Dragoon

Dragoon (pronounced druh-goon)

(1) In historic weaponry, a synonym of dragon (a type of musket with a short, large-calibre barrel and a flared muzzle), the name based on the way the mythical dragons belched fire.

(2) A European cavalryman of a heavily armed troop (mostly obsolete although some historic associations remain in military formations); historically an infantryman armed with a dragoon musket who fought both on horseback and on foot.

(3) A member of a military unit with such traditions (now mostly restricted to the British Army).

(4) A domestic fancy pigeon (originally a cross between a horseman and a tumbler and sometimes with initial capital).

(5) In the history of France, to subject a Huguenot to the dragonnades (a late seventeenth century policy instituted by Louis XIV of France to intimidate Protestant Huguenots to convert to Roman Catholicism by billeting dragoons in their homes to abuse them and destroy or steal their possessions).

(6) By extension, a man with a fierce or unrefined manner (historically thought “dragoon-like”) (now rare).

(7) By extension, (usually as “dragoon into”) to force (someone) into doing something through harassment and intimidation; to coerce; to force by oppressive measures.

(8) Following the use in France, the practice of forcing civilians into military service (applied particularly to Royal Navy press-gangs until 1815 although it was not an unknown form of “recruitment” by the army).

1615-1625 (some sources noting it appeared in military firearms manuals as early as 1804 but general use was at least a decade hence): From the French dragon (dragon (mythological creature); type of cavalry soldier, dragoon), the latter referring to a soldier armed with the firearm of the same name although in the context of ballistics the word dragoon was originally applied to the pistol hammer (the use based on the shape).  The ultimate source was the Latin dracō (dragon; kind of serpent or snake), from the Ancient Greek δρᾰ́κων (drákōn) which may have been from δέρκομαι (dérkomai) (to see, clearly to see (in the sense of something staring)), from the primitive Indo-European derḱ- (to see).  The verb use was derived from the noun, from the French dragooner, originally in the sense of “to force someone into doing something; to coerce; to torment (also “to torment one’s self)), the construct being dragon + -er (the suffix forming infinitives of first-conjugation verbs).  Dragoon is a noun & verb, dragooner dragoonage, dragoonable & dragonnade are nouns and dragooned & dragooning are verbs; the noun plural is dragoons.  The adjectives dragonish & dragoonesque are non-standard.

Louis XIV, the Huguenots and dragoonnades

The noun use of “dragoon” describing both musket and the soldiers who carried them had been in use for some six decades before becoming a verb.  In 1685, Louis XIV (1638–1715; le Roi Soleil (the Sun King), King of France 1643-1715) issued the Edict of Nantes which revoked his grandfathers decree of toleration which had granted social and economic rights to the minority Huguenot population, something which had far-reaching adverse consequences for France but which was at the time widely popular and still so judging the fawning obituaries which appeared thirty years later at the king’s funeral.  More realistic was Voltaire (François-Marie Arouet; 1694–1778), a fair judge of the rule of the Bourbons who called the edict: “…one of the greatest calamities of France…” with consequences “…wholly contrary to the purpose in view.”

British Army Dragoons always had famously good hats, sometimes in designer colors.

The enmity towards the Huguenots (then some 10% of the French population) was based on factors familiar in pogroms over the centuries: a hard-working minority whose success manifested in their wealth and domination of some business sectors.  Religious intolerance was of course also an element and with pro-Catholic winds blowing in England, Louis decided it was time for him to assert himself in his tiresome squabble with Innocent XI (1611-1689; pope 1676-1689) and “...show himself the champion of orthodoxy, reaffirming the ancient French title of ‘Most Christian King’”.  The renewed persecution had actually begun a few years earlier with church services banned, denominational schools closed and the increasing exclusion from economic activity enforced but just as similar moves by the Nazis against the Jews of Germany would assume their own social inertia and lead to Kristallnacht (literally "crystal night" but better remembered as the "Night of Broken Glass" on 9–10 November 1938) the crackdown in seventeenth century France engendered its own increasing violent brutality.

British Army Corporal of the 2nd Dragoons in full-dress uniform with bearskin hat, circa 1900.

With the personal approval of the king himself, the policy of dragoonnades (the force billeting of Dragoons with Huguenot families) was adopted which would have been bad enough but the Dragoons, an anyway rough and undisciplined crew, were encouraged to behave as viciously as they wished.  Needing little encouragement, assault, rape and vandalism was soon widespread, the point of the policy being (1) to force the Huguenots to leave the country or (1) accept the offer of exemption from billeting on condition of a family converting to Catholicism.  Under the circumstances, few Catholics regarded such conversions as sincere and on doctrinal grounds resented the approach because it implicated the Church in what could be called only sacrilege and perjury.  In 1685, in a masterpiece of Bourbon logic, after hearing of the conversion of some 65,000 over three days in one province alone, Louis revoked the Edict of Nantes on the grounds it was superfluous because there were “no more Huguenots”.

Keeping alive the traditions of the Dragoons’ hats: Lindsay Lohan in Falling for Christmas (Netflix, 2022).

Quite how many Huguenot souls emigrated to Protestant or other more tolerant lands isn’t known but no estimate places the number at less than 100,000.  Those who departed took with them their skills as engineers, artisans, builders, glass makers, shipwrights and a host of other trades, all of which would be now be classified as “dual use” in the sense that they could be applied to civilian or military purposes.  Additionally, some of those leaving were merchants, bookkeepers, lawyers, doctors and other with internationally sought-after skills, the multiplier effect being that the loss to the French economy was to the gain of her enemies including England, Holland and the German states.  In England particularly, the Royal Navy gained much in metallurgy and ship-building skills and as an aside, the arrival of the Huguenots there lead directly to the country switching from wood to coal as a source of thermal energy because, as the new arrivals set up their forges, furnaces and kilns, the depletion of the forests was soon recognized as a threat.  The coal powered economy would provide a platform on which the industrial revolution was built and was the basis of the energy supply for three centuries.

Historians have differed on the extent of the damage all this caused the French economy and military although there does seem to be a consensus most of the early estimates were exaggerated (especially those published in English) but losses to both there were and, as earlier mentioned, this was suffered in conjunction with those of her enemies being afforced.  Of the political damage however there is no doubt, the persecution of the Huguenots assisting the formation of a Protestant coalition between several German states & principalities, Holland and those Huguenots who remained in France, mostly in isolated or mountainous regions, something which some historians maintain was an important component in the forces which over a century would accumulate until unleashed in the violence of the French Revolution (1789).

Swirl

Swirl (pronounced swurl)

(1) A twist, as of hair around the head or of trimming on a hat; a whorl or curl.

(2) Any curving, twisting line, shape, or form.

(3) A descriptor of a state or confusion or disorder.

(4) A swirling movement; whirl; eddy; to turn or cause to turn in a twisting spinning fashion (used especially of running water).

(5) In fishing, the upward rushing of a fish through the water to take the bait.

(6) To move around or along with a whirling motion; a whirl; an eddy.

(7) To feel dizzy or giddy (the idea of a “spinning head”).

(8) To cause to whirl; twist.

(9) To be arranged in a twist, spiral or whorl.

(10) Figuratively, to circulate, especially in a social situation.

(11) In AAVE (African-American Vernacular English), to in some way mingle interracially (dating, sex, marriage etc) (dated; now rare).

(12) In internal combustion engines (ICE), as “swirl chamber”, a now generic term for a type of combustion chamber design.

1375-1425: From the late (northern) Middle English swirlen (to eddy, swirl) which was probably from the Old Norse svirla (to swirl), a frequentative form of Old Norse sverra (to swing, twirl).  It was cognate with the Scots swirl & sworl (to eddy, swirl), the Norwegian Nynorsk svirla (to whirl around; swirl), the Swedish sorla (to murmur, buzz) and the Dutch zwirrelen (to swirl).  Related forms included the dialectal German schwirrlen (to totter), the West Frisian swiere (to reel, whirl), the Dutch zwieren (to reel, swing around), the German Low German swirren (to whizz, whirl or buzz around), the German schwirren (to whirr, whizz, buzz), the Swedish svirra (to whirr about, buzz, hum), the Danish svirre (to whizz, whirr) and the English swarm.  The construct may be understood as the Germanic root swir- + -l- (the frequentative suffix).  Swirl is a noun & verb, swirled is a verb & adjective, swirling is a noun, verb & adjective, swirly is a noun & adjective, swirler is a noun and swirlingly is an adverb; the noun plural is swirls.

In English, the late (northern) Middle English noun swirlen (to eddy, swirl) seems originally to have come from a Scottish word, the origin of which is undocumented but etymologists seem convinced of the Scandinavian links.  The sense of a “whirling movement” emerged in the early nineteenth century although the meaning “a twist or convolution (in hair, the grain of wood etc)” was in use by 1786.  The verb as a transitive in the sense of “give a swirling or eddying motion to” was in use in the early sixteenth century but it may by then long have been in oral use, one text from the fourteenth containing an example and the source of that may have been either Germanic (such as the Dutch zwirrelen (to swirl) or the Norwegian Nynorsk svirla (to whirl around; swirl) or it may have evolved from the English noun.  The intransitive sense (have a whirling motion, form or whirl in eddies) dates from 1755.  The adjective swirly existed by 1785 in the sense of “twisted or knotty” but by the middle of the next century it had come also to describe anything “whirling or eddying”, applied especially to anything aquatic.  By 1912, it was used also to mean “full of contortions or twists” although “swirling” in this sense had by then been in (gradually increasing) use for a century.

Of curls & swirls: Lindsay Lohan with curls (left) and swirls (right).

In hairdressing, although customers sometimes use the words “curl” and “swirl” interchangeably, to professionals the use should be distinct.  A swirl is a movement or pattern in which hair is styled or arranged, typically with a rounded or circular pattern and swirls can be natural (the pattern at the crown of the head where the hair grows in a circular direction) or stylized (the look deliberately created and most obvious in “up-dos) or the formal styles associated with weddings and such).  The end result is a wide vista and the swirl is more a concept than something which exists within defined parameters.  A curl is (1) a type of hair texture or (2) the act of creating a curl with techniques using tools and/or product.  Some people (and there’s a strong ethnic (ie genetic) association) naturally have curly hair due to the shape of their follicles and within the rubric of what used to be called the ulotrichous, hairdressers classify curls as tyree types: (1) tight (small, corkscrew-like structures), (2) medium (tighter curls but with a softer appearance) and (3) long spirals with a large diameter).  Some commercial product also lists “ringlets” as a type but as tight, well-defined spirals, they’re really a descriptive variation of the tight or medium.  So, the essential difference is that a swirl is a pattern or movement of the hair, while a curl describes texture or shape and while a swirl is a matter or arrangement, a curl demands changing the hair’s natural texture or shape.  Swirls are very much set-piece styles associated with formal events while curls are a popular way to add volume, texture, and movement to the hair.

In internal combustion engines (ICE), the “swirl chamber is a now generic term used to describe a widely-used type of combustion chamber when upon introduction, the fuel-air mixture “swirls around” prior to detonation.  The design is not new, Buick’s straight-8 “Fireball” cylinder head using a simple implementation as long ago as the 1920s and it would serve the corporation into the 1950s.  The critical aspect of the engineering was the interaction between a receded exhaust valve and a rising in the top of the piston which “pushed” most of the fuel-air mixture into what was a comparatively small chamber, producing what was then called a “high-swirl” effect, the “Fireball” moniker gained by virtue of the actual combustion “ball of fire” being smaller in volume than was typical at the time.  The benefit of the approach was two-fold: a reduction in fuel consumption because less was required per power-stroke and (2) a more consistent detonation of the poor quality fuel then in use.  As fuel improved in quality and compression ratios rose (two of the dominant trends of the post-war years), the attraction of swirl chambers diminished but the other great trend was the the effective reduction in the cost of gasoline (petrol) and as cars became larger & heavier and roads more suited to higher speeds, the quest was for power.

Swirling around: The swirl process in a diesel combustion chamber.

Power in those years usually was gained by increased displacement & combustion chamber designs optimized for flow; significantly too, many popular designs of combustion chamber (most notably those in the so-called “wedge” heads) were cheaper to produce and in those years, few gave much thought to air-pollution.  The cars of the 1950s & 1960s had really toxic exhaust emissions.  By the mid 1960s however, the problem of air pollution in US cities was so obvious and the health effects were beginning to be publicized, as was the contribution to all of this by motor vehicles.  Regulations began to appear, California in 1961 (because of the high vehicle population and certain geographical & climatic phenomena, Los Angeles & San Francisco were badly affected by air pollution) passing the first statute and the manufacturers quickly agreed to adopt this standard nationally, fearing other states might begin to impose more onerous laws.  Those however arrived by mid-decade and although there was specific no road-map, few had any doubts the rules would become stricter as the years passed.  The industry’s only consolation was that these laws would be federal legislation so they would need to offer only one specification for the whole country (although the time would come when California would decide things should be tougher and by the 1970s there were “Californian cars” and “49 state cars”).  K Street wasn’t the force then it later became and the manufacturers conformed with (relatively) little protest.

Fuel was still cheap and plentiful but interest in swirl chambers was revived by the promise of cleaner burning engines.  Because it wasn’t new technology, the research attracted little attention outside of the engineering community but in 1970, German-born Swiss engineer Michael May (b 1934) demonstrated a Ford (Cologne) Capri with his take on the swirl chamber in a special cylinder head.  In a nod to the Buick original, May nick-named his head design the “Fireball” (professional courtesy a thing among engineers).  What Herr May had done was add a small groove (essentially a channel surrounding the intake valve) to the chamber, meaning during the last faction of a second of piston movement, the already swirling fuel-air mixture got a final nudge in the right direction: instead of there being a randomness to the turbulence of the mix, the shape was controlled and was thus able to be lower in volume (a smaller fireball) and precisely controlled at the point at which the spark triggered detonation; May called this a “higher swirl”.  Not only did this reduce exhaust emissions but it also cut fuel consumption for a given state of tune so designers could choose their desired path: more power for the same fuel consumption or the same power for less and within a short time, just about the whole world was taking great interest in fuel consumption.

Detail of the original "flathead" cylinder head of the Jaguar V12 (left) and the later "Fireball" head with swirl chambers (right).

A noted use of May’s design was its adoption in 1981 on Jaguar’s infamously thirsty V12 (1971-1997), an innovation celebrated by the addition of the HE (High Efficiency) label for the revised power-plant.  The notion of “high efficiency” was comparative rather than absolute and the V12 remained by most standards a thirsty beast but the improvement could be in the order of 40% (depending on conditions) and it was little worse than the similar displacement Mercedes-Benz V8s of the era which could match the Jaguar for power but not the turbine-like smoothness.  Threatened with axing due to its profligate ways, the swirl chambers saved the V12 and it survived another sixteen years which included two severe recessions.  Debuting even before the Watergate scandal, it lasted until the Monica Lewinsky affair.  In the decades since, computer simulations and high-speed photography have further enhanced the behavior of swirl & turbulence, the small fireballs now contained in the center of the chamber, prevent heat from radiating to the surrounding surfaces, ensuring the energy (heat) is expended on pushing the piston down to being the next cycle, not wasting it by heating metal.  The system is popular also in diesel engines.

Pressing

Pressing (pronounced pres-ing)

(1) Urgent; demanding immediate attention; Insistent, earnest, or persistent.

(2) Any phonograph record produced in a record-molding press from a master.

(3) To act upon with steadily applied weight or force; to move by weight or force in a certain direction or into a certain position; to weigh heavily upon.

(4) To compress or squeeze, as to alter in shape or size.

(5) To flatten or make smooth, especially by ironing.

(6) To extract juice, sugar, oil etc by applying pressure.

(7) To produce shapes from materials by applying pressure in a mold; a component formed in a press.

(8) To bear heavily, as upon the mind.

(9) A ancient form of torture and execution.

(10) The process of improving the appearance of clothing by improving creases and removing wrinkles with a press or an iron.

(11) A memento preserved by pressing, folding, or drying between the leaves of a flat container, book or folio (usually with a flower, ribbon, letter, or other soft, small keepsake).

1300-1350: From the Middle English presing, from the Classical Latin pressāre, (frequentative of premere (past participle pressus)).  In Medieval Latin pressa was the noun use of feminine pressus, similar to Old French presser (from Late Latin pressāre).  In English, the meaning “exerting pressure" dates from the mid-fourteenth century and sense of "urgent, compelling, forceful" is from 1705.  In the sense of a machine for printing, this spread from the machine itself (1530s) to publishing houses by the 1570s and to publishing generally by 1680.  In French, pressing is a pseudo-Anglicism.

The construct was press + ing.  Press dates from the late twelfth century and was from the Middle English press & presse (throng, trouble, machine for pressing) from the Old French, from presser (to press) from the Latin pressāre, frequentative of premere (past participle pressus) and in Medieval Latin it became pressa (noun use of the feminine of pressus).  The noun press (a crowd, throng, company; crowding and jostling of a throng; a massing together) emerged in the late twelfth century and was from the eleventh century Old French presse (a throng, a crush, a crowd; wine or cheese press), from the Latin pressare.  Although in the Late Old English press existed in the sense of "clothes press", etymologists believe the Middle English word is probably from French.  The general sense of an "instrument or machine by which anything is subjected to pressure" dates from the late fourteenth century and was first used to describe a "device for pressing cloth" before being extended to "devices which squeeze juice from grapes, oil from olives, cider from apples etc".  The sense of "urgency, urgent demands of affairs" emerged in the 1640s.  It subsequently proved adaptable as a technical term in sports, adopted by weightlifting in 1908 while the so-called (full-court press) defense in basketball was first recorded in 1959.  The suffix –ing was from the Middle English -ing, from the Old English –ing & -ung (in the sense of the modern -ing, as a suffix forming nouns from verbs), from the Proto-West Germanic –ingu & -ungu, from the Proto-Germanic –ingō & -ungō. It was cognate with the Saterland Frisian -enge, the West Frisian –ing, the Dutch –ing, The Low German –ing & -ink, the German –ung, the Swedish -ing and the Icelandic –ing; All the cognate forms were used for the same purpose as the English -ing).  Pressing is a noun & verb, pressingness is a noun and pressingly is an adverb; the noun plural is pressings.

Tarpeia Crushed by the Sabines (circa 1520) by Agostino Veneziano (Agostino de' Musi; circa 1490–circa 1540).

In Roman mythology it was said that while Rome was besieged by the Sabine king Titus Tatius, the commander of the Sabine army was approached by Tarpeia, daughter of Spurius Tarpeius, commander of the Roman citadel.  Tarpeia offered the attacking forces a path of entry to the city in exchange for "what they bore on their left arms." Although it was sometimes spun that she actually meant they should cast of their shields and enter in peace, the conventional tale is she wanted their gold bracelets.  The Sabines (sort of) complied, throwing their shields (which they carried upon their left arms) upon her, pressing her until she died.  Her body was then cast from (although some accounts say buried beneath) a steep cliff of the southern summit of the Capitoline Hill which has since been known as the Rupes Tarpeia or Saxum Tarpeium (Tarpeian Rock (Rupe Tarpea in Italian)). 

Cassius Convicted of Political Wrong-Doing is Killed by Being Thrown from the Tarpeian Rock Rome (circa 1750), woodcut by Augustyn Mirys (1700–1790).

The Sabines were however unable to conquer the Rome, its gates miraculously protected by boiling jets of water created by Janus, the legend depicted in 89 BC by the poet Sabinus following the Civil Wars as well as on a silver denarius of the Emperor Augustus circa 20 BC.  Tarpeia would later become a symbol of betrayal and greed in Rome and the cliff from which she was thrown was, during the Roman Republic, the place of execution or the worst criminals: murderers, traitors, perjurors and troublesome slaves, all, upon conviction by the quaestores parricidii (a kind of inquisitorial magistrate) flung to their deaths.  The Rupes Tarpeia stands about 25 m (80 feet) high and was used for executions until the first century AD.

Pressing by elephant.

Under a wide variety of names, pressing was a popular method of torture or execution for over four-thousand years; mostly using rocks and stones but elephants tended to be preferred in south and south-east Asia.  The elephant had great appeal because, large and expensive to run, they could be maintained as a symbol of power and authority and there were few better expressions of a ruler’s authority that the killing of opponents, trouble-makers or the merely tiresome.  Properly handled, an elephant could be trained to torture or kill although, being beasts from the wild, things could go wrong and almost certainly some unfortunate souls ear-marked for nothing but the brief torture of a pressing under the elephant’s foot (for technical reasons, they don’t have hooves) ended up being crushed to death.  Even that presumably added to the intimidation and in some places in India, this means of dispatch was said to be known as Gajamoksha (based on the Gajendra Moksha (The Liberation of Gajendra (the elephant)), an ancient Hindu text in which elephants were prominent) although these stories are now thought to have been a creation of the imaginations of British writers who, in the years before, found a ready audience for fantastical tales from the Orient.  As told, a Gajamoksha seems to have been more a trampling than a pressing and the political significance of the business was it was done in public; the manufacturing of entertainment and spectacle apparently common to just about every regime in human history.  That there were public displays of torture and execution using elephants is part of the historical record but the surviving depictions seem to suggest pressing rather than trampling was the preferred method.  A trampling elephant does sound like something which may have had unintended consequences.

As a asset in the inventory, elephants were versatile and in addition to helping to pull or carry heavy loads to battlefields, they could be also a potent assault weapon and, sometimes outfitted with armor (historically of thick leather), were used in a manner remarkably close in concept to the original deployment of tanks by the British Army in 1916, charging the line, breaking up fortifications and troop formations, allowing the infantry to advance through the gaps.  While opponents being trampled underfoot by a charging elephant may not have been the prime military directive, it was a useful adjunct.  For those who survived, it may only have been a stay of execution and while there’s little to suggest elephants were widely used in the bloodbaths which sometimes followed battlefield defeat, there are records of them ritualistically pressing to death a vanquished foe.

A pressing in progress; presumably this profession attracted those who really enjoyed their work and found it a calling.

It’s a myth Henry VIII (1491–1547; King of England (and Ireland after 1541) 1509-1547) invented pressing but he certainly adopted it as a method of torture with his usual enthusiasm.  Across the channel, under the French civil code, Peine forte et dure (forceful and hard punishment) defined pressing: When a defendant refused to plead, the victim would be subjected to having heavier and heavier stones placed upon his or her chest until a plea was entered, or as the weight of the stones on the chest became too great for the subject to breathe, fatal suffocation would occur.

Enthusiastic about if not innovative in torture, Henry VIII continues to influence modern fashion.  His combination of a loose jacket, short skirt and tights is here reprised by Lindsay Lohan.

Not all Kings of England have been trend-setters but Henry VIII’s style choices exerted an influence not only on his court and high society but also elsewhere in Europe.  What came to be known as the “Tudor style” was really defined by him and the markers are elaborate embellishments, rich fabrics (velvet, silk, and brocade much favoured), intricate embroidery and many decorative details.  The Tudor style also took existing motifs such as the codpiece (the pouch or flap covering the front opening of men's trousers or hose) and in the early sixteenth century these became larger and more exaggerated, the function in formal wear more decorative than practical.  He also made popular (again) the padded shoulders and sleeves which had been seen for centuries but Henry’s innovation was deliberately to reference the lines used on suits of armor, something which added to what in later years was his broad & imposing figure and modern critics have noted this was something which would visually have re-balanced his increasingly portly figure.  London wasn’t than the centre of fashion it later became and some historians have noted the distinctly French influence which entered the court after the arrival of Henry’s first wife, the Spanish-born Catherine of Aragon (1485–1536; Queen of England 1509-1533) and at least some of what was imported with the unfortunate bride became part of the Tudor style.

Indigo

Indigo (pronounced in-di-goh)

(1) A blue dye obtained from various plants, especially of the genus Indigofera, or manufactured synthetically.

(2) A descriptor of color indigo, widely defined commercially and ranging from a deep violet blue to a dark, greyish blue (sometimes as "indigo blue").

(3) In technical use, as indigo blue (also casually referred to as indigotin or indigo), a dark-blue, water-insoluble, crystalline powder (C₁₆H₁₀N₂O₂), having a bronze-like luster, the essential coloring principle of which is contained along with other substances in the dye indigo and which can be produced synthetically.

(4) Any of numerous hairy plants belonging to the genus Indigofera, of the legume family, having pinnate leaves and clusters of usually red or purple flowers (the best-known of the plants including Amorpha (false indigo), Baptisia (wild indigo), and Psorothamnus and Dalea (indigo bush)).

(5) In zoology, as the Eastern indigo snake, the common name for the Drymarchon couperi.

(6) In zoology, as the indigobird (or indigo bird), any of various African passerine birds of the family Viduidae.

(7) A (rarely used) female given name.

1550s: The spelling change from indico to indigo happened in the 1550s, used originally in the sense of the “blue powder obtained from certain plants and used as a dye”.  Indigo was from the Spanish indico and the Portuguese endego (the Dutch indigo exclusively was from Portuguese), all from the Latin indicum (indigo), from the Ancient Greek ἰνδικόν (indikón) (Indian blue dye (literally “Indian substance”)), a neuter of indikos (Indian), from the Indic Ἰνδία (Indía).  Indic is a subgroup of the Indo-Iranian branch of Indo-European languages that includes Sanskrit, Hindi, Urdu, Bengali, and many other languages of India, Pakistan, and Sri Lanka; Indo-Aryan.  It replaced the late thirteenth century Middle English ynde, from the thirteenth century Old French inde (indigo; blue, violet), again from the Latin indicum; the earlier name in Mediterranean languages was annil or anil.  In the magical-realist novel Sassafrass, Cypress & Indigo (1982) by African American feminist Ntozake Shange (1948–2018), the name of one protagonist is Indigo and it continues to be used as a given name for females.  Indigo is a noun & adjective and indigotic is an adjective; the noun plural is indigos or indigoes.

Sir Issac Newton, light and the "two prism experiment" 

As used to refer to “the color of indigo”, use dates from the 1620s and in 1704 Sir Isaac Newton (1642–1727) adopted indigo as the name for the darkest of the two blues on his spectrum of the visible colors of light.  Newton identified seven colors in the spectrum of light (red, orange, yellow, green, blue, indigo and violet) and although he was a great figure of science and the Enlightenment, he was also an alchemist and theologian who published notable works of Biblical scholarship, something which may account for the choice of seven, that number being of some significance in scripture.  By objective analysis, there are probably six colors in the spectrum, but Newton’s world view which attributed something mystical to the number demanded there be seven.  He decided in advance light was made of seven colors but his experimental method to vindicate this theory of differential refraction was sound.  The orthodox view of the time suggested a prism acted on any incident light to add colour; Newton wished to prove what was really happening was a process of separation refraction.  For this, he used two prisms.  The first produced the full spectrum of colors and from this Newton isolated narrow beams of light of a single colour, directing them at the second prism, finding that for all colors, there was no further change as the beam passed through the second prism: “When any one sort of Rays hath been well parted from those of other kinds, it hath afterwards obstinately retained its colour, not with standing my utmost endeavours to change it.”

Lindsay Lohan shopping at Indigo Seas, North Robertson Boulevard, Los Angeles, February 2009.  Most fashion houses would regard her dress’s blue as “too blue” to be within the indigo range but to illustrate how far (in commercial use) indigo can travel from blue, some would call this "Spanish indigo" (Hex: #003C92; RGB: 0, 60, 148).

Although some use extends even to grey, generally, indigo is a range of bluish-purples between blue and violet in the color wheel and such is the reverence for Newton it’s considered still one of the seven spectral colors (indigo’s hex code is #4B0082),  In this, although it may visually be dubious, indigo has fared better than the unfortunate Pluto, the International Astronomical Union (IAU) voting in 2006 to re-classify Pluto as a dwarf planet on the basis the icy orb failed to meet a set of criteria which the IAU claimed had been accepted for decades.  The IAU are a bunch of humorless cosmic clerks, something like the Vogons ("...not actually evil, but bad-tempered, bureaucratic, officious and callous.") in Douglas Adams’ (1952–2001) Hitchhiker's Guide to the Galaxy (1978) and, not affected by romantic tales, have refused to restore Pluto to planethood, leaving it desolate, lonely and cold; it's the solar system’s emo.  Indigo place on the spectrum seems however secure and according to Canva (the internet’s authority on colors), it’s the color of devotion, wisdom, justice, and higher knowledge; tied to intuition and what is not seen; it is also considered spiritual.  More prosaically, Canva list indigo as hexadecimal #4b0082, with RGB values of Red: 29.4, Green: 0, Blue: 51 and CMYK values of Cyan: 0.42, Magenta: 1, Yellow: 0, Black (K):0.49.  The decimal value is 4915330.  It has a hue angle of 274.6 degrees, a saturation of 100% and a lightness of 25.5%. #4b0082 color hex could be obtained by blending #9600ff with #000005. Closest websafe color is: #330099.

Darker then violet: Canva's example of a classic indigo.

Mystique

Mystique (pronounced mi-steek)

(1) A framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning:

(2) The aura of mystery (real, imagined or confected) or mystical power surrounding a particular occupation or pursuit:

1891: A borrowing by English in the sense of “atmosphere of mystery and veneration”, from the French noun & adjective mystique (a mystic; the act of a mystic; the mystical), from the Latin mysticus, from the Ancient Greek μυστικός (mustikós) (secret, mystic), from μύστης (mústēs) (one who has been initiated).  Mystique is a noun; the noun plural is plural mystiques.

A Dangerous Liaison (2008) by Carole Seymour-Jones (1943-2015).

When Le Deuxième Sexe (The Second Sex (1949)) was published by French feminist and social theorist Simone de Beauvoir (1908–1986), it was recognized almost at once as a landmark in feminist thought but it was in the twenty-first century re-evaluated when gender came to be re-defined as a spectrum rather than a binary.  Of particular interest was de Beauvoir’s mapping of existentialist thought on to the matter, asserting that being a woman was a construct, something obviously dependent on being born female but the product of processes integral to a society in which women had been defined as inferior to men, a tradition she traces back centuries.  The Second Sex and Germaine Greer’s (b 1939) The Female Eunuch (1970) remain the two most important texts of late twentieth century feminism.  De Beauvoir is one of those writers who led a life which many choose to entangle with what she wrote but The Second Sex is best read by allowing the words to prevail.  

However, the complexity of The Second Sex, infused as it was with strands of French structuralism, meant that it lacked accessibility unless a reader had some background in certain philosophical traditions and it was American feminist Betty Friedan’s (1921–2006) The Feminine Mystique (1963) which, by sheer weight of numbers, proved the greater influence politically, many claiming still it was the work responsible for the emergence of second wave feminism.  The Feminine Mystique is by comparison a slight work and although not of excessive length, is thematically repetitious and can be deconstructed as a long social media post about one woman’s discontent with her life, something to which she (not without justification) links the structure of the patriarchal society in which she exists.  That made it a compelling polemic for the receptive millions of women who read it as their own biographies and ensured its success but it also lent second-wave feminism (which greatly the book at least influenced) a distinctly white, Western, middle-class flavor which asked many of the right questions but ignored (rather than deliberately excluded) most of what lay beyond that fashionable but narrow cultural vista.

Jane Birkin and the mystique of the Birkin Bag

Jane Birkin (with her usual straw bag) and Serge Gainsbourg (1928-1991) at the premiere of their film Slogan, August 1969.

One well-known example of manufactured mystique is that attached to the Birkin Bag manufactured by the French fashion house Hermès, the origin of which was a chance meeting in 1984 on Paris-London shuttle flight between the English actress Jane Birkin (1946-2023) and Jean-Louis Dumas (1938-2010), then executive chairman Hermès.  Ms Birkin was placing her usual straw bag in the overhead locker when “everything fell out” her belongings scattering over her and Monsieur Dumas.  The inevitable conversation ensued and the pair thrown together by circumstances spent the brief flight designing Ms Birkin’s ideal leather bag for weekend travel, the airline’s sick bags improbably used for the first sketches.  Within months, the Birkin was a Hermès part-number.

Although in her later years Ms Birkin ceased to carry one (it became “just too heavy"), over the last four decades, the Birkin has become a coveted item, much sought by those attracted by its association with pop-culture celebrities and the price-tag which begins somewhere over US$10,000 and can, for a custom unit, extend into six figures.  Although the Birkin range is advertized both in the glossy catalogues and on-line, it’s not a “display item” carried on the shelves of the bricks & mortar stores and it’s long been part of the product’s image that as well as being PoA (price on application), they’re not “for everyone”, Hermès selling them only to someone “suitable”; it’s all part of the mystique.  There has long been speculation about how “real” this mystique may be, the suspicion being that if anyone offers cold hard cash (or its modern equivalent), a store manager would think of their end-of-year bonus and make the sale.  However, in March 2024, two disgruntled (rejected) Birkin customers filed suit in Federal court in California, alleging Hermès was in violation of US antitrust legislation by allowing only those with a “sufficient purchase history” with the company to bag a Birkin.  Essentially, the case hinges on the lure of the right to buy a Birkin being used as an inducement to spend money on shoes, jewellery, scarves and such, the carrot of the bag dangled while the stick is used to force folk to create a “purchase history”.  The suit also noted the company’s sales associates are driving the scheme, thereby gaining benefits for both themselves and Hermès, an important technical point in US antitrust law.

Hermès Birkin 3-en-1: "(1) a canvas clutch topped with the emblematic leather flap, (2) A leather tote with side straps & turnlock and (3) A clutch & tote together recreate the eternal Birkin."  The 3-en-1 is one of many current designs in the range.

Interestingly, it was further alleged the floor staff don’t earn commissions on Birkin bag sales and are instructed to use the handbags only as a device “…to coerce consumers to purchase ancillary products” while only “…those consumers who are deemed worthy of purchasing a Birkin handbag will be shown a Birkin handbag” in a private viewing room.”  Any civilian (ie a non-celebrity or not someone identified as rich) walking into the store and asking to see a Birkin is told they’re “out of stock”.  The lawsuit requested class-action status for thousands of US consumers who bought Hermès goods or were asked to buy them as a prerequisite for buying a Birkin and sought unspecified monetary damages and a court order banning Hermès’s allegedly anti-competitive practices.

A certain, brutish mystique: 1974 Holden Torana L34.

Restrictions on a right to purchase are not unusual.  Ferrari have specified that some of their low-volume models are available only to previous customers and that has sometimes demanded the prior purchase of more than one of the Italian machines.  Whether apocryphal or not, the story is that on more than one occasion, upon being informed of the clause, the buyer would at random pick a Ferrari from the showroom stock and buy it, just to qualify.  Somewhat down the food chain, in 1974 when quietly Holden in Australia introduced their L34 option (a homologation package to ensure certain parts could be used in racing) for the Torana SL/R 5000, although the thing could be registered for road use, it was specified it could be bought only by holders of a certain level of competition licence issued by CAMS (Confederation of Australian Motor Sport).  That policy was a pre-emptive strike to ensure there would be no repetition of the moral panic stirred up two years earlier by the tabloid press which claimed the three local manufacturers were selling “160 mph (257 km/h) supercars” to the public, summoning the fear of the usual suspects (males aged 17-25) unleashing these lethal weapons on public roads.  As was often the case in moral panics, the tabloids were being economical with the truth but their campaign spooked the politicians and the manufacturers, the new generation of high-performance machinery swiftly cancelled.  Ironically, when tested, it transpired the L34 package was about durability rather than power or speed and was actually a little slower than a standard SL/R 5000 but the exotic terms & conditions (T&Cs) certainly gained it some mystique.

The Mean Girls (2004) crew on DeviantArt by SBBeauregarde in cosplay mode: Marvel Comics' Mystique.

The Mystique de la Merde 

The word mystique even has a place in what must be one of the darker corners of literary theory.  The term Mystique de la Merde dates from September 1956 when an article by Robert Elliot Fitch (1902-1986) was published in the New Republic.  Fitch was a Congregationalist minister who graduated successively from Yale (1923), the Union Theological Seminary (1926) and Columbia (1929), later becoming a professor of Christian ethics and dean of Berkeley's Pacific School of Religion but he was interested also in literary theory, often as a device by which he could explore the decline in Western society associated with God’s withdrawal from the place.  Fitch’s Mystique de la Merde wasn’t literally “the mystique of shit” but a description of what he detected in literature (and therefore life in general) as “a preoccupation with the seamier, muddier, bloodier aspects of life, as well as, excessively, with sex and money.”  Befitting the decline of civilization, Mystique de la Merde was a deliberately more vulgar version of Nostalgie de la boue (nostalgia for mud), a phrase coined in 1855 by French dramatist Émile Augier (1820–1889) meaning “an attraction for low-life culture, experience, and degradation (in individuals, institutions & culture).”

In his New Republic piece, Fitch started as he intended to continue: "…perhaps we should take note of a brand of piety which may best be characterized as the mystique de la merde. This might be rendered in English as the deification of dirt, or the apotheosis of ordure, or just plain mud mysticism.  At any rate it provides a label for a sectarian cult which appears to have attracted some of the best talent in contemporary literature."  He nominated Ernest Hemingway (1899–1961) as a founding father of the cult (he must have been tempted to call him the “high priest”) in whose writing he identified a surfeit of “…fertility, money, blood and iron."  One sex was stirred into that mix (as Hemmingway did), one has, as Fitch noted: all “…the basic ingredients of ultimate reality" as seen by the merde mystics.

Ernest Hemingway in Cuba, 1952.  F Scott Fitzgerald's (1896–1940) wife Zelda (1900–1948) described Hemmingway's novel The Sun Also Rises (1926) as "Bull fighting, bull slinging, and bullshit".  Had she lived, she may have found "Mystique de la Merde" a needless gloss.

Writing in the milieu of the beat generation writers, Fitch observed that in handling what clearly was a literary phenomenon, the critic was at some disadvantage because while writers could function on the “four letter [word] level”, “…the critic must stick to three-syllable words.”  He concluded, presumably not without regret, that: “When we have become honest, we discover that the reigning God is only a devil in disguise" and the real reason for this is that God “…has made us unhappy.”  He cites Mrs Evans in Eugene O'Neill’s (1888–1953) soliloquy heavy Strange Interlude (1928) who affirms that the only good thing is being happy: “I used to be a great one for worrying about what's God and what's devil, but I got richly over it… being punished for no sin but loving much.”  One suspects Fitch might have written a critique of the early twenty-first century with some relish.

Guidance

Guidance (pronounced gahyd-ns)

(1) The act or function of guiding; leadership; direction.

(2) When used as a modifier (marriage guidance et al), advice or counseling (that provided for students choosing a course of study or preparing for a vocation; that given to couples with “marriage problems” etc).

(3) Supervised care or assistance, especially therapeutic help in the treatment of minor emotional disturbances, use prevalent in the management of “troubled youth”.

(4) Something that guides (used of both hardware & software).

(5) The process by which the flight of a missile or rocket may be altered in speed and direction in response to controls situated either wholly in the projectile or partly at the point of launch (ground, air, sea or space-based).

(6) The general term for the part of the publishing industry devoted to “self-help” titles.

1765–1775: The construct was guide + -ance.  Guide dates from the mid-fourteenth century and was from the Middle English guide (to lead, direct, conduct), from the Old French verb guider (to lead; to conduct (guide the noun), from the Old Occitan guida, from the earlier guier & guidar, from the Frankish wītan (to show the way, lead), from the Proto-Germanic wītaną & witanan (to see, know; go, depart (also “to look after, guard, ascribe to, reproach”)), from the primitive Indo-European weyd or weid (to see, know).  It was cognate with the Old English wītan (to see, take heed to, watch after, guard, to keep) and related to the Modern English wit.  The Proto-Germanic was the source also of the German weisen (to show, point out) and the Old English witan (to reproach) & wite (fine, penalty).  The development in French was influenced both by the Old Provençal noun guidar (guide, leader) and the Italian guidare, both from the same source.  The suffix -ance was an alternative form of -ence, both added to an adjective or verb to form a noun indicating a state or condition, such as result or capacity, associated with the verb (many words ending in -ance were formed in French or by alteration of a noun or adjective ending in –ant).  The suffix -ance was from the Middle English -aunce & -ance, from the Anglo-Norman -aunce and the continental Old French -ance, from the Latin -antia & -entia.  The –ence suffix was a word-forming element attached to verbs to form abstract nouns of process or fact (convergence from converge), or of state or quality and was from the Middle English -ence, from the Old French -ence, from the Latin –entia & -antia (depending on the vowel in the stem word).  The Latin present-participle endings for verbs stems in -a- were distinguished from those in -i- and -e- and as the Old French evolved from Latin, these were leveled to -ance, but later French borrowings from Latin (some of them subsequently passed to English) used the appropriate Latin form of the ending, as did words borrowed by English directly from Latin, thus diligence, absence et al.  There was however little consistency, English gaining many words from French but from the sixteenth century the suffix –ence was selectively restored, such was the reverence for Latin.  Guidance is a noun; the noun plural is guidances.

Lindsay Lohan's latter-day Cady Heron as a High School guidance counsellor.  In November 2023, Karen Smith (Amanda Seyfried (b 1985)), Gretchen Wieners (Lacey Chabert (b 1982)) & Cady Heron (Lindsay Lohan (b 1986)) were re-united for a presumably lucrative commercial for Walmart's upcoming Black Friday sale.  Constructed as a Mean Girls (2004) spoof and replete with references & allusions, Lindsay Lohan's now grown up Cady Heron appeared as North Shore High School's guidance counsellor, a self-explanatory joke.

The use of the word in jargon divides essentially into two classes, technical & descriptive.  Technical use includes the form “autoguidance” (the construct being auto(matic) + guidance) which is a general term describing the mechanical or electronic devices used to provide a machine with the ability autonomously to move without relying on external directional inputs.  Autoguidance systems date back decades and originally relied on the interaction of stuff like gyroscopes, accelerometers & altimeters (then known as “inertial guidance”) but became more integrated as electronics became smaller and improved in capacity & durability.  The most publicized use was in “guided missiles”, a term which entered general use in the 1950s (although it first appeared in British documents in 1944 in the sense of “a projectile capable of altering course in flight”, distinguishing the German V2 ballistic missile from the V1 (an early (unguided) cruise missile)) and the development of artificial intelligence (AI) has not only refined the technology but actually shifted the paradigm to one in which the machine (in some sense) makes "decisions", a process different from earlier autoguidance systems which were pre-programmed with a defined set of parameters which limited the scope of “decision making” to certain options.  The worrying implication of AI is that it might start making “its own decisions”, not because it has achieved some form of consciousness (in a sense comparable to that possessed by humans) but because the code produces unintended consequences.  When lines of code can be in the millions, not every permutation of events can be tested (although the use of AI should raise the count).  “Teleguidance” came into use to refer to the remote guidance of missiles and torpedoes but later also became a part of “space guidance” (an omnibus term encompassing the guidance operations required to launch a spacecraft into orbit or space, navigate in space and return to Earth or some other place).  Space guidance is especially complex because there can be a lag of minutes or hours between instructions being sent from Earth and received by the craft, thus the need for ground-based transmissions to interact with autoguidance systems.  Specialized forms in engineering include “non-guidance”, “pre-guidance” & “self-guidance”, all of which can be used of hardware components or segments of software within the one guidance system.

Quantum Physics for Dummies by Steven Holzner PhD (1957-2013) sounds like a Pythonesque joke title but it’s real and provides genuinely useful guidance on one of science’s more impenetrable topics.  For most of us, reading it will not mean we will understand quantum physics but it will help us more fully to understand what we don’t know; it is a good self-help book.

The term “e-guidance” is different in that it was just a buzz-phrase (which never really caught on) which referred to guidance given electronically (ie using the internet) and the forms which evolved (teleconferencing, telemedicine) were different again; they referred usually to human-to-human contact via screens rather than in person.  The descriptive uses included the familiar forms such as “guidance counselor”, “marriage guidance” & “guidance industry”, the latter responsible for the dreaded self-help books which although genuinely useful if focused on something specific (eg SpeedPro's highly recommended How to Build & Power Tune Weber & Dellorto DCOE, DCO/SP & DHLA Carburettors), also includes titles like “Getting Closure in Seven Days” or “201 Ways to Feel Better” (even God handed down only 10) et al, the utility of which varied to the extent it’s tempting sometimes to apply the noun “misguidance”.  Misguidance seems not to be used by those whose guidance systems have gone wrong, engineers preferring the punchy “fail” while the management-speak crew came up with “unplanned event”.

Guidance “books”, in one form or another can be traced back thousands of years and while there is evidence multiplication algorithms existed in Egypt (circa 1700-2000 BC) a handful of Babylonian clay tablets dating from circa 1800-1600 BC are the oldest guidance documents yet found, containing not solutions to specific issues but a collection of general procedures for solving whole classes of problems.  Translators consider them best understood as an early form of instruction manual and one tablet was found to include “This is the procedure”, a phrase familiar in many modern publications.  “Guidance” seems to have appeared in book titles in the 1610s.  In 2016, Lindsay Lohan threatened the world with a self-help book offering guidance on living one’s life.  It’s not clear if the project remains in preparation but hopefully a book will one day emerge.

Kim Jong-un & Kim Ju-ae with entourage (pencils poised) on an official visit to a Pyongyang greenhouse farm.

On Saturday 16 March, the DPRK’s (Democratic People’s Republic of Korea (North Korea)) state media department issued a statement, referring to Kim Jong-un’s (Kim III, b 1982; Supreme Leader of DPRK since 2011) daughter as “great person of guidance”, a term Pyongyangologists swiftly noted was reserved usually for senior leaders, the implication being a programme was in place preparing her status as a potential successor, thus one day becoming Kim IV.  The analysts said it was significant the statement was issued in both English and Korean-language versions of the official Korean Central News Agency report on the visit by the Supreme Leader and his daughter (within the family presumably now thought the "Supreme Daughter") visit to a greenhouse farm.  Attaching great importance to the use of the plural form of the honorific (the unavoidable suggestion being it applied to both), the analysts noted the crucial sentence:

“The great persons of guidance, together with cadres of the Party, the government and the military went round the farm.”

The existence of the Supreme Daughter has for some time been known although the official details are scant, her age or name never mentioned by state media but according to South Korean’s military intelligence service, her name is Kim Ju Ae and she is now aged thirteen.

Official DPRK Central News Agency photograph: Ri Sol-ju (b circa 1987; wife of Supreme Leader Kim Jong-un) (left), Kim Ju-ae (b circa 2011; daughter of Kim Jong-un) (centre) and Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011) (right), undisclosed location, February 2023.

The Kim regime, which will have the same sensitivity to domestic public opinion as any authoritarian or despotic operation (an often under-estimated political dynamic in such systems) and it would seem the groundwork for a possible succession has been in preparation for some time.  The appearance in 2023 of Kim Ju-ae at a banquet and subsequent parade commemorating the 75th anniversary of the Korean People's Army (KPA) attracted interest and even then the DPRK-watchers thought it might be a signal she had been anointed as Kim IV to succeed the Supreme Leader when he dies (God forbid).  That was actually her second public appearance, the first in 2022 when she accompanied her father inspecting some of his nuclear missiles, the big rockets long a family interest.  Fashionistas were on that occasion most impressed by the presumptive Kim IV in 2022 because she was dressed in black white & red, matching the color scheme the DPRK uses on its intercontinental ballistic missiles (ICBM); everyone thought that a nice touch.  In honor of the occasion, the DPRK issued a range of ICBM-themed postage stamps featuring the daughter.

Daddy-Daughter day with ICBMs: DPRK postage stamp issue featuring ICBMs, the Supreme Leader & his daughter, Kim Ju-ae.  Like most eleven year old girls, Kim Ju-ae seemed much taken by the beauty of nuclear weapons.

However, the publicity attached to the Kim’s visit to the farm was believed to be the “first expression of elevating Kim Ju Ae to the ranks” of the leadership according to a statement from Seoul’s University of North Korean Studies (UNKS) in Seoul, something confirmed by the Sejong Institute’s Center for Korean Peninsula Strategy (CKPS) which noted the North Korean term hyangdo (guidance) was typically only reserved for “top leaders or successors.”  Attributing meaning to actions in the DPRK seems sometimes more art than science and the record is patchy but the CKPS observed “this level of personal worship for Kim Ju Ae strongly suggests that she will succeed Kim Jong Un as the next leader of North Korea" and it certainly follows the pattern of behavior adopted in the run-up to Kim Jong-il (Kim II, 1941-2011; Dear Leader of DPRK 1994-2011) inheriting the country in 2011 after the death of Kim Il-sung (Kim I, 1912–1994; Great Leader of DPRK 1948-1994).  Notably, the lesson of the political uncertainty after the unexpected early death of the Dear Leader may have been learned and the mistake of not having prepared international & domestic opinion for the reign of the Supreme Leader will not be repeated.  In this, the public appearances and use of “great person of guidance” can be thought of as the early building blocks of the Stalinist personality cult used to reinforce and perpetuate the rule of the Kims since the 1950s.  Since her debut, Kim Ju Ae has appeared at a number of her father's official engagements which have included a visit to a poultry farm, military drills & parades and a tour of a weapons factory.  All this is taken as solid evidence Kim Ju Ae is the preferred successor and she can be thought of as something like a “crown prince” or “crown princess”; the heir to the throne.  It has never been confirmed is the new Supreme Daughter is the oldest or even an only child because the rumors of one or more sons have never been confirmed although the reports persist, including that the health of the possible son is not good.  By contrast, the official photographs seem to suggest Kim Ju Ae is in rude good health and although reports of food shortages in the DPRK appear frequently, she certainly looks well.

The Dear Leader (left), the Supreme Leader (centre) and the Supreme Daughter (right), looking at things through binoculars.  Dating from the time of the Great Leader, looking at things through binoculars is a family tradition and there have been websites devoted to the subject. 

Of course, while deconstructing phrases from Pyongyang is an exercise both abstract and remote for the DPRK-watchers, for the people of North Korea who have enjoyed some 75 years of guidance from the Great Leader, the Dear Leader and the Supreme Leader, the prospect of decades more of the same from the Supreme Daughter will be of more immediate interest.  Public opinion in the DPRK is difficult to assess (although The Economist did publish an interview with the Dear Leader in which he admitted genuine support for the regime was likely little more than 25%) but it shouldn’t be assumed the folk there are not sophisticated consumers of political information and as the despairing staff of old Barry Goldwater (1909–1998) used to beg the press, they may be more focused on “what he means, not what he says.”

The second of the DPRK Central News Agency's photographs recording the visit to the greenhouse farm.  Fashionistas will be interested to learn the wearing of leather is a more recent family thing, started by the Supreme Leader who reportedly has banned his subjects from donning black leather, the echo of a number of royal households who centuries ago imposed a proscription on commoners using the color purple which was reserved for royalty.  Of course, the sartorial choice may be something purely pragmatic, black garments known to be "most slimming" and whether the ban has been extended to the Supreme Daughter's fetching chocolate brown has been neither confirmed nor denied.  The notebooks carried by civilian & military members of the entourage are both compulsory & essential: if the Supreme Leader says something interesting, they write it down and presumably, should the Supreme Daughter say something interesting, that too will be noted although experienced stenographers develop techniques to limit the workload.  Those employed at World War II (1939-1945) Führerhauptquartiere (Führer Headquarters) admitted they never bothered writing down the first thing said by the famously sycophantic Wilhelm Keitel (1882–1946; Nazi field marshal & head of Oberkommando der Wehrmacht (OKW), the armed forces high command) because it was always the last thing said by Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945).