (Prussian blue, charcoal, deep olive etc) because again, the uninterrupted expanse reduces visual segmentation.  Perceptions are also sometime gleaned from professional photography with angles and lighting optimized whereas IRL (in real life) there’s movement so expectations must be tempered down to the art of the possible.

Official portrait of the Supreme Leader, issued by the KCNA at 7th Congress of the the WPK, 6-9 May 2016, April 25 House of Culture, Pyongyang.

Announced by the KCNA on state television as The Great Successor, The Supreme Leader was appointed General Secretary of the WPK, Chairman of the Central Military Commission, and President of the State Affairs Commission, followed soon afterwards by a promotion to the army’s highest military rank, Marshal of the Korean People's Army, adding to his position as Supreme Commander of the Armed Forces (exactly the same constitutional arrangement adopted by Hitler as commander-in-chief of both OKH (Oberkommando des Heeres (High Command of the Army)) and OKW (Oberkommando der Wehrmacht (High Command of the Armed Forces)).  Great minds do think alike.  Confusingly, having already morphed from The Brilliant Comrade to The Great Successor to The Supreme Leader, references also appeared calling him The Dear Respected Leader but thankfully the proliferation seems now to have stopped and for more than a decades it's been "The Supreme Leader" all the way.  In office, he has pursued 병진 (byungjin (literally "parallel development")), a refinement of The Great Leader’s policy simultaneously to develop both the economy and the military, his particular emphasis in the latter a focus on nuclear weapons and inter-continental delivery systems.  It may be an attempt to avoid the problems inherent in the “Waffen und Butter” (guns and butter) programme pursued seriously by the Nazi regime (1933-1945) only by as late as 1938, the latter element loosing resource allocation after 1943 as fortunes turned in World War II (1939-1945).

Kim Jong-Un, looking through binoculars across the DMZ (Demilitarized Zone), observing the “provocative maneuvers” of the South Korean Army.

While Kim III is no longer referred to as The Great Successor, there have been great successes.  Despite Western propaganda, there are elections in the DPRK and when The Supreme Leader sought a seat in the Supreme People's Assembly, there was a record turnout of voters and he received 100% of the votes cast.  Although it’s hard to determine the veracity of many of the reports, it’s suggested also he’s an innovator in matters of military discipline, new methods used by firing squads said to include flame throwers, and anti-aircraft cannons, both said to make quite a mess although it's difficult to know how high is the body count, some reported executed later turning up alive and well.  Worth a mention though is the assassination in 2017 of his exiled half-brother Kim Jong-Nam (1971-2017), killed with the nerve agent VX while walking through Kuala Lumpur International Airport, a novel twist on the extra-judicial execution being the use of two aspiring starlets to deliver the toxin; they believed they were being filmed as part of a reality TV show (as assassinations go, genuinely that was innovative and yet another first for the Kims). Most celebrated has been the nuclear programme and the increasingly bigger and longer-range missiles paraded from time to time.  Underground nuclear tests being hard to monitor, it remains unclear whether some of the devices tested are the long de rigueur plutonium weapons or, for the first time since the one-off A-Bomb used in Hiroshima in 1945, made using uranium.  Most impressively, the KCNA reported an almost complete success in the DPRK for some time avoiding outbreaks of COVID-19 with no cases reported in the republic so, on any basis of calculation, The Supreme Leader supervised the most successful COVID-19 strategy on Earth.  Unfortunately, because of neglect by lazy and incompetent officials (who were executed with the next two generations of their families consigned to labor camps) an outbreak did happen and the DPRK's borders remain almost wholly closed, only small number of carefully vetted tourists from Russia and the PRC (People's Republic of China) permitted entry for carefully supervised visits.   

The Supreme Leader has also at times drawn the interest of the pro ana community because of his weight loss has at times been striking and achieved before the general availability of GLP-1s (glucagon-like peptide-1).  Whether his motivation was (1) concerns about his health, being a bit chubby, (2) a wish to look more sexy and attractive to younger women or (3) display solidarity with his subjects, many of whom were suffering food shortages, his weight-loss regimes have on occasions been an obvious success, experts estimating (on the basis of photographic evidence), as much as 25-30 kg (65-80 lb) may have be shed.  That was commendable but did elsewhere create a problem for the small number of people in the entertainment business working as as Kim Jong-il impersonators, some of whom sought guidance from the pro ana community.  For security reasons, the regime employs "Supreme Leader body doubles" (doppelgangers) and it's not known if, during his "slim phases" they're starved until the meet the required dimensions or simply shot and replaced with thinner models.  Conspiracy theorists in the West did speculate the "slimmed down version" may really be a body-double who was paraded for the cameras just to assure hungry citizens the Supreme Leader was sharing (at least to some extent) their deprivations.  The KCNA does have "a bit of previous" in being "economical with the truth" so who knows?  However, regardless of his weight, The Supreme Leader seems in such rude good health that, still barely 40, he may well rule the DPRK even longer than his grandfather’s 45 years.  Ever since the demise of the USSR in 1991, analysts have been predicting the imminent demise of the communist regimes in both Pyongyang and Havana but they seem to muddle through, the DPRK of late enjoying new sources of foreign exchange, branching out from industrial-scale drug production and the smuggling of oil and minerals to the new field of cybercrime; even in the niche market of fake news they're said to run a small operation.

Doppelgangish.

US actor Elizabeth Gillies (b 1993) appeared as Fallon Carrington in the television drama Dynasty (2017–2022), a revival of the 1980s soap opera; it was shown in the US on the CW Television Network (episodes streamed internationally on Netflix the next day).  She appeared (far left) in Ariana Grande's (b 1993) music video Thank U, Next (2019), taking the part of Lindsay Lohan in the segment which was a homage to Mean Girls (2004).  While not technically a doppelganger, the degree of resemblance was sufficient for the theme to work.  The concept of Ms Grande's Thank U, Next could be applied to the DPRK's succession model ("just one Kim after another" as it were).

An artist’s depiction of how a statute in bronze of Daniel Andrews might be cast.

News the ALP (“Australian Labor Party” although more cynical souls prefer “Agitprop, Lies & Propaganda”) government in the Australian state of Victoria was allocating some Aus$134,000 (US$95,000) to erect a bronze statue of Daniel Andrews (b 1972; Premier of Victoria 2014-2023) was greeted by most taxpayers with a resigned indifference although at least some presumably would have preferred attention be devoted to violent crime, crumbling transport infrastructure and the troubled health system.  However, from the usual suspects in the commentariat came the predictable critique that given Victoria’s debt level and other acknowledged "issues", this might not be the most propitious moment to announce so much (borrowed) money was being spent for the aggrandizement of the politician under whom so much debt was accumulated and billions apparently squandered.  Unimpressed by such carping, Premier Jacinta Allan (b 1973; Premier of Victoria since 2023) defended the move, calling Mr Andrews “a fantastic premier” and didn't bother to deny suggestions her government was so resigned to losing the next election the focus had shifted to looting the exchequer for funds to build monuments to themselves.  Nor did she refer to analysis concluding the last ALP administration (under John Cain (1931–2019; Premier of Victoria 1982-1990) & Joan Kirner (1938–2015; Premier of Victoria 1990-1992)) had left the state in an even worse financial position so maybe she really has stopped trying.  Politically, though, she must find the similarities striking: a woman handed the job because the situation is hopeless and all that remains is for her to go down with the sinking ship, most of the men having already taken to the (taxpayer-funded) lifeboats.  In feminist theory, the phenomenon is known as the "glass cliff", exemplified by the recent investiture of a woman as Archbishop of Canterbury; were it possible for the job still to be done, the Anglicans would have appointed the 106^th man rather than the first woman.  

A visiting tour group of Australians from Victoria bow before the three statues.  As the bronze of comrade Dan's statue weathers, it will appear in the same, darker hue as his illustrious companions.

However, the announcement from Melbourne was described as “long overdue” by Kim Jong-Un who in 2023 presided over the unveiling of a statue of Mr Andrews, erected on a plinth beside those of Kim Il-Sung & Kim Jong-Il.  The three statues, cast in bronze and 22 metres (72 feet) high, stand as the centre-piece of 만수대대기념비 (Mansudae Grand Monument), a complex in central Pyongyang at which have been erected over 200 other (appropriately smaller) statues of figures from the DPRK’s heroic past.  At the unveiling ceremony, 10,000 invited citizens were able to enjoy listening to an untypically brief oration by the Supreme Leader before two hours of extracts from speeches by Mr Andrews (in the original English, followed by a Korean translation) were broadcast over loudspeakers.  Topics covered by Mr Andrews included “modern techniques in debt management”, “fiscal discipline” and “locking citizens in tower blocks for their own good”.  At several points, the broadcast was for some minutes paused so citizens could applaud.  Unfortunately, the outdoor ceremony was conducted on what proved to be Pyongyang’s coldest day in 44 years and several dozen in the audience died after succumbing to hypothermia while there were at least hundreds of cases of frostbite but the KCNA reported interviewed survivors saying that was a small price to pay to be able to hear in his own voice the thoughts of the one they called “The Great Leader of Victoria”.  Closing the ceremony from his double-glazed, centrally-heated, booth, the Supreme Leader concluded things with words that were at once inspiring and modest: “For a thousand generations, the people the eternal nation of the DPRK will honor the memory of comrade Daniel Andrews and his untiring assaults on decadent bourgeois values such as freedom of assembly, privacy and free speech.  Comrade Dan was the great dictator that I aspire to become and deserves to stand on the plinth next to our Great Leader and Dear Leader.  If I can do to the DPRK what comrade Dan did to Victoria, perhaps one day a statue of me will be placed on the plinth.”