Section

Section (pronounced sek-shuhn)

(1) A part cut off or separated.

(2) A distinct part or subdivision of anything (object, data set, country, social class, military establishment et al).

(3) In text, a distinct part or subdivision within a document or set of documents (periodicals, newspapers, legal codes et al), the idea emulated in many forms of broadcasting.

(4) One of a number of parts that can be fitted together to make a whole or a larger component.

(5) An act or instance of cutting; separation by cutting.

(6) In surgery, the making of an incision or the physical incision (in medical slang, “section” & “Caesar” contest the right to be the colloquial short form for “Caesarean section” with the latter apparently the winner.

(7) In pathology, a thin slice of a tissue taken for microscopic examination (sometimes called a specimen although section has a specific technical meaning related to its suitability for use in microscopy.

(8) In all physical sciences, a slice or part (of a mineral, metal, plant etc) removed for examination or other purposes.

(9) A graphical or mathematical representation of an object as it would appear if cut by a plane, showing its internal structure (in architecture, engineering etc).

(10) In geometry, a plane surface formed by cutting through a solid; the shape or area of such a plane surface.

(11) In geology, a sequence of rock layers.

(12) In North American land law (some jurisdictions in US & Canada), an area one mile square (640 acres; 2.6 km²; 259 hectares).

(13) In New Zealand land law a plot of land (of varying size) for building on, especially in a suburban area

(14) In military establishments, classically a small unit (as few as 6-8) consisting of two or more squads (as few as 2+3), several squads when assembled comprising a platoon (terminology and numbers vary greatly between militaries and branches within).

(15) In military terminology any small tactical grouping, either standing or created ad-hoc for specific missions; as “staff section”, the administrative and organizational apparatus attached to an operational unit or units.

(16) In the design of carriages for railroads, a division of a sleeping car containing both an upper and a lower berth.

(17) In railroad administration, a length of track, roadbed, signal equipment etc, maintained by one crew.

(18) In mass-transit, any of two or more trains, buses, trams etc, running on the same route and schedule at the same time, one right behind the other, and considered as one unit, as when a second is necessary to accommodate more passengers than the first can carry.

(19) In mass transit (Australia & New Zealand), a fare stage on a bus, train or tram etc (similar to the sectors used by airlines).

(20) In botany, a segment of a naturally segmented fruit, as of an orange or grapefruit.

(21) In botany, a taxonomic rank below the genus (and subgenus if present), but above the species.

(22) In zoology, an informal taxonomic rank below the order ranks and above the family ranks.

(23) In art, as “sectional art”, a single work designed to be displayed as separate pieces (as opposed to the single piece collage or montage (made from many components) or the diptych, triptych, polyptych etc (where all the pieces are in some way attached to create a (usually) symmetrical whole.

(24) In music, a division based on the instruments used or their purpose (rhythm section; brass section; string section et al).

(25) In music, an extended division of a composition or movement that forms a coherent part of the structure.

(26) In publishing, as the section mark (sometimes called the signature), a mark used to indicate a subdivision of a book, chapter etc or as a mark of reference to a footnote (the symbol § denotes a section in a document)

(27) In bookbinding (sometimes called the signature, gathering, gather or quire) a folded printing sheet or sheets ready for gathering and binding.

(28) In live theatre, one of a series of circuits for controlling certain lights (footlight, down-lights et al).

(29) In category theory, a right inverse.

(30) In some jurisdictions, a mechanism by which a mentally disturbed person may be confined in an institution (under appropriate statute) for examination to determine whether a longer or permanent order of confinement is justified.

(31) In military slang (as “to section” or “section 8”), to dismiss an individual from the service on mental health grounds.

1550-1560: From the Middle English seccioun (in astronomy, “the intersection of two straight lines; a division of a scale”), from the Old French section, from the Latin sectionem (stem of sectiō) (a cutting; cutting off, excision, amputation of diseased parts of the body etc), from sectus, past participle of secāre (to cut), from the primitive Indo-European root sek (to cut).   The construct was sec(t) (āre) + -iōn.  The meaning “a part cut off or separated from the rest” dates from the early fifteenth century while that of a “drawing representing something as if cut through” was from the 1660s.  In English, from the 1550s, there was the sense of “an act of cutting or dividing”; that is now archaic or preserved only in some aspects of engineering and in medical phrases, most famously the Caesarian section.  The meaning “a subdivision of a written work, statute etc” was first noted in the 1570s when the structure in publishing was (more or less) standardized: books divided into chapters, chapters into sections and sections into paragraphs or breaks, a system still reflected by modern word-processing software.  Section can have defined meanings (such as in publishing or land law) but the in general use the synonyms include cut, division, snippet, part, segment, slice, piece & specimen.  Section is a noun & verb, sectionalism & sectionality are nouns, sectioning is a noun & verb, sectional & sectionary are nouns & adjectives, sectioned is a verb (and a non-standard adjective), sectionable is an adjective and sectionally is an adverb; the noun plural is sections.

Three-piece sectional art, distinguished a triptych in that the three sections are hung separately.  Some commercial galleries do describe such products as "triptychs" because the word has such an association with "high art". 

In music, although functionally the distinctions had long been understood, the idea of sections in a band or orchestra didn’t come into use until the 1880s (the sections either by type (strings) or function (rhythm).  The use of section to describe the one square mile (640 acres) blocks used for purposes of sub-dividing public lands dates from 1785.  The famous “section 8” began as World War II (1939-1945) US military slang referring to the passage in army regulations under which as soldier could be discharged from the service for reasons of mental illness (not necessarily defined as insanity).  The verb section came into use in publishing in the early nineteenth century in the sense of “divide a text into sections”, extended by the 1890s to “cut through so as to present a section”.  The adjective sectional in the sense of “pertaining to a division of a larger part” was first noted in 1806 but it is mere coincidence this was the year in which the thousand year old Holy Roman Empire was dissolved.  It originally did mean “of or pertaining to some particular section or region of a country as distinct from others”, something would soon often be heard in the US political vocabulary in the decades leading up to the Civil War (1861-1965).  The noun sectionalism emerged in parallel an originally meant “sectional prejudice or spirit; the clashing of sectional interests” but it soon added the sense “a confinement of interests to a local sphere”.  It was in use in US English by 1836 but, again under the influence of those forces which would lead to the Civil War, it was in frequent use by the mid-1850s.

The meaning “composed or made up of several independent sections that fit together” was in use in engineering and other mechanical fields by the mid-eighteenth century.  The specific noun meaning “piece of furniture composed of sections which can be used separately” appeared in the early 1960s (a clipping of sectional seat, sectional sofa etc in use since 1949) but the preferred modern descriptor is “modular”.  The noun cross-section (section of something made by a plane passing through it at a right angle to one of its axes) dates from 1748 and was first applied to the sketches and plans of engineers and architects.  In the early twentieth century, it picked up the figurative sense of “a representative sample”, emerging apparently in the social sciences before entering general use.  The noun subsection (also as sub-section) (part or division of a section) dates from the 1620s.  The noun midsection (also as mid-section) (middle of the human body, the midriff or belly) was coined in the 1930s for commercial purposes.  Other forms (quarter-section, half-section, multi-section, un-sectioned, bisection etc were coined as the need arose.

Lindsay Lohan in sections, hung above a "sectional sofa".  "Sectional furniture" was first advertised in the late 1940s and offered more flexibility in that the pieces could be assembled in a variety of configurations, better to suit the available space.  The modern trend is to describe such pieces as "modular furniture" but the art is still sectional; modular art is something different. 

The military slang (as “to section” or “section 8”) referred to World War II (1939-1945) US Army regulations (detailed in Section VIII) under which an individual could be dismissed from the service on mental health grounds.  These grounds provided for the discharge of men who were deemed mentally unfit for military service so didn’t exactly follow the conventions followed in civilian medicine; proven (or confessed) homosexuality could for example be the grounds for a Section VIII discharge.  The term entered popular culture in the post-war years when it was used in fictional depictions of military life, often as a humorous device following the attempts of soldiers to be “sectioned” as a way out of the military.  Most militaries have since adopted practices which align more closely with the mainstream handling of mental health conditions.

The Caesarian section (delivery of a baby by cutting through the abdomen of the mother) was apparently first described as “a section” in 1923 although “a Caesar” seems to be the preferred modern medical slang.  The operation had first been documented in the 1530s and the name was based on that supposedly being the method by which Julius Caesar (100-44 BC; Roman general and dictator of Rome 49-44 BC) was delivered.  Modern thought has rejected that notion and the legend thus also accounts for the historic tracing of his cognomen to the Latin caesus, past participle of caedere (to cut).  If there’s any basis to this, it may have been an ancestor who was so born because Caesar's mother lived to see his adulthood and there’s no record of any woman in antiquity surviving the procedure which was performed usually when the mother had already died.  Modern medical analysts concur with the improbability of the link and the first known attempt to on a live woman was in the early sixteenth century and as late as the 1800s, before antiseptics and blood transfusions were routinely available, there was a 50% mortality rate.

Maiden

Maiden (pronounced meyd-n)

(1) A girl or young unmarried woman; a maid (archaic but still in literary and poetic use).

(2) A female virgin (archaic); used also of unmarried young females in the sense of a “bachelorette” (a spinster being “a maiden aunt”).

(3) In horse racing, a horse which has never won a race.

(4) In horse racing, a race open only to maiden horses.

(5) As “clothes maiden”, a northern English dialect form describing a frame on which clothes are hung to dry (a clothes horse).

(6) A machine for washing linen (obsolete).

(7) An instrument resembling the guillotine, once used in Scotland for beheading criminals.

(8) As “maiden name”, a woman’s surname, prior to taking that of her husband upon marriage.

(9) In land management, as virgin soil, virgin forest etc, an area in its natural state; unexploited.

(10) In pre-modern agriculture, the last sheaf of grain harvested, decorated with ribbons and regarded as a talisman (by extension the end of the harvest) (archaic).

(11) In botany, a tree or shrub grown from seed and never pruned.

(12) In cricket, as “maiden over”, for a bowler to complete an over (now six legitimate deliveries) without conceding a run; a “wicket maiden” is an over in which a wicket fell with no runs being scored (thus double-wicket maiden & hat-trick maiden).

(13) Of, relating to, or befitting a girl or unmarried woman (archaic but preserved in phrases such as “her maiden virtues”. “a maiden blush” et al).

(14) Of an unmarried woman, older than a certain age (generally past middle age), often in the form “maiden aunt”.

(15) Something made, tried, appearing etc, for the first time (maiden flight, maiden speech, maiden voyage etc).

(16) In military slang, an untested (or untried in battle) knight, soldier or weapon; a fortress never captured or violated.

Pre-1000: From the Middle English mayden & meiden, from the Old English mæden  & mægden (unmarried woman (usually young); virgin; girl; maidservant), originally a diminutive of mægð or mægeð (virgin, girl; woman, wife), the construct being mægd, mægth or mægeth, from the Proto-West Germanic magaþ, from the Proto-Germanic magaþs & magadin (young womanhood, sexually inexperienced female) (and cognate with the Old Norse mogr (young man), the Old Irish maug & mug (slave), and the Gothic magaths) + -en (the diminutive suffix).  The Proto-Germanic was the source also of the Old Saxon magath, the Old Frisian maged, Old High German magad (virgin, maid), the German Magd (maid, maidservant), the German Mädchen (girl, maid) from Mägdchen (little maid), the feminine variant of the primitive Indo-European root maghu- (“young of either sex; “unmarried person” and the source also of the Old English magu (child, son, male descendant), the Avestan magava- (unmarried) and the Old Irish maug & mug (slave)).  Maiden is a noun & adjective, maidenly is an adjective, maidenship & maidenhood  are nouns and maidenish is an adjective; the noun plural is maidens.

Iron Maiden is a heavy metal band active since 1975, their eponymous album in 1980 the debut release of studio-recorded material.  Their album cover-art has become something of a motif and is widely reproduced in posters, T-shirts and such, their music is said to possess a similar consistency.

In thirteenth century Middle English, “maiden” could be used as a slur to refer to “a man lacking or abstaining from sexual experience” and in Scotland it was the official term for a guillotine-like device used to behead criminals.  In horse racing, a maiden horse is one which has never won a race (although in the mid-eighteen century it was sometimes used of horses which had not previously contested a race.  A maiden race is one restricted to maiden horses (which can be mares, stallions or geldings).  The figurative sense of "new, fresh, untried” (maiden flight, maiden speech, maiden voyage etc) seems first to have been used in the 1550s.  The idea of the maiden name (a woman’s surname, prior to taking that of her husband upon marriage) dates from the 1680s.  The noun maidenhood (state of being a maiden; state of an unmarried female; virginity) was from the Old English mægdenhad while the adjective maidenly (like a maid, becoming to a maid; gentle, modest, reserved) was first documented in the mid 1600s.

Headbanger Lindsay Lohan in Iron Maiden T-shirts.

is inquisitions.

In 2008, the (not updated since 2017) blog Metal Inquisition was most impressed by Lindsay Lohan donning a vintage Iron Maiden T-shirt.  Whether any inquisitor (or anyone else) ever used the "iron maiden" (reputed to be one of many apparatuses of gruesome torture known in medieval & pre-Enlightenment Europe) for its alleged purpose is doubted by many historians.

The term Hiroshima maiden (or A-bomb maiden) was in the 1950s used to refer to the Japanese & Korean women disfigured by the radiation from the A-bombs dropped on Hiroshima or Nagasaki in August 1945, the term coming into use in 1955 when they were sent to the US for reconstructive plastic surgery.  In Norse mythology, the billow maidens were any of the nine daughters of the sea-god Ran and a skjaldmær (shieldmaiden) was a female virgin who had chosen to fight as a warrior in battle.  In several tales from mythology, an ice maiden was one of the ice people (or people of the ice), a woman from a place of snow and ice (in popular culture, the idea was borrowed in fantasy writing.  In idiomatic use, an ice maiden (also ice princess or ice queen) is a beautiful but cold (heartless) woman.  In Westminster parliamentary systems, the maiden speech of a member is their first substantive address to a chamber.  By convention it is (1) uncontroversial and (2) listened to by the house in polite silence although in cases where the member has not followed the convention, there have been some famous interjections.  Maiden ventures by machinery have sometimes become infamous.  Ships have sunk on their maiden voyages including RMS Titanic (1912) and the Wasa (or Vasa), a Swedish warship at the time one of the fastest and most heavily gunned in the world (1628).  In aviation, many aircraft have crashed on their maiden flights (test pilots are truly intrepid types) although it’s a myth that included the Supermarine Spitfire.  Less fortunate was the German industry in the later stages of World War II (1939-1945) when development was being rushed and at least two prototypes are known to have either crashed or suffered severe damage during their maiden test flights including the Heinkel He 162 Volksjäger (People's Fighter).  In the case of the He 162 the maiden flight actually ended without incident and it was only a subsequent investigation of the airframe (after another prototype He 162 had crashed) which revealed the adhesive used to bond wooden components was so acidic it caused the timber to disintegrate.

An iron maiden towering above other instruments of torture.

The infamous torture chamber known as the iron maiden is now though to be mythical and an invention of those who wished to characterize the Middle Ages as a time of barbarism and savagery.  It was said to be a solid iron cabinet with a hinged front, large spikes fitted throughout the interior and designed to be large enough to accommodate an adult human.  Once the door was closed, it was said to be impossible to avoid being “spiked” and with every movement, one became “more spiked”.  Although their existence has been disproved, iron maidens (most apparently built in the nineteenth century) are a popular exhibit in “museums of torture”, some probably genuine “torture coffins” to which the spikes were a latter addition.  Quite why it was felt necessary to “invent” the iron maiden given there were so many examples of equally gruesome Medieval torture devices isn’t clear but it may be there was some desire to exonerate the torturers of Antiquity who really did use such things; among post Renaissance historians, such was the veneration for the Classical world that wherever possible, things were blamed on the Middle Ages.

In the English legal system, maiden assize came to mean an assize (periodic courts with on a circuit basis were conducted around England and Wales until 1972,) at which there were no criminal cases to be heard although originally it was an assize at which no prisoner was condemned to die.  There used to be some ritualism attached to the declaration of a maiden assize and the tradition wasn’t unknown in the US:  If a judge, upon opening a session of their assize found there were no cases to be heard, the clerk of the court would present him with a pair of white gloves, the marker of a maiden assize, the significance being that judges, as a mark of submission to the Crown, were always gloveless when executing the royal commission.

Tattoo

Tattoo (pronounced ta-too)

(1) A signal on a drum, bugle, or trumpet at night, for soldiers or sailors to go to their quarters.

(2) A knocking or strong pulsation.

(3) In British military tradition, an outdoor military pageant or display, conducted usually at night.

(4) The act or practice of marking the skin with indelible patterns, pictures, legends, etc, by making punctures in it and inserting pigments.

(5) A pattern, picture, legend, etc so made.

1570–1580: An evolution from the earlier taptoo from the Dutch command tap toe! (in the literature also as taptoe) (literally “the tap(room) is to” (ie shut)).  Originally, the tattoo was a signal on a drum, bugle, or trumpet at night, for soldiers or sailors to go to their quarters, the musical form varying between regiments but all based on a knocking or strong pulsation; it was later it became an outdoor, usually nocturnal military pageant or display

The word was first used during the Thirty Years' War (1618-1648) in the Low Countries (Belgium and the Netherlands) where the Dutch fortresses were garrisoned by a federal army containing Scottish, English, German and Swiss mercenaries commanded by a Dutch officer corps.  Drummers from the garrison were sent into the towns at 21:30 (9:30 pm) each evening to inform the soldiers that it was time to return to barracks.  The process was known as doe den tap toe (Dutch for "turn off the tap"), an instruction to innkeepers to stop serving beer and send the soldiers home for the night although the drummers continued to play until the curfew at 22:00 (10:00 pm).  Tattoo and the earlier tap-too and taptoo, are alterations of the Dutch words tap toe which have the same meaning.  Taptoo was the earlier used alteration of the phrase and a reference was found in George Washington's papers: "In future the Reveille will beat at day-break; the troop at 8 in the morning; the retreat at sunset and taptoo at nine o'clock in the evening."  Over the years, the process became more of a show and often included the playing of the first post at 21:30 and the last post at 22:00.  Bands and displays were included and shows were often conducted by floodlight or searchlight. Tattoos were commonplace in the late nineteenth century with most military and garrison towns putting on some kind of show or entertainment during the summer months.

A Lindsay Lohan tattoo; the Italian phrase la bella vita translates as "life is beautiful".

The use to describe body marking dates from 1760–1770.  Tattoo, from the Marquesan tatu or the Samaon & Tahitian tatau (to strike) coming to replace the earlier tattow from the Polynesian tatau.  It took some time for tattoo to become the standardised western spelling, the OED noting the eighteenth century currency of both tattaow and tattow.  Before the adoption of the Polynesian word, the practice of tattooing had been described in the West as painting, scarring or staining and in 1900 British anthropologist Ling Roth in documented four methods of skin marking, suggesting they be differentiated under the names tatu, moko, cicatrix and keloid.  There was, between the Dutch and the British, a minor colonial spat about which deserves the credit for importing the word to Europe.

In Japanese, the word irezumi means "insertion of ink" and is applied variously to tattoos using tebori (the traditional Japanese hand method, a Western-style machine or any method of tattooing using insertion of ink.  The most common word used for traditional Japanese tattoo designs is horimono although increasingly the word tattoo is used to describe non-Japanese styles of tattooing. Etymologists found tattoo intriguing because so many languages contain similar words, some appearing to have emerged independently of the others and anthropologists agree the practice of tapping on primitive instruments as a distractive device seems to have been a widespread practice while images were being made on the skin, the conclusion being some of the variations are likely onomatopoeic. 

English: tattoo
Danish: tatovering
Italian: tatuaggio
Brazilian: tatuagem
Estonian: tatoveering
Romanian: tatuaj
Norwegian: tatovering
Māori: Ta moko
Swedish: tatuering
German: tatowierung
French: tatouage
Spanish: tatuaje
Dutch: tatoeage
Finnish: tatuointi
Polish: tatuaz
Portuguese: tatuagem
Lithuanian: tatuagem
Creol: tatouaz

Fudge

Fudge (pronounced fuhj)

(1) A soft candy (sweet) made of sugar, butter, milk (or cream), often including chocolate or nuts.

(2) A polite alternative for “fuck” when used as an expletive (sometimes as “Oh, fudge”).

(3) In euphemistic slang, fecal matter; feces.

(4) In printing, a small stereotype or a few lines of specially prepared type, bearing a newspaper bulletin, for replacing a detachable part of a page plate without the need to re-plate the entire page (often called the “fudge box”).

(5) The bulletin thus printed, often in color.

(6) A machine or attachment for printing such a bulletin.

(7) As a Middle English surname, a diminutive of Fulcher.

(8) Nonsense or foolishness; to talk nonsense (often used as an interjection indicating a mild exclamation of annoyance).  To waffle, equivocate or hedge.

(9) Figuratively, light or frothy nonsense.

(10) To cheat.

(11) To fail to fulfil an obligation (often as “fudged” or fudging”).

(12) To avoid coming to grips with a subject, issue etc; to evade or dodge (often as “fudged” or fudging”); an unsatisfactory compromise reached to evade a difficult problem or controversial issue.

(13) To tamper with, falsify or misrepresent something, in order to produce a desired result or allow leeway for error (often as “a bit of a fudge”).  As a method, in engineering & IT, this is sometimes called the “fudge factor” (a quantity introduced to compensate for uncertainty).

Pre 1750: The verb fudge in the sense of “put together clumsily or dishonestly” may have been in use in the seventeenth century and may have been an alteration of the mid-sixteenth century fadge (make suit, fit), a verb of unknown origin.  In the eighteenth century the verb became associated especially with the language of sailors and it appeared often is ships’ logs.  The romantic story of the etymology of fudge coming to mean “lies! nonsense!” is that there was a certain Captain Fudge, infamous for “always bringing home his owners a good cargo of lies” according to a citation dating from 1700 and published in 1791.  Captain Fudge (a la Donald Trump’s later label for Ted Cruz) was known in the commercial shipping trade as “Lying Fudge”, and it may be his name reinforced this form of fadge in the sense of “contrive without the necessary materials”.  The Middle English surname Fudge was from Fuche, a pet form of the masculine proper name Fulcher, from the Germanic and meaning literally “people-army”.  Fudge is a noun & verb, fudger is a noun, fudged is a verb & adjective, fudgelike & fudgy are adjectives and fudging is a verb; the noun plural is fudges.

The use to describe the candy is mysterious but it certainly emerged in the US in the late nineteenth century and it too may have been linked with fadge (to fit), the idea being that the ingredients “merged together”.  Etymologists note that’s wholly speculative but all agree the sweet treat was first so named in women’s colleges in the US, the earliest known reference being from 1895 and other suggestions for the origin of the use in this context includes the idea of the concoction being “insubstantial” or perhaps the early recipes were “fudged” in the sense they were a product of trial and error, based on the long-time use of “fudge” in schools and colleges to mean a “a made-up story”.  That was a sense-development from Captain Fudge’s lies and “fudgy” stories were those especially implausible or “frothy & insubstantial” and the early form of the candy may have been less dense than the modern recipes produce.  No etymologist appears to support the suggestion there was any connection with “fudging” (ie “breaking or bending”) the dormitory rules in women’s colleges.  Fudge in the 1670s was used to mean “clumsily to contrive” and it’s this use which is thought perhaps an expressive variant of fadge (to fit, agree, do) which was akin to the Middle English feien and the Old English fēgan (to fit together, join, bind).  From this ultimately can be traced the modern uses which relate to “nonsense; fakery etc” but there is the suggestion of a link with the provincial French fuche & feuche (an exclamation of contempt from Low German futsch (begone).  Some sources list fudge as a euphemism for "fuck" but it's really a "polite substitution" because it's an alternative not to a description of the sex act but "fuck" as an expletive (thus "oh fudge", "Fudge!" etc).  Some slang dictionaries have listed fudge in that euphemistic sense but there's scant evidence of use.  

Uranus Fudge Factory, 14400 State Hwy Z, St Robert, Missouri 65584, USA.

In idiomatic use, to fudge something is to alter its true state, usually to conceal or misrepresent something inconvenient or to disguise some flaw but “to fudge” is suggestive of something benign rather than anything dishonest.  The fudge is very much the “white lie” of untruths; one might fudge one’s age or height on Tinder (presumably, other stuff may be fudged on Grindr) and touching-up one’s photograph to look a little better is “fudging it”.  Apparently not widely used in the “G” & “B” factions of the LGBTQQIAAOP community, the various uses of the word based on it being euphemistic slang for fecal matter or feces, are all derogatory.  The “fudge tunnel” is the anus, a “fudge packer” a male homosexual who practices anal sex (either as a top or bottom) and during the act once can be said to be “packing fudge”.  The most infamous use of the gay slur came shortly after “closetgate”, controversy which ensued after the 2005 South Park episode Trapped in the Closet, a parody of the Church of Scientology in which the Scientologist film star Tom Cruise (b 1962) refuses to come out of a closet.  Not discouraged by the threat of writs, South Park later featured an episode in which the actor worked in a confectionery factory, as a fudge packer, packing fudge into cardboard cartons.

The BBC’s Dark Chocolate Fudge

Ingredients

300ml whole milk
350g caster sugar
100g unsalted butter
1 teaspoon vanilla extract
100g dark chocolate, chopped
Optional toppings: chopped nuts, toffee pieces, mini chocolate buttons.

Method

(1) Line 180-200 mm (7-8 inch) square tin with greaseproof paper.

(2) Put the milk, sugar and butter in a heavy-based saucepan.  Heat gently, stirring continuously with a wooden spoon, until the sugar has dissolved and the butter has melted (should take about 7 minutes).

(3) Bring to the boil for 15-22 minutes, stirring the whole time.  The mixture will bubble up and when it does, remove from the heat and keep stirring it until it sinks back down. Then return it to the heat, repeating the process if necessary.

(4) Start to take the temperature after about 15 minutes (but continue to stir or the mix will burn on the bottom).  The time it takes to come up to temperature will vary, depending on ambient conditions.  Once it reaches 115^oC (240^oF) as measured by a probe) remove from the heat and stir in the vanilla extract and a generous pinch of sea salt.  Leave the mix to cool for 5 minutes.

(5) Vigorously stir in the chopped chocolate and keep stirring until the chocolate has melted (initially it will split but keep stirring and it will come back together).  Quickly pour the mixture into the prepared tin, leaving it to set at room temperature.

(6) When the fudge has cooled to the point of being warm (rather than hot), the optional toppings (nuts, toffees, mini chocolate buttons et al) may carefully be place or scattered according to preference; gently press into the fudge until they stick.  The reason this can’t be done while the fudge is hot is the toppings will be prone to melting.  Once set, cut the fudge into small pieces and store in a sealed container.

Dark chocolate fudge (left) and Mamie Eisenhower's Chocolate Fudge (Million Dollar Fudge) (right). 

For those who prefer something sweeter, the classic choice is Mamie Eisenhower's (1896-1979) Chocolate Fudge, the recipe made famous by the First Lady of Dwight Eisenhower (1890-1969; US president 1953-1961).  One of the few things about which Republicans and Democrats now agree is the creamy and sweet concoction is a fine thing and the recipe has a long history in the US as “Million Dollar Fudge” although despite the connotations in that, it’s attraction was it was quick and easy to prepare and the ingredients were readily available in any corner store in the country.

Getting fudged: Lindsay Lohan before (left) and after (right) the application of fudge.  Such results are not possible with all hair types but this does illustrate what fudge can achieve. 

Hair styling products (collectively called “product”) like fudge, wax, mousse, and gel are all used as a final finish to a hairstyle but serve different purposes, providing various levels of texture, hold and shine and the choice of which to use is dictated by the critical variables of hair length, thickness and the effect desired.  Fudge is thick & creamy to ensure a strong hold is achieved and it’s noted for providing a matte finish.  Fudge is ideal for defined, structured styles which need to remain in place and can work with short hair to achieve a look which is severe without being too spiky.  For the spiky look, the product of choice is either wax or gel.  Wax is thick and sticky product and can be hard to work with but does offer a medium to strong hold and (if properly applied), a natural finish.  Wax has the advantage of being versatile and can be used for a wide range of styles and is the best product for creating texture and separation in short to medium-length hair, especially if a textured, tousled look is desired; many hairdressers will use only wax when creating a JBF.  Gel is a thick, viscous substance which is the go-to product fort slicked-back or spiky styles where the need is for sleek, polished or wet-look hair which needs the maximum hold and control.  If someone’s hair looks like a helmet, that look has probably been attained with gel.  Mousse is different.  It’s lightweight, foamy and essentially allows a framework to be built-into the hair, adding volume although it provides only a light to medium hold and can’t withstand threats like strong breezes.  Mousse is good at adding body and bounce and, if well done, the increase in functional volume can be extraordinary and the dramatic styles applied to some models for static photo-shoots are usually mousse-heavy and despite the appearance, mousse usually leaves a soft, touchable finish.

Granular

Granular (pronounced gran-yuh-ler)

(1) Of the nature of granules; grainy.

(2) Composed of or bearing granules or grains.

(3) Showing a granulated structure.

(4) In computing, an object existing as a singular form at the level of the file system but which exists at the application level in multiple parts.

(5) Relating to or containing particles having a strong affinity for nuclear stains, as in certain bacteria.

1762 (although use not widespread until 1794): From the Late Latin granulum (granule, a little grain), diminutive of the Latin granum (grain, seed) from the primitive Indo-European gre-no- (grain) + -ar (from the From Latin -āris (of, near, pertaining to), the suffix appended to various words, often nouns, to make the adjectival form; added most often, but not exclusively, to words of Latin origin).  The word seems rather suddenly to have replaced the late fourteenth century granulous.  Granular, granularity, granule & granulation are nouns, granulate is a verb & adjective and granulatory is an adjective.

Terminology describing degrees of granularity

As granular has become a more widely used word, fastidious types have noted the increasing frequency of things being described as "more granular" or "less granular" and this elicits disapproval because it’s imprecise.  Something granular is composed of (usually small), discrete entities as opposed to being continuous and that’s a binary distinction, not a matter of degree so it’s inherently unclear if "more granular" and "less granular" indicate finer or coarser granularity.  For clarity, one should speak only of finer or coarser granularity.

Lindsay Lohan represented in granular art, an artificial intelligence (AI) generated artwork created by Wout from AI Fountain as part of the Curated Community Art initiative (CCAI) and finished in Adobe Photoshop.  Each digital artwork created by this algorithm is unique and made from a set of parameters; process and output are thus both inherently granular.

In computing, the concept of granularity exists in many forks and layers.  Users deal frequently with granular data, most typically when handling what appears to exist in many parts but which is, to the system, at least one layer, a single object.  For system administrators, it’s an especially handy attribute when it’s necessary to recover one small piece of data which has been copied or backed-up as something really huge and there are big machine operators which now routinely handle data sets of a size which only a few years ago were unimaginably large.  For them, the ability to look at the whole and be able to extract pieces, drilling down if need be to individual bytes, makes easily possible what would otherwise require much time and hardware; hence the metaphor of granularity, a mechanism to find a particular grain in a silo of many trillions.

That’s useful but really is just brute-force, the massive up-scaling up of something which has existed since the earliest forms of digital storage.  More intriguing is the recent emergence of Granular computing (GrC), a fork in information processing, the focus of which is information granules, entities created from the processes of data abstraction and derivations from data.  The source and structure of this data is not the imperative; what matters are the relationships (of which there may be many) which can, for example, simultaneously be both the extent of difference and a dependence on indistinguishability.  GrC, as it now exists, is more of a conceptual direction than a coherent process or even a theoretical perspective.  Its most promising implication is perhaps the granules which might form as relationships between previously disparate data sets are explored.  This may allow previously unrealized correlates to be identified, perhaps enabling humanity to mine the accumulate data sets for what Donald Rumsfeld (1932–2021: US Secretary of Defense 1975-1977 & 2001-2006) called the unknown knowns.  Rumsfeld may have been evil but his mind could sparkle and many unknown knowns may await.  

Pale

Pale (pronounced peyl)

(1) Light-colored or lacking in color.

(2) Someone lacking their usual intensity of color due to fear, illness, stress etc.

(3) Not bright or brilliant; dim.

(4) Faint or feeble; lacking vigor (mostly archaic).

(5) To seem less important, significant, remarkable etc, especially when compared with something or someone else.

(6) A stake or picket, as of a fence.

(7) An enclosing or confining barrier; enclosure; a district or region within designated bounds; to encircle or encompass.

(8) Limits; bounds (now rare except if used figuratively in the phrase “beyond the pale”).

(9) In heraldry, an ordinary (band) in the form of a broad vertical stripe at the centre of an escutcheon.

(10) In shipbuilding, a shore used inside to support the deck beams of a hull under construction.

(11) In some of the dialectical English spoken in southern Africa, a euphemism for white.

1375-1400: From the Middle French Palle, from the twelfth century Old French paile & paleir (pale, light-colored (pâle in the Modern French)), from the Latin pallidus (pale, pallid, wan, colorless), from pallēre (be pale, grow pale) from the primitive Indo-European root pel- (pale) of which pallid is a doublet.  Pel was a significant root in many languages and productive, forming all or part of appall; falcon; fallow (in its adjectival sense), pallid, pallor, palomino, Peloponnesus, polio & poliomyelitis.  The linkages were many including the Sanskrit palitah (gray) & panduh (whitish, pale), the Greek pelios (livid, dark) & polios (gray (of hair, wolves, waves)), the Latin pallere (to be pale) & pallidus, the Old Church Slavonic plavu, the Lithuanian palvas (sallow), the Welsh llwyd (gray) and the Old English fealo & fealu (dull-colored, yellow, brown).  Pel also forms the root of words for "pigeon" in Greek (peleia), Latin (palumbes) and Old Prussian (poalis).

As an adjectival descriptor of color, it seems first, from the early fourteenth century to have been applied to human skin-tone and complexion to convey the sense of “whitish appearance, bloodless, pallid".  From the mid-fourteenth century it began to be used as a modifier to nuance the tones of colors in the sense of “lacking chromatic intensity, approaching white".  Late in the century, use was extended to non-human objects or substances (such as ales and other liquors) at which time it became also a frequent figurative form.  Paleface, is said to be a translation of a Native American word form noted in several dialects meaning "European"; attested from 1822 in American English, there are suggestions the tale may be apocryphal and a creation of the palefaces themselves.

The noun paling (stake, pole, stake for vines) was an early thirteenth century adoption of the circa 1200 Anglo Latin from the Old French pal and directly from the Latin palus (stake, prop, wooden post), source also of the Spanish and Italian palo, from the primitive Indo-European pakslo-, a suffixed form of the root pag- (to fasten) and a doublet of pole.  By the 1550s, the adjective form existed to refer to a fence made from palings, formed by connecting the pointed vertical stakes by horizontal rails above and below.

Romanian Vlad the Impaler postage stamp, 1976.

Paling is a word still used in fencing and impale is related.  In the 1520s, impale meant "to enclose with stakes, fence in", from the French empaler or directly from the Medieval Latin impalare (to push onto a stake).  The now better remembered sense "pierce with a pointed stake" (as torture or capital punishment) dates from circa 1610-1630.  In the popular imagination it’s associated especially with the Romanian Vlad the Impaler (Vlad III, circa 1430-circa 1477, thrice Voivode of Wallachia, 1448-Circa 1477).  One of his favorite methods of torture and execution (there’s often a bit of overlap in these matters) was said to be impalement but some of the more lurid tales of his cruelty may be from the imagination of the medieval mind though his rule is thought to have been severe.  Regardless, he remains a Romanian folk hero.

From the late fourteenth century paling came to refer to the constructed boundary as well as the components, understood generally to describe a "fence of pointed stakes", Paler as a surname meaning "fence-builder" being recorded from late twelfth century.  Another Middle English form of the word in the sense of "fence, paling, wall of an enclosure" sense, based on the plural, was the late fourteenth century pales or palis, the surname Paliser attested from early in the century.  Anthony Trollope (1815-1882) used the variant Palliser in his “parliamentary novels” (1864-1879) as the name for the repressed protagonist; Trollope took care with the selection of his character’s names.

Palisade (a fence of strong stakes), is attested from circa 1600 and was from the fifteenth century French palisade, from the Provençal palissada, from palissa (a stake or paling), from the Gallo-Roman palicea, from the Latin palus (stake) from the primitive Indo-European pakslo-.  The earlier Italian form was palisade, noted since the 1580s.  Palisades entered military jargon circa 1690 and described "close rows of strong pointed wooden stakes fixed in the ground as a defensive fortification", a use which remains a standard part of costal defenses against seaborn invasion.  The trap-rock precipices along the Hudson River opposite New York City were named The Palisades in 1823.  The word remains popular with property developers searching for a word with connotations of elevation and luxury.

Three images of a pale Lindsay Lohan.

In English, pale, pallid and wan imply an absence or faintness of color, especially when used to describe the human countenance.  Pale suggests a faintness or absence of color, which may be natural when applied to objects but when used to descript a human face usually means an unnatural and often temporary absence of color, as arising from sickness or sudden emotion.  Pallid, used almost exclusively to describe the human countenance, implies an excessive paleness induced by intense emotion, disease or death.  Wan implies a sickly paleness, usually as a consequence of illness.

The figurative sense of "limit, boundary, restriction" dates from circa 1400 and referenced the notion of "an enclosed space," hence "district or region within determined bounds" and later it meant "territory held by power of a nation or people".  The more modern idiomatic use, referring to the behavior of a person as “beyond the bounds of morality or social acceptability”, is not without critics but now so common it’s doubtless now the assumed meaning.  Using the phrase in the modern sense, in 2009, during one of their many squabbles, Manchester United manager Sir Alex Ferguson (b 1941) said of his Liverpool counterpart, Rafael Benitez (b 1960), "…he's beyond the pale”.  It’s said they’ve not since made up.

The English Pale in Medieval Ireland (1450).

Catherine the Great (Catherine II, 1729–1796; reigning empress of Russia 1762-1796) created the cherta (postaoyannoy yewreskoy) osedlosti (Pale of Settlement) in Russia in 1791. This was the name given to the western border region of the country (modern-day Belarus & Moldova and parts of the Ukraine, Lithuania, Poland, Latvia and western Russia) in which Jews were allowed to live, the motive being to restrict trade between Jews and native Russians.  In a process something like COVID-19 travel exemptions, some Jews were allowed, as a concession, to live “beyond the pale”.  Pales had been enforced in other European countries for similar political reasons.  During the late Medieval period, the Pale (An Pháil in the Irish), often described as the English Pale (An Pháil Shasanach or An Ghalltacht), was that part of Ireland administered directly the English government and the Pale of Calais was formed by the French as early as 1360.

The first printed instance of the phrase is in John Harington's (1560-1612) lyric poem The History of Polindor and Flostella (1657).  In the verse Ortheris withdraws with his beloved to a country lodge for “quiet, calm and ease” but later they’re tempted to wander:

"Both Dove-like roved forth beyond the pale to planted Myrtle-walk".

Clearly it was conveyed no good comes from venturing beyond the pale for soon the lovers are set upon by attacked by armed robbers with “many a dire killing thrust”.