Sponge

Sponge (pronounced spuhnj)

(1) Any aquatic, chiefly marine animal of the phylum Porifera (also called poriferan), having a porous structure and usually a horny, siliceous or calcareous internal skeleton or framework, occurring in large, sessile (permanently attached to a substrate and not able independently to move) colonies.

(2) The light, yielding, porous, fibrous skeleton or framework of certain animals or colonies of this group, especially of the genera Spongia and Hippospongia, from which the living matter has been removed, characterized by readily absorbing water and becoming soft when wet while retaining toughness: used in bathing, in wiping or cleaning surfaces, etc.

(3) Any of various other similar substances (made typically from porous rubber or cellulose and similar in absorbency to this skeleton), used for washing or cleaning and suited especially to wiping flat, non-porous surfaces; bat sponge, car-wash sponge etc).

(4) Used loosely, any soft substance with a sponge-like appearance or structure.

(5) Use loosely, any object able rapidly absorb something.

(6) As “sponge theory” (1) a term used in climate science which tracks the processes by which tropical forests "flip" from absorbing to emitting carbon dioxide, (2) a term used in urban planning to re-design the built environment to "absorb" water in heavy rainfall events rather than encouraging "runoff" that tends to produce flooding and (3) one of the competing ideas in the configuration of the US nuclear arsenal that supports the retention of the triad (ICBMs, SLMBs and those delivered by strategic bombers).

(7) Figuratively, a person who absorbs something efficiently (usually in the context of information, education or facts).

(8) Figuratively, a person who persistently borrows from or lives at the expense of others; a parasite (usually described as “a sponger” or one who “sponges off” and synonymous with a “leech”).

(9) In disparaging slang, a habitual drinker of alcohol who is frequently intoxicated (one more mildly affected said to be “spongy” (a synonym of “tipsy”)).

(10) In metallurgy, a porous mass of metallic particles, as of platinum, obtained by the reduction of an oxide or purified compound at a temperature below the melting point; iron from the puddling furnace, in a pasty condition; iron ore, in masses, reduced but not melted or worked.

(11) In clinical medicine, a sterile surgical dressing of absorbent material, usually cotton gauze, for wiping or absorbing pus, blood, or other fluids during a surgical operation.

(12) In hospitals and other care institutions, as "sponge bath", a method of hygiene whereby a patient is cleaned with a sponge (usually with soap & water) while in a chair or bed.

(13) In cooking (baking), dough raised with yeast before it is kneaded and formed into loaves and after it is converted into a light, spongy mass by the agency of the yeast or leaven.

(14) In cooking, a light, sweet pudding of a porous texture, made with gelatin, eggs, fruit juice or other flavoring ingredients; popular as a cake, often multi-layered with whipped cream (or similar) between.

(15) In birth control, a contraceptive made with a disposable piece of polyurethane foam permeated with a spermicide for insertion into the vagina.

(16) As “makeup sponge” or “beauty sponge”, a device for applying certain substances to the skin (most often blusher and similar products to the face).

(17) In ballistics, a mop for cleaning the bore of a cannon after a discharge, consisting of a cylinder of wood, covered with sheepskin with the wool on, or cloth with a heavy looped nap, and having a handle, or staff.

(18) In farriery, the extremity (or point) of a horseshoe, corresponding to the heel.

(19) In the slang of the nuclear industry, a worker routinely exposed to radiation.

(20) To wipe or rub with or (as with a wet sponge), to moisten or clean.

(21) To remove with a Usually moistened) sponge (usually followed by off, away, etc.).

(22) To wipe out or efface with or as with a sponge (often followed by out).

(23) To take up or absorb with or as with a sponge (often followed by up).

(24) Habitually to borrow, use, or obtain by imposing on another's good nature.

(25) In ceramics, to decorate (a ceramic object) by dabbing at it with a sponge soaked with color or any use of a sponge to render a certain texture on the surface.

(26) To take in or soak up liquid by absorption.

(27) To gather sponges (from the beach or ocean).

(28) In marine biology (in behavioral zoology, of dolphins), the description of the use of a piece of wild sponge as a tool when foraging for food.

Pre 1000: From the Middle English noun sponge, spunge & spounge, from the Old English noun sponge & spunge (absorbent and porous part of certain aquatic organisms), from the Latin spongia & spongea (a sponge (also (the “sea animal from which a sponge comes”), from the Ancient Greek σπογγιά (spongiá), related to σπόγγος (spóngos) (sponge).  At least one etymologist called it “an old Wandewort” while another speculated it was probably a loanword from a non-Indo-European language, borrowed independently into Greek, Latin and Armenian in a form close to “sphong-”.  From the Latin came the Old Saxon spunsia, the Middle Dutch spongie, the Old French esponge, the Spanish esponja and the Italian spugna.  In English, the word has been used of the sea animals since the 1530s and of just about any sponge-like substance since the turn of the seventeenth century and the figurative use in reference to one adept at absorbing facts or learning emerged about the same time.  The sense of “one who persistently and parasitically lives on others" has been in use since at least 1838.  The sponge-cake (light, fluffy & sweet) has been documented since 1808 but similar creations had long been known.  Sponge is a noun & verb, sponged & sponging are verbs, Spongeless, spongy, sponginess, spongable, spongiform & spongelike are adjectives and spongingly is an adverb; the noun plural is sponges.

The verb emerged late in the fourteenth century as spongen (to soak up with a sponge) or (as a transitive verb) “to cleanse or wipe with a sponge”, both uses derived from the noun and presumably influenced by the Latin spongiare.  The intransitive sense “dive for sponges, gather sponges where they grow” was first documented in 1881 by observers watching harvesting in the Aegean.  The slang use meaning “deprive someone of (something) by sponging” was in use by at least the 1630s, the later intransitive sense of “live in a parasitic manner, live at the expense of others” documented in the 1670, the more poetic phrase “live upon the sponge” (live parasitically, relying on the efforts of others) dating from the 1690s; such folk described as “spongers” since the 1670s.  However, in the 1620s, the original idea was that the victim was “the sponge” because they were “being squeezed”.  The noun sponge in the general sense of “an object from which something of value may be extracted” was in use by circa 1600; the later reference to “the sponger” reversed this older sense.  In what was either a neutral job-description or an example of military humor, the noun sponger also had a use in the army and navy, referring to the member of a cannon’s crew who wielded the pole (with a sponge attached to one end) to clean the barrel of the weapon after discharge.  It’s not clear when it came into use but it’s documented since 1828.

The companion sponge products Scrub Mommy & Sponge Daddy are available from Walmart.  Scrub Daddy is US$3.97 and Scrub Mommy is US$3.87 (a 3-pack of the latter available at US$9.87).

The anthropomorphism (eyes and smiling mouth) is both a sales gimmick and functional ergonomics, the eyes “hold two fingers to prevent slippage while scrubbing deep inside cups” while the mouth “cleans both sides of the utensils at once”.  So, the “happy look” both works subliminally to attract customers and offers real benefits when in use, thus justifying the spiel: “the versatile cleaning tool that is more than just a smile.”  Whether or not intentionally, the anthropomorphism extends to the product-description only selectively, Scrub Daddy’s references including “his ergonomic design”, “his eyes” and “his mouth” whereas Scrub Mommy gets the bland, gender-free “its ergonomic design”, “the eyes” and “the mouth”.  Someone in a university's gender-studies department should apply for a grant to explore this; clearly there is gender discrimination (generously, perhaps “unconscious bias”) going on at Walmart, Scrub Mommy's pink color also blatant gender-stereotyping.

The adjective spongiform (resembling a sponge, sponge-like; porous, full of holes) dates from 1774 and seems now restricted to medical science, the incurable and invariably fatal neurodegenerative disease of cattle "bovine spongiform encephalopathy" (BSE) the best known use although the public understandably prefer the more evocative "mad cow disease".  The adjective spongy (soft, elastic) came into use in the 1530s in medicine & pathology, in reference to morbid tissue (not necessarily soft and applied after the 1590s to hard material (especially bone)) seen as open or porous.  In late fourteenth century Middle English, there was spongious (sponge-like in nature), again, directly from the Latin.  In idiomatic use and dating from the 1860s, to “throw in the sponge” was to concede defeat; yield or give up the context.  That came from bare-knuckle prize-fighting, the sponge (sitting usually in a bucket of water and used to wipe blood from the boxer’s face) thrown into the ring by the trainer or second, indicating to the referee the contest was conceded and the fight must immediately be stopped.  The phrase later “throw in the towel” means the same thing and is of the same origin although some older style guides insist the correct use is “throw up the sponge” and “throw in the towel”.  To the beaten and bloodied boxer, it probably was an unnoticed technical distinction.

Born of a Woman (1992) by Bishop John Shelby “Jack” Spong (1931–2021).  Spong's writings were as provocative as the titles of his books.  Unlike most “liberal” Anglicans, he didn't “nibble at the church’s doctrinal edges” but attacked the core tenants of Christianity, arguing much of what was in the Bible must be read as midrashic or interpretive symbols rather than literal historical accounts.

A prolific author and bishop of the US Episcopal Church, Bishop Spong was in some circles described as a “liberal theologian” but truly was a radical and many regarded his views as heretical.  Had he been Roman Catholic, it’s likely the Inquisition, (established in 1542 as the Supreme Sacred Congregation of the Roman and Universal Inquisition; in 1908 renamed Supreme Sacred Congregation of the Holy Office (clipped usually to “Holy Office”); in 1965 renamed CDF (Congregation for the Doctrine of the Faith) as part of the “reforms” imposed by the Second Vatican Council (Vatican II, 1962-1965); in 2022 renamed DDF (Dicastery for the Doctrine of the Faith) in the latest restructuring of the Roman Curia under the aegis of the apostolic constitution Praedicate evangelium (Preach the gospel)) would have prevented his ordination and, had he slipped through their fingers, it’s more likely he’d have faced laicization (defrocking) or even excommunication than receive a bishopric (for the Anglicans, he served as Bishop of Newark, New Jersey, between 1979 and 2000).  Theologically, he was not a mere “revisionist at the margins” but one who advocated a fundamental re-structuring of Christian belief and while it may sound casually dismissive, it’s not wholly unfair to characterize his oeuvre as the framework of a “DEI (diversity, equality & inclusion) Christianity”.  The surname Sponge is rare (the variant Spong more common) and in regional English dialects was derived from topography (there being no evidence of connection with the sea-dwelling creatures).  In dialectal East English, a spong was a marsh or other bog-like place, the word believed a guttural form of the Old English sponge; as a topographic surname, it was given to someone who lived near a wetland or swamp.  In German-speaking lands and in the Ashkenazi Jewish traditions, related surnames like Schwamm meant “sponge” or “mushroom”, their origins often as metonymic occupational names for someone who gathered edible fungi or harvested sea sponges.  In the UK television series Dad’s Army (1968-1977), the “minor but recurrent” character Private Sponge was a farmer, played by Colin Bean (1926–2009).

Despite the phonetic overlap, the verb expunge (pronounced ik-spuhnj) is unrelated.  Expunge (to erase or strike out; totally to eliminate; permanently to delete) was a learned borrowing from Latin expungere, the construct being ex- + pungō (to prick; to puncture; to sting).  The ex- prefix was from the Middle English, from words borrowed from the Middle French, from the Latin ex (out of, from), from the primitive Indo-European eǵ- & eǵs- (out).  It was cognate with the Ancient Greek ἐξ (ex) (out of, from), the Transalpine Gaulish ex- (out), the Old Irish ess- (out), the Old Church Slavonic изъ (izŭ) (out) & the Russian из (iz) (from, out of).  The “x” in “ex-“, sometimes is elided before certain constants, reduced to e- (eg ejaculate).  The prefix was appended variously to create the sense of “out of”, “outside”, “former” or “without”.  Pungō was from the Proto-Italic pungō (with punctus for puctus after pungō), from the primitive Indo-European pewǵ- (prick, punch).  In English, although rare (effectively extinct except in literary or poetic use), the verb punge can be used to mean “to pierce, prick or puncture.”  In the slang of lexicographers, expunge is a “delicious word” in that it’s “pleasurable to say”, a quality shared by “succulent”.  Although rarely used, the derived forms are also pleasing; they include expugnable, expunger, expunge, expungement, expunction & expungible; the nouns expunctionist & expunctionism are non-standard.

Sea sponges.

In zoology, sponges are any of the many aquatic (mostly sea-based) invertebrate animals of the phylum Porifera, characteristically having a porous skeleton, usually containing an intricate system of canals composed of fibrous material or siliceous or calcareous spicules.  Water passing through the pores is the delivery system the creatures use to gain nutrition.  Sponges are known to live at most depths of the sea, are sessile (permanently attached to a substrate; all but a handful not able independently to move (fully-grown sponges do not have moving parts, but the larvae are free-swimming)) and often form irregularly shaped colonies.  Sponges are considered now the most primitive members of the animal kingdom extant as they lack a nervous system and differentiated body tissues or organs although they have great regenerative capacities, some species able to regenerate a complete adult organism from fragments as small as a single cell.  Sponges first appeared during the early Cambrian Period over half a billion years ago and may have evolved from protozoa.

Of sponges and brushes

Dior Backstage Blender (Professional Finish Fluid Foundation Sponge).

Both makeup brushes and makeup sponges can be used to apply blush or foundation and unless there’s some strong personal preference, most women probably use both, depending on the material to be applied and the look desired.  Brushes are almost always long-bristled and soft (sometimes to the point of fluffiness) with a rounded shape affording both precision and the essential ability to blend at the edges.  Brushes are popular because they offer great control over placement & blending (users debating whether a long or short handle is most beneficial in this and it may be that both work equally well if one’s technique is honed).  Brushes can be used with most varieties of formulation including powders and creams.

Lindsay Lohan, October 2011.  The (presumably inadvertent) "eye effect" is known in the industry as the "reverse panda".

This not entirely flattering application of grey-brown shade of blusher attracted comment, the consensus being it was an attempt to create the effect of hollowed cheekbones, a look wildly popular during the 1980 & 1990s and one which to which her facial structure was well-suited.  Unfortunately, the seemingly “heavy handed” approach instead suggested bruising.  Done properly, the “contoured blush look” is achieved with delicacy and Benjamin Disraeli (1804-1881, UK prime-minister 1868 & 1874-1880) might have called this: “laying it on with a trowel”.  It’s not known if Ms Lohan used brush or sponge but her technique may have been closer to that of the bricklayer wielding his (or her) trowel.  Makeup sponges (often called “beauty blenders” are preferred by many to brushes and are recommended by the cosmetic houses especially for when applying cream or liquid products.  They’re claimed to be easier to use than a brush and for this reason are often the choice of less experienced or occasional users; they create a natural, dewy finish, blending the product seamlessly into the skin and avoiding the more defined lines brushes can tend to produce.  When applying a powder blush, sponges produce an airbrushed, diffused effect and are much easier to use for those "doing their own" in front of a mirror, a situation in which the “edging” effect inherent in brush use can be hard to detect.  For professional makeup artists, both sponges and brushes will be used when working on others, the choice dictated by the product in use and the effect desired.

Sponge theory

The awful beauty of our weapons: Test launch of Boeing LGM-30G Minuteman III ICBM.

Ever since the US military (sometimes in competition with politicians) first formulated a set of coherent policies setting out the circumstances in which the use of nuclear weapons was permissible, there have been constant revisions to the plans.  At its late 1960s peak, the US nuclear arsenal contained some 30,000 weapons and the target list extended to a remarkable 10,000-odd sites, almost all in the USSR (the Soviet Union, 1922-1991), the PRC (People’s Republic of China, 1949-) the Baltic States and countries in Eastern Europe either part of the Warsaw Pact (1955-1991) or in some way aligned with Moscow.  Even the generals admitted there was in this some degree of "structural overkill" but rationalized the system on the basis it was the only way to guarantee a success rate close to 100%.  That certainly fitted in with the US military’s long established tradition of “overwhelming” rather than merely “solving” problems but, given the projected death toll, not all would have agreed "success" was quite the right word.

US nuclear weapons target map 1956 (de-classified in 2015).

Over the decades, different strategies were from time-to-time adopted as tensions rose and fell or responded to changes in circumstances such as arms control treaties and, most obviously, the end of the Cold War (1918-1991) when the Soviet Union was dissolved.  A case-study in the synamics of the "military-industrial complex". the processes that produced these changes were always the same: (1) inter-service squabbles between the army, navy & air force, (2) the struggle between the politicians and military high command (many of the latter proving politically quite adept), (3) the influence of others within and beyond the “nuclear establishment” including (3a) the industrial concerns designing and manufacturing the things and (3b) those in think tanks & academic institutions, (4) attitudes and policies of foreign governments and (5) the (usually anti-nuclear) lobbyist and activist communities.  Many of the discussions were quite abstract (something the generals & admirals seemed to prefer to descending to specifics), probably because one of their quoted metrics in the early 1950s was that if after  a nuclear exchange there were 50 million dead Russians and only 20 million dead Americans, that meant the US could be said to have “won the war”.  Within the Pentagon's internal logic of the time, that made sense but after reductionist critics pursued this to its logical conclusion and asked if the verdict would be the same were the final result one Russian and two Americans being left alive, the military tended to restrict their discussion papers to delivery systems, targets, megatons and timings, body-counts (the term "collateral damage" not yet part of the jargon) just tiresome detail.  This meant the strategies came to be summed-up in short, punchy, indicative terms like “deterrence”, “avoidance of escalation” & “retaliation” although the depth was sufficient for even the “short” version (printed for the POTUS’s use in the event of war) was an inch (25 mm) thick.  What was described varied from a threat of use, a limited strike, various forms of containment (the so-called "limited nuclear war") and sometimes the doomsday option: global thermo-nuclear war.  However, during the administration of Barack Obama (b 1961; POTUS 2009-2017) there emerged a genuine linguistic novelty: “sponge theory”.

US Air Force Boeing B-52 Stratofortress (1952-, left) and Northrop Grumman B-2 Spirit (1989-, right).

The term “sponge theory” had been used in climate science to describe a mechanism used to track the processes by which tropical forests "flip" from absorbing to emitting CO₂ (carbon dioxide) (a la a sponge that absorbs water able to be expelled when squeezed) but in the matter of nuclear weapons it was something different.  At the time, the debates in the White House, the Congress and even some factions within the military were about whether what had become the traditional “triad” of nuclear weapons ((1) ICBM (intercontinental ballistic missile), (2) SLMB (submarine launched ballistic missiles and (3) the "gravity bombs" or "smart bombs" delivered by strategic bombers) should be maintained.  By “maintained” that of course meant periodically "refurbished or replaced".  The suggestion was that the ICBMs should be retired, the argument being they were a Cold War relic, the mere presence of which threatened peace because they encouraged a "first strike" (by either side).  However, the counter argument was that, in a sense, the US was already running a de-facto dyad because, dating from the administration of George HW Bush (George XLI, 1924-2018; POTUS 1989-1993), none of the big strategic bombers had been on “runway alert” (ie able to be scrambled for a sortie within minutes) and only a tiny few were stored in secure hangers with their bombs loaded.  Removing the ICBMs from service, went the argument, would leave the nation dangerously reliant on the SLMBs which, in the way of such things, might at any time be rendered obsolete by advances in sensor technology and the (still speculative) implications of AI (artificial intelligence).  The British of course had never used ICMBs and had removed the nuclear strike capability from their bombers, thus relying on a squadron of four submarines (one of which is on patrol somewhere 24/7/365) with SLMBs but the British system was a pure IND (independent nuclear deterrent), what the military calls a "boutique bomb".  

Test launch of US Navy Trident-II-D5LE SLBM.

There was also the concern that land or air to submarine communications were not wholly reliable and this, added to the other arguments, won the case for the triad but just in case, the Pentagon had formulated “sponge theory”, about their catchiest phrase since “collateral damage”.  The idea of sponge theory was that were the ICBMs retired, Moscow or Beijing would have only five strategic targets in the continental US: the three bomber bases (in the flyover states of Louisiana, Missouri & North Dakota) and the two submarine ports (in Georgia on the south Atlantic coast and in Washington state in the PNW (Pacific North-West).  A successful attack on those targets could be mounted with less than a dozen (in theory half that number because of the multiple warheads) missiles which would mean the retaliatory capacity of the US could (in a worst-case scenario) be limited to the SLMBs carried by the six submarines the USN (US Navy) maintains on permanent patrol.  Given that, a POTUS might be reluctant to use them because of the knowledge Moscow (and, increasingly, Beijing) could mount a second, much more destructive attack.  However, if the 400 ICBMs remained in service, an attack on the US with any prospect of success would demand the use of close to 1000 missiles, something to which any POTUS would be compelled to respond and the US ICBMs would be in flight to their targets long before the incoming Russian or Chinese missiles hit.  The function of the US ICBM sites, acting as a sponge (soaking up the targeting, squeezing the retaliation) would deter an attack.  As it was, the 400-odd Boeing LGM-30 Minuteman ICBMs remained in service in silos also in flyover states: Montana, North Dakota and Wyoming.  After over 50 years in service, the Minuteman is due for replacement in 2030 and there seems little appetite in Washington DC or in the Pentagon to discuss any change to the triad.

Ghost

Ghost (pronounced gohst)

(1) The soul of a dead person, a disembodied spirit imagined, usually as a vague, shadowy or evanescent form, as wandering among or haunting living persons.

(2) A mere shadow or semblance; a trace; a remote possibility; a faint trace or possibility of something.

(3) A spiritual being; the principle of life; soul; spirit (sometimes initial capital letter).

(4) A secondary image, especially one appearing on a television screen as a white shadow, caused by poor or double reception or by a defect in the receiver (also called ghosting).

(5) In photography, a faint secondary or out-of-focus image in a photographic print or negative resulting from reflections within the camera lens (also called ghost image).

(6) In optics, a series of false spectral lines produced by a diffraction grating with unevenly spaced lines.

(7) In metalworking, a streak appearing on a freshly machined piece of steel containing impurities.

(8) In pathology, a red blood cell having no hemoglobin.

(9) In tax-avoidance and other frauds, a fictitious employee, business etc, fabricated especially for the purpose of manipulating funds.

(10) In literature (especially quasi-literature), as ghost-write, to write a book, speech etc for another without attribution (distinct from the trade of the acknowledged ghostwriter).

(11) In engraving, to lighten the background of a photograph before engraving.

(12) In informal use (often associated with social media), suddenly to end all contact with a person without explanation, especially a romantic relationship; abruptly to leave a social event or gathering without saying goodbye.

(13) In digital technology, to remove comments, threads, or other digital content from a website or online forum without informing the poster, keeping them hidden from the public but still visible to the poster.

(14) In bibliography, as ghost edition, an entry recorded in a bibliography of which no actual proof exists.

Pre 900: From the Middle English gost, gast & goost (breath; good or bad spirit, angel, demon; person, man, human being", in Biblical use "soul, spirit, life”), from the Old English gāst (breath, soul, spirit, ghost, being), related to the Old High German gaist & geist (spirit) and the Sanskrit hēda (fury, anger).  The Proto-West Germanic gaist was derived from the Proto-Germanic gaistaz (ghost, spirit, (source also of the Old Saxon gest, the Old Frisian jest, the Middle Dutch gheest, the Dutch geest & the German Geist (spirit, ghost))), from the primitive Indo-European ǵhéysd-os, from ǵhéysd- (anger, agitation) and was cognate with the Scots ghaist (ghost), the Saterland Frisian Gäist (spirit), the West Frisian geast (spirit), the Dutch geest (spirit, mind, ghost), the German Geist (spirit, mind, intellect), the Swedish gast (ghost), the Sanskrit हेड (héḍa), (anger, hatred) and the Persian زشت‎ (zešt) (ugly, hateful, disgusting).  There’s no documentary evidence but the ultimate root is conjectured to be the primitive Indo-European gheis-, used in forming words involving the notions of excitement, amazement, or fear (source also of Sanskrit hedah (wrath), the Avestan zaesha- (horrible, frightful), the Gothic usgaisjan and the Old English gæstan (to frighten).  Ghost is a noun & verb (and used imaginatively as an adjective), ghoster is a noun, ghostly & ghosty are adjectives, ghosting is a noun & verb and ghosted is a verb & adjective; the noun plural is ghosts.

Ghost is the English representative of West Germanic words for "supernatural being" and in Christian writings in Old English it was used to render the Latin spiritus, a sense preserved by the early translators of the Bible in “Holy Ghost”.  The sense of a "disembodied spirit of a dead person", especially imagined as wandering among the living or haunting them, is attested from the late fourteenth century, a meaning-shift which returned the word to what was its probable prehistoric sense.  Most Indo-European words for "soul or spirit" also double with reference to supernatural spirits.  Many have also a base sense of "appearance" (the Greek phantasma; the French spectre; the Polish widmo, from Old Church Slavonic videti (to see), the Old English scin, the Old High German giskin (originally "appearance, apparition”), related to the Old English scinan & the Old High German skinan (to shine)).  Other concepts exist, including the French revenant (literally "returning" (from the other world)), the Old Norse aptr-ganga, (literally "back-comer") & the Breton bugelnoz (literally "night-child”).  The Latin manes (spirits of the dead) was probably a euphemism.

The gh- spelling appeared early in the fifteenth century in Caxton, influenced by Flemish and Middle Dutch gheest, but was rare in English before mid-1500s.  The sense of a "slight suggestion, mere shadow or semblance" (as in ghost image, ghost of a chance etc) is noted from the 1610s; the sense of "one who secretly does work for another" is from 1884 and ghost-write was a 1922 back-formation from the earlier (1919) ghost-writing.  The American Indian ghost dance was first noted in 1890, ghost town is from 1908, ghost story dates from 1811, the now less common ghost-word (apparent word or false form in a manuscript due to a blunder) is from 1886.  The “ghost in the machine” was English philosopher Gilbert Ryle's (1900-1976) 1949 description of René Descartes's (1596-1650) mind-body dualism and the phrase "to give up the ghost" (to die or prepare to die) was well-known in the Old English version; one of the many way folk avoid words like "death" or "die".  Synonyms include phantom, devil, demon, soul, shadow, spectre, vision, vampire, apparition, revenant, appearance, haunt, visitor, shade, spook, poltergeist, phantasm, wraith, daemon & manes.  There are a surprising number of uses of ghost, ghosted, ghosting etc said to be associated modern or internet slang covering fields as diverse as linguistic techniques and the art & science of smoking weed, the latter a rich vein of coinings.  However, the most commonly used describes someone with whom one has been in contact suddenly stops responding, disappearing, as it were, like a ghost.  This can happen in conjunction with unfriending etc but can be an act in isolation.  After becoming one of a number of Australian prime ministers (figuratively) defenestrated by their party before the voters got their chance, Malcolm Turnbull (b 1954; prime minister of Australia 2015-2018) left parliament and decried similarly deposed leaders who chose to stay as "miserable ghosts", a breed with a long tradition in many parliaments.   

Ghostwriters

Art of the Deal by Donald J Trump with Tony Schwartz (1987).  If the Nobel Committee can't bring themselves to confer on President Trump the Peace Prize, they could perhaps make him the Literature Laureate.  He would think that equally deserved.

Ghostwriters (also as ghost-writer) are professional writers hired to create content (books, columns, posts or any other (traditionally) text-focused item), the authorship of which ultimately will be credited to another although ghostwriters can be acknowledged as “co-authors” or (more commonly), receive credit in the form of having their name appear on the cover with a preceding “with”.  That latter approach of course implies some form of collaborative authorship and a famous example is Donald Trump’s (b 1946; POTUS 2017-2021 and since 2025) The Art of the Deal (1987), published as “by Donald J. Trump with Tony Schwartz” [b 1952].  The Art of the Deal is said to be competently written and for those in the business of the ruthless pursuit of deals it’s apparently an invaluable manual, Mr Trump in one interview saying perhaps the most important passages those advising (1) most deals don’t come off and (2) it’s better to walk away from what appears a bad deal than to close it in the hope it can be made to work.  Had than counsel been followed, there’d likely have been rather fewer corporate collapses than have been suffered since it was published; there’s good reasons why The Art of the Deal stayed at number 1 on The New York Times Best Seller list for three months and was a on the list for a year odd.

One day, there may be Lindsay Lohan: The autobiography.  Hopefully, there will be competing "authorized" and "unauthorized" editions.

So what does “By X with Y” usually imply?  The conventional view is it means “Y” is likely to have composed much of the text, based on interviews with “X”, their previous statements or other things they may have written.  It’s the most common approach in the biographies of sports stars that appear in the run-up to Christmas or father’s day; those books often sell well although whether they’re so often read is uncertain.  By contrast, “By X and Y” should mean true co-authorship (though not necessarily on the basis of 50-50 contribution) whereas “X by Y” should be a pure biography (although that can be “authorized” with the cooperation of “X” or “unauthorized” with even “X’s” active opposition to publication).  The “with” category obviously is the most ambiguous and thus often the most useful for a subject, allowing them to bask in the praise of a work well-received yet provide a layer of “plausible deniability” if needed.  Ghostwriters are used for a number of reasons including constraints of time, a lack of interest in the project (though not the profits) or, typically, a lack of the necessary skill with the written word.  Ghostwriting contracts can vary but the focus typically includes terms of payment, non-disclosure of involvement, the notional author’s exercise of veto over all or some of the content and the rights to the finished work.  Mr Trump certainly acknowledged using a ghostwriter, as did Paris Hilton (b 1981) who in her 2023 memoir thanked the ghostwriter who: “helped me find my voice”.

Monsieur Sarközy (left) and his third wife (Italian supermodel Carla Bruni, b 1967, right) arrive at La Santé Prison, November 2025.  Ghostwritten or not, it's unfair to "judge a book by its cover" but Monsieur Sarközy always looked guilty of something.  

One who never needed help to "find his voice" was Nicolas Sarközy (b 1955; President of France 2007-2012) who even found symbolic ways to express his inner torments.  When, in October 2025, entering La Santé Prison in Montparnasse to begin a five-year sentence imposed for “criminal association” related to campaign financing (it was a conspiracy charge), as well as comfortable shoes and some nice warm jumpers, the former Le Président took a novel and made sure the assembled press pack knew it was a copy of Le Comte de Monte-Cristo (The Count of Monte Cristo, 1844-1946) by Alexandre Dumas (1802-1870)), one of literature’s great “tales of revenge”.  He's since been released pending an appeal hearing so he's got some time to plot and scheme his vengeance and decide upon whom it will first be visited.

It’s the disclosure of using a ghostwriter that is critical, even if the exact details of relative contributions to the text remain murky.  The French novelist and dramatist Alexandre Dumas (1802-1870) is best-known for Les Trois Mousquetaires (The Three Musketeers, 1844) and Le Comte de Monte-Cristo but, by his own reckoning, he published some 1,200 volumes, hiring a veritable corps of ghostwriters so the production of “his” works could proceed on an assembly-line basis (many famous painters did much the same, creating by the twentieth century a significant (and lucrative) industry of those in the "authentication" business).  His illegitimate son (Alexandre Dumas fils (1824–1895 (fils being French for “son”)) was also an author of note (best remembered for The Lady of the Camellias (1848 and Camille in English-language versions), adapted by Giuseppe Verdi (1813–1901) for his opera  La traviata (The Fallen Woman, 1853)) and when one day father and son met for lunch, Dumas the elder asked: ‘‘Have you read my new novel yet?”.  “No,” replied the younger man, “Have you?”

JFK's Ghost, Kennedy, Sorensen and the Making of Profiles in Courage (2021) by David R.Stokes (b 1956 and a member of the Association of Ghostwriters).

One ghostwriter not (explicitly) acknowledged was Theodore Chaikin "Ted" Sorensen (1928–2010; US lawyer, author & presidential adviser), now widely believed to have written the great bulk (and possibly all) of Profiles in Courage (1956), credited to John Kennedy (JFK, 1917–1963; POTUS 1961-1963).  The slim volume displayed Sorensen’s fine touch with language but it was a slight work, a collection of eight, short biographical sketches describing acts of “bravery and integrity” by  DWM (dead white men who were now mostly forgotten US senators) and that it received the 1957 Pulitzer Prize for Biography was an indication more of the political sympathies of the selection committee than the work’s literary merit or historical significance.  Still, it was a minor contribution to history and Barack Obama (b 1961; POTUS 2009-2017) accepted the 2009 Nobel Peace Prize, awarded apparently to express the Norwegian Nobel Committee’s gratitude he wasn’t George W Bush (George XLIII, b 1946; POTUS 2001-2009).  Even at the time the authorship of Profiles in Courage was controversial with some journalists openly accusing the then Senator Kennedy (Democrat-Massachusetts 1953-1960) of having done little more than put his name on the cover and accept a Pulitzer.  A fortnight after the award was announced, stories began to appear in the press casting doubt on the authorship and, within days, a check (cheque) was drawn against a Kennedy family trust in favour of Ted Sorensen for US$100,000-odd, a extraordinary sum wholly disproportionate to either the fee even well-paid ghostwriters would expect or the profits realised by Profiles in Courage.  Shamelessly (a Kennedy family trait), whether as a senator or POTUS, JFK would autograph copies of “his” book and personally hand them as gifts to visiting dignitaries.

Politicians of course have speechwriters and their contributions are usually well-publicized, some of the more-skilful (or more publicity-conscious) becoming minor celebrities, a thing sometimes resented by those for whom they write although, as a general principle, politicians are well-advised if they leave speech-writing to the pros.  During the 1969 election campaign, when discussing speechmaking, bizarrely, the idiosyncratic Sir John Gorton (1911-2002; prime minister of Australia 1968-1971), despite having at his finger-tips the entire resources of the Commonwealth government, complained that the leader of the Opposition’s (Gough Whitlam (1916–2014; Prime Minister of Australia 1972-1975) “…large staff—which I haven’t got—helps him.  You see, I have never delivered a speech that I haven’t written myself. I doubt very much if Mr Whitlam has ever delivered a speech he wrote himself.  I need some research assistance, some background speech notes and this is what [Mr Whitlam’s staff are] doing and that is all [they are] doing.”  When asked his reaction to Mr Gorton’s claim he wrote all his speeches himself, Mr Whitlam (who had spent the campaign lampooning Gorton’s frequent lapses into near incoherency) quipped: “That is one of the few prime ministerial statements of this election that I find credible.”

An artist's ghostly take on an unforgiving woman: Portrait of Lady Violet Bonham Carter (circa 1917), oil on canvas by Sir William Orpen (1878–1931).

It’s not only speeches that are written for politicians to deliver, much of that to which their signatures are appended the work of others including most correspondence and some ghostwriters manage to hone their style to emulate the distinctiveness of those for whom they labor.  Although he once claimed “Oh, I have not read a great deal”, Winston Churchill’s (1875-1965; UK prime-minister 1940-1945 & 1951-1955) literary output was prodigious, including even one novel (that proved great fun for Freudians interested in mother-son relationships) and yielded the 1953 Nobel Prize in Literature.  His style came to be called “Churchillian” and is recognizable (indeed, even in the 1930s it was thought old-fashioned) but it could also be replicated and, years after his death, it became more widely known his teams of “research assistants” genuinely were responsible for many first drafts and even the authorship of what were at the time described in terms like “rolling Churchillian phrases” but in fairness, in that he was not unique and he did review every word prior to publication, editing and polishing as required.  Sometimes the criticism of such practices can go too far.  When Lord Beaverbrook (Maxwell Aitken, 1879-1964), died, Churchill’s private secretary drafted a short message of condolence to be published in the next edition of The Times: “I am deeply grieved at the loss of my oldest and closest friend who severed his country and his causes valiantly and was the most loyal and devoted of comrades.”  As a message from an old man with not long to live to the memory of his friend of almost 60 years, it seemed not objectionable but an objection came from Lady Violet Bonham Carter, (1887–1969, daughter of Henry Asquith (1852–1928; UK prime minister 1908-1916)) who called the message “clearly political” and thus breaking his silence on such matters, a silence tacitly for some time erected due to his decline.  The secretary smoothed things over with her but she returned to the theme after seeing two messages sent in Churchill's name in support of the Conservative Party on the eve of the 1964 general election.  These she branded “forgeries”.  To this accusation the secretary responded with rather more ferocity, telling her: “I really do not think you should have used the word ‘forgery’ to me.  Sir Winston has had things drafted for him for many years, even when he was prime minister.  If they represent his views, and he signs them, they are not ‘forgeries’.”

C'était ça ou mourir (2026) by Thélyson Orélien.  How the Prix Goncourt's committee rules on this work may prove influential in the future of publishing.

That represents the current view of what's "drafting" rather than "forging" although it may take some time before texts created by generative AI (artificial intelligence) are granted the same approbation, a ghostwriter’s hand still human and, at least for a while, that still matters as one French committee recently concluded, removing from consideration for the 2026 Prix Goncourt (The Goncourt Prize) the novel C'était ça ou mourir (It Was Either That or Die, 2026) by Haitian-born Canadian novelist Thélyson Orélien (b 1988), the concerns being “plagiarism” and “the use of generative AI.”  Although Le prix Goncourt carries a merely symbolic purse of €10, it’s vested with genuine prestige and is associated with a spike in sales so is worth winning.  Monsieur Orélien denies the accusations and the matter is attracting attention because it’s a sign of things to come, literary prize committees among the many institutions that will need to formulate protocols to determine where legitimate use of AI (research, grammar checks, formatting etc) ends and concepts like plagiarism, appropriation and “non-authorship” begins.  It was the English philosopher Gilbert Ryle (1900–1976) who, in The Concept of Mind (1949), when discussing the notion of dualism explored by the French philosopher René Descartes (1596–1650), introduced the phrase “ghost in the machine” and that was better to illustrate for modern readers his critique of the Cartesian position of the mind being distinct from the body with physical and mental activities occurring “simultaneously but separately”.  Mind-body dualism had a long run in Western philosophy and can again be re-considered because we’ve come a long way and with generative AI, the "ghostwriter is now the machine" and these agents clearly have “opinions” so not only are they writing, increasingly, they are “deciding” what to write.  The problems confronting such committees seem insoluble so the fudge may be the creation of new literary prizes for AI generated works and there’s no reason why the committees and juries shouldn’t at least in part be made up of AI agents.

Holy Ghost vs Holy Spirit in Biblical Translation

Pentecostés (Pentecost, circa 1545), oil on canvas by Tiziano Vecelli (or Vecellio), (circa 1489-1576; known in English as Titian), basalica of Santa Maria della Salute, Venice.  The Christian holy day of Pentecost (celebrated 50 days after Easter Sunday) commemorates the descent of the Holy Spirit upon the Apostles and other followers of Jesus Christ while they were in Jerusalem celebrating the Feast of Weeks.

The Trinity is one of Christianity’s central doctrines, the unity of Father, Son, and Holy Spirit as three persons in the one Godhead.  One of the most important Christian affirmations about God, it’s rooted in the idea God came to meet Christians in a threefold figure: (1) as Creator, Lord of the history of salvation, Father, and Judge, as revealed in the Old Testament; (2) as the Lord who, in the incarnated figure of Jesus Christ, lived among human beings and was present in their midst as the “Resurrected One”; and (3) as the Holy Spirit, whom they experienced as the helper or intercessor in the power of the new life.  In the Roman Catholic Church, the Sign of the Cross is made in the name of the Father and of the Son and of the Holy Spirit.  It’s a myth that prior to Vatican II (the Second Vatican Council 1962-1965), the Third Person of the Trinity was always referred to in English as the Holy Ghost and one of the council’s decisions was to replace this with Holy Spirit.  Although it’s true Pius XII (1876–1958, pope 1939-1958) authorized several bilingual rites that included Holy Spirit, this was merely procedural and a formalization of processes for the publishing of new editions of existing works. Well before the twentieth century, the shift to Holy Spirit had become almost universal in translation although use of the older form persisted because of the reverence for tradition among some congregations (if not always the clergy) and a fondness, particularly in the Anglican community, for earlier translations, especially the Book of Common Prayer (1549-1622) and the King James version of the Bible (KJV: 1611).

Pentecôte (Pentecost, 1732), oil on canvas by Jean Restout (1692–1768), Louvre Museum, Paris.

The change reflects the evolution of words but, as a matter of Christian theology, "Holy Ghost" and "Holy Spirit" mean exactly the same thing.  The early translators were influenced by ghost being of Germanic origin and, as the Old English gast inherited the original meaning “soul, life, breath, good or bad spirit, angel or demon”, they used gast to translate the Latin Spiritus: thus Holy Ghost.  Although the more modern sense of a disembodied dead person dates from the late fourteenth century, it long remained rare and when translating the Bible into English the scholars behind the KJV opted mostly to use Holy Ghost which enjoys 90 entries compared with seven for Holy Spirit (between translators it's thought there were only linguistic and not doctrinal differences).  Either as literature or theology, there’s nothing in the texts to suggest any difference of meaning between the two, the conclusion of biblical scholars being the choices were wholly arbitrary and probably an unintentional consequence of the KJV being translated from the Greek into English by different committees.  One committee translated hagion pneuma as Holy Spirit while the other preferred Holy Ghost and when the work of the two bodies was combined, the differences remained.  In English, the meaning shift of ghost was induced essentially by its adoption in literature and popular culture, the sense long universally understood to be that of the spectre of a deceased person or a demonic apparition, hardly an association the church found helpful.  It hasn’t wholly been replaced however, some editions of the Book of Common Prayer still are printed with the phrase “He may receive the benefits of absolution, together with ghostly counsel and advice, to the quieting of his conscience.”

Unrelated to etymological matters however, there is one fine theological point about the Trinity.  It took some time for the Patristic Fathers (the early Christian writers of the period generally considered to run from the end of New Testament times or end of the Apostolic Age (circa 100 AD) to either the Council of Chalcedon (451 AD) or the Second Council of Nicaea (787 AD)) to work out the Trinity was three persons, but one God.  The Old Testament foretold the visit to earthly life of the Messiah, but did not name him explicitly as Jesus, seeing the Holy Spirit as a manifestation of God, but did not see Him as a separate person of the one Godhead.  Despite the implications of that, at least since the still influential Saint Augustine of Hippo (354–430), it’s never been an orthodox view the Old Testament should be thought incomplete.  Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022), always one to find a fine theological point, noted “Christians do not read the Old Testament for its own sake but always with Christ and through Christ, as a voyage to Truth through continuing Revelation.”

Rolls-Royce and Ghosts, ancient & modern

A century-odd apart: 1902 Rolls-Royce Silver Ghost (left) and Paris Hilton's 2010 Rolls-Royce Ghost (right).

Although for model names Rolls-Royce has borrowed from the atlas (Corniche, Camargue), their most frequent source has been the spirit world (Ghost, Phantom, Wraith,  Spectre) and the Silver Ghost (1906-1926) was the car that cemented the company's reputation for quality.  Sometime during its life, it may well have deserved to be regarded "the best car in the world" and while that term a long ago ceased to be useful, Rolls-Royce have at times justified the tag "best-made cars in the world".  Some might have matched the quality of the fit and finish but it's doubtful many have ever done it better and such was the reputation the Silver Ghost quickly gained that the name (coined by the Autocar magazine and not the factory) overtook the line.  Originally, the Silver Ghost had been but one model in a range available on their standard (40/50 hp) chassis but the name so captured the public imagination that, eventually, the factory relented and when the first of the Phantom line was released in 1926, Silver Ghost for all the 40/50 cars it became.  Perhaps surprisingly, although in the subsequent century there were many uses of the "silver" element (Silver Wraith, Silver Dawn, Silver Cloud, Silver Shadow, Silver Spirit, Silver Spur & Silver Seraph), it wasn't until 2009 the "Ghost" name was revived and (since 2021 in its second generation), it remains in production, the line augmented in 2011 by the Ghost EWB (extended wheelbase).  Plenty of manufacturers have over the years listed LWB (long wheelbase) models but EWB was a genuinely novel abbreviation, the factory not commenting on whether LWB had become "a bit common" or it was just a piece of "product differentiation".      

RAF (Royal Air Force) Rolls-Royce Silver Ghost armored car, Iraq, circa 1936.

The Silver Ghost also had what may seem an improbable career as a military vehicle, the factory eventually building 120 armored cars on the chassis, a role to which it was well-suited because famously it was robust enough to survive the often rough roads throughout the British Empire.  Although the period of intended service on the Western Front during World War I (1914-1918) was shortened when the "war of movement" anticipated upon the outbreak of hostilities quickly gave way to effectively static trench warfare, the machines proved ideally suited to the conditions in the Middle East, the most famous the squadron used by T.E. Lawrence (Lawrence of Arabia; 1888–1935) in battles against Ottoman forces during World War I.  What the British discovered was the tactics the Royal Navy honed at sea for 300-odd years could be applied to motorized operations across vast sandy stretches, detachments of armored cars able to be handled like squadrons of destroyers.  Lawrence remarked the Rolls-Royces were “more valuable than rubies” in desert combat and that he’d be content with one for the rest of his life were it to be supplied with tyres and petrol, the big, heavy Ghosts prone voraciously to chew through both.  In many parts of the empire, numbers of the armoured cars remained in service well into the 1930s (valued especially by the Raj in India) and the last was retired from service with the Irish Free State only in 1944, new tyres having become unobtainable.