Limelight

Limelight (produced lahym-lahyt)

(1) In the lighting systems of live theatre, prior to the use of electricity, a lighting unit for spotlighting the front of the stage, producing illumination by means of a flame of mixed gases directed at a cylinder of lime and having a special lens for concentrating the light in a strong beam.

(2) The light produced by such a unit (and subsequently by lights using other technology.

(3) In theatre slang (1) a lighting unit (also clipped to “limes”), especially a spotlight & (2) by extension, attention, notice, a starring or central role, present fame (source of the general use of the word).

(4) The center of public attention, interest, observation, or notoriety.

1826:  The construct was lime + light.  Lime (in this context) was from the Middle English lyme, lym & lime, from the Old English līm, from the Proto-Germanic līmaz, from the primitive Indo-European sley- (smooth; slick; sticky; slimy).  It was cognate with the Saterland Frisian Liem (glue), the Dutch lijm, the German Leim (glue), the Danish lim (from the Old Norse lím) and the Latin limus (mud).  In chemistry, the word described any inorganic material containing calcium (usually calcium oxide (quicklime) or calcium hydroxide (slaked lime).  In literary or poetic use, it was used of any gluey or adhesive substance, usually in the sense of “something which traps or captures someone” and sometimes as a synonym for birdlime.  It was used as a verb to mean (1) to apply to some surface a coasting of calcium hydroxide or calcium oxide (lime) & (2) to smear with birdlime or apply limewash.

Light (in this context) was from the Middle English light, liht, leoht, lighte, lyght, & lyghte, from the Old English lēoht, from the Proto-West Germanic leuht, from the Proto-Germanic leuhtą, from the primitive Indo-European lewktom, from the root lewk- (light).  It was cognate with the Scots licht (light), the West Frisian ljocht (light), the Dutch licht (light), the Low German licht (light) and the German Licht (light) and related also to the Swedish ljus (light), the Icelandic ljós (light), the Latin lūx (light), the Russian луч (luč) (beam of light), the Armenian լույս (luys) (light), the Ancient Greek λευκός (leukós) (white) and the Persian رُخش‎ (roxš).  The early uses (in this context) all were related to the electromagnetic radiation in the spectrum visible to the human eye (ie what we still commonly call “light”).  Typically, the human eye can detect radiation in a wavelength range around 400 to 750 nanometers and as scientific understanding evolved, the shorter and longer (ultraviolet light and infrared light) wavelengths, although not visible, were also labeled “light” because, as a matter of physics, they are on the spectrum and whether or not they were visible to the naked eye was not relevant.  “Light” in the sense of illumination was literal but the word was also productive in figurative and idiomatic generation (the “Enlightenment”; “leading light”; “negative light”; “throw a little light on the problem”; “bring to light”; “light the way” et al).  Limelight is a noun & verb, limelighting is a verb, limelighted & limelit are adjectives and limelighter is a noun; the noun plural is limelights.

Lime (chemical formula: CaO) is composed primarily of calcium oxides and hydroxides (typically calcium oxide and/or calcium hydroxide) and the origin of the word lies in its early use as building mortar (because of its qualities of sticking or adhering).  It was the interaction of lime with other substances which lent the concrete mixed in Ancient Rome (known to engineers as “Roman concrete”) unique properties that made it remarkably durable and long-lasting (though despite the legend, it was no more “sticky” that other concrete using the same quantity of lime).  A critical ingredient in Roman concrete was a type of volcanic ash called pozzolana (abundant in the environs of Rome) which was mixed with lime and small rocks or rubble to create a paste that could be molded into various shapes and sizes.  What created uniqueness was the chemical reaction between pozzolana and lime when the mix was exposed to water, this creating a mineral called calcium silicate hydrate, the source of Roman concrete’s durability and strength.  Unusually, it was able to harden underwater and for centuries resist the effects of saltwater (indeed such exposure triggered a kind of “self repair reaction), making it ideal for building structures like harbors and aqueducts and in a happy coincidence, the easy accessibility of pozzolana meant Roman concrete could be produced at a lower cost than other building materials.

The term “limelight dress” was coined to describe a garment designed to attract the eye, making the wearing the “centre of attention” in the manner of a stage performer in the limelight: Rita Ora (left), Ariel Winter (centre) and Lindsay Lohan (right) illustrate the motif.  It's become something less easy to achieve because of the emergence in the past two decades of the "nude dress" and it may be that a more modest cut, if well executed, might work better for clickbait purposes, just because of the novelty.  Of late, “limelight” has also been used in mainstream fashion to refer to dresses made with neon-like fabrics which resemble a color under a bright light.

In the limelight: In a marquisette dress, Marilyn Monroe (1926–1962) sang happy birthday Mr President to President John Kennedy (JFK, 1917–1963; US president 1961-1963) at a Democratic Party fundraiser at New York's Madison Square Garden on 19 May 1962, ten days before his actual birthday.  Within three months, she would be dead.

Limelight was the common name for the Drummond light (or calcium light), a lamp of then unprecedented luminosity created by the burning of calcium oxide (lime).  The process of creating light by burning lime augment by oxygen & hydrogen had been invented in the early 1920s and, generating an intense white light, it was developed in 1925 for use in mining and surveying by Scottish army engineer Captain Thomas Drummond (1797-1840) and soon adopted for lighthouses although it became famous from the use in live theatre where directional spot-lights were used to illuminate the principal actors on stage and although the technology has moved on, in theatre, film & television production, catwalks etc, “limelight” is still often used to describe both the physical lighting equipment and the effect produced.  In popular entertainment, limelight came into use in the UK in the mid-1830s and, cheap to produce and easily exported, were soon in use around the world, even the military finding them useful, the army to assist the targeting of artillery (an early example of applying technology to fire-control systems) and the navy found they were vastly more effective than any other spotlight.  Limelights remained in widespread use until replaced by electric devices in the late nineteenth century but in some far-flung outposts of the British Empire, they were still in use even after World War II (1939-1945).

Lindsay Lohan (1) in the limelight, on stage with Duran Duran, Barclays Center in New York, April 2016 (left) and (2) in the glare, arriving at LA Superior Court, Los Angeles, February 2011 (right) during her "troubled Hollywood starlet" phase.  Although the glare doesn’t carry quite the cachet of the limelight, Ms Lohan illustrated how the catwalk was but a state of mind, pairing a white bandage dress (it’s not clear if wearing the color the Bible associates with purity influenced the judge but channelling the fashion choice of the 24 elders in Revelation 4:4 and the pope may have helped) with a pair of Chanel 5182 sunglasses.  Speculatively, it’s at least possible a strut under the limelight on the catwalk wouldn’t have had the same simulative commercial effect as the stroll to an arraignment, the the US$575 Glavis Albino dress from Kimberly Ovitz's (b 1983) pre-fall collection selling-out worldwide that very day.

From the idea of the character on stage being highlighted by the limelight came the figurative use of the phrase “in the limelight” (noted since 1877) to refer to anyone on whom attention is focused.  This begat the related phrases “steal the limelight”, “bask in the limelight” & “hog the limelight”, all from the world of theatre but later adopted as required just about anywhere (in sport, corporate life etc).  “In the limelight” tends to be used only positively; those who are the focus of attention for reasons such as being accused of committing crimes or some transgression which might lead to cancellation are usually said to be “in the glare”.

1970 Plymouth Hemi 'Cuda in Limelight (left) and 2023 Dodge Challenger SRT Hellcat Redeye Jailbreak in Sublime (right). 

Like the other manufacturers, Chrysler had some history in the coining of fanciful names for colors dating from the psychedelic era of the late 1960s when the choices included Plum Crazy, In-Violet, Tor Red, Limelight, Sub Lime, Sassy Grass, Panther Pink, Moulin Rouge, Top Banana, Lemon Twist & Citron Yella.  Although it may be an industry myth, the story told is that Plum Crazy & In-Violet (lurid shades of purple) were late additions because the killjoy board refused to sign-off on Statutory Grape.  Plymouth called their lime green Limelight while Dodge used Sub Lime.  The lurid shades so associated with the era vanished from the color charts in the mid-1970s, not because of changing tastes but in response to environmental & public health legislation which banned the use of lead in automotive paints; without the additive, production of the bright colours was prohibitively expensive.  Advances in chemistry meant that by the twenty-first century brightness could be achieved without the addition of lead so Dodge revived psychedelia for a new generation although Sub Lime became Sublime.  There was still a price to be paid however, Sublime, Red Octane, Sinamon Stick and Go Mango all costing an additional US$395 while the less vivid shades listed at US$95.

Entasis

Entasis (pronounced en-tuh-sis)

(1) In architecture, a slight convexity given to a column or tower, as to correct the optical illusion of concavity and create the perception of straight lines.

(2) In medicine and physiology, an involuntary or spasmodic muscular contraction (also called entasia (from the Greek ɛnˈteɪzɪə)).

(3) In typography & calligraphy, the thinning in the waist of a stroke, the technique used to compensate for the visual perception of a stroke with perfectly straight sides appearing slightly to bulge.

1745–55: From the Latin entasis, from the Ancient Greek ἔντασις (éntasis) (tension, straining), from εντείνω (enteínō) (to stretch or strain tight), the construct being enta, variant stem of enteínein (to stretch tight) + teínein (to stretch) + sis.  The –sis suffix was from the Ancient Greek -σις (-sis) and was attached to words in English often via Latin or French.  It was identical in meaning with the Latin –entia and the English –ing and was used (1) to form nouns of action or process (catharsis, dialysis, diagnosis, crisis etc), (2) in medicine to form nouns of condition (psoriasis, sepsis, tuberculosis, psychosis etc) and more generally (3) nouns as required (basis, oasis, thesis, stasis etc).  Entasis is a noun; the noun plural is entases.

The Entasis or Parthenon Principle

Parthenon in Athens.

In modern architecture, entasis is the application of a convex curve to a surface for aesthetic purposes.  Its best-known use is in the columns from antiquity which curve slightly as their diameter is decreased from the bottom upward.  Because no relevant documents have yet been discovered, it’s not known whether the architects in antiquity applied the technique for aesthetic effect or as an engineering technique to enhance strength.  The latter is suggested by the design principle being described by Roman architect Marcus Vitruvius Pollio (circa 75 BC–circa 20 BC) using the Greek word enteino meaning "to stretch or strain tight", suggesting some emphasis on structural strength rather than appearance.  However, until contemporary records are uncovered, their reasons for using entasis remain mysterious, hence the two-thousand odd years of conjecture.  The most celebrated construction is the Parthenon in Athens.

1964 Rolls-Royce Silver Cloud III Flying Spur; coachwork by HJ Mulliner Park Ward.

The earliest known documented view of the matter was that written by Greek mathematician and engineer Hero of Alexandria (circa 10-circa 70), is that entasis corrects the optical illusion of concavity in the columns that the human eye would create if the correction were not made.  That’s the reason Roll-Royce have always used a variation of the  technique in their upright grilles; it’s to make it appear as if built with columns of identical dimensions.

Basilica's western front of the Second Temple of Hera, a Greek temple in Paestum, Campania, Italy.

The Second Temple of Hera was built in the Doric order circa 455 BC, just north of the first.  For the visual effect of entasis to work, the convex curve has to be so slight as to be imperceptible and it's not known why the Second Temple of Hera has an entasis so pronounced it creates an obvious curvature, not an illusion of straightness.  The proportions are such that historians have speculated it must have been deliberate, presumably purely for structural strength but it's at least possible the architect was afflicted by the desire many of his modern contemporaries share: The wish to produce something "original" and "new", the reason why so many modern buildings are so unpleasing to the eye.

Lindsay Lohan in Rolls-Royce Phantom Drophead Coupé (2007-2017).  By the 1970s factory (mostly) had ceased to use the historic terms FHC (Fixed-Head coupé) and DHC (Drop-Head Coupé (DHC) although and the revival in 2007 for the Phantom Drophead Coupé proved (thus far) a nostalgic one-off.

Over the decades, the designers generally were successful in their adaptations as they were required to make the grille wider and lower but the Phantom would have benefited aesthetically if a more traditional approach had been taken with the headlamps (centre) and even hidden units (right) would have been more pleasing.  Still, twenty-first century customers seem more accommodating of stylistic innovation than earlier generations.  In 1975, when the Camargue (1975-1986) was released, the novelty of it being the first Rolls-Royce designed using exclusively metric measurements (except for the odd carry-over component) attracted little attention but there was much comment about it being the first built with anything but a perfectly vertical grille.  The Camargue's grille was slanted at a (for mid-century Rolls-Royce) rakish 7^o.

The Pantheon Temple, Rome (left) and 1985 Rolls-Royce Camargue (right).

The Pantheon's Latin inscription M·AGRIPPA·L·F·COS·TERTIVM·FECIT actually isn't all that poetic and reads like a note the draftsman might have put on the blueprint (had there then been blueprints): it translates as "Marcus Agrippa, son of Lucius, made [this building] when consul for the third time.", crediting the Roman statesman & general, Marcus Vipsanius Agrippa (circa 63 BC–12 BC) who originally commissioned the construction during his third consulship in 27 BC.  The Pantheon that stands today was rebuilt by Emperor Hadrian (Publius Aelius Hadrianus, 76–138; Roman emperor 117-138) circa 126 AD after the original structure suffered severe damage in a blaze.  Hadrian chose to retain Agrippa's inscription as a tribute (not all the emperors were narcissists).  Since AD 609, the Pantheon has been a Roman-Catholic church and is known as the Basilica Santa Maria ad Martyres (Basilica of St. Mary and the Martyrs).

Despite the popular perception, what Rolls-Royce describes as their "Pantheon grill" doesn't feature a classic entasis (slight swelling in the middle of a column to counteract the illusion of concavity), the design does incorporate a similar visual effect: there is a (very) slight curvature which in the factory's vernacular is known as the "waftline".  Although there are, understandably, many references to the grill being the "Parthenon grill" (and there is a well-reviewed Greek restaurant in Murfreesboro, Tennessee called the Parthenon Grille), the factory has never used the term and say the designed was inspired by "Rome’s imposing Pantheon temple", a structure "...purposefully built with wider middle sections so the human eye perceives each long pillar to be completely straight."  What the architects of Antiquity did was use use an optical illusion as a "corrective" to achieve perfect visual symmetry and the Rolls-Royce engineers replicated the approach, the grill's columns wider towards the edges.  The waftline is used elsewhere, notably the gentle, upswept sweep along the sill-line which Rolls-Royce says "creates a powerful, poised stance and makes the car appear to be moving when stationary...", creating the impression of "calm perfect motion and accelerating quickly without fuss".  They clearly like the word "waft" because they coined the neologism "waftability" which is said to be "the essence of the brand".

The math of entasis.

Kakistocracy

Kakistocracy (pronounced kak-uh-stok-ruh-see)

Government by the worst persons; a form of government in which the worst persons are in power.

1644: From the Ancient Greek κάκιστος (kákistos (worst)), superlative of κακός (kakós (bad) +‎ κρατία (kratía (power, rule, government).  The word may have long existed in casual use but the earliest known use dates from 1644 in Paul Gosnold's A sermon Preached at the Publique Fast which included the fragment:  "... transforming our old Hierarchy into a new Presbytery, and this againe into a newer Independency; and our well-temperd Monarchy into a mad kinde of Kakistocracy. Good Lord!".  Re-coined, it appeared in the 1829 novella The Misfortunes of Elphin by English author Thomas Love Peacock (1785–1866).  The word spread, presumably because Spanish is kakistocracia, French kakistocratie, German Kakistokratie, and Russian kakistokratiya (какистократия).  The almost never used alternative spelling is cacistocracy.  Kakistocracy & kakistocrat are nouns and kakistocratical is an adjective; the noun plural is kakistocracies.

The possibility of a Lindsayocracy: In 2017 Lindsay Lohan posted on Instagram the possibility of running for President of the United States (POTUS) in 2020.  Among political scientists, there was no consensus about whether a Lindsayocracy would be (1) better, (2) worse or (3) pretty much the same as a Crookedhillaryocracy.  Her announcement was noted by the state-owned Russian News Agency Sputnik News but there was no comment from the Kremlin.  

Despite a history of governments of varying quality, usage outside of political science circles was rare until a 1980s spike associated with attacks on Ronald Reagan (1911-2004, US president 1981-1989) and Margaret Thatcher (1925–2013; UK prime-minister 1979-1990).  Later, perhaps surprisingly, George W Bush (George XLIII, b 1946; US president 2001-2009) appears not to have induced a twentieth-first century revival; that had to wait.  One Fox News commentator liked applying kakistocracy to the administration of Barack Obama (b 1961; US president 2009-2017) although the rest of the crew seemed better to understand Fox’s audience should be spoken to with short, simple, repetitive words and phrases and it was Donald Trump's (b 1946; US president 2017-2021) election which brought the word a new popularity.

Variations on the Greek theme

Aristocracy: rule by the highest class
Barbarocracy: government or rule by barbarians
Bestiocracy: the rule of beasts
Chrysocracy: rule of the wealthy
Corporatocracy: rule or undue influence by commercial interests
Dementiaocracy: governmet by the senile
Dulocracy: government by slaves
Ergatocracy: government by the workers
Femocracy: government by feminists or femocrats
Gayocracy: government by the gays
Gerontocracy: the system of government by old men
Graocracy: government by an old woman or old women
Gynaecrocracy (or gynocracy): government by a woman or women
Hagiocracy: government by persons esteemed holy
Harlotocracy: government by harlots
Hetaerocracy: (1) rule of college fellows or (2) rule of courtesans
Jockocracy: government by the Scots or by former sports stars
Kakistocracy: the government of a state by the worst citizens
Khakistocracy: rule or undue influence by the military
Kleptocracy: government by thieves
Lindsayocracy: government by Lindsay Lohan (think about it)
Madocracy: government by the mad
Masonocracy: Government unduly influenced by the Freemasons
Mogocracy: a system of government in which words are the ruling powers
Mediocracy: government by the mediocre
Meritocracy: Government by the most able
Mesocracy: government by the middle classes
Ochlocracy: government by the populace, mob rule
Papyrocracy: government by excessive paperwork
Pedantocracy: the rule of pedants
Pornocracy: rule by prostitutes
Ptochocracy: a government elected by or consisting of the poor
Strumpetocracy: government by strumpets

Rounding up the recent suspects.

In politics, the term kakistocracy has become, like "fascist", one of those words used to convey a general disapproval of administrations rather than anything too specific.  Still, given the standard of some of the governments seen in recent decades, there may be a case to consider it as a literal descriptor and whether there was any better word to use of the brief, troubled administration of Liz Truss (b 1975; UK prime-minister Sep-Oct 2022) remains at least debatable.  However, one curious consequence of recent advances in technology might mean Joe Biden's (b 1942; US president since 2021) administration attracts the label less than might be expected.  The "deep fakes" had been around for a while but with artificial intelligence (AI) systems now able to generate convincing audio-visual content, such has been the proliferation of clips purporting to demonstrate the president's senility that people now seem to give him the benefit of the doubt because it's difficult to tell the difference between the fake news produced by AI and actual footage of examples of his cognitive decline.

Mach

Mach (pronounced mak, mahk or moch)

A number indicating the ratio of the speed of an object to the speed of sound in the medium through which the object is moving.  Also known as the Mach number; standard abbreviation is M.

1937: Named after Austrian physicist and philosopher Dr Ernst Waldfried Josef Wenzel Mach (1838–1916) who devised the system of speed measurement based on the Mach number. He’s remembered also as the founder of logical positivism, asserting the validity of a scientific law is proved only after empirical testing.  The Mach number is important in the understanding of fluid dynamics and represents the ratio of flow velocity past a boundary to the local speed of sound (Mach 1.0).  It’s most applied to aircraft which are classified:

Subsonic      Mach <1.0
Transonic     Mach =1.0
Supersonic   Mach >1.0
Hypersonic   Mach >5.0

The speed of sound varies, reducing at higher altitudes and if aircraft exceed about 250 mph (400 km/h), air near the aircraft is disturbed, locally changing the density.  This compression, increasing with speed, alters the force on the aircraft and is of great importance to aerodynamicists and structural engineers.  The Mach number is within the science of fluid dynamics because air is fluid and, at hypersonic speeds, the energy of the airframe affects the chemical bonds which hold together the nitrogen and oxygen molecules of air, the heated atmosphere becoming an ionized plasma of gas.  That’s why spacecraft re-entering earth’s atmosphere need to be insulated from high temperatures.  Mach 1 was first exceeded by an aircraft in level flight in 1947 but man-made objects travelling at that speed had long-existed, even before modern ballistics.  The crack of a whip is actually the sonic boom caused by the tip exceeding Mach 1.

The 1969 Ford Mustang Mach 1

Unlike Ford’s later Boss 302 and Boss 429 Mustangs, both powered by genuine racing engines, 1969’s outwardly similar Mustang Mach 1 was a less ambitious machine for street and strip and available with a variety of engines, one of which, thanks to a little Dearborn mendacity, was very competitive in the then highly popular sport of pro-stock drag-racing.  A moniker like Mach 1 is known in contract law as mere puffery, the notion being that in advertising it's possible to assert things which (1) can be neither proven nor disproven or (2), are so absurd no reasonable person would take them seriously.  In 1969 nobody took literally the idea a Mustang could break the speed of sound which was just as well because, at ground level, Mach 1 is 767 mph (1235 km/h) while the top speed of the most powerful Mustang Mach 1 was about 130 mph (210 km/h) or Mach 0.171.  Actually, most were built for drag-racing and geared for acceleration rather than top-end speed so few were capable of more than around 115 mph (185 km/h) or Mach 0.151.

1969 Ford Mustang Mach 1 with 428 (FE Series) CobraJet V8.

Hankering for a seven litre (427 cubic inch) version, Ford had added their 427 V8 (FE Series) to the Mustang’s option list for 1968 but none were built (although Shelby did one (or two depending on how such things are counted) and an uncertain number were fitted by dealers pursuant to customer request.  Probably now most remembered from service in the Ford GT40 and the AC Shelby Cobra, the 427 was a famously powerful and robust unit, a trophy winner on circuits from Daytona to Le Mans but was also cantankerous, noisy, an oil-burner and, perhaps most importantly for Ford, expensive to build because of its complex lubrication and cylinder width at the extreme limit of the block’s capacity.  It had also reached the end of its development so, until their new Boss 429 V8 (385 series) became available, Ford hotted-up the previously unremarkable 428 V8 (FE), used until then smoothly to propel big luxury cars like the Thunderbird and LTD.  Pleasingly for Ford, the 428 developed for the Mach 1 gained its increased output from bolt-on bits and pieces and was cheap to produce.

1969 Ford Mustang Mach 1 with 351 (Windsor Series) V8.

Belying its dramatic appearance, the nose-heavy 428 Mach 1 was actually pretty bad at just about everything except the straight-line, quarter-mile sprints at which it excelled though Ford cheated to achieve even these 400 metre-long successes.  Upon its debut in 1968, the National Hot Rod Association (drag-racing’s sanctioning body) allocated vehicles to competition classes on the basis of manufacturers’ declared power-outputs.  Ford claimed the new 428 CobraJet generated 335 horsepower which was quite an understatement, something which allowed it to dominate that year’s national championships.  After that, the authorities cracked down and used their own assessments but by then the 428 CobraJet had done its job and such was the glow of the reflected glory that Ford sold over 70,000 Mach 1 Mustangs in 1969.  Not all were equipped with the big block 428 (a 390 cubic inch (6.5 litre) FE was also available which was about as heavy as the 428 but less powerful) and as road cars, those fitted with the small block (Windsor) 351 cubic inch (5.8 litre) V8 were probably more suited to what most people did most of the time.  Ford produced the Mustang Mach 1 between 1969 and 1978 although the 1974-1978 models are not well regarded, the name revived in 2003-2004 for a small production run and in 2021 the Mach 1 returned to the Mustang range.

Thrust SST, Nevada, 1997.

Almost fifty years to the day after US Air Force (USAF) pilot Chuck Yeager (1923-2020), flying a rocket-powered Bell X-1 aircraft, broke the sound barrier in Earth's atmosphere, RAF Pilot Andy Green (b 1962) set the absolute land speed record (LSR) driving the Thrust SST to a speed of 763.035 mph (1,227.985 km/h) over the stipulated flying mile (1.6 km).  It was the first time a land vehicle officially broke the sound barrier.  Powered by two afterburning Rolls-Royce Spey turbofan engines (the same type used by the British version of the F-4 Phantom II jet fighter) developing a net thrust of some 50,000 lb/f (223 kN) which equates to something in excess of 100,000 bhp (76 MW), the Thrust SST's record still stands.  Weighing a impressive 10 tons, at full throttle the fuel burn-rate was some 4.0 gallons (4.8 US gallons; 18 litres) per second or a tiny fraction of a mile per gallon.  Under the LSR rules mandated by the World Motor Sport Council, for a record officially to be sanctioned, there must be two runs in opposite directions within a certain elapsed time and the council confirmed the speed of sound was exceeded on both runs on 15 October 1997 at Black Rock Desert, Nevada (USA).

The only known photograph of the Anglo-French Concorde flying at Mach 2 (at 25,000 feet (7600 m) Mach 2 is 1,356 mph; 2,186 km/h; 1,185 knots), taken from a Royal Air Force (RAF) Panavia Tornado fighter while over the Irish Sea, April 1985.

Machboos

Lindsay Lohan in an interview published in the November 2022 edition of Cosmopolitan magazine revealed her favorite Middle-Eastern dish to cook was machboos, part of Arab cuisine throughout the region and prepared almost always with chicken with rice and vegetables.  A kind of blend of biryani and risotto, the rice is cooked in the spiced broth of the meat or chicken, melding the spices and ingredients.  Rice is a core component of Arabic cooking and interestingly, in Arabic it’s known as ruz but in the Khaleeji dialect it is aish (life) while in Egyptian Arabic, aish refers to bread, an indication of its centrality to the diet.  Like hummus, between nations (and even families) in the Middle East, there’s often disagreement about how machboos should be prepared, most of the arguments revolving around the bzar (the spice mix) but it’s certainly adaptable, able to be served with achaar (mango or lime pickle), daqoos (a spicy tomato sauce), or yoghurt with chopped cucumber and mint.

Ingredients (for serving 4-6) (from Table Tales: Exploring Culinary Diversity in Abu Dhabi (Rizzoli)).

6 tablespoons plain yogurt, divided
2 tablespoons Emirati bzar spice mix, divided
1½ kg chicken, cut into pieces
500 g basmati rice
80 mls vegetable oil
5 cardamom pods, crushed
1 cinnamon stick
10 black peppercorns
2 whole lumi, cracked
450 grams onions, chopped
1 tablespoon ginger, crushed
1 tablespoon garlic, crushed
4 small green chilies, halved
1 teaspoon turmeric
1 teaspoon cumin
1 teaspoon coriander powder
285 grams canned tomatoes, chopped
1 teaspoon salt
Cooking oil as required
450 grams potatoes, peeled and cubed
Handful of fresh coriander, chopped

Garnish

3 tablespoons cooking oil
2 onions, thinly sliced
85 grams raw cashews
55 grams raisins
Fresh coriander, chopped

Instructions

(1) Combine 4 tablespoons of yoghurt with 1 tablespoon of the bzar in a large bowl.  Coat the chicken and then marinade for 1 hour or longer.  Rinse the rice and soak in enough water to cover for 1 hour; drain.

(2) Heat the oil in a Dutch oven over medium heat. Add the cardamom pods, cinnamon stick, peppercorns and lumi and stir for 2 minutes.  Add the onions and sauté until golden.  Add ginger, garlic, and green chilies and stir for 2 minutes.

(3) Add the chicken and marinade and then cook for a few minutes on each side.  Sprinkle in the turmeric, the remaining bzar, cumin, and the coriander powder.

(4) Add the tomatoes, salt, and 2 cups of water; bring to a boil.  Cover, lower the heat, and simmer for 30 to 45 minutes, until the chicken is done.  Transfer the chicken to a roasting pan.

(5) Remove the cinnamon stick and lumi from the stock and discard.  Add the potatoes and fresh coriander and boil until the potatoes are just tender.  Adjust the stock to get a one-to-one ratio with the rice.  Stir in the remaining yoghurt until dissolved and then add the rice.  Seal the Dutch oven with aluminum foil, cover, and cook over low heat for 30 minutes until the rice is done.

(6) Turn on the oven broiler.  Brush the chicken with some oil and broil until golden.  Serve the rice on a platter with the chicken pieces on top.  Garnish with sautéed onions, cashews, raisins, and fresh coriander.

Garnish Instructions

(7) Place a large skillet over medium-high heat and add the oil and onions; sauté until they are dark brown, but not burnt.  Remove the onions with a slotted spoon and drain on paper towels.  Sauté the cashews in the same oil until golden brown.  Finally, add the raisins during the last few minutes to complete.

Gay

Gay (pronounced gey)

(1) Of a happy and sunny disposition (now rare except for historic references although "gay" is sometimes used in this sense when some mischievous ambiguity is sought).

(2) Given to or abounding in social or other pleasures (probably obsolete except for historic references).

(3) Of relating to, or exhibiting sexual desire or behavior directed toward a person or persons of one's own sex (homosexual); technically gender and sex-neutral but use tends now to be restricted to males.

(4) Of, indicating or supporting same-sex interests or issues.

(5) Slang term among certain classes of youth for something thought bad or lame; use now frowned upon in polite society.

1275-1325: From the Middle English gay, from the Old French gai (joyful, laughing, merry), usually thought to be a borrowing of Old Occitan gai (impetuous, lively), from the Gothic gaheis (impetuous), merging with earlier Old French jai (merry) and Frankish gāhi, both from the Proto-Germanic ganhuz and ganhwaz (sudden).  Origin was the primitive geng or ǵhengnh (to stride, step”), from ǵēy or ghey (to go), cognate.  Word was cognate with Dutch gauw (fast, quickly) and the Westphalian Low German gau and gai (fast, quick) which became the German jäh (abrupt, sudden), familiar in the Old High German gāhi.  There is alternative view, promoted by Anatoly Liberman, that the Old French gai was actually a native development from the Latin vagus (wandering, inconstant, flighty) as in French gaine (sheath).  The meaning "full of joy, merry; light-hearted, carefree" existed from the beginning but "wanton, lewd, lascivious (though without any suggestion of homosexuality) had emerged at least by 1630 and some claim it can be traced back to the work of English poet Geoffrey Chaucer (circa 1344-1400).  The word gay has had various senses dealing with sexual conduct since the seventeenth century. Then, a gay woman was a prostitute, a gay house a brothel and, a gay man was a womanizer.  Gay is a noun, verb, adjective & adverb, gayness & gaiety are nouns, gayify is a verb and gayest is an adjective; the noun plural is gays.  Irregular forms like gaydar or gaynessness are coined as required but in many cases, use outside the gay (or in certain cases the the broader LGBTQQIAAOP community) is socially proscribed.

A brief history of gay

There’s a widespread perception that gay shifted meaning from describing happy folk or events to a chauvinistic assertion of group identity as an overtly political act dating from the late 1960s.  The specific use actually dates from the 1920s, the years immediately after the First World War when first it appeared as an adjective.  It was used thus by Gertrude Stein (1874-1946) in Miss Furr & Miss Skeene (1922), becoming widespread in certain circles in US cities by the late 1930s.  Academic literature picked this up and reports of gay as slang began to be cited in psychological journals in the late 1940s.  Later, archivists found the term gay cat existed as early as 1893 among itinerants in north-east American cities and the use clearly persisted, attested to in Erskine's 1933 dictionary of Underworld & Prison Slang.  Nothing is known about the author of this work and the name N. Erskine may be a pseudonym, one assumption being he had served time in prison.

Admiring glance: Lindsay Lohan (right) during her "L" phase with former special friend Samantha Ronson (left). 

It wasn’t gay’s first fluidity in meaning; for centuries it’d been used in reference to various flavors of sexual conduct, ranging from female prostitutes to womanizing(!) men, all while the traditional use continued in parallel.  The most recent shift, essentially an appropriation for political purposes, ended the duality and has become so entrenched this may be final.  This final shift began in the late 1960s and quickly won the linguistic battle, use of gay in the new sense being common, though not universal, throughout the English-speaking world within a decade.  Other things changed too, some quickly, some not.  When in 1974 the American Psychiatric Association (APA) issued the seventh printing of second edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-II (1968)), they (sort of) de-listed homosexuality as a mental disorder although it wasn't wholly removed the publication of until the DSM-III in 1980; legislative changes unfolded over many decades.  One practical effect of removing homosexuality from the DSM's list of mental disorders was that overnight, tens of millions of people instantly were "cured", a achievement which usually would gain someone the Nobel Prize in Physiology or Medicine.

Flying the rainbow flag: Members of Gay Men Fighting AIDS with their pink SPG, London for Pride Parade, 24 June 1995.

In service with both the British and Indian armies variously between 1965-2016, Vickers built 234 of the FV433 "Abbot" 105 mm Self-Propelled Gun (SPG) Field Artillery vehicles, using the existing FV430 platform with the addition of a fully-rotating turret.  The factory project code (and informal military designation) was “Abbot”, in the World War II (1939-1945) British tradition of using ecclesiastical titles for self-propelled artillery (following the Bishop, Deacon & Sexton).  The official model name was “L109” but to avoid confusion with the US-built 155 mm “M109” howitzer, 144 of which also entered British Army service in 1965, this rarely was used.  While the sight of a cluster of gay men atop a pink SPG might have frightened a few, the thought of one in the hands of a pack of lesbians truly is terrifying.    

LGBTQQIAAOP: The Glossary

L: Lesbian: Women attracted only attracted to women.

G: Gay: Men attracted only to men (historically gay can used to describe homosexual men and women but modern convention is still to use lesbian for women although many lesbians self-describe as gay).

B: Bisexual: A person attracted to both sexes.

T:Transgendered: A person who has or is transitioning to the opposite sex, as they were born as the wrong sex, in the wrong body.  The most obvious category to illustrate sex and gender are not synonymous.

Q: Queer: A non-heterosexual person who prefers to call themselves queer.  Often used by those in the queer art movement, especially by those who maintain there is a distinct queer aesthetic.  Queer used to be a term of disparagement directed at certain non-heterosexuals but (like slut in another context), became a word claimed and re-purposed.

Q: Questioning: Someone questioning their sexual orientation, either unsure of which gender to which they’re attracted or not yet ready to commit.

I: Intersex: Anyone anywhere on the spectrum which used to be defined by the term hermaphrodite.  Intersex is now the accepted term and hermaphrodite should be used only where necessary in the technical language of medicine.

A: Asexual: A person not sexually attracted to anyone or anything (sometimes styled as aromantic).

A: Allies: A straight person who accepts and supports those anywhere in the LGBTQQIAAOP range(s).

O: Objectum: A person attracted to an inanimate object.  Curiously, despite being the only category which, by definition, can't harm another, objectum is now the most controversial entry on the spectrum.

P: Pansexual: A person attracted to a person because of their personality; sex and gender are both irrelevant.

The generally accepted oral shorthand used to be “LGBT” but any truncation can suggest issues around the politics of hierarchy and exclusion.  The modern practice seems to be to use variations of “LGBTQI plus” (often written as LGBTQI+).

Hillman Minx, 1955 (Rootes Corporation).  "Go gay" was an advertising slogan and not an editorial imperative; at this time, advertising was carried on the covers of magazines.  It was not until the 1960s that the relationship between cover photography and the news-stand sales of magazines became better understood.