Waft

Waft (pronounced wahft)

(1) To carry lightly and smoothly through the air or over water.

(2) To send or convey lightly, as if in flight.

(3) To signal to, summon, or direct by waving (obsolete).

(4) A sound, odor etc, faintly perceived.

(5) A light current or gust of air; a brief, gentle breeze.

(6) In historic admiralty use, a signal flag hoisted or furled to signify various messages depending on where it was flown (archaic).

(7) In historic admiralty use, as "wafter", an armed convoy or escort ship (obsolete), the use later extended to an agent of the Crown with responsibility for protecting specific maritime activities, such as shipping or fishing (obsolete).

(8) In nautical use, a flag used to indicate wind direction (a la the windsocks used at aerodromes) or, with a knot tied in the centre, as a signal (a waif or wheft).

(9) To convey by ship (obsolete).

1535-1545: From the Middle English waften, of uncertain origin. It may have been from the unattested Old English wafettan, from wafian (to wave) or a modified from of the Middle Dutch wachten (to guard, provide for).  Related forms include the German wabern (to waft), the Faroese veiftra (to wave) and the Icelandic váfa (to fluctuate, waver, doubt).  In the obsolete sense of "conveying by ship", the word was a back formation from the late Middle English waughter (armed escort vessel) from the Dutch and Low German wachter (guard; a watchman or convoy vessel) which in some historic documents is confused with waff.  The familiar modern meaning “gently to pass through air or space, to float" was in use by the early eighteenth century and etymologists conclude it was in some way connected with the northern dialect word waff (cause to move to and fro) which dates from the 1510s.  The phrase “waft off” is a polite form of “fuck off” and is expressed non-orally by “a wafting motion with the hands indicating the subject should proceed in the opposite direction”.  Waft & wafting are nouns & verbs, waftage, wafture & wafter are nouns, wafted is a verb and wafty is an adjective; the noun plural is wafts.

How to Waft

Waft, in the practical laboratory work of chemistry and other sciences, is a term used in safety manuals when describing the recommended way to sniff stuff.  Successfully to waft, one uses an open hand with the palm facing the body, moving the hand in a gentle circular motion over or about the substance or gas of interest so as to lift vapours towards the nose.  This permits a lower concentration to be inhaled, especially important with anything dangerous like ammonia, hydrochloric acid et al.

Right & wrong: A student in the chemistry lab wafting correctly (left) and George W Bush (b 1946; US President 2001-2009) inhaling incorrectly (right).  Answering the now ritualized question of whether he'd ever smoked weed, Mr Bush admitted inhaling.

Waftability

It was in 2009 Tom Purves (b 1949; CEO of Rolls-Royce Motor Cars 2008-2010) announced the neologism “waftability” was “the essence of the brand”, the new coining he defined as meaning “calm perfect motion and accelerating quickly without fuss”.  Back then (and it seems now distant history) the CEO was describing the relationship between the appearance of a Rolls-Royce as a static object as something which embodied that definition, revealing the internal name for the “gentle, upswept line of the sill” on the new Ghost model was a “waftline” (actually borrowed from the fashion business), the idea being it created “a powerful, poised stance and makes the car appear to be moving when stationary.”

That was when Rolls-Royce was still in the business of making large-displacement petrol engines sound and behave as if they were electric motors but by 2023 they were ready to announce their first pure electric car, the Spectre.  It had taken a while but the connection with things electric actually predated even the formation of the company in 1904.  Sir Henry Royce (1863–1933) was an engineer was an engineer who designed dynamos, electric crane motors and patented the bayonet-style light bulb fitting while Charles Rolls (1877–1910) drove an electric car as early as 1900 and declared it the almost ideal form of propulsion, observing “The electric car is perfectly noiseless and clean. There is no smell or vibration, and they should become very useful when fixed charging stations can be arranged. But for now, I do not anticipate that they will be very serviceable – at least for many years to come.”  So it proved.  By 2023 however, the technology was ready and so (more debatably) was the infrastructure and there is nothing better at waftability than something large, luxurious and electric, Rolls-Royce saying in 20230 they will manufacture and sell their last car running on fossil fuel.

The electric Rolls-Royce Spectre.  Instead of the internal combustion V8 & V12 engines which faithfully have served the line sine 1959, the Spectre is powered by two electric motors producing a combined net 577 horsepower and 664 pound-feet of torque.  There was a time when Rolls-Royce would never have painted their cars purple but the catchment of those with the resources to buy or lease (rent) such things has expanded to include many whose tastes come from different traditions.  It's not the difference between good and poor taste; it's just there are different sophistications.

For Rolls-Royce, the engineering and financial challenges aside, the obstacles are few because, unlike an operation like Ferrari which for decades has based part of its mystique on the noise its engines make at full-cry, it has always put a premium of silence and smoothness.  Enzo Ferrari (1898-1988) said it was the howl of the V12 Packard engines (which he dubbed “the song of 12”) he heard on the race tracks which convinced him to make the V12 the signature configuration for the cars which would bear his name but for Charles Rolls the most influential sound was its absence.  In 1904, he had the opportunity to ride in Columbia Electric car and, knowing what so many of his customers craved, was most impressed, noting: “They should become very useful when fixed charging stations can be arranged.”  So, in 120-odd years not much has changed.  Ferrari are doubtlessly hoping the hydrogen refueling infrastructure develops at a similarly helpful rate, the exhaust note from exploding hydrogen able to be as intoxicating as that of burning hydrocarbons.

The waftline in fashion

Helena Bonham Carter (b 1966) in a Dolce & Gabbana waftline polka dot dress, British Academy Television Awards, London, June 2021.  Students of design should note the presence of "skirt-holding loops".

"Wafting" or "waftline" clothing (known also as "swishy skirts") are those voluminous creations made from lightweight, flowing fabrics which are cut to permit them gracefully to move, the material making a "swishing" sound (usually more imagined than real) when the wearer wafts by.  Characterized by their fluidity and movement, on the right figure (a term which is "fat-shaming" no matter how it's spun) they impart a sense of elegance and femininity while still offering designers some potential for playfulness.  Although the style can be applied to short skirts (although this does increase the danger of "wardrobe malfunctions), the classic waftlines tend to be at least knee or calf-length and because there's so much surface area, it's easier to use prints like big, dramatic florals and large-scale geometric shapes.  The anthesis of the pencil skirt, the fabrics most suited to the waftline include taffeta, chiffon, silk and the lighter cottons but any synthetic which drapes well and "wafts around" can be used.

Lindsay Lohan, who likes to waft, in waftline dresses.  

Wafting East of Suez

A classic wafting garment is the thawb most associated with Arab men of the Gulf region but also (with some variations) worn more widely.  Known regionally as the kandurah, kandoora, gandurah or dishdashah, it’s a long-sleeved, ankle-length robe which is enveloping but loose.  The word thawb is from the Arabic ثَوْب (literally “dress” (in the sense of “garment”)) although in the colonial era it was romanized as thobe, thob or thaub, TE Lawrence (Lawrence of Arabia; 1888–1935), often photographed wearing one (he used thawb), sometimes also with a zebun atop, a type of ankle-length sleeved-cloak, cut like a western bathrobe and unlike a thawb, often in a dark fabric.  Usually a thawb is bound loosely at the waist, using anything from a plain cord to a decorative belt depending on the taste and status of the wearer, functional attachments for carrying weapons (and in recent years cell phones) sometimes attached.

Crooked Hillary Clinton (b 1947; US secretary of state 2009-2013) (left) with the UAE's Crown Prince Sheikh Mohammed Bin Zayed Nahayan, Abu Dhabi  January 2011.  The crown prince is wearing a classic white thrab & keffiyeh, the latter secured with a black egel.  Crooked Hillary is in one of her signature pantsuits in Prussian blue.

The wafting quality of a thawb makes it a functional garment to wear in a hot climate like that of the Arabian Peninsula and studies of its thermodynamic and related properties have been undertaken, the findings concluding there are a number of factors which contribute to its utility:  (1) The material is usually a lightweight and breathable fabric such as linen or cotton which permits the circulation of air, facilitating the evaporation of sweat and consequent cooling of the body.  (2) Thawbs are traditionally white or light-hued, colors which reflect sunlight, unlike darker shades which tend to absorb and retain heat.  (3) By design, the robe is loose-fitting, encouraging ventilation and minimising direct contact between fabric & skin, reducing the thermodynamic effect known as “heat-soak”.  (4) The thawb covers most of the body’s surface area (including the arms and legs), almost negating direct exposure to the sun, preventing sunburn and reducing the risk of heat-related illnesses. (5) The thawb is part of a system, the inner layer which provides insulation against searing daytime temperatures but deserts can be cold places too, thus the addition of layers such as the zebun which protects from the cold.

Yasser Arafat, United Nations General Assembly (UNGA), 13 November, 1974.  Not many speeches delivered to the UN General Assembly are remembered; the one given by Yasser Arafat is one of the few to become famous without a shoe being removed.

The companion garment is the keffiyeh (or kufiyyeh or cheffiyeh), from the Arabic: كُوفِيَّة (kūfiyya (literally “coif”)) and again, because of tribal and linguistic diversity, it’s known also as the shemagh (شُمَاغ) (šumāḡ), ghutrah (غُترَة) or hattah (حَطَّة).  It is a headdress in the form of a square or rectangular scarf and except for those worn for formal or ceremonial purposes, is almost always made from cotton because these are the lightest and coolest to wear and the generous surface area allows it almost fully to envelope the face, protecting the lips and nose from dust, sand and sunburn.  To secure a keffiyeh in place (deserts can be windy too), it’s worn with an egel (عِقَال) (ʿiqāl) (or egal, agal or aqal).  An Egel is a cord which can be a simple, single strand in black or an elaborate and colourful multi-threaded construction; made traditionally from goat hair, synthetic fibres are now often used.  The keffiyeh attracted wider attention in 2024 when it came to be used as a political symbol, worn by demonstrators in Western cities protesting against Israel’s conduct of military operations in the Gaza strip.  The use as a political symbol is not new, old Yasser Arafat (Abu Ammar, 1929–2004; chairman of the Palestine Liberation Organization (PLO) 1969-2004) used to arrange with photographers who wanted a picture for them to use the angle at which his keffiyeh would fall across his right shoulder in the shape of a map of Palestine (with 1947 boundaries).

MADD

MADD, Madd & MaDD (pronounced mad)

(1) The acronym (as MADD) for Mothers Against Drunk Driving, a non-profit education and lobbying operation founded in California in 1982 with a remit to campaign against driving while drink or drug-affected.

(2) The acronym (as MADD) for Myoadenylate deaminase deficiency or Adenosine monophosphate deaminase.

(3) The acronym (as MADD) for multiple acyl-CoA dehydrogenase deficiency (known also as the genetic disorder Glutaric acidemia type 2).

(4) In computing (as MADD), the acronym for Multiple-Antenna Differential Decoding (a technique used in wireless comms using multiple antennas for both transmit & receive which improves performance by exploiting spatial diversity & multipath propagation of the wireless channel).

(5) As the gene MADD (or MAP kinase), an activating death domain protein.

(6) As Madd, the fruit of Saba senegalensis (a fruit-producing plant of the Apocynaceae family, native to the Sahel region of sub-Saharan Africa).

(7) As madd, a clipping of maddah (from the From Arabic مَدَّة (madda)), the English form of the Arabic diacritic (a distinguishing mark applied to a letter or character) used in both the Arabic & Persian.

(8) The acronym (as MaDD), Maladaptive Daydreaming Disorder.

(9) The acronym (as MADD), for mutually assured digital destruction: a theory of cyber-warfare whereby each participant demonstrates to the other their capacity to inflict equal or more severe damage in retaliation, thereby deterring a cyber-attack (based on the earlier MAD (mutually assured destruction), a description of nuclear warfare deterrence).

From AD to MAD, 1962-1965

The period between the addition of nuclear weapons to the US arsenal in 1945 and 1949 when the USSR detonated their first atomic bomb was unique, a brief anomaly in the history of great-power conflict.  It's possible to find periods in history when one power has possessed an overwhelming preponderance of military strength that would have enabled them easily to defeat any enemy or possible coalition but never was the imbalance of force so asymmetric as it was between 1945-1949.   Once both the US and USSR possessed strategic nuclear arsenals, the underlying metric of Cold War became the two sides sitting in their bunkers counting warheads and the centrality of that lasted as long as the bombs were gravity devices delivered by aircraft which needed to get to a point above the target.  At this point, the military’s view was that nuclear war was possible and the only deterrent was to maintain a creditable threat of retaliation and, still in the age of the “bomber will always get through” doctrine, both sides literally kept squadrons of nuclear-armed bombers in the air 24/7.  Once ground-based intercontinental ballistic missiles (ICBMs) and (especially) submarine-launched ballistic missile (SLBMs) were deployed, the calculation of nuclear war changed from damage assessment to an acknowledgement that, in the worse case scenarios made possible by the preservation of large-scale second-strike retaliatory capacity, although the "total mutual annihilation" of the popular imagination was never likely, the damage inflicted would have been many times worse and more extensive than in any previous conflict and, although the climatarian implications weren't at the time well-understood, the consequences would have been global and lasted to one degree or another for centuries.

It was thus politically and technologically deterministic that the idea of mutually assured destruction (MAD) would evolve and it was a modification of a deterrence doctrine known as AD (assured destruction) which appeared in Pentagon documents as early as 1962.  AD was intended as a way to deter the USSR from staging a first-strike against the US, the notion being that the engineering and geographical deployment of the US's retaliatory capacity was such that whatever was achieved by a Soviet attack, their territory would suffer something much worse.  To the Pentagon planners in their bunker, the internal logic of AD was compelling and was coined as a description of the prevailing situation rather than a theoretical doctrine.  To the general population, it obviously meant MAD (mutually assured destruction) and while as a doctrine of deterrence, the metrics remained the same, after 1966 when the term gained currency, it began to be used as an argument against the mere possession of nuclear arsenals, the paradox being the same acronym was also used to underpin the standard explanation of the structural reason nuclear warfare was avoided.  Just as paradoxically, while serving to prevent their use, MAD also fueled the arms race because the stalemate created its own inertia and it would be almost a decade before the cost and absurdity of maintaining the huge number of useless warheads was addressed.  MAD probably also contributed to both sides indulging in conflict by proxy, supporting wars and political movements which served as surrogate battles made too dangerous by the implications of MAD to be contested between the two big protagonists.

Maladaptive Daydreaming Disorder

There are those who criticize the existence of MADD (Maladaptive Daydreaming Disorder) as an example of the trend to “medicalize” aspects of human behaviour which have for millennia been regarded as “normal”, the implication being the sudden creation of a cohort of customers for psychiatrists and the pharmaceutical industry, the suspicion being MADD is of such interest to the medical-industrial complex because the catchment is of the “worried well”, those with sufficient disposable income to make the condition worthwhile, the poor too busy working to ensure food and shelter for their families for there to be much time to daydream.

Still, the consequences of MADD are known to be real and while daydreaming is a common and untroubling experience for many, in cases where it’s intrusive and frequent, it can cause real problems with everyday activities such as study or employment as well as being genuinely dangerous if associated with tasks such as driving or the use of heavy machinery.  The condition was first defined by Professor Eli Somer (b 1951; a former President of both the International Society for the Study of Trauma and Dissociation (ISSTD) and the European Society for Trauma and Dissociation (ESTD)) who described one manifestation as possibly an “escape or coping mechanism from trauma or abuse”, noting it may “involve long periods of structured fantasy”.  Specific research into MADD has been limited but small-scale studies have found some similarities to behavioral addictions, the commonality being a compulsion to engage in activities despite negative impacts on a person’s mental or physical health or ability to function various aspects of life. 

Despite the suggestion of similarities to diagnosable conditions, latest edition of the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM-5-TR, 2022) did not add an entry for MADD and the debate among those in the profession interested in the matter is between those arguing it represents an unidentified clinical syndrome which demands a specific diagnosis and those who think either it fits within the rubric of obsessive compulsive disorder (OCD) or is a dissociative condition.  Accordingly, in the absence of formal recognition of MADD, while a psychiatrist may decline to acknowledge the condition as a specific syndrome, some may assess the described symptoms and choose to prescribe the drugs used to treat anxiety or OCD or refer the patient to sessions of cognitive behavior therapy (CBT) or the mysterious mindfulness meditation.

Mutually Assured Digital Destruction

Authors in 2021 suggested MADD (mutually assured digital destruction) as the term to describe the strategic stalemate achieved by the major powers infecting each other’s critical (civilian & military) digital infrastructure with crippleware, logic-bombs and other latent tools of control or destruction.  The core the idea was based on old notion of “the bomber always gets through”, a recognition it’s neither possible to protect these systems from infiltration nor clean up what’s likely there and still undiscovered.  So, rather than being entirely covert, MADD instead makes clear to the other side its systems are also infected and there will be retaliation in kind to any cyber attack with consequences perhaps even worse than any suffered in the first strike.  Like the nuclear submarines with their multiple SLBMs silently which cruise the world's oceans, the strategic charm of the latent penetration of digital environments is that detection of all such devices is currently impossible; one knows they (and their SLMBs) are somewhere in firing range but not exactly where.  Oceans are big places but so is analogously is the digital environment and a threat may be in the hardware, software or the mysterious middleware and sometimes a treat can actually be observed yet not understood as such.

For individuals, groups and corporations, there's also the lure of unilateral destruction, something quite common in the social media age.  For a variety of reasons, an individual may choose to "delete" their history of postings and while it's true this means what once was viewable no longer is, it does not mean one's thoughts and images are "forever gone" in the sense one can use the phrase as one watches one's diary burn.  That was possible (with the right techniques or a power drill) when a PC sat on one's desk and was connected to nothing beyond but as soon as a connection with a network (most obviously the internet) is made and data is transferred, whatever is sent is in some sense "in the wild".  That was always true but in the modern age it's now effectively impossible to know where one's data may exist, such are the number of "pass-through" devices which may exist between sender and receiver.  On the internet, even if the path of the data packets can be traced and each device identified, there is no way to know where things have been copied (backup tapes, replica servers et al) and that's even before one wonders what copies one's followers have taken.  There may often be good reasons to curate one's social media presence to the point of deletion but that shouldn't be thought of as destruction.

Feminism

Feminism (pronounced fem-uh-niz-uhm)

(1) A doctrine advocating social, political, and all other rights of women equal to those of men.

(2) In both its structured and ad hoc forms, a movement for the attainment of such rights for women (sometimes used with initial capital letter).

(3) Feminine character (obsolete except for historic references).

1851: From the French féminisme, ultimately from the Classical Latin fēminīnus, the construct being the Latin fēmina (woman) + ism.  The first known use in French dates from 1837.  The –ism suffix was from the Ancient Greek ισμός (ismós) & -isma noun suffixes, often directly, sometimes through the Latin –ismus & isma (from where English picked up ize) and sometimes through the French –isme or the German –ismus, all ultimately from the Ancient Greek (where it tended more specifically to express a finished act or thing done).  It appeared in loanwords from Greek, where it was used to form abstract nouns of action, state, condition or doctrine from verbs and on this model, was used as a productive suffix in the formation of nouns denoting action or practice, state or condition, principles, doctrines, a usage or characteristic, devotion or adherence (criticism; barbarism; Darwinism; despotism; plagiarism; realism; witticism etc).  It seems first to have been used in in English in 1851, originally as a neutral term meaning "the state of being feminine".  The sense of "advocacy of women's rights" began in 1895 ("political feminism" often traced from here although given the history that is misleading) and the word came soon to be used as a "loaded" descriptor of the female character, a kind of informal measure of the patriarchal view of femininity, often in criticism of artistic performance or literature.

Feminism & feminist are nouns, feministic is an adjective and feministically is an adverb; the most common noun plural is feminists but given the proliferation of terms created with modifiers, feminisms are often referenced even if the word is not used.  So productive has the word feminism proved that there are literally more than a hundred derived forms including the:  geographical (Afro-feminism; Euro-feminism), political (anarcho-feministic, radical feminism), humorous (femocrat; femnazi), structural (post-feminism; lipstick feminism; postmodern feminism) and contested (male-feminism; trans-feminism).       

Waves

The notion of feminism being not a fixed manifesto but a process in incremental waves is from a 1968 piece in the New York Times Magazine by writer Martha Lear (b 1932).  The context was to note the appearance a decade earlier of second-wave feminism, focusing now on unofficial inequalities, unlike the first wave which was essentially structuralist.  While lineal, there’s overlap between the waves and, in both popular culture and academia, some resistance to change.  Whatever it’s other implications, feminism needs to be considered a political construct and it operates, a does politics, through cross-cutting cleavages; in the same way the formation of the G8 (the Group of 8, an assembly of advanced industrial economies created when Russia was added to the G7) didn’t mean the G7 ceased to exist, the successive waves in feminism both absorbed and operated in parallel with earlier waves.

First-wave feminism (1895-1950s): In this “de jure” period, focus was on legal issues such as women's suffrage, property rights and political candidacy.

Second-wave feminism (1960s-1980s): Even before equality in legal rights was wholly achieved, the movement broadened the debate to include sexuality, family, the workplace, reproductive rights and other de facto inequalities. Attention to first-wave issues focused on child custody and divorce law.

Third-wave feminism (1990-2000s): Although there were cultural links, the intellectual origins of 3WF lie in an article by feminist Rebecca Walker in 1992 and although never exactly defined, it was said to emphasis an interest in individualism and diversity.  Controversial even at the time, with strains of libertarianism now competing with the historic collectivist model, it sought to change the parameters of feminism.

Fourth-wave feminism (circa 2010-):  Regarded as a least partially technologically deterministic, 4WF is thought to have emerged circa 2008-2012 as social media gained critical mass.  It focuses on intersectionality and examines the interconnected systems of power that maintain the marginalized of certain groups in society.  4WF advocates for greater representation of these groups in all places within the power-elite, arguing equality for women will become possible only if policies and practices incorporate all groups.  Some have suggested the need for a 5WF but no coherent work has been published.

Fourth wave feminist: Lindsay Lohan images from a photoshoot by Terry Richardson (b 1965) for Love Magazine, 2012.

Purple

Purple (pronounced pur-puhl)

(1) Any color having components of both red and blue (often highly saturated), the darker the hue, the more likely to be described thus.

(2) In color theory, any non-spectral color on the line of purples on a color chromaticity diagram or a color wheel between violet and red.

(3) A dye or pigment producing such a colour

(4) Cloth or clothing of this hue, especially as formerly worn distinctively by persons of imperial, royal, or other high rank.

(5) In the Roman Catholic Church, a term at various times used to describe a monsignor, bishop or cardinal (or their office), now most associated with the rank, office or authority of a cardinal.

(6) Imperial, regal, or princely in rank or position.

(7) Any of several nymphalid butterflies including the red-spotted purple and the banded purple)

(8) Of or pertaining to the color purple (or certain things regarded as purple).

(9) In writing, showy or overwrought; exaggerated use of literary devices and effects; marked by excessively ornate rhetoric (purpureal).

(10) In language, profane or shocking; swearing.

(11) In modern politics, relating to or noting political or ideological diversity (in the US based on the blending of Democrat (blue) and Republican (red); in other places red & blue indicate different places on the political spectrum).

(12) In drug slang; the purple haze cultivar of cannabis in the kush family, either pure or mixed with others, or by extension any variety of smoked marijuana (“purple haze” a popular name for commercially available weed in those places where such thing are lawful.  Purple haze was originally slang for LSD.

(13) In agriculture, earcockle, a disease of wheat.

(14) To make or become purple (or, in ecclesiastical use, to put on one’s purple vestments) .

Pre 1000: From the Middle English noun and adjective purple, purpel & purpur, from Old English purpuren & purpul, a dissimilation (first recorded in Northumbrian, in the Lindisfarne gospel) of purpure (purple dye, a purple garment), from the adjective purpuren (purple; dyed or colored purple), from purpura (a kind of shellfish, Any of various species of molluscs from which Tyrian purple dye was obtained, especially the common dog whelk; the dye; cloth so dyed; splendid attire generally), from the Ancient Greek πορφύρα (porphýra or porphura) (the purple fish (Murex)), perhaps of Semitic origin.  Purpur continued as a parallel form until the fifteenth century and was maintained in the rules of heraldry until well into the nineteenth.  The verb purple (to tinge or stain with purple) was from the noun and emerged circa 1400.  The earlier form was purpured, a past-participle adjective.  The adjective purplish (somewhat purple, tending to purple) was from the noun and dates from the 1560s.  Purple is a noun, verb & adjective, purpled & purpling are verbs, purplish, purpler, purply & purplest are adjectives and purpleness is a noun; the noun plural is purples.

1974 Triumph Stag in magenta.  Some of the shades of brown, beige, orange and such used in the 1970s by British Leyland are not highly regarded but some were quite striking.

The rhetorical use in reference to “the splendid; the gaudy” began as a description of garments (classically imperial regalia) and since the mid-eighteenth century, as “purple prose” of writing.  In US political discourse and commentary, purple has since been used (often in graphical or cartographic form) to indicating the sectional or geographical spaces in which the increasing division of the country into red (Republican) and blue (Democratic) was less apparent.  That this came into widespread use only by around 2004 is because the use of red & blue by the US news media became (more or less) standardized only by the 1990s, use have begun circa 1980, something without any relationship to the linking of the colors (red=left; blue=right) traditional in other parts of the English-speaking world.  Other words used to describe purplish shades include lavender, mauve, amethyst, violet (with many sub-types) lilac, orchid, indigo, mulberry, plum, eggplant (aubergine seems rare but is used in commerce), fuchsia, heliotrope, periwinkle, purpureus & thistle and while many directly reference the flowers of plants, one curiosity is magenta: It was so called because the dye of that shade was created at the time of the Battle of Magenta (1559) in which French and Sardinian forces defeated those of the Austrians.  Purple is widely used in zoology and botany to create common names of species to some extent colored purple.

Purple patch: 1970 Dodge Challenger (440 Six-Pack) in Plum Crazy (left) and 1971 Plymouth Hemi ‘Cuda in In Violet) (clone; right).

Chrysler had some history in the coining of fanciful names for colors dating from the psychedelic era of the late 1960s when the choices included Plum Crazy, In-Violet, Tor Red, Sub Lime, Sassy Grass, Panther Pink, Moulin Rouge, Top Banana, Lemon Twist & Citron Yella.  Although it may be an industry myth, the story told was that Plum Crazy & In-Violet (lurid shades of purple) were late additions because the killjoy board refused to sign-off on Statutory Grape.  The lurid colors soon disappeared, not only because fashions change but because at the time they depended on the use of lead which was banned from paint in the early 1970s.  Not until the early twenty-first century did manufacturers perfect ways economically to replicate the earlier colors without using lead.

In idiomatic use, purple is popular.  One “born into the purple” was literally one of royal or exalted birth although it’s now often used even of those from families somewhere in the upper middle class.  The “purple death” was hospital slang for Spanish influenza and it was an allusion to the cyanosis which, because of the difficulty breathing, which would turn the skin purple.  In the early post-war years “purple death” was also used to describe a cheap Italian wine.   The phrase “once in a purple moon” was a variation of “once in a blue moon” and some dictionaries include an entry, apparently only for the purpose of assuring us that not only is it extinct but it may never have been in common use.  “Purple bacteria” (the form only ever used in the plural) are a proteobacteria which produce their own food using photosynthesis; they are all classed as purple, even though some are orange, red or brown.  In the analogue-era world of the phone phreaks (hackers who used the telephone networks for other than the intended purpose), a “purple box” was a device which added a hold facility to a telephone line.  It was an allusion to the general term “black box” used in engineering and electronics to describe small devices with specific purposes; not all “purple boxes” were actually purple.  “Purple gas” was a Canadian term which described the gas (motor spirit; petrol) colored with a purple dye to indicate it was sold subject to a lower rate of taxation and for use only in agriculture and not on public roads.  Anyone found using “purple gas” beyond a farm could be charged and many countries use similar methods though the dye is not always purple.  “Purple gold” was a synonym of amethyst gold (a brittle alloy of gold and aluminium, purple in colour).

1994 Porsche 911 Turbo 3.6  (964) in Amethyst Metallic over Classic Gray.

A “purple passage” (also as “purple prose”) was any form of writing thought showy or overwrought, using an exaggerated array of literary devices and effects or marked by excessively ornate rhetoric.  It was a criticism but the later “purple patch” which describes any particular good period or performance (in any context) was wholly positive.  The “purple pill” was an advertising slogan used by a pharmaceutical company but unlike “little blue pill” (Viagra), it never entered the vernacular.  “Purple plague” has specific meanings in chemistry and electronics (relating to a chemical reaction which produces an undesirable purple compound) but a more amusing use is by Roman Catholic bishops noting a unwanted number of monsignors (who wear a purple sash) in their dioceses, sent there by the Vatican.  In US politics a “purple state” is a “swing state”, one which, depending on this and that, may vote either Republican (red) or Democrat (blue).  The “purple star” was the symbol worn by Jehovah's Witnesses in concentration camps in Nazi Germany (1933-1945), one of a number of color-coded patches, the best-known of which was the yellow Jewish star.  The Jehovah's Witnesses were an interesting case in that uniquely among the camp inmates, they could at any time leave if they were prepared to sign a declaration denying their religious beliefs.  In international air-traffic management, a “purple zone” (also “purple airway”) describes a route reserved for an aircraft on which a member of a royal family is flying.  In US military use, the “Purple Heart” dating from 1932, is still awarded to service personnel wounded in combat.  It’s origin was a decoration in purple cloth first awarded in 1782 which came to be known as the “wound stripe”.  In the mid 1960s, “purple haze” was slang for LSD (Lysergic acid diethylamide, a psychedelic drug with a long history verging on academic respectability before becoming a popular hallucinogenic, users clipping the term to "acid"); it was later repurposed for various strains of weed.

Lindsay Lohan, admirer of all things purple.

The dye tyrian purple (all the evidence suggests it would now be thought a crimson), was produced around Tyre and was prized as dye for royal garments, hence the figurative use in the sixteenth century of purple for “imperial or regal power” (it was also the color of mourning or penitence among royalty or the upper reaches of the clergy).  Tyrian purple (also known as shellfish purple) was for long periods the most expensive substance in Antiquity (often (by weight) three times the value of gold, the exchange rate set by a Roman edict issued in 301 AD.  By the fifteenth century when the intricate process to extract and process the dye was lost, Tyrian purple had for millennia been variously a symbol of strength, sovereignty and money and its use had spread from the Classical world to Southern Europe, North Africa, and Western Asia and was so associated with the civilization of the Phoenicians (the color named after their city-state Tyre) that they were known as the “purple people”.  What many didn’t know was that the dye associated with the illustrious came not from a gemstone or some vivid coral but from the slimy mucous of sea snails in the Murex family.  Debate continues about what must have been the process used in extraction and production although, given many factories and artisans were involved over the years, there may have been many variations of the method.

It was in 1453 when the Byzantine capital Constantinople (modern-day Istanbul) fell to the Ottomans that the knowledge of Tyrian purple was lost, something of a footnote to the end of the Eastern Roman Empire but still a loss.  Then, the infamously smelly dyeworks of the old city were the hub of purple production although, after a series of punitive taxes, the Catholic Church had lost control of the pigment which is the origin of the pope’s decision that red would become the new symbol of Christian power and this was adopted for the garb of cardinals; the story that the vivid red symbolized the blood cardinals mush be prepared to spill in the defense of their pope was just a cover story although one obviously approved of by the pontiff.

Beginning in 1968 with Shades of Deep Purple (left), the rock band Deep Purple sometimes used purple-themed album cover art and may have wished they'd stuck with that their eponymous third album (1969).  The original cover (centre), featuring a fragment of one panel of the triptych The Garden of Earthly Delights (1490-1510) by Hieronymus Bosch (circa 1450-1516), was declared "demonic" by the US distributors so an alternative needed hastily be arranged and whether because of the tight schedule or just wanting to play it safe, they stuck to purple (right).  They'd earlier had a similar difficulty with their US label when releasing their second album (The Book of Taliesyn (1968)), the objection that time that one song title (Wring That Neck) was "too violent" (it was an instrumental piece and the reference was to a technique used with the neck of a guitar but it was anyway changed to Hard Road).  Times have changed.

Spook

Spook (pronounced spook)

(1) In informal use, a ghost; a specter; an apparition; hobgoblin.

(2) A person whose appearance or conduct is thought “ghost-like”.

(3) In philosophy, a metaphysical manifestation; an artificial distinction or construct.

(4) In slang, a ghostwriter (one who writes text (typically columns, autobiography, memoir) published under the name of another,

(5) In slang, an eccentric person (now rare).

(6) In disparaging and offensive slang, term of contempt used of people of color (historically African-Americans).

(7) In slang, a spy; one engaged in espionage.

(8) In slang, a psychiatrist (originally US but now more widespread under the influence of pop culture.

(9) In the slang of blackjack, a player who engages in “hole carding” by attempting to glimpse the dealer's hole card when the dealer checks under an ace or a 10 to see if a blackjack is present.

(10) In southern African slang any pale or colorless alcoholic spirit (often as “spook & diesel”).

(11) To haunt; inhabit or appear in or to as a ghost or spectre.

(12) To frighten; to scare (often as “spooked”).

(13) To become frightened or scared (often as “spooked”); applied sometimes to animals, especially thoroughbred horses.

1801: A coining of US English, from the Dutch spook (ghost), from the Middle Dutch spooc & spoocke (spook, ghost), from an uncertain Germanic source (the earliest known link being the Middle Low German spōk (ghost), others including the Middle Low German spôk & spûk (apparition, ghost), the Middle High German gespük (a haunting), the German Spuk (ghost, apparition, hobgoblin), the Danish spøg (joke) & spøge (to haunt), the Norwegian spjok (ghost, specter) and the Swedish spok (scarecrow) & spöke (ghost).  The noun spook in the sense of “spectre, apparition, ghost” seems first to have appeared in a comical dialect poem, credited to “an old Dutch man in Albany” and printed in Vermont and Boston newspapers which credited it to Springer's Weekly Oracle in New London, Connecticut.  The regional diversity in language was then greater and evolutions sometimes simultaneous and the word also appeared in US English around 1830 as spuke & shpook, at first in the German-settled regions of Pennsylvania, via Pennsylvania Dutch Gschpuck & Schpuck, from the German Spuk.  Spook & spooking are nouns & verbs, spooker & spookery are nouns, spooktacular is a noun & adjective, spooktacularly is an adverb, spooked is a verb & adjective, spookery is a noun, spooky, spookiest & spookish are adjectives; the noun plural is spooks.

Spooked: Lindsay Lohan in I Know Who Killed Me (2007).

A “spook show” (frightening display) was a term in use by 1880 and in the sense of a “popular exhibition of legerdemain, mentalism or staged necromancy” it was documented by 1910.  The spook house (abandoned house) was in use in the 1850s, the expression meaning “haunted house” emerging in the 1860s.  The meaning “superstition” had emerged by 1918, presumably an extension from the earlier sense of “a superstitious person”, documented around the turn of the century although it probably existed longer in oral use.  In the 1890s, “spookist” (described variously as “jocular” and “a less refined word” was used to refer to spiritualists and medium (and in those years there were a lot of them, their numbers spiking after World War I (1914-1918) when many wished to contact the dead.  Spooktacular (a pun on “spectacular” developed some time during World War II (1939- 1945).  The meaning “undercover agent” or “spy” dates from 1942 (inducing “spookhouse” (haunted house) to pick up the additional meaning “headquarters of an intelligence operation”, a place presided over by a “spookmaster” (“spymaster” the preferred modern term).  In the same era, in student slang a spook could be an unattractive girl or a quiet, diligent, introverted student (something like the modern “nerd” but without any sense of a focus of technology).

Senator Rebecca Ann Felton (1835–1930, left) and Senator Mitch McConnell (b 1942; US senator (Republican-Kentucky) since 1985; Senate Minority Leader since 2021).  The spooky resemblance between Senator Fulton (who in 1922 served for one day as a senator (Democratic-Georgia), appointed as a political manoeuvre) and Senator Mitch McConnell has led some to suggest he might be her reincarnated.  Some not so acquainted with history assumed the photograph of Senator Felton was Mitch McConnell in drag.

The sense of spook as “a black person” is listed by dictionaries of US slang as being documented by 1938 (the date of origin uncertain) and it seems to have begun in African-American (hep-cat) slang and it was not typically used with any sense of disparagement, nor was it thought in any way offensive word.   However, by 1945 it had picked up the derogatory racial sense of “black person”, defined specifically as “frightened negro” and it became a common slur in the post-war world, probably because that even by then the “N-word” was becoming less acceptable in polite society.  That was the “linguistic treadmill” in practice but spook had also deviated earlier: In 1939 it is attested as meaning “a white jazz musician” and is listed by some sources as a disparaging term for a white person by 1947.  Spook also developed a curious fork in military aviation although one probably unrelated to the informal pilot’s jargon of the 1930s, a “spook” a “novice pilot” of the type who “haunt the hangers”, hiring air-time and learning to fly for no obvious practical purpose other than the joy of flying.  During the early 1940s, the US Army Air Force (USAAF) began the recruitment of black athletes for training as pilots, conducted at the Tuskegee Institute in Alabama; the group (1940-1948) was known as the Tuskegee Airmen and during World War II (1939-1945) they gained a fine reputation when deployed as combat units.  However, they also suffered prejudice and when first posted to Europe were often called the “Spookwaffe” (a play on Luftwaffe, the name of the German air force) although as happened decades later with the by then infamous N-word, some black pilots “re-claimed” the name and used it as a self-referential term of pride.

Left to right: Spook, the Bacterian ambassador, Benzino Napaloni, Diggaditchie of Bacteria (a parody of Benito Mussolini), Adenoid Hynkel (Adolf Hitler) and Field Marshall Herring (Hermann Göring).  The satirical film The Great Dictator (1940) was very much a personal project, Charlie Chaplin (1889–1977) writing, producing & directing as well as staring as Adenoid Hynkel, Phooey of Tomainia.  The rather cadaverous looking Spook was the Bacterian ambassador.

Seventy years of spooks.

On 9 September 2019, the Royal Australian Mint released a 50 cent coin to commemorate the 70th anniversary of the Australian Security Intelligence Organisation (ASIO), the domestic spy agency (similiar in function to the UK's MI5 (Security Service)).  The issue was limited to 20,000 coins and each featured an encrypted code, similar in structure to those used by spooks during the Cold War.  At the time of the release, the Mint ran a competition inviting attempts to "solve the code", the prize the only proof commemorative coin in existence.  The competition was won by a fourteen year old who is apparently still at liberty, despite having proved him or herself a threat to national security.

Albert Einstein (1879-1955) gave the word a few memorable phrases but one of the most evocative is a calque of the German spukhafte Fernwirkung (rendered by Einstein as spukhafte Fernwirkungen (spooky actions at a distance) in a letter of 3 March 1947 to the physicist Max Born (1882–1970)).  Einstein used “spooky actions at a distance” to refer to one of the most challenging ideas from quantum mechanics: that two particles instantaneously may interact over a distance and that distance could be that between different sides of the universe (or if one can’t relate to the universe having “sides”, separated by trillions of miles.  Known as “quantum entanglement”, it differs radically from some of the other (more abstract) senses in which everything in the universe is happening “at the same time”.

This aspect of quantum mechanics has for a century-odd been one of the most contested but the 2022 Nobel Prize in Physics was awarded to three scientists who designed experiments which tested the theories, their results contradicting Einstein and discovering the seriously weird phenomenon of quantum teleportation.  Quantum entanglement is a process in which two or more quantum particles are in some way connected so any change in one causes a simultaneous change in the other, even if they are separated by vast distances.  Indeed those distances could stretch even to infinity.  Einstein was one of many physicists not convinced and he didn’t like the implications, calling the idea “spooky action at a distance” and preferred to think the particles contained certain hidden variables which had already predetermined their states.  This was neat and avoided the need for any teleportation.  However, what the 2022 Nobel Laureates found that the fabric of the universe should be visualized as a sea of wave-like particles that affect each other instantaneously, distance as conventionally measured being irrelevant.  What that seems to mean is that nothing has to travel between the two particles (the speed of light therefore not a limitation) because the two are in the same place and that place is the universe.  The English physicist Sir Arthur Eddington (1882–1944) was surely correct when he remarked “…not only is the universe queerer than we imagine, it is queerer than we can imagine.”