Proxy

Proxy (pronounced prok-see)

(1) The agency, function, or power of a person authorized to act as the deputy or substitute for another.

(2) The person so authorized; substitute; agent.

(3) An authorization, usually in writing, empowering another person to vote or act for the signer, as at a meeting of stockholders.

(4) An ally or confederate who can be relied upon to speak or act in one's behalf.

(5) In computing, short for proxy server.

(6) In computing, as proxy server, an interface for a service, especially for one that is remote, resource-intensive, or otherwise difficult to use directly; technically a proxy server is a piece of software but in casual use the term is often applied also to the hardware on which it’s run.

(7) In the administration of the courts of canon law, the written appointment of a proctor in suits in the ecclesiastical courts.

(8) In science, a measurement of one physical quantity that is used as an indicator of the value of another.

(9) In munitions, a slang term for a proximity device (a mine, torpedo, missile etc) which explodes when in proximity to the target, rather than having to make physical contact.

(10)In geopolitics, as proxy war, a conflict between two or more state or non-state actors conducted on behalf of or with extensive support from other parties not directly participating in the hostilities except as “advisors”

(11) In psychiatry, as Munchausen syndrome by proxy (MSbP), a mental disorder in which a factitious disorder imposed on another for the purpose of gain the attention of medical professionals.  Now technically known as 

1400–1450: From the late Middle English prokesye, proccy & procusie (agency of one who acts instead of another, office or authority of a substitute; letter of power of attorney), a contraction of the Anglo-French procuracie and the Anglo-Norman procuracy & procuration, from the Medieval Latin procuratia, from the Latin prōcūrō (I manage, administer) & prōcūrātiō (a caring for, management) from procurare (manage).  The present participle was proxying, the simple past and past participle proxied and the noun plural proxies.

The meaning "person who is deputed to represent or act for another" is from 1610s whereas of things, "that which takes the place of something else" dates from the 1630s.  The practice of proxy voting has a long history but the term appears first to have been used Rhode Island in 1664 although then it described voters sending written ballots rather than attending the election, as opposed to would now be thought a “true” proxy system, as had be used in the assembly elections of 1647.  Proxy wars date from antiquity but the term seems first to have been used in 1955, during the high Cold War.  In computing, following the proxy server, there exists a whole ecosystem of related products & protocols including caching proxy, closed proxy, complexity-hiding proxy, dynamic proxy, firewall proxy, forward proxy, open proxy, protection proxy, remote proxy, smart-reference proxy, surrogate proxy, synchronization proxy etc.  In just about any field, there seem to be proxy somethings, including proxy statement, proxy indicator, proxy measurement, proxy abuse, proxy battle, proxy bullying, proxy card, proxy marriage, proxy murder, proxy pattern, proxy voting etc.

Munchausen syndrome by proxy (MSbP)

Although the American Psychiatric Association (APA) insist the condition has been re-named factitious disorder in another (FDIA), most still prefer the more poetic Munchausen syndrome by proxy (MSbP).  It also once was called factitious disorder imposed on another FDOA) or factitious disorder by proxy (FDP) but most agree MSbP is best.  Its primary characteristic is the production or feigning of physical or psychological symptoms in another person (usually a young child or sometimes but the proxy subject can be an adult or even an animal) under the care of the person with the disorder. The symptoms are problems which are inexplicable, persistent or resistant to interventions that, based on clinical experience, would have worked, after adequate evaluation and treatment attempts.  MSbP is a variation of Munchausen syndrome (which the APA list as factitious disorder (FD)), a mental disorder in which those affected feign (or sometimes even induce) disease, illness, injury, abuse, or psychological trauma to draw attention, sympathy, or reassurance to themselves.  The name is from the fictional character Baron Munchausen from the 1785 novel Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia, by German author Rudolf Erich Raspe (1736-1794), a collection of extraordinary stories, based (loosely) on the tales told by the real-life Baron Hieronymus Karl Friedrich, Freiherr von Münchhausen (1720-1797).  The real baron was prone to quite some exaggeration in the tales of his travels but never went as far as Herr Raspe who included in his volume the eighteenth century baron flying to the moon.

Factitious disorder (FD) is an umbrella category including a range of mental disturbances in which patients intentionally act physically or mentally ill without obvious benefits.  The fourth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV-TR (2000)) distinguished FD from malingering, which was defined as faking illness when the individual has a clear motive (typically to avoid work, benefit financially or evade legal difficulties).  FD used to be known as "hospital addiction", "pathomimia" or "polysurgical addiction" and variant names for individuals with FD included "hospital vagrants", "hospital hoboes", "peregrinating patients", "problem patients" and "professional patients".

The syndrome has a long tradition.  The English physician Hector Gavin (1815-1855) in 1843 published On Feigned and Factitious Diseases in which he documented, drawing mostly from the records of soldiers and seamen, the means used to simulate or produce symptoms and the best techniques a clinician could use to of uncover impostors.  Two thousand-odd years earlier, the noted Roma physician Aelius Galenus (Galen, 129-216 AD) wrote of six cases in his journals and from then to the present, the medical literature is littered with examples but modern, systematic study didn’t really begin until 1961 when British endocrinologist and haematologist Richard Asher (1912-1969) published a paper.  It had been Dr Asher who, in 1951, had coined the term Munchausen syndrome to describe a chronic subtype of FD and his work is worth reading even by the medically untrained and otherwise uninterested, such is the vivid quality of the writing and the seductive use of language.  It was in these years that the condition began more fully to be understood as distinct from malingering and the term Munchausen syndrome most appropriately refers to the subset of patients who have a chronic variant of FD with predominantly physical signs and symptoms.  In practice, however, many still use the term Munchausen syndrome interchangeably with FD.  The American Psychiatric Association first classified Munchausen syndrome in the third edition of the DSM (DSM-III 1980) so, historically, the condition was under-diagnosed and the current view is these patients feign illness or injury not to achieve a clear benefit, such as financial gain, but rather to gain the sympathy and special attention often given to people who are truly ill.  There is often a willingness to undergo painful or even risky tests and operations in order to obtain this attention.  Munchausen syndrome is considered a mental illness but can just as helpfully be thought a symptom because it is associated with severe emotional difficulties.

The term Munchausen syndrome by proxy was in 1977 coined by British pediatrician Roy Meadow.  Meadow became famous also for the rule he published in his 1977 book The ABC of Child Abuse, which stated that in a single family, "one sudden infant death is a tragedy, two is suspicious and three is murder, until proved otherwise", this coming to be known as "Meadow's Law" and influential among UK social workers and child protection agencies.  His framing of the rule reflected his dogmatism and his reputation suffered as a consequence of his being struck from the British Medical Register by the General Medical Council (GMC) because of the erroneous and misleading evidence he provided in several trials which resulted in wrongful convictions although GMC’s ruling was overturned on appeal, on what might be described as public policy grounds.  Dr Meadow subsequently voluntarily relinquished his registration, thereby ensuring he could not be compelled to appear before the GMC regarding any previous professional conduct.

MSbP however survived the controversy.  Those with FD tend to be women aged 20-40 years and employed in medical fields such as nursing or other discipline where those employed enjoy familiarity with medical technology while those with chronic FD (Munchausen syndrome) are predominately unmarried, white, middle-aged men estranged from their families.  Perpetrators of Munchausen syndrome by proxy are typically mothers who induce illness in their young children although the conduct by fathers or others is not unknown.  The causes of FD, whether physical or psychiatric, are difficult to determine because affected patients are often lost to follow-up when they leave the hospital.  Magnetic resonance imaging (MRI) has been used and abnormalities in the brain structure of some patients with chronic FD have been detected but this does no more than suggest the possibility there may be some biological or genetic factors in the disorder shouldn’t be excluded.  The results of EEG (electroencephalography) studies are usually reported as non-specific and the suggestions for the causes of these disorders cast a wide net including (1) traumatic events and numerous hospitalizations during childhood, (2) FD allows patients to feel in control as they never did in childhood, (3) a coping mechanism, learned and reinforced in childhood and, intriguingly, (4). The “care-eliciting behaviors” theory, a process of unconscious identification with an important person, who genuinely has the pathology the patient is feigning.

Many authors have also underscored the co-occurrence of some pathological personality traits or disorders such as (5) identity disturbance, (6) unstable interpersonal relationships and (7), recurrent suicidal or self-mutilating behaviors which are similar to those encountered in borderline personality disorder.  Also noted have been instances of deceitfulness, lack of remorse, reckless disregard for safety of self, repeated failure to sustain constant work behavior and the failure to conform to social norms but these are common features not only of FD but of many antisocial personality disorders.  There is little agreement or evidence as to what causes Munchausen syndrome or Munchausen syndrome by proxy. Some theories suggest that the patient (or caregiver) may have experienced just about any of the conditions or experiences suffered by those with a variety of mental disorders and there seems to be no one thing or subset either exclusive or predictive.

In the DSM-5 (2013), the FD conditions were placed in the category Somatic Symptom and Related Disorders and the most precise definitional clauses were added, FD assigned to individuals who falsify illness in themselves or in another person, without any obvious gain  This combination of intentional falsification and lack of any obvious gain sets factitious disorder apart from similar conditions, such as somatic symptom disorder (where someone seeks excessive attention for genuine concerns) and malingering (where an individual falsifies symptoms for personal gain).  The condition is noted as both to diagnose and treat and, being rare (1% of individuals in hospital present with criteria matching the disorder), but the prevalence of factitious disorder throughout the general population is unknown.  Diagnosis of factitious disorder often requires a number of investigatory steps in order to accurately identify the condition without wrongful accusation, and treatment options can be both limited and difficult to administer if the individual refuses to admit the deception.  There are four primary criteria for diagnosing factitious disorder:

(1) Intentional induction or falsification of physical or psychological signs or symptoms.

(2) The individual presents themselves as ill, impaired or injured to others.

(3) The deceptive behavior persists even in the absence of external incentives or rewards.

(4) Another mental disorder does not better explain the behavior.

Factitious disorder may be diagnosed as either a single episode or as recurrent episodes (two or more instances of illness falsification and/or induction of injury) and Factitious disorder in another (formerly known as previously called Munchausen syndrome by proxy) may be broadly diagnosed using essentially the same four criteria as:

(1) Intentional induction or falsification of physical or psychological signs or symptoms in another person.

(2) The individual presents another individual (the victim) as ill, impaired or injured to others.

(3) The deceptive behavior persists even in the absence of external incentives or rewards.

(4) Another mental disorder does not better explain the behavior.

As with factitious disorder, factitious disorder in another may be diagnosed as either a single episode or as recurrent episodes (two or more instances of illness falsification and/or induction of injury). With factitious disorder in another, the victim may be assigned an abuse diagnosis as a result of the perpetrator’s behavior or actions.

Zephyr

Zephyr (pronounced zef-uhr (U) or zef-er (non-U))

(1) A gentle, mild breeze, considered the most pleasant of winds.

(2) As a literary device, the west wind personified which should be used with an initial capital letter and not capitalized if referring to some gentle waft.

(3) Any of various things of fine, light quality (fabric, yarn etc), most often applied to wool.

(4) The usual (Westernised) spelling of Ζεφυρος (Zéphuros or Zéphyros), the Greek and Roman god of the west wind.  The Roman name was Zephyrus, Favonius.

(5) A model name used on various cars produced by the Ford Motor Company, including some under the Lincoln and (the now defunct) Mercury brands.

Circa 1350: From the Middle English zeferus & zephirus, from the Old English zefferus, from the Latin zephyrus, from the Ancient Greek Ζέφυρος (Zéphuros or Zéphyros) (the west wind), probably from the Greek root zophos (the west, the dark region, darkness, gloom).  The Latin Zephyrus was the source also of zéphire (French), zefiro (Spanish) and zeffiro (Italian).  The plural is zephyrs and the derived term is zephyrette (capitalised and not); the alternative spellings were zephir & zefir.  The casual use in meteorology dates from circa 1600.  While, as Zephyr, classically something warm, mild and occidental, zephyr can be used to refer to any gentle breeze or waft where the wish is to suggest a wind not strong as in a gust, gale, cyclone, blast, typhoon or tempest, the adjectival form being zephyrean.

Cupid and Psyche (1907) by Edvard Munch (1863–1944).

In Greek mythology, Ζεφυρος (transliterated as Zéphuros or Zéphyros) was the god of the west wind, one of the four seasonal Anemoi (wind-gods), the others being his brothers Notus (god of the south wind), Eurus (god of the east wind) and Boreas (god of the east wind).  The Greek myths offer many variations of the life of Zephyrus, the offspring of Astraeus & Eos in some versions and of Gaia in other stories while there were many wives, depending on the story in which he was featured.  Despite that, he’s also sometimes referred to as the “god of the gay”, based on the famous tale of Zephyrus & Hyakinthos (Hyacinthus or Hyacinth).  Hyacinth was a Spartan youth, an alluring prince renowned for his beauty and athleticism and he caught the eye of both of both Zephyrus and Apollo (the god of sun and light) and the two competed fiercely for the boy’s affections.  It was Apollo whose charms proved more attractive which left Zephyrus devastated and in despair.  One day, Zephyrus chanced upon the sight of Apollo and Hyacinth in a meadow, throwing a discus and, blind with anger, sent a great gust of wind at the happy couple, causing the discus to strike Hyacinth forcefully in the head, inflicting a mortal injury.  Stricken with grief, as Hyacinth lay dying in his arms, Apollo transformed the blood trickling to the soil into the hyacinth (larkspur), flower which would forever bloom in memory of his lost, beautiful boy. Enraged, Apollo sought vengeance but Zephyrus was protected by Eros, the god of love, on what seems the rather technical legal point of the intervention of Zephyrus being an act of love.  There was however a price to be paid for this protection, Zephyrus now pledged to serve Eros for eternity and the indebted god of the west wind soon received his first task.  There are other tales of how Cupid and Psyche came to marry but in this one, with uncharacteristic clumsiness, Cupid accidently shot himself with one of his own arrows of love while gazing upon the nymph Psyche and it was Zephyrus who kidnapped her, delivering his abducted prize to Cupid to be his bride.

Chloris and Zephyr (1875) by William-Adolphe Bouguereau (1825-1905), Musee des Beau-Arts of the Musées Mulhouse Sud Alsace.

Zephyros was in classical art most often depicted as a handsome, winged youth and a large number of surviving Greek vases are painted with unlabeled figures of a winged god embracing a youth and these are usually identified as Zephyros and Hyakinthos although, some historians detecting detail differences list a number of them as being of Eros (the god of Love) with a symbolic youth.  Although sometimes rendered as a winged god clothed in a green robe and crowned with a wreath of flowers, in Greco-Roman mosaics, Zephyros appears usually in the guise of spring personified, carrying a basket of unripened fruit.  In some stories, he is reported to be the husband of Iris, the goddess of the rainbow and Hera’s messenger and in others, Podarge the harpy (also known as Celano) is mentioned as the wife of Zephyrus but in most of the myths he was married to Chloris.  Chloris by most accounts was an Oceanid nymph and in the tradition of Boreas & Orithyia and Cupid and Psyche, Zephyrus made Chloris his wife by abduction, making her the goddess of flowers, for she was the Greek equivalent of Flora, and living with her husband, enjoyed a life of perpetual spring.

Lincoln Zephyr V12, 292 cubic inches (4.4 litre).  It was the last of the American V12s.

In the inter-war era, the finest of the big American cars, the Cadillacs, Lincolns, Packards and Duesenbergs, offered craftsmanship the equal of anything made in Europe and engineering which was often more innovative.  The 1930s however were difficult times and by mid-decade, sales of the big K-Series Lincolns, the KA (385 cubic inch (6.3 litre) V8) and KB (448 cubic inch (6.3 litre) V12) were falling.  Ford responded by designing a smaller, lighter Lincoln range to bridge the gap between the most expensive Ford and the lower-priced K-Series Lincolns, the intention originally to power it with an enlarged version of the familiar Ford V8 but family scion Edsel Ford (1893–1943; president of the Ford Motor Company 1919-1943), decided instead to develop a V12, wanting both a point of differentiation and a link to K-Series which had gained for Lincoln a formidable reputation for power and durability.  Develop may however be the wrong word, the new engine really a reconfiguration of the familiar Ford V8, the advantage in that approach being it was cheaper than an entirely new engine, the drawback the compromises and flaws of the existing unit were carries over and in some aspects, due to the larger size and greater internal friction, exaggerated.

Lincoln Zephyr V12, 267 cubic inches (4.4 litre).

The V12 however was not just V8 with four additional pistons, the block cast with a vee-angle of 75^o rather than the eight’s 90^o, a compromise between compactness and the space required for a central intake manifold and the unusual porting arrangement for the exhaust gases.  The ideal configuration for a V12 is 60^o and without staggered throws on the crankshaft, the 75^o angle yielded uneven firing impulses, although, being a relatively slow and low-revving unit, the engine was felt acceptably smooth.  The cylinder banks used the traditional staggered arrangement, permitting the con-rods to ride side-by-side on the crank and retained the Ford V-8’s 3.75 inch (90.7 mm) stroke but used a small bore of just 2.75 inches (69.75 mm), then the smallest of any American car then in production, yielding a displacement of 267 cubic inches (4.4 litres), a lower capacity than many of the straight-eights and V8s then on the market.

1941 Lincoln Zephyr coupe in Darian Blue.

The V12 was introduced in 1936 in the new Lincoln Zephyr, the name chosen to emphasize the wind-cheating qualities of the modernist styling which, with a raked windscreen and integrated fenders, was among the more successful of the streamlined, aerodynamic designs which followed the Chrysler Airflows which had encountered such market resistance.  A relatively low-weight and the presumed aerodynamic efficiency permitted more than respectable performance by the standards of the time but the engine did suffer teething troubles.  Because the exhaust system was routed through the block to four ports on each side of the engine, cooling was from the beginning the problem it had been on the Ford V8, only on a larger scale.  Although the cooling system had an apparently impressive six-gallon (22.7 litre) capacity, it quickly became clear this was under certain conditions marginal and the radiator grill was soon extended to increase airflow.  Nor was lubrication initially satisfactory, the original oil pump found to be unable to maintain pressure when wear developed on the many bearing surfaces; it was replaced with one that could move an additional gallon (3.79 litre) a minute.  Most problems were resolved during the first year of production and the market responded to the cylinder count, competitive price and styling; after struggling to sell not even 4000 of the big KAs in 1935, Lincoln produced nearly 18,000 Zephyrs in 1936, sales growing to over 25,000 the following year.  Production between 1942-1946 would be interrupted by the war but by the time the last was built in 1948, by which time it had been enlarged to 292 cubic inches (4.8 litre (there was in 1946, briefly, a 306 cubic inch (5.0 litre) version) over 200,000 had been made, making it the most successful of the American V12s.  It was an impressive number, more than matching the 161,583 Jaguar built over a quarter of a century (1971-1997) and only Daimler-Benz has made more, their count including both those used in Mercedes-Benz cars and the the DB-60X inverted V12 aero-engines famous for their wartime service with the Luftwaffe.  

1969 Ford (UK) Zephyr Zodiac Mark IV.

Lincoln ceased to use the Zephyr name after 1942, the V12 cars after then advertised simply as Lincolns, distinguished in name only by the coachwork.  The Zephyr badge was in 1950 revived by Ford of England for their line of mainstream family cars, augmented after 1953 by an up-market version called the Zodiac, noted for its bling.  The first three generations (1950-1966) were well-regarded (the Mark III (1962-1966) in most ways a superior car to the contemporary US Ford Falcon) and enjoyed success in both the home and export markets but the Mark IV (1966-1972), despite a tantalizingly advanced specification and offering a lot of metal for the money, proved so ghastly the name was retired when the range was replaced.  Not having suffered the tainted Mark IV Zephyrs, Ford felt it safe to recycle the Zephyr name in the US, firstly on the bland Mercury clone (1978-1983) of the (US) Ford Fairmont and finally, for a single year in 2006, on an undistinguished Lincoln which was almost immediately re-branded the MKZ.  There have been no Zephyrs since.

Lindsay Lohan resisting a zephyr's efforts to induce a wardrobe malfunction, MTV Movie Awards, Los Angeles, 2008.

Masquerade

Masquerade (pronounced mas-kuh-reyd)

(1) A party, dance, or other festive gathering of persons wearing masks and other disguises, and often elegant, historical, or fantastic costumes.

(2) A costume or disguise worn at such a gathering.

(3) A false outward show; façade; pretense.

(4) An activity, existence etc, under false pretenses.

(5) To go about under false pretenses or a false character; assume the character of; give oneself out to be; a pretentious display.

(6) To disguise oneself.

(7) To take part in a masquerade.

(8) Figuratively, an assembly of varied, often fanciful things.

(9) A dramatic performance by actors in masks; a mask or masque (obsolete).

(10) A Spanish entertainment or military exercise in which squadrons of horses charge at each other, the riders fighting with bucklers and canes (always rare, now obsolete).

(11) In military jargon, to conceal (artillery pieces etc) from the view of the enemy.

1560s: The noun "assembly of persons wearing masks and usually other disguises" was from the Middle French mascarade, masquerade & masquerade (the modern French is mascarade (masquerade, masque; farce)), or the Spanish mascarada (masked party or dance) (sometimes as masquerada & mascarado), from the Italian mascarata (a ball at which masks are worn), a variant of the etymon Upper Italian mascherata (masquerade) from maschera (source of mask), from the Medieval Latin masca (mask).  The English word was cognate with Late Latin masquarata, the Portuguese mascarada and the Spanish mascarada.    Some sources insist the supposedly Spanish derivatives of the French were actually “pseudo-Spanish” but in Spanish mascara was anyway “a mask”.  The spelling maskerade has been obsolete since the late 1600s although the synonym masque endured beyond another two centuries.  The verb was derived from the noun and the extended sense of a "disguise in general; concealment or apparent change of identity by any means" dates from the 1660s; the figurative sense of "false outward show" emerging during the next decade.

The related verb forms (used without object) were masqueraded & masquerading and masquerader was a noun, the adjective masqueradish and the adverb masqueradingly both rare; the plural was masquerades (also attributively).  Words vaguely similar, if not actual synonyms, include carnival, circus, cloak, color, costume, cover, cover-up, deception, dissimulation, domino, facade, festivity, front, guise, impersonation, imposture, mask, mummery, personation & pose.

Curiously, although the word appears not to have entered English for another half-century, the masquerade (masked ball, festive entertainment in which participants wear a disguising costume) was known in French since the 1510s.  It developed to mean an "amateur theatrical performance" in the 1560s, such entertainments popular (and performed originally in masks) with the Elizabethan nobility.  The military sense to describe a type of camouflage used to conceal field pieces such as cannons dates from 1706 and, in the army way of things, was quickly shortened to “mask”.

Masked Ball at the Opera (1873) by Edouard Manet (1832–1883).

Much associated with the tradition of the Venetian Carnival, masquerade balls (maschera in the Italian) moved from the ballroom to become costumed public festivities in Italy during the sixteenth century Renaissance although they never lost the perception of the link with the upper classes.  As they spread to France and England, they also took with them their fashionable status and, expensive & exclusive, they soon became one of the most preferred gatherings for the urban elite of Paris and London which constituted a genuinely new economic and social structure but, although symbolizing extravagance, whether there was ever the extent of sexual frivolity, debauchery, and gender subversion that was suspected then and has often been the depiction in latter-day popular culture, is at least uncertain.

The perception of there being something wrong surfaced early, clergy and the other usual suspects assuming the anonymity and sexual mixing of the masquerade must obscure the gender restraints they thought proper.  The satirical artists of the time lent weight to the vicars’ vexations, prints of masquerade balls showing women often scantily clad and leaning towards men with immodest intention: gender roles not just fluid but actually reversed, women asserting sexual power.  Henry Fielding’s (1707–1754) first published poem, The Masquerade (1724), highlighted the subversive power of the masks.

here, in one confusion herl'd,

seem all the nations of the world,

Cardinals, quakers, judges dance;

Grim Turks are coy, and nuns advance,

Grave churchmen here at hazard play;

So for his ugliness more fell,

Was H-d-g-r toss'd out of hell,

And in return by Satan made

First Minister of masquerade.

Lindsay Lohan in masquerade mask.

Reading Fielding, that middle-class moralist, it seemed that when masked in the company of masked men, women tainted their innocence and some feared that were women to taste sexual freedom, who knew where that might lead.  The masquerade, like many things which broke barriers of class, gender, and ethnicity by at least appearing to challenge social norms, induced one of the moral panics at which the English excel.  The clergy would preach from their pulpits of the "evils of the masquerade" and if that didn’t get through to the congregation, pamphleteers passed out their papers on the streets, warning of corruption and depravity.  Perhaps conflicted, because their presses printed advertisements and tickets for the very masquerades they claimed to oppose, newspaper editors wrote scathing editorials and the civil authorities responded with a predictably selective suppression, The Weekly Journal of 10 April 1775 describing with some relish the forcible breaking-up of a masquerade described as a gathering of "Chamber-Maids, Cook-Maids, Foot-Men, and Apprentices".  It seems the idea of a massed gathering of the working class in masks was a threatening thing; there’s no record of the events hosted by the gentry being disturbed.

Masqueraders (circa 1880 by Raimundo de Madrazo y Garreta (1841-1920).

The concerns however persisted and the masquerade was just one example of what was seen as an epidemic of unwholesome foreign influences which had of late landed upon English shores.  Returning to his theme, in a submission to An Enquiry into the Causes of the Late Increase of Robbers, Henry Fielding wrote that, "bad Habits are infectious by Example, as the Plague itself by Contact" and the masquerade being foreign meant it was suspect, like much of the diabolical and unwelcome cultural epidemic spread from Italy, France and the Orient.  In a 1724 sermon, the Bishop of London blamed the presence of the masquerade on English soil on a certain "ambassador of a neighboring nation” and went on to preach that the masquerade was a plot devised by France to "enslave true Englishmen by encouraging in them licentious and effeminacy" and journalists pursued the idea of continental corruption, noting the masquerade began in "hot countries notorious for Lewdness”.  There was even a conspiracy theory, one writer suggesting this “foreign diversion" was a European plot to neutralize the beauty of English women by forcing them to "hide their charms with a mask".

The fear of women enjoying sexual licence was the problem.  Those in the anti-masquerade movement equated attending the masquerade with the sexual act itself, just another expression of the double standards in eighteenth-century English culture, the presence of women at masquerades thought something heinous, while that of men, though hardly condoned, was more or less tolerated.  Some female critics were more pragmatic.  Writing in The Female Spectator Eliza Haywood (circa 1693–1756) advised her female readers that "women of honour" not only should not attend the masquerade but "shun the gentlemen who were so depraved as to offer them tickets".  On the other hand, she advised her male readers not against going to the masquerade themselves but against bringing their wives or sisters, lest their mistress might also be in attendance.  Undeniably sound advice.

Nineteenth century drawing, Lisbon earthquake, 1755.

It was an act of God which drove a stake through the heart of the English masquerade.  On November 1, 1755 an earthquake destroyed much of the city of Lisbon, killing thousands.  As news spread, the anti-masquerade movement spoke out publicly, claiming the earthquake was visited upon the Portuguese for their sin and corruption, the very thing that had spread to England.  Whether those in government took this analysis too seriously isn’t known but they certainly reacted to the public outcry the mob’s rantings summoned and masquerades were banned for a year.  Although there were spasmodic attempts at revivals, the popularity suffered and it was by the late eighteenth century extinct in England, not to return for more than a hundred years.

Troop

Troop (pronounced troop)

(1) An assemblage of persons or things; company; band.

(2) A great number or multitude.

(3) In historic military use, (usually) an armored cavalry, cavalry or artillery battery consisting of two or more platoons and a headquarters group.

(4) As troops, a body of soldiers, police etc.

(5) A unit of Boy Scouts or Girl Scouts usually having a maximum of 32 members under the guidance of an adult leader.

(6) A herd, flock or swarm of some living creatures.

(7) A band or troupe of actors (archaic).

(8) To gather in a company; flock together.

(9) To come, go, or pass in great numbers; throng; to walk, as if in a march; go; to walk, march, or pass in rank or order:

(10) To associate or consort (usually followed by with).

(11) In British military use, to carry (the flag or colors) in a ceremonial way before troops (used also by the military in some countries where military traditions have been influenced by the British).

(12) To assemble or form into a troop or troops.

(13) An alternative spelling of troupe (archaic).

(14) In British military slang, formerly to report a soldier for a breach of discipline (archaic).

(15) An alternative word for consort (archaic).

(16) The collective noun for a group of baboons.

(17) In music, a particular roll of the drum; a quick march.

(18) In mycology, mushrooms that are in a close group but not close enough to be called a cluster.

1545: From the French troupe, from the Old French trope (band of people, company, troop, crowd), of uncertain origin but perhaps from the Frankish throp (assembly, gathering of people), from the Proto-Germanic þurpą (village, land, estate), from the primitive Indo-European treb- (dwelling, settlement) or a back-formation of troupeau, diminutive of the Medieval Latin troppus (flock) and Middle French troupe, from which Modern French gained troupeau (herd)), the construct being trop- (from the Germanic form thorp) + -el, from the Latin –ellus, the diminutive suffix.  There may have been some connection with the Old English ðorp or the Old Norse thorp (village) and the Oxford English Dictionary (OED) suggest the French form was from the Latin troppus (flock) of unknown origin but may also have been picked-up from the (speculative) Germanic source.  Doublet of troupe, and possibly also of thorp and dorp; it was cognate with the German Dorf (village).

It came to be applied to groups of animals in the 1580s, the military adoption for a “subdivision of a cavalry force" dating from the same time, the general use of ‘troop” to describe any “armed forces” attested from the 1590s.  Troops were part of the structure in the Boy Scouts from the organization's beginnings in 1908, the Girl Scouts emulating this upon formation four years later.  In modern use, the spelling troupe has assumed the exclusive use of describing a company of actors, singers, acrobats or other entertainers and performers.

The noun troop is a linguistic curiosity.  It’s used as a collective noun (a troop of girl-scouts) and in the noun plural (the troops) but not as a noun singular (one doesn’t refer to individual troops as “a troop”) but there is the noun singular “trooper”.

Military and Para-military use

The troop as a military sub-unit continues to exist in some armed and police forces but tends now not in general to be part of military structures.  It was originally a tactical group, a small formation of cavalry, part of a squadron deployed on a battlefield for a specific action and it’s in that sense that use persists, a troop sometimes an alternative term for an infantry section or platoon.  There are historic exceptions in the US Cavalry and the British Army where a troop can be an infantry company or artillery battery.

The Australian Army uses the term, a troop a platoon sized element and the general term for army personnel (and literally the private soldier) is trooper.  Technically, it’s only the Special Air Service Regiment (SASR; special forces) of the Royal Australian Infantry Corps which uses troop to refer to its platoon size formations but it remains common slang.  As a general principle, where used in the military, a troop tends to be platoon-sized except in the US Cavalry, where it’s equivalent to a company (ie three to four platoons) and, when combined, these form a regiment, the change in nomenclature dating from 1883.

Para-military use: A troop of girl scouts (or guides) selling biscuits (or cookies).

In civilian use, many US police forces use troop and trooper because they modelled their command structures along military lines, the same reason the Boy Scouts and Girl Scouts adopted the form although, in these less robust times, it’s become common, especially with the latter, to replace troop with company, the now less-fashionable military connection being less overt.

One exception was the Salvation Army which never used troop, either as an organizational unit or in the collective to describe its members although, it was common to refer to them as "Christian soldiers".  They did use military ranks and some of the structural terms (such as corps and division) were adopted but never troop.

Karen

Karen (pronounced kar-uhn (kahr-ren or kuh-ren for the given name))

(1) A group of people of eastern and southern Burma (Myanmar).

(2) One of these people.

(3) The language of the Karen, a Tibeto-Burman language of the Sino-Tibetan family.

(4) Of or relating to the Karen people or their language.

(5) A female given name, originally a form of Katherine.

(6) A general purpose pejorative term used to disparage white, middle-class, middle-aged women.

1759: The original spelling was Carian, from the Burmese ka-reng (wild, dirty, low-caste man), a not entirely affectionate local descriptor of the Mongoloid people of Burma.  For the ethnic group, the noun plural is Karens, (especially collectively) or Karen; for all other uses it’s Karens. 

1800s: The feminine proper name entered English from the Danish Karen, a vernacular form of Catherine & Katherine that arose in medieval Denmark.  Rare in the English-speaking world before 1928, it first became popular during the 1940s and was consistently in the top-ten for girls born in the United States between 1951-1968, and was the third most popular girl's name in 1965.  That proved to be peak-Karen and its use rapidly declined to be negligible.  Used in the Danish, Arabic, Dutch, Hebrew, Norwegian, German and English languages, variants (mostly German, Austrian & the Nordic countries) include Caja, Kaja (Danish), Caren, Caryn, Karena, Kaat, Karin, Karyn (and dozens of others), it has since 1945 also been used in Japan, China, Malaya (later Malaysia) and the Philippines.

Karen can also be a family name (surname).  In Armenian, Karen (Կարեն) (kɑˈɾɛn) is a common masculine given name, derived from the Parthian name of the House of Karen (or Caren) which ruled the Tabaristan region, corresponding (approximately) to the provinces of Gilan and Mazandaran.  The House of Karen (Kārēn in the Middle Persian; Kārēn in the Parthian & Persian (کارن‎), Kārin or Kāren, known also as Karen-Pahlav (Kārēn-Pahlaw)) was one of the seven great houses during the rule of the Parthian and Sassanian Empires.  The masculine given name Garen is a western Armenian form of the eastern Armenian Karen.

One spelling used in both Germany and the Nordic countries is Carin.  The Swedish-born Countess Carin von Kantzow (1888-1931) was the first wife of Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) and the palatial country house (construction of which was paid for by the state) he had built during the 1930s was “Carinhall” in her memory.  Carinhall sat in the grounds of his large hunting estate (another gift from the state) in the Schorfheide Forest, north-east of Berlin and was the site of many events in which he showed off his varied tastes in clothing (including Roman togas and painted toenails) and sybaritic lifestyle.  What went on at Carinhall was the subject of much gossipy humor in political & diplomatic circles and the more austere Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) once suggested to a visitor: “You should visit Göring at Carinhall, a sight worth seeing.”.  He later had a much smaller lodge built after marrying his second wife (Emma “Emmy” Sonnemann (1893–1973)); that he named “Emmyhall”.  In 1945, as the Red Army approached, Göring had Carinhall destroyed with explosives and only a few ruins now remain.

Hitler and Göring at Carinhall. The reaction of more conventional types to Göring’s appearance and behaviour was captured by an entry in the memorable diary of Count Galeazzo Ciano (1903–1944; Italian foreign minister 1936-1944 (and the son-in-law of Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943)).  The occasion was the Reichsmarschall’s visit to Rome early in 1942, seeking Italian reinforcements for the faltering campaign in Russia:

“As usual he is bloated and overbearing.  We had dinner at the Excelsior Hotel, and during the dinner Goering talked of little else but the jewels he owned. In fact, he had some beautiful rings on his fingers.  On the way to the station he wore a great sable coat, something between what automobile drivers wore in 1906 and what a high-grade prostitute wears to the opera.”

Beware of the edgy bob

Karen is a pejorative term used in the English-speaking world to disparage white, middle-class, middle-aged women on the basis of their sense of entitlement and demanding behavior.  It’s thus a particular critique of white privilege and is especially associated with a certain bob cut hairstyle, now known in the industry as the speak to the manager.  The origins are murky and the Karen in its now understood term is really a coalesced form from a number of threads to define characteristics like "entitlement, selfishness, a desire to complain" with stereotypical behavior being demanding to “speak to the manager”, usually about some trivial matter.  A creation of social media, the evolution from its point of critical-mass has (presumably coincidently) run in parallel with COVID-19; in November 2019, Google reported fewer than 20,000 instances of use which, by July 2020 had increased to over eight million.  It has origins in the mid-2010s as a way for people of color, particularly African-Americans, to satirise the class-based and racially charged hostilities and micro-aggressions they often face and in that it was different from the BLM (black lives matter) movement in that it focused not on violence but on instances of casual-racism, always by women perceived to be of a certain age and class.  Earlier instances were tied to specific events captured on the suddenly ubiquitous smartphones, yielding the predictably alliterative Permit Patty, BBQ Becky and Golfcart Gail but, in 2018, the trend distilled into Karen, an apparently quintessentially white name.

Except in Scandinavia, Karens are dying out.

Quite how "Karen" should be classified attracted feminist deconstruction. Although used exclusively in a pejorative manner toward a person of a specific race and gender, the subject, although female, is not one historically associated with discrimination in this context and thus the critical descriptive tools really didn’t exist.  The conclusion seemed to be this was just another way to silence women, denying them a right to speak.  The more radical feminist left, attracted more to intersectionality, suggested it was "sexist, ageist, and classist”, although, despite being deployed only against white women, it couldn’t, as a matter of law in most Western jurisdictions, be thought racist as such although, because the targets of many Karens were depicted as minorities, it did fit into the general rubric of the critique of white privilege.  Use seems to have peaked in 2020 but "a Karen" is still often heard.