Mannerism

Mannerism (pronounced man-uh-riz-uhm)

(1) A habitual or characteristic manner, mode, or way of doing something; distinctive quality or style, as in behavior or speech; a distinctive and individual gesture or trait; idiosyncrasy.

(2) Marked or excessive adherence to an unusual or a particular manner, especially if affected; adherence to a distinctive or affected manner, especially in art or literature.

(3) A style in art, a principally Italian movement in art and architecture between the High Renaissance and Baroque periods (1520–1600) that sought to represent an ideal of beauty rather than natural images of it, characterized by a complex perspectival system, elongation of forms, strained gestures or poses of figures, and intense, often strident color (usually initial capital letter).

1795–1805: A compound word manner + -ism.  Manner was from the Middle English maner, a borrowing from the Anglo-Norman manere, from the Old French maniere, from the Vulgar Latin manāria (feminine form of manuarius (belonging to the hand)), from manus (hand).  In Romance languages, there was also the French manière, the Italian mannaia (ax, axe), the Portuguese maneira and maneiro (handy, portable), the Romanian mâner (handle), and the Spanish manera (way).  The –ism suffix was from the Ancient Greek ισμός (ismós) & -isma noun suffixes, often directly, sometimes through the Latin –ismus & isma (from where English picked up ize) and sometimes through the French –isme or the German –ismus, all ultimately from the Ancient Greek (where it tended more specifically to express a finished act or thing done).  It appeared in loanwords from Greek, where it was used to form abstract nouns of action, state, condition or doctrine from verbs and on this model, was used as a productive suffix in the formation of nouns denoting action or practice, state or condition, principles, doctrines, a usage or characteristic, devotion or adherence (criticism; barbarism; Darwinism; despotism; plagiarism; realism; witticism etc).  Mannerism & mannerist are nouns, manneristic & manneristical are adjectives and manneristically is an adverb; the most commonly use noun plural is mannerists.

After the Renaissance

Classic Mannerism: Madonna dal Colla Lungo (The Madonna with the Long Neck (circa 1537-1540)) oil on wood by Parmigianino (Girolamo Francesco Maria Mazzola, 1503-1540).

Historians of art use (sometimes a little loosely) the term Mannerism to refer to a style of painting, sculpture and even architecture which developed in Florence and Rome in the first two decades of the sixteenth century, the later years of the High Renaissance and although it’s a bit of a cliché, mannerism can be thought of as the transition between the idealized style of Renaissance art and the dramatic theatricality of the Baroque.  Early Mannerism (circa 1510-1535) tends to be known for what it was not: it was “anti-Renaissance” or “anti-classical” and a reaction against what had evolved to be a formal and prescriptive style while High Mannerism (circa 1535-1580) adopted a formalism of its own, intricate, self-referential and a visual language which focused on technique and an appeal to the sophisticated critics and patrons of the age.  A deliberate retreat or advance depending on one’s view) from the naturalistic traditions of Renaissance painting the artificiality became the an exaggerated idiom associated with the era and was applied to the strained poses, elongated human figures, distortions of scale, tricks of lighting or perspective which were often depicted in vivid, contrasting colors.  More than anything, it was an attempt to find a way in which the attributes of the emotions could be depicted by technique alone.  Because Mannerism is now so associated with its distinctive markers such as the wan-like necks and facial expressions suggesting something between bemusement and constipation, it’s often forgotten artists as diverse as Correggio (1489-1534), noted for his sentimental narrative paintings, Federico Barocci (1526-1612) the devoutly religious painter of sacred images and Giuseppe Arcimboldo (1527-1593) known for his monumentally bizarre portraits which were collages of fruit and vegetable (still popular as posters) were all significant figures in the mannerist tradition.  The best remembered of course remains Michelangelo (1475-1564) who influenced for centuries the portrayal of the Christ child by showing light radiating from the infant, his Sistine Chapel frescoes such as The Last Judgement (1536-1541) a landmark of the movement.

High Mannerism: El Entierro del Conde de Orgaz (The Burial of the Count of Orgaz, 1586) oil on canvas by El Greco (Domḗnikos Theotokópoulos, 1541-1614) 

Mannerism did not develop merely as an artistic novelty.  The idealized works of the High Renaissance were an expression of stability in society which had by the sixteenth century evolved into what at the time seemed to many not only the highest level of civilization ever achieved but the highest that was possible to achieve.  That didn’t last and the turmoil which followed in the wake of the religious war of the Reformation against the Catholic Church shattered the certainties of centuries, something exacerbated by what was discovered and uncovered by science; not only was it clear that Europe was not the centre of a flat Earth, but the Earth itself was not something around which all the universe revolved.  The ordered harmony of the world explained by the church was crumbling and the adventurism of Mannerism was there to reflects the new uncertainties.

Vista de Toledo (View of Toledo, circa 1599), oil on canvas by El Greco.  Although most associated with depictions of the human form, Mannerism also spawned a school of landscape painting.  Vista de Toledo is the best known of El Greco's surviving landscapes, a portrayal of the city in which he lived and worked in for most of his life.  Mannerist depictions of the built environment actually belonged to the long tradition of emblematic rather than faithful documentary descriptions of city views and here, there's also a bit of artistic licence; viewed looking north-east, the artist has shifted the cathedral to the left of the Alcázar (the royal palace), just to provide the desired compositional balance.  The ancient Alcántara Bridge and the Castle of San Servando are both faithfully represented.

Some historians have argued that although Mannerism wasn’t at any time inevitable, something was because the artistic forms of the Renaissance had been perfected by Old Masters like Raphael and Leonardo who had refined their techniques to the point where their ability to render the natural and realistic transcended the two-dimensional space in which they often worked; at what they did, they couldn’t be improved upon.  This wasn’t an attractive thing for younger artists who wished to be more than just imitative and foreshadowing the iconoclastic movements which centuries later would remake what art could be thought to be, the mannerists formed a new pictorial language, one which was individualistic and mapped symbolism onto a visual structure in which the symmetry and balance so prized by the Old Masters were replaced by a dynamism so challenging that a viewer might be uncertain where their gaze should be focused.  It was a confident and exaggerated artificiality.

Nozze di Cana (The Wedding Feast at Cana, 1562–1563), oil on canvas by Paolo Veronese (Paolo Caliari, 1528–1588).  Nozze di Cana is sometime used in fine art studies, lecturers asking students to identify the elements associated with the High Renaissance and those then exclusive to mannerism.

From Mannerism can be traced the path which led via almost a dozen different movements to the art of post-modernism in which the real & unreal, the spiritual world and the perceptible world, can not necessarily be distinguished, a notion which the masters of the High Renaissance would have thought absurd but just as Mannerism was once a disrupter, it became an orthodoxy so of course there were those who wanted to create their own unique things and the school begat “High Mannerism” which in the seventeenth century became “the Baroque” and, in a nice twist, the style (which at its core was illusionist) was with alacrity embraced by the Church which understood what needed to be done to make faith attractive.  It was at the Council of Trent (1562) when the framework for the strategy of the Counter-Reformation was first thrashed out that it was decided the mystical and supernatural would become a prominent part of the religious experience: Baroque art could do that like none other.

The mannerist tradition: Lindsay (2019) by Sam McKinniss (b 1985) (left), from a reference photograph taken 22 July 2012, leaving the Chateau Marmont in West Hollywood, LA (right).

A distinctive feature of Mannerism was the use of figurative serpentinata (serpentine figure) in the depiction of the human body with extended limbs and the elongation of forms, the figures presented an otherworldliness that departed from classical renditions and many Mannerist works presented individuals or scenes in non-naturalistic settings, oftentimes without any contextual basis, inviting the viewer to regard the work as something beyond the literal renditions of the Renaissance.

Euphemism

Euphemism (pronounced yoo-fuh-miz-uhm)

(1) An agreeable or inoffensive word or phrase substituted for one potentially offensive, harsh or blunt, used often when referring to taboo, controversial or distasteful matters.

(2) The expression so substituted.

1656: From the Greek εὐφημισμός (euphēmismós) (use of a favorable word in place of an inauspicious one, superstitious avoidance of words of ill-omen during religious ceremonies), from εὐφημίζω (euphēmízō), from εὔφημος (eúphēmos & euphemizein (speak with fair words, use words of good omen).  Despite the impression conveyed by disapproving historians like Arnold Toynbee (1889-1975) the Romans, like all the cultures of antiquity, used euphemisms but it does seem true the Athenians were the most delicate of all, so careful to avoid ill-omened words they called their prison “the chamber” and the executioner “the public man” and the Furies (Erinyes) they called “Eumenides” (the kindly ones or the Venerable Goddesses).

The construct was εὖ (eû) (good; well) + φήμη (phḗmē) (a voice, a prophetic voice, rumor, talk) + -ismos (-ism).  The Greek phēmē was from φάναι (phánai) (to speak, say), from the primitive Indo-European root pha (to speak, tell, say).  The concept was well-known in Hellenic culture, the Ancient Greek aristeros (the better one) a euphemism for "the left (hand)".  In English, it was originally a rhetorical term, the broader sense of "choosing a less distasteful word or phrase than the one meant" is attested from 1793 and was in common use by the 1830s.  The most common derived form, the adverb euphemistically, dates from 1833.  The –ism suffix was from the Ancient Greek ισμός (ismós) & -isma noun suffixes, often directly, sometimes through the Latin –ismus & isma (from where English picked up ize) and sometimes through the French –isme or the German –ismus, all ultimately from the Ancient Greek (where it tended more specifically to express a finished act or thing done).  It appeared in loanwords from Greek, where it was used to form abstract nouns of action, state, condition or doctrine from verbs and on this model, was used as a productive suffix in the formation of nouns denoting action or practice, state or condition, principles, doctrines, a usage or characteristic, devotion or adherence (criticism; barbarism; Darwinism; despotism; plagiarism; realism; witticism etc).  Euphemism & euphemist are nouns, euphemistic & euphemistical are adjectives and euphemistically is an adverb; the noun plural is euphemisms.

The surviving defendants in the dock, International Military Tribunal, Nuremberg, 1945-1946.

Euphemisms are used to substitute an inoffensive word or phrase for one thought too offensive or hurtful, especially when the topic being discussed is concerned with religion, sex, death, or excreta.  Euphemisms are also used to disguise intent; the Nazi’s “Final Solution” was actually a programme of mass-murder or genocide as it would come to be called.  Even after the enormity of that became apparent during the first of the Nuremberg trials, one of the indicted Nazis attempted to find a euphemism for the euphemism, arguing it was somehow a substantive point that the English translation of Endlösung der Judenfrage as ”Final Solution to the Jewish Question” was misleading and the German should be rendered as “Total Solution to the Jewish Question”.  Like just about everyone else, in the circumstances, the judges failed to see any distinction.  It wasn’t the only euphemism the Nazis adopted: The phrase Sonderbehandlung (special treatment) refers to the ways and means of mass-murder and the transportation of victims to their places where they would be murdered was officially "re-settlement in the east".

Noted Euphemisms

Tired and emotional: The Rt Hon Sir John Kerr AK, GCMG, GCVO, QC (1914–1991; Governor-General of Australia 1974-1977), Melbourne Cup, November 1977.

To "put to sleep" actually means to euthanize and death generally attracts many: "passed away", "bought the farm", "kicked the bucket", "departed", "lost", "gone", "pushing up daisies", "resting in peace", "met untimely demise", "meet their maker", "going to a better place", "six feet under", "sleeping with the fishes" & "eternal slumber".  Sex is also well covered including "friends with benefits", "roll in the hay" & "sleep with"; related forms being "bun in the oven" (pregnancy), "lady of the night" (prostitute), "affair" (adultery) & "long-time companion" (homosexual partner).  Rather than drunk, one might say "tired and emotional", "gave it a bit of a nudge" or "had one too many".  Politics provides a few, often words which describing lying without actually admitting it including "terminological inexactitudes", "economical with the truth" & that specialty of crooked Hillary Clinton: "misspeak".  Lindsay Lohan's lifestyle choices provided editors with some scope for the euphemistic, the terms applied to her including "controversial actress" or "troubled" (train-wreck), "tired & emotional" (affected by too much strong drink), "special friend" or "friendship" (a bit lesbionic) & "dehydrated" (affected by the use of unspecified substances).    Regarding urination, defecation and bodily functions in general, there are probably more euphemisms even than those covering death.

Students learning English are taught about euphemisms and the vital part they play in social interaction.  They are of course a feature of many languages but in English some of these sanitizations must seem mysterious and lacking any obvious connection with what is being referenced.  There are also exams and students may be asked both to provide a definition of “euphemism” and an example of use and a good instance of the latter is what to do when a situation really can be described only as “a clusterfuck” or even “a fucking clusterfuck” but circumstances demand a more “polite” word.  So, students might follow the lead of Australian Federal Court Judge Michael Lee (b 1965) in Lehrmann v Network TenPty Limited [2024] FCA 369 who in his 420 page judgment declared the matter declared “an omnishambles”. The construct of that was the Latin omni(s) (all) + shambles, from the Middle English schamels (plural of schamel), from the Old English sċeamol & sċamul (bench, stool), from the Proto-West Germanic skamul & skamil (stool, bench), from the Vulgar Latin scamellum, from the Classical Latin scamillum (little bench, ridge), from scamnum (bench, ridge, breadth of a field).  In English, shambles enjoyed a number of meanings including “a scene of great disorder or ruin”, “a cluttered or disorganized mess”, “a. scene of bloodshed, carnage or devastation” or (most evocatively), “a slaughterhouse”.  As one read the judgement one could see what the judge was drawn to the word although, in the quiet of his chambers, he may have been thinking “clusterfuck”.  Helpfully, one of the Murdoch press’s legal commentators, The Australian’s Janet Albrechtsen (b 1966; by Barry Goldwater out of Ayn Rand) who had been one of the journalists most attentive to the case, told the word nerds (1) omnishambles dated from 2009 when it was coined for the BBC political satire The Thick Of It and (2) endured well enough to be named the Oxford English Dictionary’s (OED) 2021 Word of the Year.  The linguistic flourish was a hint of things to come in what was one of the more readable recent judgments.  If a student cites “omnishambles” as a euphemism for “clusterfuck”, a high mark is just about guaranteed.

Chivalry

Chivalry (pronounced shiv-uhl-ree)

(1) The sum of the ideal qualifications of a knight, including courtesy, generosity, valor, and dexterity in arms; the combination of qualities expected of an ideal knight, especially courage, honour, justice and a readiness to help the weak.

(2) The rules and customs of medieval knighthood; Courtesy, respect and honourable conduct between opponents in wartime (often as a historical re-construction).

(3) The medieval system or institution of knighthood.

(4) Cavalry; horsemen armed for battle (historic use only).

(5) Collectively, knights, gallant warriors or gentlemen, fair ladies and noble chivalry (archaic).

(6) The ethical code(s) of the knight prevalent in Medieval Europe, having such primary virtues as mercy towards the poor and oppressed, humility, honour, sacrifice, fear of God, faithfulness, courage and courtesy to ladies.

(7) Courteous behaviour, especially of men towards women.

(8) In historic English law, a tenure of land granted by virtue of knightly service.

Circa 1300: From the Middle English chivalrie and the eleventh century Old French chevalerie (knighthood, chivalry, nobility, cavalry).  The early form was chevaler (knight) from the Medieval Latin caballarius (horseman), from the Latin caballus (nag, pack-horse).  The Medieval Latin caballaria (knighthood, status or fief of a knight) was the most familiar form by the twelfth century, the term chevaler long in use to describe "a knight or horseman".  The meaning (related to cavalier) "the nobility as one of the estates of the realm", dates from the fourteenth century whereas the more modern use "social and moral code of medieval feudalism" appears to be an eighteenth century historical revival.  Chivalry is a noun and chivalrous is an adjective; the noun plural is chivalries.

The Song of Roland

In Medieval Europe, there never was one universal code of chivalry.  The code was a moral construct which several authorities reduced to writing and, despite this disparate history, the concept was well understood in medieval times.  Although only parts of the codes were concerned with warfare, the texts formed the basis of the early rules of war and from here, can be traced the origins of much international law.  The epic-length poem The Song of Roland (written between 1098-1100) is a recount of the eighth century "Knights of the Dark Ages" and the wars fought by Charlemagne; it's essentially Charlemagne's Code of Chivalry but it is a literary work, a tale of betrayal and a normative text of what ought to be rather than a historical document of chivalrous warfare.  In summary, Charlemagne’s code can be reduced to:

To fear God and maintain His Church
To serve the liege lord in valor and faith
To protect the weak and defenseless
To give succor to widows and orphans
To refrain from the wanton giving of offence
To live by honour and for glory
To despise pecuniary reward
To fight for the welfare of all
To obey those placed in authority
To guard the honour of fellow knights
To eschew unfairness, meanness and deceit
To keep faith
At all times to speak the truth
To persevere to the end in any enterprise begun
To respect the honour of women
Never to refuse a challenge from an equal
Never to turn the back upon a foe

The Duke of Burgundy’s Code

In the fourteenth century, the Duke of Burgundy reduced Charlemagne’s code to a list (printed on pigskin), which knights could carry in their Bibles: Faith, Charity, Justice, Sagacity, Prudence, Temperance, Resolution, Truth, Liberality, Diligence, Hope & Valor.  One can credit the Duke of Burgundy with the invention of the credo card.

The High Court of Chivalry

Lindsay Lohan usurping the escutcheon of the Secret Society of the Les Clefs d’Or (digitally altered image).

In London, in December 1954, the High Court of Chivalry was summoned for the first time in two centuries to hear the case of a city council claiming their coat of arms had been usurped by a private company displaying it on their theatre.  Before substantive matters were introduced, the judge had to rule whether the ancient court still existed and if so, if it was the appropriate body to hear the case.  The judge found the court extant and with valid jurisdiction, his reasons a succinct sketch of the UK’s unwritten constitution in operation and a tale of how law and language interacted over several centuries.  The important principle established was to confirm, even in the modern era, there existed an enforceable law of arms and the law takes as much notice of bad heraldic manners as it does of more violent discourtesies, the judge disapproving of the “prevalent” notion that something cannot be unethical if it’s lawful.  That theme has of late been noted by royal commissioners though perhaps not politicians; in the judgement, the temptation to comment on whether chivalry was dead was resisted.

In Manchester Corporation v Manchester Palace of Varieties Ltd [1955] 1 All ER 387, the Manchester Corporation was successful and the court has not since sat but in 2012,  the council of the Welsh town of Aberystwyth issued a statement that they were prepared to lodge a writ against a Facebook page they alleged was usurping its coat of arms.  Before the council made clear whether they were intending to sue facebook.com or the author(s) of the page, the offending image had been removed.  As one of the findings in 1955 had been the High Court of Chivalry could be abolished only by an act of parliament, because New Labour’s judicial reforms didn’t do this, it appears the court would have to be convened in some form to hear similar matters although it's thought the marvellously flexible British constitution would allow a judge at an appropriate level to declare that their court was "sitting as the Court of Chivalry for the purposes of this case".

Perimeter & Parameter

Perimeter (pronounced puh-rim-i-ter)

(1) A line bounding or marking off an area; any boundary around.

(2) The outermost limits.

(3) In geometry, the border or outer boundary of a two-dimensional figure (the sum of the lengths of the segments that form the sides of a polygon.

(4) The total length of such line; the total length of any such closed curve, such as the circumference of a circle.

(5) In military jargon a fortified boundary that protects a position.

(6) In clinical ophthalmology, an instrument for determining the peripheral field of vision.

(7) In basketball, a semicircular line on a basketball court surrounding the basket, outside of which field goals are worth three points rather than two (also called three-point line).

(8) The area outside this line (often used attributively).

1585–1595: From the French périmètre (circumference, outer boundary, or border of a figure or surface), from the feminine Latin form perimetros, from the neuter Greek perímetron (circumference), the construct being peri- (around; about) + -meter from metron (measure), from the primitive Indo-European root me- (to measure).  The military sense of “boundary of a defended position” is said by some sources to have come into use only by 1943 despite the tactic being probably the second oldest military procedure still in use (the attack presumably the first).  Whether coincidental or not, the ultimate failure of perimeter defense was what finally led to the success of the Soviet offensive against the Nazi Sixth Army in Stalingrad (now Volgagrad) in 1943.  The technical terms created by the use of perimeter as a modifier include perimeter check (a patrol which checks to ensure a defensive perimeter remains in place) & perimeter fence.  Perimeter & perimetry are nouns, perimetral, perimetric & perimetrical are adjectives and perimetrically is an adverb; the noun plural is perimeters.

Parameter (pronounced puh-ram-uh-tuhr (U) or puh-ram-i-ter (non-U)

(1) In mathematics, a constant or variable term in a function that determines the specific form of the function but not its general nature, as a in f(x) = ax, where a determines only the slope of the line described by f(x).  (A value kept constant during an experiment, equation, calculation or similar, but varied over other versions of the experiment, equation, calculation etc).

(2) In mathematics, one of the independent variables in a set of parametric equations.

(3) In geometry, in the ellipse and hyperbola, a third proportional to any diameter and its conjugate, or in the parabola, to any abscissa and the corresponding ordinate.

(4) In crystallography, the ratio of the three crystallographic axes which determines the position of any plane; the fundamental axial ratio for a given species.

(5) In statistics, a variable entering into the mathematical form of any distribution such that the possible values of the variable correspond to different distributions (any measured quantity of a statistical population that summarizes or describes an aspect of the population).

(6) In computing, a variable that must be given a specific value during the execution of a program or of a procedure within a program.

(7) Limits or boundaries; guidelines; specifications; any constant, definitional or limiting factor (usually in the plural parameters).

(8) Characteristic or a factor; an aspect or element.

(9) In computing syntax for various purposes, an input variable of a function definition, that become an actual value (argument) at execution time (an actual value given to such a formal parameter).

1650-1660: From the French paramètre, from the New Latin parametrum (parameter), the construct being the Ancient Greek παρα- (para-) (beside, subsidiary) + μέτρον (métron) (meter) (measure), from the primitive Indo-European root me- (to measure).  The words was almost exclusive to mathematics & geometry until the late 1920s when it came to be extended to “measurable factor(s) which help to define a particular system", hence the now common alternative meaning “boundary, limit, characteristic factor” (under the influence of perimeter which used a similar spelling and (at least conceptually) could be understood to enjoy some overlap of meaning.  Although the wider definition has been in use since the 1950s, purists have never approved.  Parameter is a noun and parametric & parametrical are adjectives; the noun plural is parameters.

Parameters and perimeters

The more modern ways “parameter” has been used since the early twentieth century does offend the linguistically more fastidious but it seems clear the innovations are here to stay.  Some do however just get it wrong and university lecturers in the social sciences seem to be those who bear the heaviest burden of training a certain number of their institution’s first year students in the correct use of “parameter” & “perimeter”.  That they are sometimes confused is understandable because the spellings are so close and there is some sense of overlap in the meanings, both able to be used in a way which defines limits.  The definitions can be reduced to: (1) perimeter refers to either something physical (a national border; a fence etc) or a representation of something physical (lines on a map; the four sides of a square etc) whereas (2) a parameter is an element of specification, a constant or variable value which can be either an absolute value or a range.  So, a perimeter may be drawn on the basis of certain parameters while the values of parameters will in some cases exist within certain perimeters.  Definitions such as that are vague enough for those so inclined to find contradictions but for the way most people, most of the time (correctly) use parameter & perimeter, it seems serviceable.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

Aglet

Aglet (pronounced ag-lit)

(1) A tag or sheath at the end of a lace used for tying, as of a shoelace and made usually of plastic or metal; can be protective, decorative or both.

(2) A tip, originally of metal and often decorative, on a ribbon or cord that makes lacing two parts of a garment or garments together easier, as in corset lacings, "points" (lacing hose or trousers to jacket or doublet) or sleeves to a bodice (archaic sixteenth & seventeenth century use).  The aglet is still a part of dress uniforms in some militaries.

(3) An ornament worn on clothing, consisting of a metal tag on a fringe, or a small metallic plate or spangle; any ornamental pendant.

1400–1450: From the Late Middle English aglet, aglett & agglot from the Old French aguillete & Middle French aiguillette (a small needle), diminutive of aguille, the construct being aiguille (needle) + -ette (-et).  Root was the Late Latin acucula, an extended form (via diminutive suffix, but not of necessity an implication of smallness) of the Latin acus (a needle) from the primitive Indo-European root ak- (be sharp, rise (out) to a point, pierce).  Related were the Italian agucchia, the Portuguese agulha & the Spanish aguja (needle).  The alternative spellings aiguillette, aiglet & aygulet are used by some manufacturers.  Aglet is a noun; the noun plural is aglets. 

Lindsay Lohan Lightweight Leisure Breathable Running Shoes are available.  All use plastic aglets on the laces.

An aglet was sometimes known also as a catkin (spike of a flowering tree or shrub (especially a willow or birch) after fruiting, a 1570s derivation from Dutch katteken (flowering stem of willow, birch, hazel etc) which translates literally as "little cat or kitten”, diminutive of katte (cat).  The botanical connection to felines was because of the stems soft, furry appearance which had a resemblance to the lengthier kinds of a kitten’s tail.  It was cognate with the German Kätzchen and the Modern Dutch katje.  The ends attached to shoelaces were sometimes called catkins because of a similar visual connection.  Most of the earliest aglets probably were metal, glass or stone plastic hundreds of years away, although some were doubtless made from with fabric threads or thin strips of leather.  There’s more evidence of the metal ones in the archeological record because the survival rate of the hard materials is so much higher.  Known formally by cobblers as rabri threas igh somewere metalalso aiglet, (metal tag of a lace), they were created to prevent the fraying of boot-laces, making it easier to thread through the eyelet-holes, but later, certainly by the mid-fifteenth century and perhaps earlier, ornamental form had emerged for both men and women.

Variations on the theme.

The aglets may not first have been used for boot laces but rather as an alternative to buttons to fasten clothing.  Placed at the end of a ribbon, in addition to preventing fraying and permitting easier threading, their weight would have helpful when needing to find the end of the ribbon.  In ancient Rome, there would certainly have been a class divide in the aglet business, the poor folk probably using simple stones while those of the rich might have been fashioned from expensive metals, such as brass or silver.  Today, most aglets are made from a thin, stiff plastic and are used on more than just shoe-laces, cords, drawstrings and belts among the items with the handy terminations which can be functional, decorative or both.  Although there are a handful of fashion houses in Europe which still handcraft such things, most aglets are today applied by machines, the ones for shoes wrapping a plastic tape around the end of the lace, then using heat or chemicals to melt the plastic onto the shoelace and bond the plastic to itself.  Polyester laces can be crimped and heated so that an aglet is formed at the end out of the lace itself, the advantage being it’s less prone to falling off.

Aglets are available in various metals including stainless steel, titanium, aluminum, silver and gold.  The tiny size and defined shape of the device doesn’t lend much scope to designers seeking a decorative flourish beyond variations in color but bullets seem popular.

Phallus themed aglets exist but they seem not to be available for laces, instead being aglets in the other sense of the word: as ornamental pendant to be hung from the neck or attached to clothing.  The tradition of these reaches past antiquity and into pre-history, many societies known to have used fertility symbols.

Ri Sol-ju (b circa 1987) is the wife of DPRK Supreme Leader Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011) and she has sometimes appeared on state occasions wearing an aglet in the shape of the DPRK’s Hwasong-16 intercontinental ballistic missile (ICBM, left & right).  Analysts suggest her choice is jewellery is a layered political statement: (1) Eschewing a decadently Western display of gold, diamonds or precious stones over her tempting décolletage (centre), the demurely attired First Lady wears something crafted as a simple pendant in silver and (2) She is telling the world Kim Jong-un makes nuclear weapons sexy. 

Frame

Frame (pronounced freym)

(1) A (sometimes intricate) border or case for enclosing a picture, mirror etc.

(2) A rigid structure formed of relatively slender pieces, joined so as to surround sizable empty spaces or non-structural panels, and generally used as a major support in building or engineering works, machinery, furniture etc.

(3) A body, especially a human body, with reference to its size or build; the physique of someone (often with a modifier (large frame, slight frame etc).

(4) A structure for admitting or enclosing something (doors, windows etc); other in the plural and used with a plural verb).

(5) In textile production, a machine or part of a machine over which yarn is stretched.

(6) In statistics, an enumeration of a population for the purposes of sampling, especially as the basis of a stratified sample

(7) In telecommunications and data transmission, one cycle of a regularly recurring number of pulses in a pulse train (frame relay etc); in networking, an independent chunk of data sent over a network.

(8) A constitution or structure in general; the system.

(9) In beekeeping, one of the sections of which a beehive is composed, especially one designed to hold a honeycomb

(10) In formal language teaching, a syntactic construction with a gap in it, used for assigning words to syntactic classes by seeing which words may “fill the gap”.

(11) In physical film stock, one of the successive pictures, the concept transferred to digital imagery.

(12) In television, a single traversal by the electron beam of all the scanning lines on a television screen.

(13) In computing, the information or image on a screen or monitor at any one time (dated).

(14) In computing (website design), a self-contained section that functions independently from other parts; by using frames, a website designer can make some areas of a website remain constant while others change according to the choices made by the internet user (an individually scrollable region of a webpage; “collapsible frames” a noted innovation).

(15) In philately, the outer decorated portion of a stamp's image, often repeated on several issues although the inner picture may change; the outer circle of a cancellation mark.

(16) In electronics (film, animation, video games), a division of time on a multimedia timeline.

(17) In bowling, one of the ten divisions of a game; one of the squares on the scorecard, in which the score for a given frame is recorded.

(18) In billiards and related games, the wooden triangle used to set up the balls; the balls when set up by the frame.

(19) In baseball, an inning.

(20) In underworld slang, as “frame-up” or “framed”, to incriminate (an innocent person) on the basis of fabricated evidence.

(21) In law enforcement slang as “in the frame”, being suspected by the authorities of having committed a offence.

(22) In publishing, enclosing lines (usually in the form of a square or rectangle), to set off printed matter in a newspaper, magazine, or the like; a box.

(23) The structural unit that supports the chassis of an automobile (X-Frame, ladder-Frame, perimeter-frame, space-frame et al).

(24) In nautical architecture, any of a number of transverse, rib-like members for supporting and stiffening the shell of each side of a hull; any of a number of longitudinal members running between web frames to support and stiffen the shell plating of a metal hull.

(25) In genetics, as “reading frame”, a way of dividing nucleotide sequences into a set of consecutive triplets.

(26) In mathematics, a complete lattice in which meets distribute over arbitrary joins.

(27) A machine or part of a machine supported by a framework, (drawing frame, spinning frame et al).

(28) In printing, the workbench of a compositor, consisting of a cabinet, cupboards, bins, and drawers, and having flat and sloping work surfaces on top.

(29) In bookbinding, an ornamental border, similar to a picture frame, stamped on the front cover of some books.

(30) One’s thoughts, attitude or opinion (usually as “frame of mind”).

(31) To form or make, as by fitting and uniting parts together; construct.

(32) To contrive, devise, or compose, as a plan, poem, piece of legislation etc.

(33) To conceive or imagine, as an idea.

(34) To provide with or put into a frame (painting, mirror et al).

(35) To give utterance to (typically as “frame an answer” etc).

(36) To form or seem to form (speech) with the lips, as if enunciating carefully (often used in speech therapy and elocution training).

(37) To fashion or shape (often a term used in sculpture).

(38) To shape or adapt to a particular purpose.

(39) To line up visually in a viewfinder or sight.

(40) To direct one's steps (archaic).

(41) To betake oneself; to resort (archaic).

(42) To prepare, attempt, give promise, or manage to do something (archaic).

Pre 1000: From the Middle English verb framen, fremen or fremmen (to prepare; to construct, build, strengthen, refresh, perform, execute, profit, avail), from the Old English framiae, fremian, fremman or framian (to avail, profit), from the Proto-West Germanic frammjan, from the Proto-Germanic framjaną (to perform, promote), from the primitive Indo-European promo- (front, forward) and cognate with the Low German framen (to commit, effect), the Danish fremme (to promote, further, perform), the Swedish främja (to promote, encourage, foster), the Icelandic fremja (to commit), the Old Frisian framia (to carry out), the Old Norse frama (to further) and the Old High German (gi)framōn (to do); the Middle English was derived from the verb.  Derived forms such as deframe, misframe, reframe, subframem unframe, beframe, enframe, full-frame, inframe, outframe, well-framed etc are created as needed.  Frame, framer & framableness are nouns, framed & framing are verbs, framable & frameable are adjectives, frameless is an adjective and framably is an adverb; the noun plural is frames.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

In Middle English, the sense of the verb evolved from the mid-thirteenth century “make ready” to “prepare timber for building” by the late 1300s and the meaning “compose, devise” was in use by at least the 1540s. The criminal slang (“framed”; a “frame up” etc) made familiar in popular fiction all revolved around the idea of corrupt or unscrupulous police fabricating evidence to “blame an innocent person” seems not to have been in use until the 1920s (although the dubious policing practices would have had a longer history) and all forms are thought to have been a development of the earlier sense of “plot in secret”, noted since the turn of the twentieth century, that possibly and evolution from the meaning “fabricate a story with evil intent”, first attested early in the sixteenth century.  The use of the noun in the early thirteenth century to mean “profit, benefit, advancement” developed from the earlier sense of “a structure composed according to a plan”, developed from the verb and was influenced by Scandinavian cognates (the Old Norse frami meant “advancement”).

Like its predecessor the 300 SL Gullwing (W198; 1954-1957), the Mercedes-Benz 300 SL Roadster (W198; 1957—1963) was built on a tubular space-frame.

The use in engineering “sustaining parts of a structure fitted together” emerged circa 1400 while the general sense of “an enclosing border” of any kind came some two centuries later.  Surprisingly, the familiar form of a “border or case for a picture or pane of glass” seems to have come into use only in the mid-seventeenth century while the use “human body” (ie large frame, slight frame etc) was in use by the 1590s.  Of bicycles it was used from 1871 and of motor cars by 1900 although the early use referred often to what would now be understood as sub-frames, structures which attached to the chassis to support drive-train components, coach-work etc.  The meaning “separate picture in a series from a film” dates from 1960 and was purely descriptive because the individual “frames” on film-stock resembled framed photographs attached in a continuous roll.  The idea of a frame being a “specific state” was in use in the 1660s, the “particular state” (in the sense of “one’s frame of mind”) appears in the medical literature in the 1710s.  The “frame of reference” was coined for use in mechanics and graphing in 1897; the figurative sense coming into use by at least 1924.  As an adjective, frame was in use in architecture & construction by the late eighteenth century.  The A-Frame (a type of framework shaped like the capital letter "A") was an established standard by the 1890s and a vogue for buildings in this shape was noted in the 1930s.

Faster and smaller: By 1964 the IBM 360 mainframe (left) had outgrown its cabinet (the original “main frame”) and had colonized whole rooms.  By 2022, the IBM z16 mainframe (right) was sufficiently compact to return to a cabinet.  

In computing, the word “frame” was used in a variety of ways.  The mainframe (central processor of a computer system) was first described as such in 1964, the construct being main +‎ frame and the reference simply was to the fact the core components were stored in a cabinet which had the largest frame in the room, other, small cabinets being connected with wires and cables.  Mainframes were the original “big machines” in commercial computing and still exist; incomparably good for some purposes, less satisfactory for others.  Frame Relay also still exists as a standardized wide-area network (WAN) technology although it’s importance in the industry has declined since its heyday during the last two decades of the twentieth century.  A packet-switching protocol used for transmitting data across a network, Frame Relay operates at the data link layer of the OSI (Open Systems Interconnection) model, which is the second layer in the seven-layer model.  In a Frame Relay network, data is divided into frames, which are then transmitted between network devices (such as routers), over a shared communication medium and it was this latter aspect which accounted for its widespread adoption: unlike traditional circuit-switching networks (in which a dedicated physical circuit is established for the duration of a communication session), Frame Relay allows multiple logical connections to share the same physical resources so for all but the largest organizations, the potential for cost-saving was considerable.  Importantly too, integral to the protocol’s design was the use of packet switching (which means data is transmitted in variable-sized packets (ie frames) allowing the optimal use of available network bandwidth.  Frame Relay had the advantage also of not adding layers of complexity to the network architecture, relying on the underlying physical layer for error detection and correction rather than including error recovery mechanisms (a la a protocol like X.25 which operate at the network layer).  All of this made Frame Relay scalable and adaptable to various network topologies, making it an attractive “bolt-on” for system administrators and accountants alike.  However, while it still exists in some relatively undemanding niches, the roll-out of the infrastructure required to support internet traffic mean it has substantially been supplanted by newer technologies such as Multiprotocol Label Switching (MPLS).

Pop-art painting of Lindsay Lohan in a mid-eighteenth century frame by Jean Cherin (circa 1734-1785), Paris, France.  This is an intricately carved example of the transitional Louis XV-style gilt double sweep frame, ornamented with shell centres, acanthus fan corners, and a top crested with a ribbon-tied leaf & flower cluster atop a cabochon.