Brink

Brink (pronounced bringk)

(1) The edge or margin of a steep place or of land bordering water.

(2) Any extreme edge; verge.

(3) A crucial or critical point, especially of a situation or state beyond which success or catastrophe occurs:

1250–1300: From the Middle English brink, from the Middle Dutch brinc from the Old Norse brink (steepness, shore, bank, grassy edge).  It was cognate with the Middle Low German brink (edge, hillside) and the Old Norse brekka (slope, hill).  Danish gained brink directly from the Old Norse but for most other languages the greater influence was the Proto-Germanic brenkon, probably from the primitive Indo-European bhreng-, a variant of bhren- (to project; edge), source also of the Lithuanian brinkti (to swell).  Brink is a noun and brinkless an adjective; the noun plural is brinks.

Brinkmanship

A coining from the early cold war, brinkmanship is forever associated with John Foster Dulles (1888-1959; US Secretary of State 1953-1959), the origin in the words he used in a 1956 interview with Time-Life’s Washington bureau chief James Shepley (1917-1988):

“The ability to get to the verge without getting into the war is the necessary art. If you cannot master it, you inevitably get into war. If you try to run away from it, if you are scared to go to the brink, you are lost.”

Secretary of State John Foster Dulles and President Dwight Eisenhower (1890-1969; US president 1953-1961), November 1955.

Even then, it was hardly a new notion of geopolitics and, as a strategy, doubtlessly as old as conflict itself and with some history in US political discourse, John Quincy Adams (1767-1848: US President 1825-1829) having adopted the imagery of “…the brink of war” as early as 1829.  Brinkmanship however was applied to, rather than invented by Dulles.  It was the creation of President Eisenhower’s Democratic Party opponent in the 1952 & 1956 elections, Adlai Stevenson (1900-1965), who gave an interview some weeks after Dulles in which he disparaged the secretary of state for "boasting of his brinkmanship, the art of bringing us to the edge of the nuclear abyss."  Stephenson was borrowing from the then quite novel "-manship" words which had entered the vernacular and the word quickly caught on, the Cuban Missile Crisis (1962) often used as an exemplar of the policy in action although the revelations which later emerged about what actually transpired during those dramatic October days showed there were many more complexities at play.

Beyond the brink:  Foster Dulles' headstone, Arlington National Cemetery, Arlington, Virginia.

Born shortly after Stephenson’s interview was brinkmanship's illegitimate sister, the wholly unetymological brinksmanship, the added -s- a construction based on the earlier salesmanship, sportsmanship etc.  Invention of the facetious –manship formations is often attributed to the humorist Stephen Potter (1900-1969) who in 1947 published The Theory and Practice of Gamesmanship (or the Art of Winning Games without Actually Cheating) and in subsequent years added golfmanship and one-upmanship to his informal lexicon.  Gamesmanship had however been used and discussed by Ian Coster (1903-1955) in his autobiographic Friends in Aspic (1939) and he attributed it to the poet Sir Francis Meynell (1891-1975).  Coster used an amateur village cricket team to illustrate gamesmanship.  Because such teams typically contained only two or three competent fieldsmen, advantage could be gained by ensuring all were wearing identical clothing and, especially, headgear, thereby making it harder for the batsman to tell whether his shot was heading towards a good fieldsman or a dud.

Lindsay Lohan on the brink of a wardrobe malfunction, Miami, Florida, May 2011.

In the public imagination, brinkmanship remains still the enduring encapsulation of the High Cold War and the Cuban Missile Crisis in particular, the events in the Caribbean summed up in the words of Dean Rusk (1909–1994; US secretary of state 1961-1969): “We're eyeball to eyeball, and I think the other fellow just blinked.”  That narrative at the time suited the White House (and the phalanx of Kennedy family hagiographers who shaped the truths & myths of Camelot) and the various parts of the nuclear weapons establishment (a diverse crew including the Air Force, the navy, the Pentagon and the Defense Department, all with their own policy agendas to push) forged the influential idea of “calibrated brinkmanship”, an extension of the original position attributed to Dulles modified by the notion that it’s the superiority of one’s nuclear arsenal and a perception of willingness to use it which will allow one to prevail in a crisis.  It would be years before it would be revealed the crisis of 1962 unfolded rather differently but by then, the perception had done its damage.