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Saturday, January 3, 2026

Defiant

Defiant (pronounced dih-fahy-uhnt)

Characterized by defiance or a willingness to defy; boldly resistant or challenging.

1830s: From the French défiant, from the Old French, present participle of the verb défier (to challenge, defy, provoke), the construct thus def(y) + “i” + -ant.  Defy dates from the mid thirteenth century and was from the Middle English defien, from the Old French desfier, from the Vulgar Latin disfidare (renounce one's faith), the construct being dis- (away) + fidus (faithful).  The construct in French was thus des- (in the sense of negation) + fier (to trust), (from the Vulgar Latin fīdāre, from the Classical Latin fīdere (fidelity),  In the fourteenth century, the meaning shifted from “be disloyal” to “challenge”.  The suffix –ant was from the Middle English –ant & -aunt, partly from the Old French -ant, from Latin -āns; and partly (in adjectival derivations) a continuation of the use of the Middle English -ant, a variant of -and, -end, from the Old English -ende ( the present participle ending).  Extensively used in the sciences (especially medicine and pathology), the agent noun was derived from verb.  It was used to create adjectives (1) corresponding to a noun in -ance, having the sense of "exhibiting (the condition or process described by the noun)" and (2) derived from a verb, having the senses of: (2a) "doing (the verbal action)", and/or (2b) "prone/tending to do (the verbal action)".  In English, many of the words to which –ant was appended were not coined in English but borrowed from the Old French, Middle French or Modern French.  The negative adjectival forms are non-defiant & undefiant although there is a kind of middle ground described by quasi-defiant, semi-defiant & half-defiant, the latter three sometimes used in military conflicts where, for whatever reason, it’s been necessary (or at least desirable) for a force to offer a “token resistance” prior to an inevitable defeat.  The adjective over-defiant refers to a resistance or recalcitrance, the extent or duration of which is not justified by the circumstances; in such cases the comparative is “more defiant” and the superlative “most defiant”.  Defiant is a noun & adjective, defiantness is a noun and defiantly is an adverb; the noun plural is defiants.

Defiance in politics: use with caution

The commonly used synonyms include rebellious, direful, truculent, insolent, rebellious, recalcitrant, refractory, contumacious & insubordinate but in diplomacy, such words must be chosen with care because what is one context may be a compliment, in another it may be a slight.  This was in 1993 discovered by Paul Keating (b 1944; Prime Minister of Australia 1991-1996) who labelled Dr Mahathir bin Mohamad (b 1925; prime minister of Malaysia 1981-2003 & 2018-2020) one of the “recalcitrant” when the latter declined to attend a summit meeting of the Asia-Pacific Economic Cooperation (APEC).  For historic reasons, Dr Mahathir was sensitive to the memories of the imperialist oppressors telling colonized people what to do and interpreted Mr Keating’s phrase as a suggestion he should be more obedient (the most commonly used antonym of defiant, the others including obedient & submissive).  Things could quickly have been resolved (Dr Mahathir of the “forgive but not forget” school of IR (international relations)) but, unfortunately, Mr Keating was brought up in the gut-wrenching “never apologize” tradition of the right-wing of the New South Wales (NSW) Labor Party so what could have been handled as a clumsy linguistic gaffe was allowed to drag on.

Circa 1933 Chinese propaganda poster featuring a portrait of Generalissimo Chiang Kai-shek (Chiang Chung-cheng).  Set in an oval frame below flags alongside stylized Chinese lettering, the generalissimo is depicted wearing his ceremonial full-dress uniform with decorations.

The admission an opponent is being “defiant” must also sometimes be left unsaid.  Ever since Generalissimo Chiang Kai-shek (1887-1975; leader of the Republic of China (mainland) 1928-1949 & the renegade province of Taiwan 1949-1975) in 1949 fled mainland China, settling on and assuming control of the island of Taiwan, the status of the place has been contested, most dramatically in the incidents which flare up occasionally in the in the straits between the island and the mainland, remembered as the First (1954–1955), Second (1958) and Third (1995-1996) Taiwan Strait Crises which, although sometimes in retrospect treated as sabre rattling or what Hun Sen (b 1952; prime minister (in one form or another) 1985-2023) might have called “the boys letting off steam”, were at the time serious incidents, each with the potential to escalate into something worse.  Strategically, the first two crises were interesting studies in Cold War politics, the two sides at one stage exchanging information about when and where their shelling would be aimed, permitting troops to be withdrawn from the relevant areas on the day.  Better to facilitate administrative arrangements, each side’s shelling took place on alternate days, satisfying honor on both sides.  The other landmark incident was China’s seat at the United Nations (UN), held by the Republic of China (ROC) (Taiwan) between 1945-1971 and the People’s Republic of China (PRC) (the mainland) since.

Jiefang Taiwan, xiaomie Jiangzei canyu (Liberate Taiwan, and wipe out the remnants of the bandit Chiang) by Yang Keyang (楊可楊) and Zhao Yannian (趙延年). 

A 1954 PRC propaganda poster printed as part of anti-Taiwan campaign during first Taiwan Strait Crisis (1954-1955), Generalissimo Chiang Kai-shek depicted as a scarecrow erected on Taiwan by the US government and military. Note the color of the generalissimo’s cracked and disfigured head (tied to a pole) and the similarity to the color of the American also shown.  The artists have included some of the accoutrements often associated with Chiang’s uniforms: white gloves, boots and a ceremonial sword.  The relationship between Chiang and the leaders of PRC who defeated his army, Chairman Mao (Mao Zedong. 1893–1976; paramount leader of PRC 1949-1976) and Zhou Enlai (1898–1976; PRC premier 1949-1976) was interesting.  Even after decades of defiance in his renegade province, Mao and Zhou still referred to him, apparently genuinely, as “our friend”, an expression which surprised both Richard Nixon (1913-1994; US president 1969-1974) and Henry Kissinger (b 1923; US national security advisor 1969-1973 & secretary of state 1973-1977) who met the chairman and premier during their historic mission to Peking in 1972.

A toast: Comrade Chairman Mao Zedong (left) and  Generalissimo Chiang Kai-shek (right), celebrating the Japanese surrender, Chongqing, China, September 1945.  After this visit, they would never meet again.

Most people, apparently even within the PRC, casually refer to the place as “Taiwan” but state and non-governmental entities, anxious not to upset Beijing, use a variety of terms including “Chinese Taipei” (the International Olympic Committee (IOC) and the Fédération Internationale de Football Association (FIFA, the International Federation of Association Football) & its continental confederations (AFC, CAF, CONCACAF, CONMEBOL, OFC and UEFA)), “Taiwan District” (the World Bank) and “Taiwan Province of China (the International Monetary Fund (IMF)).  Taiwan’s government uses an almost declarative “Republic of China” which is the name adopted for China after the fall of the Qing dynasty and used between 1912-1949 and even “Chinese Taipai” isn’t without controversy, “Taipei” being the Taiwanese spelling whereas Beijing prefers “Taibei,” the spelling used in the mainland’s Pinyin system.  There have been variations on those themes and there’s also the mysterious “Formosa”, use of which persisted in the English-speaking world well into the twentieth century, despite the Republic of Formosa existing on the island of Taiwan for only a few months in 1895.  The origin of the name Formosa lies in the island in 1542 being named Ilha Formosa (beautiful island) by Portuguese sailors who had noticed it didn’t appear on their charts.  From there, most admiralties in Europe and the English-speaking world updated their charts, use of Formosa not fading until the 1970s.

All that history is well-known, if sometimes subject to differing interpretations but some mystery surrounds the term “renegade province”, used in recent years with such frequency that a general perception seems to have formed that it’s Beijing’s official (or at least preferred) description of the recalcitrant island.  That it’s certainly not but in both the popular-press and specialist journals, the phrase “renegade province” is habitually used to describe Beijing’s views of Taiwan.  Given that Beijing actually calls Taiwan the “Taiwan Province” (sometimes styled as “Taiwan District” but there seems no substantive difference in meaning) and has explicitly maintained it reserves the right to reclaim the territory (by use of military invasion if need be), it’s certainly not unreasonable to assume that does reflect the politburo's view but within the PRC, “renegade province” is so rare (in Chinese or English) as to be effectively non-existent, the reason said to be that rather than a renegade, the island is thought of as a province pretending to be independent; delusional rather than defiant.  Researchers have looked into the matter when the phrase “renegade province” was first used in English when describing Taiwan.  There may be older or more obscure material which isn’t indexed or hasn’t been digitized but of that which can be searched, the first reference appears to be in a US literary journal from 1973 (which, it later transpired, received secret funding from the US Central Intelligence Agency (CIA)).  It took a while to catch on but, appearing first in the New York Times in 1982, became a favorite during the administration of Ronald Reagan (1911-2004; US president 1981-1989) and has been part of the standard language of commentary since.  Diplomats, aware of Beijing's views on the matter, tend to avoid the phrase, maintaining the “delusional rather than defiant” line.

Picture of defiance: Official State Portrait of Vladimir Putin (2002), oil on canvas by Igor Babailov (b 1965).

The idea of a territory being a “renegade province” can be of great political, psychological (and ultimately military) significance.  The core justification used by Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999) when explaining why his “special military operation” against Ukraine in 2022 was not an “invasion” or “war of aggression” (he probably concedes it may be a “state of armed conflict”) was that he denied Ukraine was a sovereign, independent state and that Volodymyr Zelenskyy (b 1978, president of Ukraine since 2019) was not a legitimate president.  In other words, Ukraine is merely a region of the modern Russia in something of the way it was once one of the 15 constituent SSRs (Soviet Socialist Republic) of the Soviet Union.  Although the Kremlin doesn’t use the phrase, in Mr Putin’s world view, Ukraine is a renegade province and he likely believes that applies also to the Baltic States (Latvia, Lithuania & Estonia) and possibly other former SSRs.  Lake many, the CCP is watching events in Ukraine with great interest and, as recent “exercises” seem to suggest the People’s Liberation Army (PLA) have sufficiently honed their techniques to execute either a blockade (which would be an “act of war”) or a “quarantine” (which would not), the attention of Western analysts is now focused on the hardly secret training being undertaken to perfect what’s needed for the triphibious operations demanded by a full-scale invasion.  The US think-tanks which think much about this possibility have suggested “some time” in 2027 as the likely point at which the military high command would assure the CCP’s central committee such a thing is possible.  What will happen will then depend upon (1) the state of things in the PRC and (2) the CCP’s assessment of how the long-term “strategic ambiguity” of Washington would manifest were an attempt made to finish the “unfinished business” of 1949.

Lindsay Lohan, who has lived a life of defiance.

The objectification of women’s body parts has of course been a theme in Western culture since at least Antiquity but rarely can as much attention been devoted to a single fingernail as the one photographed on Lindsay Lohan’s hand in July 2010 (during her “troubled starlet” phase).  The text printed on the fingernail was sufficiently explicit not to need a academic deconstruction of its alleged meaning, given image was taken when she sitting in court listening to a judge sentence her for one of her many transgressions; the consensus was the text was there to send a “defiant message” the internet’s collective conclusion (which wasn’t restricted to entertainment and celebrity sites) presumably reinforced by the nail being on the middle finger.  Ms Lohan admitted to fining this perplexing, tweeting on X (then known as Twitter) it was merely a manicure and had “…nothing to do w/court, it's an airbrush design from a stencil.  So, rather than digital defiance, it was fashion.  Attributing a motif of defiance to Ms Lohan wasn’t unusual during “troubled starlet” phase, one site assessing a chronological montage of her famous mug shots before concluding with each successive shot, “Lindsay's face becomes more defiant — a young woman hardening herself against a world that had turned her into a punch-line”.

The Bolton-Paul Defiant (1939-1943)

The Parthian shot was a military tactic, used by mounted cavalry and made famous by the Parthians, an ancient people of the Persian lands (the modern-day Islamic Republic of Iran since 1979).  While in real or feigned retreat on horseback, the Parthian archers would, in full gallop, turn their bodies backward to shoot at the pursuing enemy.  This demanded both fine equestrian skills (a soldier’ hands occupied by his bows & arrows) and great confidence in one's mount, something gained only by time spent between man & beast.  To make the achievement more admirable still, the Parthians used neither stirrups nor spurs, relying solely on pressure from their legs to guide and control their galloping mounts and, with varying degrees of success, the tactic was adopted by many mounted military formations of the era including the Scythians, Huns, Turks, Magyars, and Mongols.  The Parthian Empire existed between 247 BC–224 AD.  The Royal Air Force (RAF) tried a variation of the Parthian shot with Bolton-Paul Defiant, a single-engined fighter and Battle of Britain contemporary of the better remembered Spitfire and Hurricane.  Uniquely, the Defiant had no forward-firing armaments, all its firepower being concentrated in four .303 machine guns in a turret behind the pilot.  The theory behind the design dates from the 1930s when the latest multi-engined monoplane bombers were much faster than contemporary single-engined biplane fighters then in service. The RAF considered its new generation of heavily-armed bombers would be able to penetrate enemy airspace and defend themselves without a fighter escort and this of course implied enemy bombers would similarly be able to penetrate British airspace with some degree of impunity.

Bolton-Paul Defiant.

By 1935, the concept of a turret-armed fighter emerged.  The RAF anticipated having to defend the British Isles against massed formations of unescorted enemy bombers and, in theory, turret-armed fighters would be able approach formations from below or from the side and coordinate their fire.  In design terms, it was a return to what often was done early in the World War I (1914-1918), though that had been technologically deterministic, it being then quite an engineering challenge to produce reliable and safe (in the sense of not damaging the craft's own propeller) forward-firing guns.  Deployed not as intended, but as a fighter used against escorted bombers, the Defiant enjoyed considerable early success, essentially because at attack-range, it appeared to be a Hurricane and the German fighter pilots were of course tempted attack from above and behind, the classic hunter's tactic.  They were course met by the the Defiant's formidable battery.  However, the Luftwaffe learned quickly, unlike the RAF which for too long persisted with their pre-war formations which were neat and precise but also excellent targets.  Soon the vulnerability of the Defiant resulted in losses so heavy its deployment was unsustainable and it was withdrawn from front-line combat.  It did though subsequently proved a useful stop-gap as a night-fighter and provided the RAF with an effective means of combating night bombing until aircraft designed for the purpose entered service.

The Trump class "battleships"

In a surprise announcement, the Pentagon announced the impending construction of a “new battleship class” the first of the line (USS Defiant) to be the US Navy’s “largest surface combatant built since World War II [1939-1945]”.  The initial plans call for a pair to be launched with a long-term goal of as many as two dozen with construction to begin in 2030.  Intriguingly, Donald Trump (b 1946; US president 2017-2021 and since 2025) revealed that while the Department of Defense’s (it’s also now the Department of War) naval architects would “lead the design”, he personally would be involved “…because I’m a very aesthetic person.  That may sound a strange imperative when designing something as starkly functional as a warship but in navies everywhere there’s a long tradition of “the beautiful ship” and the design language still in use, although much modified, is recognizably what it was more than a century earlier.  The Secretary of the Navy certainly stayed on-message, announcing the USS Defiant would be “…the largest, deadliest and most versatile and best-looking warship anywhere on the world’s oceans”, adding that components for the project would “be made in every state.”  It won't however be the widest because quirk of ship design in the US Navy is that warships tend to be limited to a beam (width) of around 33 metres (108 feet) because that’s the limit for vessels able to pass through the Panama Canal.

Depiction of Trump class USS Defiant issued by the US Navy, December, 2025.

By comparison with the existing surface fleet the 35,000 ton Defiant will be impressively large although, by historic standards, the largest (non-carrier) surface combatants now in service are of modest dimensions and displacement.  The largest now afloat are the 15,000-ton Zumwalt class destroyers (which really seem to be cruisers) while the 10,000 ton Ticonderoga class cruisers (which really are destroyers) are more numerous.  So, even the Defiant will seem small compared with the twentieth century Dreadnoughts (which became a generic term for “biggest battleship”), the US Iowa class displacing 60,000 ton at their heaviest while the Japanese Yamato-class weighted-in at 72,000.  Even those behemoths would have been dwarfed by the most ambitious of the H-Class ships in Plan-Z which were on German drawing boards early in World War II.  Before reality bit hard, Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) left physics to the engineers and wasn't too bothered by economics.  After being disappointed the proposed successors to the Bismarck-class ships would have the bore of their eight cannons (the main armament) increased only from 380 mm (15 inch) to 405 (16), he ordered OKM (Oberkommando der Marine; the Naval High Command) to design bigger ships.  

That directive emerged as the ambitious Plan Z which would have demanded so much steel, essentially nothing else in the Reich could have been built.  Although not one vessel in Plan Z ever left the slipway (the facilities even to lay down the keels non-existent), such a fleet would have been impressive, the largest (the H-44) fitted with eight 508 mm (20 inch) cannons.  Even more to the Führer’s liking was the concept of the H-45, equipped with eight 800 mm (31.5 inch) Gustav siege guns.  However, although with guns, cars, tanks, buildings and much else, Hitler found it hard to resist gigantism, the bitter experience of war at sea convinced him the battleship was not only obsolete but had become an expensive strategic liability.  After the Bismarck was lost in May 1941, Hitler made his change of view clear to Großadmiral Erich Raeder (1876–1960; head of the German Navy 1928-1943), paraphrased by historians usually as: “I was always a supporter of the big ships but they've had their day, the risk of attack by air is too great.”  That ended the prospect of any more being built but further failures darkened even more the Führer’s view and in 1943 he demanded the Navy scrap the entire surface fleet, devote all construction resources to Unterseeboots (literally “under-sea boat” ie submarine and referred to usually as “U-boat) and re-allocate the crews to ground warfare or the U-boats.  On that, Raeder’s successor persuaded him to relent because merely by inertly existing, the big ships did have a strategic effect of forcing the Royal Navy to keep on stand-by a battle-fleet which could otherwise usefully be deployed.  The decision during the 1930s to build the big ships certainly had a profound effect on the path of the war.  Had U-boat construction been afforded a priority in 1937-1939, the Kriegsmarine (German Navy) could have entered World War II with the ability permanently to have 100 U-boats engaged in high-seas raiding rather than barely the dozen initially possible and the early course of the war might radically have been different.  In was another indication of the way German policy had been directed by the assumption a war with the UK could be avoided or at least long-delayed.  Germany indeed entered the war without a single aircraft carrier (the only one laid down never completed), such was the confidence the need to confront the Royal Navy either would never happen or was years away.

The US Navy in 1940 began construction of six Iowa class battleships but only four were ever launched because it had become clear the age of the aircraft carrier and submarine had arrived and the last battleship launched was the Royal Navy’s HMS Vanguard which entered service in 1946.  Although the admirals remained fond of the fine cut of her silhouette on the horizon, to the Treasury (an institution in the austere, post-war years rapidly asserting its authority over the Admiralty) the thing was a white elephant, something acknowledged even by the romantic, battleship-loving Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) who, when in November, 1953 planning a trip to Bermuda for a summit meeting with Dwight Eisenhower (1890-1969; US POTUS 1953-1961), opted to fly because “it costs Stg£30,000 if we go by Vanguard, and only £3,000 by air.  In 1959, Vanguard was sold for scrap and broken up the next year while the last of the Iowa class ships were decommissioned in 1992 after having spent many years of their life in a non-active reserve.  Defiant is of course a most Churchillian word and after World War I, he was asked by a French municipality to devise the wording for its war memorial.  He proposed:

IN WAR: RESOLUTION

IN DEFEAT: DEFIANCE

IN VICTORY: MAGNANIMITY

IN PEACE: GOODWILL

At the time, old Georges Clemenceau (1841–1929; French prime minister 1906-1909 & 1917-1920) wasn’t feeling much magnanimity towards the Germans (he called them: le boche) and nor was he much in the mood to extend any goodwill so Churchill’s suggestion was rejected.  

Depiction of Trump class USS Defiant issued by the US Navy, December, 2025.

The conventional wisdom therefore was the days of the big warships were done and the Soviet Navy’s curious decision in the 1980s to lay down five (four of which were launched) Kirov class battlecruisers seemed to confirm the view.  Although the Kremlin called the ships тяжёлый атомный ракетный крейсер (heavy nuclear-powered guided missile cruisers), admiralties in the West, still nostalgic lot, choose to revive the old name “battlecruiser”.  The battlecruiser (essentially a battleship with less armor) was a brainchild of the naval theorists of the early twentieth century but while the concept was sound (and in practice may have proved so if the theory had been followed at sea) but in service was a disappointment and none were commissioned after 1920 until the Soviets revived the idea.  As recently as 2018, NATO (North Atlantic Treaty Organization) sources were sceptical any of the Russian ships would ever return to service but in 2025 the Admiral Nakhimov (ex-Kalinin) emerged from a long and expensive re-fit & modernization to serve as the world’s biggest warship.  Although fast and heavily armed, concern remains about her vulnerability to missiles and torpedoes.

Depiction of Trump class USS Defiant issued by the US Navy, December, 2025.

The US Navy seems confident about the protection afforded by the Trump class’s systems, claiming “the battleship [the Pentagon’s term] will be capable of operating independently, as part of a Carrier Strike Group, or commanding its own Surface Action Group depending on the mission and threat environment.  In other words, unlike an aircraft carrier, the security of the vessel does not depend on a flotilla of destroyers and other smaller escort vessels.  The first of the Trump class is projected to cost between US$10-15 billion although, on the basis of experience, few will be surprised if this number “blows out”.  The Trump class will be the flagships for the Navy’s “Golden Fleet” initiative (an old naval term dating from days of the Spanish colonial Empire and nothing to do with Mr Trump’s fondness for the metal).  In an age in which small, cheap, UAVs (unmanned aerial vehicles, usually referred to as drones) have revolutionized warfare (on land and at sea), the return of the big ships is as interesting as it was unexpected and analysts are already writing their assessments of the prospects of success.

Although the concept wasn’t new, it was late in the nineteenth century naval architects began to apply the word “class” systematically to group ships of the same design, the pioneers the Royal Navy but other powers soon adopted the practice.  It had long been the practice for warships to be constructed on the basis of substantially replicating existing designs and some truly were “identical” to the extent a series would now be called a “class” but before the terminology became (more or less) standardized, warships usually were described by their “Rate” or “Type” (first-rate ship of the line, corvette, frigate etc) but, in the usual military way, there was also much informal slang including phrases such as “the Majestic battleships” or “ships of the Iron Duke type”.  The crystallization of the “class” concept was really a result of technological determinism as the methods developed in factories which emerged during the industrial revolution spread to ship-building; steam power, hulls of iron & steel and the associated complex machinery made design & construction increasingly expensive, thus the need to amortize investment and reduce build times by ordering ships in batches with near-identical specifications.

Navies in the era were also becoming more bureaucratic (a process which never stopped and some believe is accelerating still) and Admiralties became much taken with precise accounting and doctrinal categorisation.  The pragmatic admirals however saw no need to reinvent the wheel, “class” already well-established in engineering and taxonomy, the choice thus an obvious administrative convenience.  The “new” nomenclature wasn’t heralded as a major change or innovations, the term just beginning to appear in the 1870s in Admiralty documents, construction programmes and parliamentary papers in which vessels were listed in groups including Devastation class ironclad turret ships (laid down 1869), Colossus class battleships (laid down 1879) and Admiral class battleships (1880s).  In recent history tests, warships prior to this era sometimes are referred to as “Ship-of-the-line class”, “Three decker class” etc but this use is retrospective.  The French Navy adopted the convention almost simultaneously (with the local spelling classe) with Imperial Germany’s Kaiserliche Marine (Imperial Navy) following in the 1890s with Klasse.  The US Navy was comparatively late to formalise the use and although “class” in this context does appear in documents in the 1890s, the standardization wasn’t complete until about 1912.

As a naming convention (“King George V class”, “Iowa class” etc), the rule is the name chosen is either (1) the first ship laid down, or (2) the lead ship commissioned.  According to Admiralty historians, this wasn’t something determined by a committee or the whim of an admiral (both long naval traditions) but was just so obviously practical.  It certainly wasn’t an original idea because the term “class” was by the late nineteenth century well established in industrial production, civil engineering, and military administration; if anything the tradition-bound admirals were late-adopters, sticking to their old classificatory habit long after it had outlived its usefulness.  With ships becoming bigger and more complex, what was needed was a system (which encompassed not only the ships but also components such as guns, torpedoes, engines etc) which grouped objects according to their defined technical specification rather than their vague “type” (which by then had become most elastic) or individual instances; naval architecture had entered the “age of interchangability”.

A docked Boomin' Beaver.

It’s good the US Navy is gaining (appropriately large) “Trump Class” warships (which the president doubtless will call “battleships” although they’re more in the “battlecruiser” tradition).  Within the fleet however there are on the register many smaller vessels and the most compact is the 19BB (Barrier Boat), a specialized class of miniature tugboat used deploy and maintain port security booms surrounding Navy ships and installations in port.  Over the last quarter century there have been a dozen-odd commissioned of which ten remain in active service.  Unlike many of the Pentagon’s good (and expensive) ideas, the Barrier Boats were a re-purposing of an existing design, their original purpose being in the logging industry where they were used to manoeuvre logs floating along inland waterways.  In that role the loggers dubbed them “log broncs” because the stubby little craft would “rear up like a rodeo bronco” when spun around by 180o.  Sailors of course have their own slang and they (apparently affectionately) call the 19BBs the “Boomin’ Beaver”, the origin of that being uncertain but it may verge on the vulgar.  It’s not known if President Trump is aware of the useful little BB19s but if brought to his attention, he may be tempted to order two of them re-named “USS Joe Biden” and “USS Crooked Hillary” although, unlike those reprobates, the Boomin’ Beavers have done much good work for the nation.

The Arc de Triomphe, Paris (left), Donald Trump with model of his proposed arch, the White House, October, 2025 (centre) and a model of the arch, photographed on the president's Oval Office desk (right).  Details about the arch remain sketchy but it's assumed (1) it will be "big" and (2) there will be some gold, somewhere.

As well as big ships (and the big Donald J Trump Ballroom already under construction where the White House’s East Wing once stood), Mr Trump is also promising a “big arch”.  A part of the president’s MDCBA (Make D.C. Beautiful Again) project, the structure (nicknamed the “Triumphal Arch” and in the style of the Arc de Triomphe which stands in the centre of the Place Charles de Gaulle (formerly the Place de l’Étoile), the western terminus of the avenue des Champs-Élysées) is scheduled to be completed in time to celebrate the nation’s 250th anniversary on 4 July 2026.  Presumably, on that day, it will be revealed the official name is something like the “Donald J Trump Sestercentennial Arch” which will appear on the structure in large gold letters.  The arch is said to be “privately funded”, using money left over from what was donated to build the ballroom, a financing mechanism which has attracted some comment from those concerned about the “buying of influence”.

Adolf Hitler's (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) sketch of an arch (1926, left) and Hitler, Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) and others examining Speer's model of the arch, presented 20 April, 1939 upon the occasion of the Führer’s 50th birthday (right; note the pattern in carpet).  As usual, the Führer reviewed the display of gifts, surveying the statutes, paintings and porcelain (both good and kitsch) with interest or amusement but the one to which he kept returning was the four-metre model of the arch and that evening, several times he would return “with visible emotion” to examine the details.

A model of Germania.  To give some indication of the scale, within the dome of the huge meeting hall (at top of image), St. Peter's Cathedral in Rome would have fitted several times over; its diameter of the dome would have been 250 metres (825 feet).

Commissioned to honor those who fought and died for France during the French Revolutionary (1792-1802) and Napoleonic Wars (1803-1815), construction of the Arc de Triomphe (officially the Arc de Triomphe de l'Étoile) absorbed 30-odd years between 1806-1836, as a piece of representational architecture the structure is thought perfectly proportioned for assessment by the human eye and perhaps for this reason it has been admired by many.  As early as 1926, Adolf Hitler sketched his vision of a grand arch for Berlin, while bitter experience taught him the big warships were a bad idea because of their vulnerability to air attack, he never lost his enthusiasm for megalomania in architecture and in Albert Speer he found the ideal architect.  Noting the dimensions in Hitler’s sketch, Speer responded with something in the spirit of their blueprint for Germania.  Hitler’s planned the rebuilding of Berlin to be complete by 1950, less than ten years after the expected victory in a war which would have made him the master of Europe from the French border to the Ural mountains (things didn’t work out well for him).  While the 50 metre (163 feet) tall Arc de Triomphe presented a monumental appearance and provided a majestic terminus for the Champs Elysees, Speer’s arch stood 117 meters (384 feet) in height but even though obviously substantial, it would have been entirely in scale with the rest of Germania, the whole place built in a way to inspire awe simply by virtue of sheer size.

Saturday, November 15, 2025

Tenebrous

Tenebrous (pronounced ten-uh-bruhs)

Dark; gloomy; obscure.

1375-1425: From the late Middle English tenebrose (full of darkness, gloomy), from the Anglo-Norman tenebrous (the earlier spelling was tenebrus), from the eleventh century Old French tenebros (dark, gloomy) (which endures in modern French as ténébreux), from the Latin tenebrōsus (dark), from tenebrae (darkness, shadows).  The Latin forms may have been dissimilated from the earlier temebrai, from the primitive Indo-European root temsro- (dark), an adjective from temos- (darkness).  The adjective tenebrous indicates a high degree of darkness but not an absolute absence of light, the comparative is thus more tenebrous and the superlative most tenebrous.  Tenebrous is now a literary word valued by poets because of the relative novelty of the rhyming and is used also figuratively (as early as the 1670s it was deployed to suggest someone was “morally or mentally dark”.  Tenebrous, tenebricose & tenebrific are adjectives, tenebrity, tenebrousness & tenebrosity are nouns and tenebrously is an adverb; the noun plural is tenebrosities.  The alternative spelling is tenebrious and except in literary use, the verb tenebrize is now obsolete.

Salomè con testa del Battista (Salome with the Head of John the Baptist, circa 1608), oil on canvas by Caravaggio (Michelangelo Merisi da Caravaggio; 1571–1610), National Gallery, London.

Tenebrosity (darkness, gloom, obscurity) was from the early fifteenth century, tenebrious (pertaining to darkness, of a dark nature) dates from the 1590s, tenebrity (quality of being dark) was in use by at least 1792 while tenebrific (producing darkness), dating from the late 1760s, was implied in the earlier tenebrificating, recorded in 1743.  In 1818, it was reported in a London publication there was a theory darkness was not simply the absence of light, but that certain heavenly bodies (called Tenebrific Stars), emitted rays of positive darkness, which produced what commonly was called “night”.  This is how science evolves, theories existing to compete as explanations for this and that until disproved.  The early fifteenth century Tenebrer (bearer of darkness) was an epithet of Satan.  One variant which didn’t endure was recorded in the mid-seventeenth century was tenebrion (one that will not be seen by day, a lurker, a night-thief (also a “night-spirit” and “hobgoblin”)).  In Christianity, the Tenebrae is a religious service celebrated by the Western Church on the evening before or early morning of Maundy Thursday, Good Friday, and Holy Saturday, involving the gradual extinguishing of candles while a series of readings and psalms are chanted or recited.  In fine art, the related tenebrism describes a style of painting using very pronounced chiaroscuro, with darkness a dominating feature of the image and a tenebrist is an artist applying the method.  Works in the genre are said to be tenebristic and in the late nineteenth century those painting in this manner (described usually as “in the style of Caravaggio” were called the tenebrosi; by 1959 the preferred term among art historians was tenebrism.

Illustrating the adjectival: Lindsay Lohan tenebrous (left), more tenebrous (centre) and most tenebrous (right), from Pop Magazine photo-shoot, Fall/Winter 2007.

The MOGAI

MOGAI stands for “Marginalized Orientations, Gender Alignments and Intersex” and is something of an omnibus term, acting as an umbrella term for sexual orientations, gender identities and intersex traits not considered “mainstream” although the very notion of “mainstream” is now a morass of cross-cutting claims, some factions demanding inclusion, others insisting on their separateness.  Whatever has been the track of MOGAI since its emergence in 2015, the original intent seems to have been one of “inclusiveness” and in that sense it’s both a logical extension of the LGBTQ+ concept and a recognition that so many categories could be identified the “extended model” (ie LGBTQQIAAOP and such) was becoming unmanageable.  Even “LGBTQ+” was in a sense counter-productive because in relegating certain letters (and thereby individuals or groups) to the “+”, there was an act of marginalization which, in the modern construct could be deemed a microaggression.  What advocates emphasize is that MOGAI exists for marginalized identities and it’s also as a kind of clearing house for novel or less recognized gender labels.  

DSM-5-TR (Text revision (2022) of DSM-5 (2013)).

In the narrow technical sense, MOGAI is a classification system but its focus on non-binary and other gender identities that are not cisgender seems to have acted to encourage the growth in the creation of categories and while some have “filled a gap”, there’s also clearly been linguistic adventurism in the same way some have been beyond imaginative in the coining of long German compound nouns and others have describe phobia despite there being no evidence of the particular fear ever having been defined as a clinical condition or even reported, a phenomenon the marvellously comprehensive Phobiapedia cheerfully acknowledges.  Whereas the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM) exists to codify mental health conditions including phobias, MOGAI is just one of many list of gender identities but one which commands interest simply on the basis of numbers: it has spawned literally hundreds of entries and while some are “variations on a theme”, the breadth is striking.

The DSM contains two obviously tenebricose conditions, Social Anxiety Disorder and Seasonal Affective Disorder (a mood disorder characterized by recurrent depressive episodes that occur at particular times of the year, usually in winter), tenebrous used of the former figuratively, of the latter literally.  In a decision which may have been an agenda item on one of the editorial committee's meeting, it was decided the acronym “SAD” would be applied to Seasonal Affective Disorder (presumably on the basis it described the sadness associated with dark, wintery conditions); Social Anxiety Disorder typically is abbreviated as SoAD and the differentiation makes sense because while sadness can be associated with SoAD, it's the prime dynamic of SAD.  Multiple uses of acronyms is of course common but within the one publication it could confuse for the editors made a wise choice.  First described in 1984, SAD was included in the revision to the third edition (DSM-III-R (1987)) as a “seasonal pattern”, a modifier applied to recurrent forms of mood disorders, rather than as an independent entity.  In the DSM-IV (1994), its status as a standalone condition was changed, no longer classified as a unique mood disorder but instead a specifier (called “with seasonal pattern”) for the “recurrent major depressive disorder that occurs at a specific time of the year and fully remits otherwise”.  In the DSM-5 (2013), although there were detail changes in terminology, the disorder was again identified as a type of depression (Major Depressive Disorder with Seasonal Pattern).  The symptoms of SAD often overlap with the behaviors & mood changes noted in clinical depression, the novelty being the condition manifesting usually during the fall (autumn) & winter when temperatures and lower and the hours of sunlight fewer, the symptoms tending to diminish with the onset of spring.

A gathering of high tech, robotic lawnmowers: Four Stihl iMows of the apocalypse.

Suggested collective nouns for lawnmowers have included “graze”, “scythe”, “lawn” & “swathe” but the most evocative was the (presumably Australian) “startyafuquer” (pronounced stahrt-yuh-fuhk-ah).  Most “high tech” lawnmowers are controlled using a cell phone app but some include the feature of a user being able to create their own voice-activation command set so “startyafuquer” could be recorded as the “start command”, the obvious companion phrase being “stopyafuquer”.

While notably less common, there are those who experience SAD during the summer and in either case it’s seen more frequently in women; SAD appears to be possible at any age but is most typically suffered in the age range 18-30.  In the US, the dynamic of the condition is illustrated by the diagnosis of SAD ranging from 1.4% of the population in sunny Florida to 9.9% in often gloomy Alaska and, after some initial scepticism, the condition was accepted as legitimate by most of the profession although there has been some contradictory research.  Although in a sense SAD has for centuries been documented in the works of poets and artists, it wasn’t until the mid-twentieth century that structured research began and it has been linked to a biochemical imbalance in the brain prompted by exposure to reduced hours of daylight and a reduction in sunlight.  It’s thought that as the seasons go by, some experience a shift in their internal “biological clock” (circadian rhythm) which induces the mechanism to become asynchronous with their daily schedule.  Predictably, SAD appears more prevalent among those living far from the equator where the conditions in winter are exaggerated.  Seemingly paradoxically, clinicians treating SAD do in some cases recommend “outdoor activities” on the basis (1) of “confronting the problem” as is sometimes done for fears (heights, spiders etc) and (2) its frequent effectiveness in countering depression.  One popular activity suggested is gardening and while many have reported it as therapeutic, those suffering from Sponeopapaaughprosebeeanthropopcacareophobia (the phobia describing the fear of high tech lawn mowers”) would need to be cautious in their choice and handling of equipment.   

Gender lists are however not “peer reviewed” in the traditional sense (controversial as that model of academic publishing has become) so in a sense all the categorization systems are of equal validity with users free to determine which works best for them.  That’s democratic and how a classic marketplace of ideas operates but does mean it’s a field in which most are left to make of it what they will.  It would be interesting to compare a “comprehensive list” curated by academics in the now well-populated discipline of “gender studies” with the hundreds of entries which the MOGAI community hosts.  In the most recent edition of the DSM (DSM-5-TR, 2022), while there are five sub-types of specific phobias: (1) animals, (2) the natural environment, (3) blood, injections, medical procedures and such, (4) situational types (airplanes, elevators, enclosed spaces etc) and (5) other types, officially, terms like nomophobia, coulrophobia, globophobia, arachibutyrophobia etc) are no longer accepted clinical terms used in psychiatry and instances are grouped to be diagnosed as “Specific Phobia, other type”.  Remarkably, given the frequency of use of xxx-phobia in general use, only two explicitly are mentioned in the DSM and they are not unrelated: Agoraphobia (an extreme or irrational fear of entering open or crowded places or leaving one's home) and Social Anxiety Disorder (SoAD or Social anxiety).

The MOGAI community's lists of gender types are an invaluable resource but can be challenging for those suffering Albumistaphobia (the phobia describing the fear of lists”).

Still, even if many of MOGAI’s entries might not survive an academic cull, there would be gender theorists or activists who might acknowledge the entire set because a syndrome need not be widespread to be defined as such: a single case can establish the diagnosis.  Word nerds too must have been impressed by the diversity and intricacy (if not always the grammar and spelling) because MOGAI definitions can also be mapped onto specific systems or sets of labels, such as the Celestial Gender System (based on celestial bodies) or the Restaurant System (based on restaurants and eateries).  What that has meant is that as well as serious contributions, the MOGAI community has seen the creation of new labels of dubious practical validity which, like some alleged phobias, clearly exist just because their creation was possible and fun.  Those schooled in labelling theory might also be interested because, once created and vested with the “validity” of appearing in a “gender list” on the internet, a label can gain some gravitational pull and convince readers they’ve just discovered their “true gender” identity or identities.  As patients can create the diagnosis, so the diagnosis can create the patient.

Xenogender

A xenogender identity is one in which a person's gender is connected to an aesthetic or sensory experience.  It is non-binary and applies concepts beyond traditional male, female or androgynous categories to describe a gender that cannot be contained by traditional human understandings of gender.  Xenogender claims to be all-encompassing and is this positioned as an umbrella term for identities related to abstract sources like animals, plants, concepts and imaginary or inanimate objects; the linkages need not in any way be literal or concrete and can be simply a device people use to best articulate how their gender “feels” (or “appears” for those who view themselves from beyond their own physical body) to them.  Some xenogenders are used by the neurodivergent community but the essence of xenogenderism is they cannot be exclusive and thus cannot be used in an exclusionary way.

Hallowgender

Hallowgender (or Halloweengender) is an aesthetigender in which one's gender is tied closely to “the silly part of Halloween and the Halloween aesthetic” (ie it focuses on the fun rather than the dark and scary).  The first known use of hallowgender was by Tumblr user asukazepplinsoryu in 2014.

Flags of the Hallowgender.

Left to right: (1) The original hallowgender flag, designed by an anonymous user; (2) the first alternate hallowgender flag designed by Tumblr user ask-pride-color-schemes; (3) the second alternate hallowgender flag designed by Tumblr user momma-mogai-sphinx, (4) the third alternate hallowgender flag designed by Tumblr user momma-mogai-sphinx and (5) the fourth alternate hallowgender flag designed by FANDOM user WriterThatArts.  In the ecosystem of gender-diversity, flags have become a thing; the gay liberation movement's Rainbow flags are the best-known but there are banners for many non-cisgender sub-sets and other divergencies including the still much-marginalized Objectum community.  

TFS: The Tenebrous Gender System

A fork of the MOGAI community, the TGS (Tenebrous Gender System) was said to have been created by Tumblr user Hallowgender who on 12 September 2020 published a codified version; under TGS, all sub-types are in some way and to some degree connected to “darkness and gloominess”.  All are related also to other things or concepts and that some of those might stand in stark contradiction to darkness and gloominess was noted without further comment.  In a sign of the times, TGS, with seven categories, is said to be “one of the smallest gender systems” and that reflects the recent proliferation from something which for millennia usually was represented as a binary.  Each TGS category has a flag:

Tenebrariarumian: A gender that is dark, enveloping, and colorful.  It is gloomy, calming and cold.  Exemplar: Billie Eilish (b 2001).

Tenebrasian: A gender that is dark, separating, and sullen.  It is gloomy, tumultuous and warm.  Exemplar: Lindsay Lohan (b 1986).

Tenebellariumian: A gender that is flamboyant, dark, cool, and wintry. It is gloomy, calming, and freezing as well but may tend also to fluidity and can be similar to Burlesgender.  Exemplar: Kim Kardashian (b 1980).

Tenebrationisian: A gender that is masculine, toasty, calming, and similar to the sea at night.  It is gloomy, calming, and connected to anchors, boats, and summer.  Exemplar: Alexandria Ocasio-Cortez (AOC, b 1989).

Tenebricosumian: A gender that is cautious, wintry, dark and comforting.  It is small, fluid, and flux.  Exemplar: Bernie Sanders (b 1941).

Tenebricumian: A gender that is icy, soft, watery and comforting. It is large, fluid, and flux.  Exemplar: Sydney Sweeney (b 1997).

Tenebrosumian: A gender that is icy, soft, electric and powerful.  It is large, fluid and flux as well.  It can be connected to lights in a city at night, blankets and snowy afternoons.  Exemplar: Jessica Simpson (b 1980).

Aesthetigender

Aesthetigender was said to have been coined in 2014 by Tumblr user curiosityismysin and the original description read: “a gender experience that is derived from, or the embodiment of, an aesthetic”; from that came the mission creep which saw the term evolve from a “standalone gender” to being an entire sub-category of MOGAI genders to the point where it is one of the largest.  The nature of the beast is such that within the rubric of aesthetigender it’s an irrelevance to try to determine where one ends and another begins and the extent of proliferation anyway made overlap inevitable.  As might be imagined, a category in which the imperative is “a gender which in some ways relates to an aesthetic” is so broad that probably all MOGAI genders could be made to fit under the umbrella, including terms that aren't obviously “aesthetically linked” because just as “everything is text”, in a sense, “everything has an aesthetic”.  That has to be right because the root of aesthetigender ultimately can be traced back to a rejection of gender as a binary and the nonbinary activist movement really began as something aesthetic before a conceptual framework was built.  The MOGAI community now lists over 600 known aesthetigenders and while some (like many entries in the phobia lists) are variants, jocular coinings or exercises in novelty, such is the breadth, there must be something for just about everyone; some illustrative examples are:

Abandoe: a gender similar to that of an abandoned house; could be dead, genderless or of themes being empty and intimidating.

Adorbian: a xenic alignment to cuteness or cute things.

Aesthetigxrl: a girl or woman who is also aesthetifluid.  Your aesthetigenders act as an overlay, affecting pronouns and desired presentation.  If the aesthetic is heavily aligned with a different gender, your gender might be obscured until the aestheticgender changes. Comes under the genderfluid umbrella. (Gxrl can be substituted with your main gender (bxy, boy, girl, xen, enby ect).

Ancientus: a gender that feels like it is becoming ancient and unused, regardless of whether it is or is not.

Animecoric: a gender related to animecore.

Antiancientius: a gender that feels like it is coming back from being ancient and unused to being new and used

Arcage: a gender that feels locked up in a coffin or mausoleum, it’s desolate and unused but can be revisited and used for a small amount of time.  It can also be related to coffins, cemeteries and Halloween.

Autumnusian: a slightly neutral gender related to autumn (fall), fallen leaves, oak trees, the smell of maples, rain, and/or the sun.

Bellusgender: a gender relating to anything beautiful to the user’s eye (can be flowers, pets etc).

Burlesgender: A gender that is ineffable, extremely hard to label, but is flamboyantly and fabulously androgynous.  It was first coined as Ziggystardustgender but changed due to this referencing a fictional character.

Camogender: a gender that’s hard to see on the outside, almost invisible, but very deep and full of meaning on the inside. Can be thick or thin but is always not what it appears to be.

Cosmiccoric: a gender that feels like you’re a cosmic entity, one with the universe, especially when meditating.

Crystalforestgender: a gender associated with both crystals and forests or that is easily described by both forests and crystals.

Demi-Smoke: a transcendental, spiritual gender roughly drifting to other genders that are unable to be foreseen or understood, shrouded in darkness within your inner visual.  Elevating through mystery and caused by a lack of inner interpretation and one’s dark emotional states.

Derkazgender: where you feel like parts of your gender are hidden or concealed in darkness.

Djender: a gender that is harsh and jagged.

Elegender: a gender up to interpretation by individuals, but in essence is an ethereal gender that is unable to be understood by either the individual or others; a gender that cannot be explained; a dainty, elegant, or delicate gender.

Estetikgender: when your gender is influenced by your current aesthetic.

Fatugender: a useless gender.

Fractigender: a gender identity characterized by different genders occurring with different intensities, and yet still connected (either through expression, interpretation, or being experienced simultaneously).  This identity is based on the Latin fractus (broken), perfect passive participle of frangō (break, fragment), the idea being a pattern that repeats on smaller and smaller scales, and different locations.

Genderabyssalis: a gender that is dark, deep, and abyssal.  It may be connected to darkness, dimness, and cold nights.  It can be masculine or neuter-aligned, but need not be.

Genderamburo: a gender that feels slightly scorched or burnt.

Genderardere: a gender that feels like it has been burnt/scorched, but still remains.

Genderatrum: a gender shrouded into darkness. It feels gloomy and unwelcoming, isolating itself from other genders.

Gendercalefecere: a gender that feels like it warms, and then quickly cools again.

Gendercimiterium: a gender related to graveyards.  It feels buried underneath other genders, and trapped forever more.

Genderclock: a xenogender related with time and clocks.

Gendergothica: a gender that feels Gothic or related to Gothic architecture or literature.

Gendermortes: A gender that fades into death.

Gendermortuss: A gender that feels dead or is barely clinging to life.

Gendernoir: A gender related to the noir aesthetic.

Genderplush: A gender related to teddy bears.

Gendertextus: a gender that is woven into other genders.

Icegender: A cold gender that's disconnected from emotion

Lolitagender: A gender related to Lolita fashion.

Magikavine: A gender related to the color purple, dark circus aesthetics, and magic.

Mermaidcoric: A gender related to mermaidcore.

Multioculaec: a gender related to having or wanting multiple eyes (Based off Wingphinaec).

Naufragiumgender: a gender simply abandoned.  It is similar to a shipwreck in that it just plainly disappears for a while, later to be rediscovered by advancing into the depths of gender.

Necrogender: a gender that used to exist but is now 'dead' or nonexistent.

Nightshadegender: when your gender feels ominous and dangerous if wrongly handled.

Noirgender: an aesthetic gender based on being goth.

Noxnidorian: A gender that’s related to the night and specifically the smell of the night.

Nymphetic: genders relating to the nymphet/doelette/coquette/faunlet aesthetic & fashion, without k!nk attatched

Ophthalmogender: a gender described by your own eye and its characteristics at some point.

Opscugender: a dark, murky gender, hard to describe or see.

Pastelgothcoric: a gender related to pastel gothcore, or just pastel goth in general!

Petrichic: a xenic-alignment with rain, storms, and water.

Pictogender: a gender that can only be described through imagery. A pictogender individual might only be able to describe their gender with icons, symbols, emojis, color gradients, or some other visual.

Pinkcoric: A gender related to pinkcore.

Punque: a gender characterized by the punk aesthetic, fashion, culture, music and attitude.  Can be used as a descriptor or as a noun.

Puppetic: A xenogender related to puppets/marionettes.

Sadcoric: A gender related to sadcore

Sapphiregender: A gender that is aesthetically related to sapphires, a gender that is feminine, non-binary, and vaguely fluid.

Savmysterius: a masculine xenogender that feels shrouded in fog and is hard to define. It’s slightly fluid, golden and ancient, and draws influence from many sources, including: crystals & forests, stars & death, old gods & demons, angels and the fae.

Sexygender: a gender that is very, very sexy

Shampooium: a dermagender that feels sudsy like shampoo, and makes other genders feel healthy as well.

Shipwreckian: a gender somehow connected to shipwrecks, the deep sea, shades of blue and warm ocean waters.

Sliwarmasix: a slightly warm gender, it hovers slightly above other genders and never flares up.

Somnigender: a gender identity related to, dependent upon, or inexorably connected to a feeling of sleepiness or tiredness. Alternately, it can refer to a gender that is difficult or impossible to perceive or identify due to feelings of sleepiness or tiredness.  Not a narcolepsy/insomnia-based neurogender, just general sleepiness.

Squishyic: a xenogender related to squishies.

Starboy: A gender related to boasting, cyberpunk, and crime.

Tenebric: a gender that feels cold and dark; it smells of moss and nature.

Traumacoric: A gender related to traumacore.

Urbisgender: a gender built like a city, composed of many, many parts that all function to help one another; full of many small parts and things to discover.

Vampcoric: a coric gender related to vampirecore.

Wanderlust Gender: a labyrinthine, eerie gender that’s impossible to navigate or map, but which causes no anxiety.  This gender is fun to explore even if it’s easy to get lost in.

Windowgender: a gender feeling like the space between the glass and the screen of the window thus either a free-flowing gender or for those who feel their genders are transparent!

Wingphinaec: a gender related to wings or having wings!

Witchcoric: a xenogender related to witchcore.

Xenoirgender: A gender based in emo, scene and other offshoots of goth.

Zombiecoric: a masculine, feminine or neutral gender based around zombiecore; feels decayed & dark, which isn’t necessarily a bad thing.