Indigo

Indigo (pronounced in-di-goh)

(1) A blue dye obtained from various plants, especially of the genus Indigofera, or manufactured synthetically.

(2) A descriptor of color indigo, widely defined commercially and ranging from a deep violet blue to a dark, greyish blue (sometimes as "indigo blue").

(3) In technical use, as indigo blue (also casually referred to as indigotin or indigo), a dark-blue, water-insoluble, crystalline powder (C₁₆H₁₀N₂O₂), having a bronze-like luster, the essential coloring principle of which is contained along with other substances in the dye indigo and which can be produced synthetically.

(4) Any of numerous hairy plants belonging to the genus Indigofera, of the legume family, having pinnate leaves and clusters of usually red or purple flowers (the best-known of the plants including Amorpha (false indigo), Baptisia (wild indigo), and Psorothamnus and Dalea (indigo bush)).

(5) In zoology, as the Eastern indigo snake, the common name for the Drymarchon couperi.

(6) In zoology, as the indigobird (or indigo bird), any of various African passerine birds of the family Viduidae.

(7) A (rarely used) female given name.

1550s: The spelling change from indico to indigo happened in the 1550s, used originally in the sense of the “blue powder obtained from certain plants and used as a dye”.  Indigo was from the Spanish indico and the Portuguese endego (the Dutch indigo exclusively was from Portuguese), all from the Latin indicum (indigo), from the Ancient Greek ἰνδικόν (indikón) (Indian blue dye (literally “Indian substance”)), a neuter of indikos (Indian), from the Indic Ἰνδία (Indía).  Indic is a subgroup of the Indo-Iranian branch of Indo-European languages that includes Sanskrit, Hindi, Urdu, Bengali, and many other languages of India, Pakistan, and Sri Lanka; Indo-Aryan.  It replaced the late thirteenth century Middle English ynde, from the thirteenth century Old French inde (indigo; blue, violet), again from the Latin indicum; the earlier name in Mediterranean languages was annil or anil.  In the magical-realist novel Sassafrass, Cypress & Indigo (1982) by African American feminist Ntozake Shange (1948–2018), the name of one protagonist is Indigo and it continues to be used as a given name for females.  Indigo is a noun & adjective and indigotic is an adjective; the noun plural is indigos or indigoes.

Sir Issac Newton, light and the "two prism experiment" 

As used to refer to “the color of indigo”, use dates from the 1620s and in 1704 Sir Isaac Newton (1642–1727) adopted indigo as the name for the darkest of the two blues on his spectrum of the visible colors of light.  Newton identified seven colors in the spectrum of light (red, orange, yellow, green, blue, indigo and violet) and although he was a great figure of science and the Enlightenment, he was also an alchemist and theologian who published notable works of Biblical scholarship, something which may account for the choice of seven, that number being of some significance in scripture.  By objective analysis, there are probably six colors in the spectrum, but Newton’s world view which attributed something mystical to the number demanded there be seven.  He decided in advance light was made of seven colors but his experimental method to vindicate this theory of differential refraction was sound.  The orthodox view of the time suggested a prism acted on any incident light to add colour; Newton wished to prove what was really happening was a process of separation refraction.  For this, he used two prisms.  The first produced the full spectrum of colors and from this Newton isolated narrow beams of light of a single colour, directing them at the second prism, finding that for all colors, there was no further change as the beam passed through the second prism: “When any one sort of Rays hath been well parted from those of other kinds, it hath afterwards obstinately retained its colour, not with standing my utmost endeavours to change it.”

Lindsay Lohan shopping at Indigo Seas, North Robertson Boulevard, Los Angeles, February 2009.  Most fashion houses would regard her dress’s blue as “too blue” to be within the indigo range but to illustrate how far (in commercial use) indigo can travel from blue, some would call this "Spanish indigo" (Hex: #003C92; RGB: 0, 60, 148).

Although some use extends even to grey, generally, indigo is a range of bluish-purples between blue and violet in the color wheel and such is the reverence for Newton it’s considered still one of the seven spectral colors (indigo’s hex code is #4B0082),  In this, although it may visually be dubious, indigo has fared better than the unfortunate Pluto, the International Astronomical Union (IAU) voting in 2006 to re-classify Pluto as a dwarf planet on the basis the icy orb failed to meet a set of criteria which the IAU claimed had been accepted for decades.  The IAU are a bunch of humorless cosmic clerks, something like the Vogons ("...not actually evil, but bad-tempered, bureaucratic, officious and callous.") in Douglas Adams' (1952–2001) Hitchhiker's Guide to the Galaxy (1979-1992) and, not affected by romantic tales, have refused to restore Pluto to planethood, leaving it desolate, lonely and cold; it's the solar system’s emo.  Indigo place on the spectrum seems however secure and according to Canva (the internet’s authority on colors), it’s the color of devotion, wisdom, justice, and higher knowledge; tied to intuition and what is not seen; it is also considered spiritual.  More prosaically, Canva list indigo as hexadecimal #4b0082, with RGB values of Red: 29.4, Green: 0, Blue: 51 and CMYK values of Cyan: 0.42, Magenta: 1, Yellow: 0, Black (K):0.49.  The decimal value is 4915330.  It has a hue angle of 274.6 degrees, a saturation of 100% and a lightness of 25.5%. #4b0082 color hex could be obtained by blending #9600ff with #000005. Closest websafe color is: #330099.

Darker then violet: Canva's example of a classic indigo.

Supine

Supine (pronounced soo-pahyn)

(1) Lying on the back, face or front upward.

(2) Inactive, passive, or inert, especially from indolence or indifference; displaying no interest or animation; lethargic, apathetic or passive towards something.

(3) Being reluctant to take action due to indifference or moral weakness

(4) Inclining or leaning backward; inclined, sloping (now probably obsolete except for poetic or historic use).

(5) Of the hand, forearm or foot, turned facing toward the body or upward: with the thumb outward (palm up), or with the big toe raised relative to the little toe.

(6) A technical rule in Latin; a noun form derived from verbs, appearing only in the accusative and the dative-ablative.  Often used to express purpose with verbs of motion

(7) A technical rule in English; the simple infinitive of a verb preceded by to.

(8) A descriptor (in English) for an analogous form in some other language.

(9) Inclining or leaning backward; inclined, sloping (now rare and used only as a literary or poetic device).

1490-1500: From the Latin supīnus (bent backwards, thrown backwards, lying on the back (and figuratively "inactive, indolent"), ultimately from the primitive Indo-European sup & up.  It was cognate with the Catalan supí, the Italian supino (on one's back), the Old French sovin, the Middle French souvin, supin & supin, the Anglo-Norman supin (which persists in modern French as supin), the Old Occitan sobin & sopin, the Portuguese supino and the Spanish supino.  The verb supinate dates from 1831 in the sense of "to place the hand so that the palm is turned upward" and was from the Latin supinatus, past participle of supinare (to bend back) and related to supinus (the related forms being supinated, supinating & supinators.  The adjective was from the Latin supīnus, the construct being sup- (in the sense of “under”) + -īnus (of or pertaining to).  The noun came later, from the Late Middle English supin (as in “supine of a Latin verb”) or the Middle French supin ((grammar) supine) all from the Latin supīnum (short for supīnum verbum (supine verb)) from supīnus.  It partially displaced the Old English upweard (upward, supine), from which Modern English gained "upward".  The now rarely used sense of "morally or mentally inert, negligent, listless, heedless" was in use in English by the early seventeenth century and the noun supinity is used in this context.  Supine is a noun & adjective, supination, supinator, supinity & supineness are nouns, supinate is a verb, supinated is a verb & adjective and supinely is an adverb; the noun plural is supines.

Lindsay Lohan supine from a photo-shoot by Terry Richardson (b 1965) for Love Magazine (2012).

The technical rule in Latin grammar: "the verbal noun formed from the past participle stem" is from the Late Latin supinum verbum (supine verb), the origin of which is undocumented but thought so called because, though furnished with a noun case ending, it "falls back" on the verb.  In Latin grammar, supine is best thought of as a practice rather than a rule and it’s observed rather than understood or applied.  The verbal noun is used in only a few syntactic constructions and occurs in only two cases, an accusative in -tum or -sum and an ablative in -tū or –sū although the accusative form is sometimes listed by scholars as the fourth principal part of the Latin verb, a fine distinction only they understand.

Although there was a war going on, the misuse of "supine" and "prone" (by fellow  physicians!) so disturbed Dr Edwin H Shepard MD of Syracuse, NY he wrote a letter to the editor of the Journal of the American Medical Association (JAMA) which was published in the edition of 27 May 1944.  Eighty years on, Very Well Health advises doctors the trick to remember the difference between supine and prone is: "supine contains the word "up", reminding you you are face up in this position while prone contains the word "on" which you can use to remember you are lying on your face or stomach."

So, strictly speaking, "supine" means lying face upwards while the words for lying face downwards are "prostrate" or "prone" but these have long been used loosely (probably increasingly so) for lying flat in any position.  Thus, the antonym correctly is "nonsupine" (or "non-supine") but "prone" is sometimes used, doubtlessly leaving many baffled, including, clearly, some physicians.  The synonym resupine is rare and may be functionally extinct.

Mystique

Mystique (pronounced mi-steek)

(1) A framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning:

(2) The aura of mystery (real, imagined or confected) or mystical power surrounding a particular occupation or pursuit:

1891: A borrowing by English in the sense of “atmosphere of mystery and veneration”, from the French noun & adjective mystique (a mystic; the act of a mystic; the mystical), from the Latin mysticus, from the Ancient Greek μυστικός (mustikós) (secret, mystic), from μύστης (mústēs) (one who has been initiated).  Mystique is a noun; the noun plural is plural mystiques.

A Dangerous Liaison (2008) by Carole Seymour-Jones (1943-2015).

When Le Deuxième Sexe (The Second Sex (1949)) was published by French feminist and social theorist Simone de Beauvoir (1908–1986), it was recognized almost at once as a landmark in feminist thought but it was in the twenty-first century re-evaluated when gender came to be re-defined as a spectrum rather than a binary.  Of particular interest was de Beauvoir’s mapping of existentialist thought on to the matter, asserting that being a woman was a construct, something obviously dependent on being born female but the product of processes integral to a society in which women had been defined as inferior to men, a tradition she traces back centuries.  The Second Sex and Dr Germaine Greer’s (b 1939) The Female Eunuch (1970) remain the two most important texts of late twentieth century feminism.  De Beauvoir is one of those writers who led a life which many choose to entangle with what she wrote but The Second Sex is best read by allowing the words to prevail.  

However, the complexity of The Second Sex, infused as it was with strands of French structuralism, meant that it lacked accessibility unless a reader had some background in certain philosophical traditions and it was American feminist Betty Friedan’s (1921–2006) The Feminine Mystique (1963) which, by sheer weight of numbers, proved the greater influence politically, many claiming still it was the work responsible for the emergence of second wave feminism.  The Feminine Mystique is by comparison a slight work and although not of excessive length, is thematically repetitious and can be deconstructed as a long social media post about one woman’s discontent with her life, something to which she (not without justification) links the structure of the patriarchal society in which she exists.  That made it a compelling polemic for the receptive millions of women who read it as their own biographies and ensured its success but it also lent second-wave feminism (which greatly the book at least influenced) a distinctly white, Western, middle-class flavor which asked many of the right questions but ignored (rather than deliberately excluded) most of what lay beyond that fashionable but narrow cultural vista.

Jane Birkin and the mystique of the Birkin Bag

The bag lady: Jane Birkin (with her usual straw bag) and Serge Gainsbourg (1928-1991) at the premiere of their film Slogan, August 1969.

One well-known example of manufactured mystique is that attached to the Birkin Bag manufactured by the French fashion house Hermès, the origin of which was a chance meeting in 1984 on Paris-London shuttle flight between the English actress Jane Birkin (1946-2023) and Jean-Louis Dumas (1938-2010), then executive chairman Hermès.  Ms Birkin was placing her usual straw bag in the overhead locker when “everything fell out” her belongings scattering over her and Monsieur Dumas.  The inevitable conversation ensued and the pair thrown together by circumstances spent the brief flight designing Ms Birkin’s ideal leather bag for weekend travel, the airline’s sick bags improbably used for the first sketches.  Within months, the Birkin was a Hermès part-number.

Although in her later years Ms Birkin ceased to carry one (it became “just too heavy"), over the last four decades, the Birkin has become a coveted item, much sought by those attracted by its association with pop-culture celebrities and the price-tag which begins somewhere over US$10,000 and can, for a custom unit, extend into six figures.  Although the Birkin range is advertized both in the glossy catalogues and on-line, it’s not a “display item” carried on the shelves of the bricks & mortar stores and it’s long been part of the product’s image that as well as being PoA (price on application), they’re not “for everyone”, Hermès selling them only to someone “suitable”; it’s all part of the mystique.  There has long been speculation about how “real” this mystique may be, the suspicion being that if anyone offers cold hard cash (or its modern equivalent), a store manager would think of their end-of-year bonus and make the sale.  However, in March 2024, two disgruntled (rejected) Birkin customers filed suit in Federal court in California, alleging Hermès was in violation of US antitrust legislation by allowing only those with a “sufficient purchase history” with the company to bag a Birkin.  Essentially, the case hinges on the lure of the right to buy a Birkin being used as an inducement to spend money on shoes, jewellery, scarves and such, the carrot of the bag dangled while the stick is used to force folk to create a “purchase history”.  The suit also noted the company’s sales associates are driving the scheme, thereby gaining benefits for both themselves and Hermès, an important technical point in US antitrust law.

Hermès Birkin 3-en-1: "(1) a canvas clutch topped with the emblematic leather flap, (2) A leather tote with side straps & turnlock and (3) A clutch & tote together recreate the eternal Birkin."  The 3-en-1 is one of many current designs in the range.

Interestingly, it was further alleged the floor staff don’t earn commissions on Birkin bag sales and are instructed to use the handbags only as a device “…to coerce consumers to purchase ancillary products” while only “…those consumers who are deemed worthy of purchasing a Birkin handbag will be shown a Birkin handbag” in a private viewing room.”  Any civilian (ie a non-celebrity or not someone identified as rich) walking into the store and asking to see a Birkin is told they’re “out of stock”.  The lawsuit requested class-action status for thousands of US consumers who bought Hermès goods or were asked to buy them as a prerequisite for buying a Birkin and sought unspecified monetary damages and a court order banning Hermès’s allegedly anti-competitive practices.

A certain, brutish mystique: 1974 Holden Torana L34.

Restrictions on a right to purchase are not unusual.  Ferrari have specified that some of their low-volume models are available only to previous customers and that has sometimes demanded the prior purchase of more than one of the Italian machines.  Whether apocryphal or not, the story is that on more than one occasion, upon being informed of the clause, the buyer would at random pick a Ferrari from the showroom stock and buy it, just to qualify.  Somewhat down the automotive food chain, in 1974 when quietly Holden in Australia introduced their L34 option (a homologation package to ensure certain bits & pieces could be used in racing) for the Torana SL/R 5000, although the thing could be registered for road use, it was specified it could be bought only by holders of a certain level of competition licence issued by CAMS (the Confederation of Australian Motor Sport, then the sport's peak regulatory body).  That policy was a pre-emptive strike to ensure there would be no repetition of the moral panic stirred up two years earlier by the tabloid press which claimed the three local manufacturers were selling “160 mph (257 km/h) supercars” to the public, summoning the fear of the usual suspects (males aged 17-25) unleashing these lethal weapons on public roads.  As was often the case in moral panics, the tabloids were being economical with the truth but their campaign spooked the politicians and the manufacturers, the new generation of high-performance machinery swiftly cancelled.  Ironically, when tested, it transpired the L34 package was about durability rather than power or speed and was actually a little slower than a standard SL/R 5000 but the exotic terms & conditions (T&Cs) certainly gained it some mystique.

The Mean Girls (2004) crew on DeviantArt by SBBeauregarde in cosplay mode: Marvel Comics' Mystique.

The Mystique de la Merde 

The word mystique even has a place in what must be one of the darker corners of literary theory.  The term Mystique de la Merde dates from September 1956 when an article by Robert Elliot Fitch (1902-1986) was published in the New Republic.  Fitch was a Congregationalist minister who graduated successively from Yale (1923), the Union Theological Seminary (1926) and Columbia (1929), later becoming a professor of Christian ethics and dean of Berkeley's Pacific School of Religion but he was interested also in literary theory, often as a device by which he could explore the decline in Western society associated with God’s withdrawal from the place.  Fitch’s Mystique de la Merde wasn’t literally “the mystique of shit” but a description of what he detected in literature (and therefore life in general) as “a preoccupation with the seamier, muddier, bloodier aspects of life, as well as, excessively, with sex and money.”  Befitting the decline of civilization, Mystique de la Merde was a deliberately more vulgar version of Nostalgie de la boue (nostalgia for mud), a phrase coined in 1855 by French dramatist Émile Augier (1820–1889) meaning “an attraction for low-life culture, experience, and degradation (in individuals, institutions & culture).”

In his New Republic piece, Fitch started as he intended to continue: "…perhaps we should take note of a brand of piety which may best be characterized as the mystique de la merde. This might be rendered in English as the deification of dirt, or the apotheosis of ordure, or just plain mud mysticism.  At any rate it provides a label for a sectarian cult which appears to have attracted some of the best talent in contemporary literature."  He nominated Ernest Hemingway (1899–1961) as a founding father of the cult (he must have been tempted to call him the “high priest”) in whose writing he identified a surfeit of “…fertility, money, blood and iron."  One sex was stirred into that mix (as Hemmingway did), one has, as Fitch noted: all “…the basic ingredients of ultimate reality" as seen by the merde mystics.

Ernest Hemingway in Cuba, 1952.  F Scott Fitzgerald's (1896–1940) wife Zelda (1900–1948) described Hemmingway's novel The Sun Also Rises (1926) as "Bull fighting, bull slinging, and bullshit".  Had she lived, she may have found "Mystique de la Merde" a needless gloss.

Writing in the milieu of the beat generation writers, Fitch observed that in handling what clearly was a literary phenomenon, the critic was at some disadvantage because while writers could function on the “four letter [word] level”, “…the critic must stick to three-syllable words.”  He concluded, presumably not without regret, that: “When we have become honest, we discover that the reigning God is only a devil in disguise" and the real reason for this is that God “…has made us unhappy.”  He cites Mrs Evans in Eugene O'Neill’s (1888–1953) soliloquy heavy Strange Interlude (1928) who affirms that the only good thing is being happy: “I used to be a great one for worrying about what's God and what's devil, but I got richly over it… being punished for no sin but loving much.”  One suspects Fitch might have written a critique of the early twenty-first century with some relish.

Atomism

Atomism (pronounced at-uh-miz-uhm)

(1) In philosophy, an ancient theory, developed by Democritus and expounded by Lucretius, that the ultimate constituents of all matter in the universe are atoms which are minute, discrete, finite, and indivisible elements; also called atomic theory.

(2) In psychology, a method or theory that reduces all psychological phenomena to simple elements; that experiences and mental states are composed of elementary units.

(3) Within the sciences, any of a number of theories that hold that some objects or phenomena can be explained as constructed out of a small number of distinct types of simple indivisible entities; any theory that holds that an understanding of the parts is logically prior to an understanding of the whole.  These theories can be grouped under the rubric of reductionism

1670–1680: The construct was atom + -ism.  Atom was from the Middle English attome from the Middle French athome, from the Latin atomus (smallest particle), from the Ancient Greek ἄτομον & ἄτομος (átomos & átomon) (indivisible; uncuttable), the construct being ἀ- (a-) (not) +‎ τέμνω (témnō) (I cut).  The –ism suffix was from the Ancient Greek ισμός (ismós) & -isma noun suffixes, often directly, sometimes through the Latin –ismus & isma (from where English picked up ize) and sometimes through the French –isme or the German –ismus, all ultimately from the Ancient Greek (where it tended more specifically to express a finished act or thing done).  It appeared in loanwords from Greek, where it was used to form abstract nouns of action, state, condition or doctrine from verbs and on this model, was used as a productive suffix in the formation of nouns denoting action or practice, state or condition, principles, doctrines, a usage or characteristic, devotion or adherence (criticism; barbarism; Darwinism; despotism; plagiarism; realism; witticism etc).

Many English nouns to which -ism is attached are loans from Ancient Greek (mostly via Latin and French).  In Late Latin, the -ismus suffix became the ordinary ending for names of religions and ecclesiastical or philosophical systems, a trend continued in Medieval Latin and from the sixteenth century, such formations became common in English although, until the eighteenth century, the use was usually restricted to either root words from Ancient Greek & Latin or proper names.   By the nineteenth century, the creation of “isms” began to expand and by the twentieth, coinages took no account of previous rules and conventions.  Atomism & atomist are nouns, atomistic & atomistical are adjectives and atomistically is an adverb; the noun plural is atoms.

Atoms and voids

Atomism was a philosophical theory which suggested the universe consisted of indivisible, minute particles known as atoms and the idea was ancient, the first known writings on the matter those of the Ancient Greek philosopher Leucippus who was born during the fifth century BC but it was his better-known pupil Democritus (circa 460-370 BC) who developed and systematized the ideas.  What emerged was the theory that the two diametrically opposed constituents of the universe are indivisible entities: the void and the atom.  Democritus regarded a void as being literally nothing whereas atoms were matter and intrinsically unchangeable; an atom moving about in the void and sometimes combining into clusters although, being separated by the void, they cannot fuse, but instead bounce off one another when they collide.  It was the origin of the understanding that in the material world, objects are transitory because they change as their constituent atoms shift or become detached; matter cannot be created or destroyed, it can only be transformed into something else.  To the philosopher, it meant everything we experience in the universe is doomed; it’s a question just of when it ends and how.  That’s sometimes expressed as “nothing lasts forever” and in a practical sense that’s correct but what was left unanswered (though not unexplored) was (1) whether the atoms survived no matter what and (2) whether the voids remained or became transformed into a singularity with an undetermined future.

Helpfully for some, the atomists’ postulation of the indivisible atom also provided a solution to one of the paradoxes of Zeno of Elea (circa 495–430 BC): that if magnitudes can be divided to infinity, it becomes impossible for movement to happen because the object would have to traverse an infinite number of spaces in a finite time.  If an atom is the point at which division is impossible, the dilemma, which admittedly occurs only in Philosophy 101 classes, dissolves.  Other problems however persisted because there was nothing to disprove the proposition an atom could infinitely be divided into progressively smaller parts and obviously such a process could be described mathematically, numbers extending infinitely in each direction from what would come to be called zero.

Atomism: Atomic Kitten, EMI promotional poster, 1999.

The notion all matter is composed of tiny, indivisible (and indestructible) particles called atoms (from a Greek form meaning “indivisible” or “uncuttable” endured well in both Western and Eastern traditions although there were those who resisted and clung to the model of continuous matter, something which would have seemed compelling obvious based on observation.  What the thinkers from Antiquity left however was something speculative and, given the technology of the time, wholly unsupported by empirical evidence but with the advances which followed the Enlightenment, there was renewed interest in what was at the time known variously as “modern” or “revival” atomism and the first structured theories emerged in the early 1800s.  Indeed, the diagrams and explanations which became widely available early in the twentieth century really made the atomic structure understandable (at least conceptually) even to those with no background which was fine until the shock of quantum mechanics, papers and discussions about which began to circulate in the 1920s.  Quite a jump in the understanding of atoms and sub-atomic particles, quantum theory did not describe atoms as solid, billiard ball-like objects but rather as probabilistic entities with wave-like properties, the most challenging implication of that being that such a thing could simultaneously be in two places (points in space) at the same time (points in time).  For those brought up on the neat little diagrams of the atom, it was quite a challenge to visualize those two points in space being possibly on opposite sides of the universe.

Etiquette

Etiquette (pronounced et-i-kit or et-i-ket)

(1) A construct both culturally specific and culturally variable which is a codification of the requirements as to social behavior; proprieties of conduct as established in any class or community or for any occasion (and thus often exists as sub-sets which can in detail be contradictory).

(2) A prescribed or accepted code of usage in matters of procedure, ceremonies et al in any formal environment (courts, investitures et al).

(3) An accepted (and sometimes in whole or in part codified) set of rules of ethical behavior relating to professional practice or the conduct between members of the profession.

(4) The expected behavior in certain situations (surfing; golf etc) and enforced according to prevailing standards.

(5) A label used to indicate a letter is to be sent by airmail (the French par avion (by airplane).

1730–1740: From the French étiquette (property, a little piece of paper, or a mark or title, affixed to a bag or bundle, expressing its contents, a label, ticket; a memorandum), from the Middle French estiquette (ticket, label, memorandum), from the Old French verbs estechier, estichier, estequier estiquier & estiquer (to attach, stick), from the Frankish stekan, stikkan & stikjan (to stick, pierce, sting), from the Proto-Germanic stikaną, stikōną & staikijaną (to be sharp, pierce, prick), from the primitive Indo-European steyg or teyg- (to be sharp, to stab).  It was akin to the Old High German stehhan (to stick, attach, nail) (which endures in Modern German as stechen (to stick)) and the Old English stician (to pierce, stab, be fastened).  Etiquette is a noun and etiquettal is an adjective; the noun plural is etiquettes.

The most attractive story of the origin of etiquette in its modern form is that the groundskeepers tending the gardens & parks at the Palace of Versailles became annoyed at the casual way the courtiers attached to the household of Louis XIV (1638–1715; le Roi Soleil (the Sun King), King of France 1643-1715) would walk across their lovingly manicured lawns.  In response the gardeners would erect stakes onto which they would pin étiquettes (literally “little cards”) warning transgressors to “Keep off the Grass”.  Unfortunately, although there’s no doubt the signs did exist at Versailles and the legend is even Louis XIV dutifully complied, they were not the origin of “etiquette” in its modern sense.

The reverence for lawns however outlasted the Ancien Régime, Napoleon, the Congress of Vienna, the revolutions of the nineteenth century, wars, occupations and five republics and Nicolas Sarközy (b 1955; President of France 2007-2012).  On visits to Paris, tourists who have since high school neglected their French sometimes see the signs Pelouse au repos in parks which they translate as “place to rest”, only to be harangued by an angry attendant, pointing and ordering them back to the pavement.  The actual translation is “the lawn is resting” and any other country would include “Keep off the Grass” in English (the world’s lingua franca) but that’s not the French way.  In the hierarchy of Gaelic officialdom, the part inspectors are said to be worse than the parking police but not as bad as the stewards patrolling the spectator areas at the annual Le Mans 24 hour endurance race, their officiousness something to behold as gleefully they enjoy being cloaked in their brief authority.

The exact history remains murky but etymologists seem most convinced the word in its modern sense can be traced to the seventeenth century Spanish royal court which, impressed by the ritualized forms of the Hapsburg monarchy in Vienna, had officials record a list of the rules and procedures covering dress, orders of procedure in ceremonies, forms of dress and so on.  There were printed on cards distributed to functionaries and others so they would know what to do and when.  From this, the Spanish court became one of Europe’s better behaved royal operations and from the French etiquette (label, ticket etc), the Spanish form was etiqueta.  Simultaneously, many army barracks had such labels nailed to the walls (France étiquettes, In Spain etiquetas, in Italy etichette) containing the relevant instructions for the soldiers.  However, it’s thought the use in the royal court was the most influential and from this evolved the concept of etiquette which has developed into a list of the rules or formalities signifying the socially accepted rules of behavior and decorum.  Not all agree with the Spaniards getting the credit and some trace it back to well before Louis XIV but all seem to agree it was one royal court or another.

There has for centuries been an industry in publishing “etiquette guides” (the first seem to have appeared in sixteenth century Italy) and that many have been issued with titles such as “Modern Etiquette” or “American Etiquette” which does suggest what is regarded as acceptable is subject to change although the very notion of etiquette is highly nuanced; what is acceptable in one context can be social death in another.  Nor is necessary even to purchase a book because the internet is awash with guides on the matter but as an indication that both formats may just be scratching the surface, there are finishing schools in Switzerland which offer six-week courses for US$34,000.  Presumably essential for daughters being prepared for husband hunting, the six-week duration does hint there’s more to it than mastering the use of the flatware arrayed at dinner and knowing whether it’s a properly a napkin or serviette.  Even more essential that learning those details, what such courses can impart is the essential skill to be able to identify those who are and are not “one of us”; group identity as important to the rich as it is to supporters of football clubs.

Surely only a matter of time.

The model of eitquette has been used to coin a few amusing forms including netiquette (the construct being (inter)net + et(iquette)) which was documented as early as 1993 (the dawn of the world wide web) and referred to the “appropriate style and manners to be used when communicating on the internet).  Some of this early (often doomed) attempt to imposed civility on digital communication survives including the warning that the use of capital letters conveys SHOUTING.  Chatiquette is a similar set of rules, specific to chatrooms.  Jetiquette lists the standards of acceptable behavior expected of passengers travelling on a commercial airline) (arm-rest ownership, the politics of the reclining seat, the matter of socks and bare feet and all that).  Hatiquette defines the etiquette attached to the wearing of hats and it’s a complex business because what’s obligatory in one place is a sin against fashion in another.  It goes back a long way: After the passing of the UK’s Reform Act (1832) which extended the franchise, permitting the entry to parliament by lower reaches of the middle class, the Duke of Wellington (1769-1852) cast his eye on the benches of the House of Commons and pronounced he’d “never seen such bad hats”.  Reddiquette describes the proper conduct to be followed on the website Reddit and it takes not long to work out not all redditors comply, any more than they take seriously the moderators’ rules on their sub-reddits.  In the narrow technical sense Wikiquette is the etiquette dictating how one should behave when working on a wiki (a type of database; there are many Wikis) but it’s used almost exclusively of Wikipedia, the open access online encyclopaedia.  Debtiquette sets out the rules of debt and deals both with owing something and being owed; it seems more to be about non-financial debts, the rules for which are fairly well defined in law. 

Epistle

Epistle (pronounced ih-pis-uhl)

(1) Text in the form of a letter (written classically in verse), especially a formal or didactic one; written communication.

(2) One of the New Testament’s apostolic letters of the Saints Paul, Peter, James, Jude, or John (usually with initial capital letter).

(3) An extract, usually from one of the Epistles of the New Testament, forming part of the Eucharistic service in certain churches (usually with initial capital letter).

(4) A literary work in letter form, especially a dedicatory verse letter of a type originated by the Roman lyric poet Horace (Quintus Horatius Flaccus, 65-8 BC).

(5) A letter, especially one which is formal or issued publicly (now usually literary or ironic).

(6) A letter of dedication addressed to a patron, inspiration or reader, published as a preface to a literary work (associated with a qualifying word, as in epistle dedicatory); now usually a historic reference. 

Pre 900: From the Middle English epistel, epistole & pistel (letter; literary work in letter form; written legend or story; spoken communication), from the Old English epistol, epistola & pistol (letter, epistle), from the Latin epistola (letter, epistle; literary work in letter form) (from the came the Late Latin epistola (one of the letters by an apostle in the New Testament)), from the Ancient Greek ἐπῐστολή (epistolḗ) (letter; message), from ἐπῐστέλλω (epistéllō) (to inform by, or to send, a letter or message), the construct being ἐπῐ- (epi-) (the prefix meaning "on, upon" and ultimately from the primitive Indo-European hepi (at; near; on)) + στέλλω (stéllō) (to dispatch, send (ultimately from the primitive Indo-European stel- (to locate; to place, put))) + -η (-ē) (the suffix forming action nouns).  The familiar and specific sense of "letter from an apostle forming part of canonical scripture" dates from circa 1200.  It was in use as the Anglo-Norman epistle and the Middle French epistle, epistele & epistole (letter; (Christianity)).  As well as one of the letters by an apostle in the New Testament, it referred to also an extract from (or something inspired by) such a letter read as part of the Mass.  The verb was derived from the noun.  The synonym pistle has been extinct since the eighteenth century (and even then it seems mostly to have been used as ecclesiastical shorthand).  Epistle is a noun & verb, epistolary is a noun & adjective, epistoler, epistolarian, epistolographist, epistolography & epistler are nouns, epistolical is an adjective; the noun plural is epistles.  

Although the use in Biblical translation long ago created the general impression an "epistle" was something associated exclusively with scripture, long goa (and still in the technical language of literature), an epistle was a poem addressed to a friend or patron; a letter in the form of verse and the classic distinction was between (1) the moral & philosophically thematic such as  Horace's Epistles and (2) the romantic (the sentimental according to sterner critics) (such as Ovid's (43 BC–17 AD) Heroides).  Throughout the Middle Ages, it was the romantic which was the more popular form and historians link the form with the evolution of the theories of courtly love which would remain influential in fiction for centuries.  During the Renaissance and thereafter however it was the Horatian tradition which began to prevail, the Italian poets Petrarch (1304–1374) and Italian Ludovico Ariosto (1474–1533) both working in this vein although the latter also wrote romantic tracts.  Historians usually attribute to Ben Jonson (circa 1572-circa 1637) the first use in English of the Horatian mode in The Forest (1616) although elements can be identified in works by earlier authors.  The Forest, a collection of fifteen verses is actually a quite pragmatic work, typical of what emerged from the quills of many compelled to please those who supported them in than most of the poems were addressed to the gentry who were Jonson's patrons aristocratic supporters, but there's also the more personal To Celia.  Content providers having to respond to algorithms sounds like something which belongs to the TikTok era but the effect has long been exerted.  John Dryden (1631–1700), William Congreve (1670–1729), Henry Vaughan (1621–1695) refined the form in English and not uncritically, Congreve especially scathing about some of Jonson's metaphysical meanderings but it was Alexander Pope (1688-1744) in Moral Essays (1731-1735) and the memorable satire An Epistle to Dr Arbuthnot which modern critics tend to regard as the finest; readers can draw their own conclusions about that but there would be few who would deny Pope is the most fun.  After the rise of the novel, the tradition fell from favor although poets would continue to find it useful and WH Auden's (1907-1973) Letter to Lord Byron (1936) illustrates why; the mix of light and dark in the piece reminding one the Biblical translators use the word has infused that something of that into the meaning.        

Paul’s Second Letter to the Corinthians (2 Corinthians 1)

Many of the books of the New Testament are actually letters and Biblical scholars describe them both as letters and epistles, apparently usually with an eye to their audience rather than the content or implied meaning; they’re often a curious mixture of Christian teaching and other matters specific to those to whom they were addressed.  Paul's second letter is thought to have been written circa 56 AD, shortly after he penned the first and was addressed to the Christian community in city of Corinth, a major trading centre which, although by then noted for its rich artistic and philosophic traditions, was notorious also as a place also of vice and depravity.  It was this last aspect that compelled Paul’s first letter to the Corinthian church and in it, sharply he rebuked them for permitting immoral practices in their community; in response, the Corinthians had cracked-down on some of the worst excesses and Paul wrote his second letter to congratulate them on their reforms and even commended forgiving sinners and welcoming them back to the flock.  Harsh though his words could be, Paul’s preference tends always towards restoration, not punishment.  The letter then discusses some sometimes neglected characteristics of the Christian church such as generosity to others and devotes time to defending himself against attacks on his ministry, reminding the Corinthians both of his own poverty and the harsh reality of what it meant to be a minister of Christ in the Roman empire: beatings, imprisonment, hunger, and the constant threat of death.  Because of the discursive range of topics and the changes in tone throughout this letter, some Biblical scholars have suggested that this is a compilation of several different letters or even the work of a number of authors.

The First & Second Epistles to the Corinthians are among the most quoted parts of the Bible.  In the design of one of her tattoos, Lindsay Lohan was drawn to 1 Corinthians 13:4. 

1 Corinthians 13:4-8 (King James Version (KJV, 1611)):

4 Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up,
5 Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil;
6 Rejoiceth not in iniquity, but rejoiceth in the truth;
7 Beareth all things, believeth all things, hopeth all things, endureth all things.
8 Charity never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away.

More contemporary English is used in the New International Version (NIV, (1978)):

4 Love is patient, love is kind. It does not envy, it does not boast, it is not proud.
5 It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs.
6 Love does not delight in evil but rejoices with the truth.
7 It always protects, always trusts, always hopes, always perseveres.
8 Love never fails. But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away.

Entropy

Entropy (pronounced en-truh-pee)

(1) In thermodynamics,  the capacity factor for thermal energy that is hidden with respect to temperature; an expression of the dispersal of energy; a measure of the energy is spread out in a process, or how widely spread out it becomes, at a specific temperature.

(2) In thermodynamics (on a macroscopic scale), a function of thermodynamic variables, as temperature, pressure, or composition, that is a measure of the energy not available for work during a thermodynamic process (a closed system evolves toward a state of maximum entropy).

(3) In statistical mechanics, a measure of the randomness of the microscopic constituents of a thermodynamic system (symbol=S).  Technically, a statistical measure of the disorder of a closed system expressed by S = k log P + c where P is the probability that a particular state of the system exists, k is the Boltzmann constant, and c is another constant).  Expressed as joules per kelvin, it's essentially a measure of the information and noise present in a signal.

(4) In data transmission and information theory, an expression of specific efficiency, a measure of the loss of information in a transmitted signal or message.

(5) In cosmology, a hypothetical tendency for the universe to attain a state of maximum homogeneity in which all matter is at a uniform temperature (heat death).

(6) In political science, a doctrine of inevitable social decline and degeneration; the tendency of a system that is left to itself to descend into chaos (this definition widely used literally and figuratively in many fields.

(7) In modeling theory and applied modeling, a lack of pattern or organization; a state of marked disorder; a measure of the disorder present in a system.

1867: From the German Entropie, coined in 1865 by German physicist and mathematician Rudolph Clausius (1822–1888) by analogy with Energie (energy), replacing the root of Ancient Greek ἔργον (érgon) (work) by the Ancient Greek τροπή (tropḗ) (transformation).  The Ancient Greek ἐντροπία (entropía) (a turning towards) is from energie, the construct being en (in) + trope (a turning, a transformation) from the primitive Indo-European trep (to turn).  Rudolph Clausius had for years been working on his theories before he coined the word Entropie to describe what he had been calling "the transformational content of the body."  The new word encapsulated the second law of thermodynamics as "the entropy of the universe tends toward a maximum" but Clausius thought the concept better illustrated by the mysterious disgregation (an series of equations explaining dissolution at the particle level), another of his coinings which never caught on in the same way.  Entropy & entropology are nouns, entropic is an adjective and entropically is an adverb; the noun plural is entropes.  The synonym entropia is an internationalism rarely used in English.

Entropy describes uncertainty or disorder in a system and, in casual use, refers to degradation or disorder in any situation, or to chaos, disorganization, or randomness in general.  In a technical sense, it is the gradual breakdown of energy and matter in the universe and is an important part of several theories which postulate how the universe will end.  The laws of thermodynamics describe the relationships between thermal energy, or heat, and other forms of energy, and how energy affects matter.  The First Law of Thermodynamics states that energy cannot be created or destroyed; the total quantity of energy in the universe stays the same. The Second Law of Thermodynamics is about the quality of energy.  It states that as energy is transferred or transformed, more and more of it is wasted. The second law also states there is a natural tendency of any isolated system to degenerate into a more disordered state; at a microscopic level, if a system is isolated, any natural process in that system progresses in the direction of increasing disorder, or entropy, of the system.  The second law also predicts the end of the universe, implying the universe will end when everything becomes the same temperature. This is the ultimate level of entropy; if everything is the same temperature, nothing can happen and energy can manifest only as the random motion of atoms and molecules.  Time would stop immediately after the point at which, for the first time since the point at which the big bang happened, everything was happening at the same time.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

The term entropology is a portmanteau word (the construct of the blend being entrop(y) +‎ (anthrop)ology) which was 1955 coined by the French anthropologist Claude Lévi-Strauss (1908–2009) whose theories and models even today continue to underpin some of the framework of structural anthropology, the debt to him acknowledged by structuralists in many fields and apart from all else, in the social sciences, words like entropology are much admired.  It first appeared in his book Tristes Tropiques (Sad Tropics (1955)) a text itself structurally interesting, being in part travelogue, research paper and memoir, interspersed with philosophical musing on music, literature, history, architecture and sociology; these days it’d be called post-modern.  The essence of entropology is that the transformative path of human cultures (the sometimes separate, sometime parallel notion of “civilization” seemed not to trouble Lévi-Strauss) is inherently corrosive & disruptive.  It seemed a grim thesis but it must be admitted that by 1955, there was plenty of evidence to support his view.

A probably inaccurate representation of nothing.

The idea of nothing, in a universal sense in which literally nothing (energy, matter, space or time) exists is difficult to imagine, imaginable presumably only as infinite blackness although even that would seem to imply the spatial.  That nothingness is perhaps impossible to imagine or visualize doesn’t however prove it’s impossible but the mere fact matter, energy and time now exist in space does imply that because, were there ever nothing, it’s a challenge to explain how anything could have, from nothing, come into existence.  Despite that, it would be interesting if cosmologists could attempt to describe the mathematics of a model which would describe what conditions would have to prevail in order for there truly to be nothing.  That may or may not be possible but might be an interesting basis from which to work for those trying to explain things like dark matter & dark energy, either or both of which also may or may not exist.  Working with the existing universe seems not to be helpful in developing theories about the nature of all this supposedly missing (or invisible) matter and energy whereas were one, instead of working backwards as it were, instead to start with nothing and then work out how to add what seems to be missing (while remaining still not visible), the result might be interesting.